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Articles 41791 - 41820 of 47638
Full-Text Articles in Arts and Humanities
Mostel, The Cello Player, Amy Lockard
Mostel, The Cello Player, Amy Lockard
dead letter: uni magazine of the arts
No abstract provided.
Catchin' Some Heat, Dave Gibson
Catchin' Some Heat, Dave Gibson
dead letter: uni magazine of the arts
No abstract provided.
Untitled 5 [Torso, Drawing], Carol Hagen
Untitled 5 [Torso, Drawing], Carol Hagen
dead letter: uni magazine of the arts
No abstract provided.
Notes On Pallet King, Dave Gibson
Notes On Pallet King, Dave Gibson
dead letter: uni magazine of the arts
No abstract provided.
A Death [Poem], Michael Swanson
A Death [Poem], Michael Swanson
dead letter: uni magazine of the arts
No abstract provided.
Frozen Host [Drawing], Jeff Olsen
Frozen Host [Drawing], Jeff Olsen
dead letter: uni magazine of the arts
No abstract provided.
Untitled 10 [Man Standing With Pole, Photograph], Todd Stenson
Untitled 10 [Man Standing With Pole, Photograph], Todd Stenson
dead letter: uni magazine of the arts
No abstract provided.
Tea And Sprouts, Gabriel Woolf
Tea And Sprouts, Gabriel Woolf
The George Eliot Review Online, ISSN: 2831-5375
Does the Englishman eat and drink only to stay alive? Using evidence provided by George Eliot, Charles Dickens, Thomas Hardy, Henry James, Jerome K. Jerome, Lewis Carroll and the poetic ponderings of mighty and minor poets, Gabriel Woolf took a Iighthearted look into the English cornucopia, trying to determine whether it contained any more than our national beverage TEA and a vegetable he clearly does not savour himself - SPROUTS! Are the English the only people daft enough to eat sprouts, he clearly wondered - and we still don't know, for no evidence has appeared which proves them to be …
Shakespearean Allusions In 'Janet's Repentance', A.G. Van Den Broek
Shakespearean Allusions In 'Janet's Repentance', A.G. Van Den Broek
The George Eliot Review Online, ISSN: 2831-5375
This paper is part of a comprehensive survey of Shakespeare's influence on George Eliot's writing, an influence widely recognised by critics but rarely given the detailed analysis it deserves. It seems to me that, a study of this sort is needed because Shakespeare belongs to that enormous "choir" of philosophers, theologians, writers, poets, dramatists and scientists on whom Eliot drew when shaping her philosophy of life and art; a "choir" which with "mild persistence urge man's search/ To vaster issues. I offer this critique of "Janet's Repentance", therefore, as something to be compared with studies that show other influences from …
Mrs. Transome And 'Desecrated Sanctities', H.S. Kakar
Mrs. Transome And 'Desecrated Sanctities', H.S. Kakar
The George Eliot Review Online, ISSN: 2831-5375
As George Eliot's Introduction to Felix Holt would lead one to expect, the crux of the tragedy which this novel embodies is the "pity and terror" evoked by the "downfall of blindly-climbing hopes", rather than mere peripatetic - the 'discovery' of Mrs. Transome's guilty past. As always in her novels, the tragic reversal that really matters is not an external incident: it is internalised and is closely linked with moral 'recognition'. Mrs. Transome's agonised consciousness of her violated conscience, which the reader shares all through, is a prominent element in her suffering. The scene in the White Hart (Chapter 47) …
To Pray Or Not To Pray, Kathleen Adams
To Pray Or Not To Pray, Kathleen Adams
The George Eliot Review Online, ISSN: 2831-5375
No-one who has read George Eliot's novels can be unaware of her interest in the clergy as characters for her fiction - Amos Barton, Mr. Gilfil, Mr. Tryan, Mr. Irwine, Rufus Lyon - or of her knowledge of various expressions of faith - Evangelical, Methodist, Independent, through to ..Judaism in her final novel, Daniel Deronda. She writes of the clergy with a minimum of caricature, some criticism, but she is never without compassion.
Reading her letters confirms this interest as well as her Iife-Iong search for knowledge of the subject and, because her quest is so well documented, her views …
Book Review: George Eliot And Nineteenth-Century Science: The Make-Believe Of A Beginning, Graham Handley
Book Review: George Eliot And Nineteenth-Century Science: The Make-Believe Of A Beginning, Graham Handley
The George Eliot Review Online, ISSN: 2831-5375
This is a sustained investigation of the novels (Scenes of Clerical Life is virtually omitted) and the scientific climate and knowledge which inform them. It is a necessary and stimulating book, firmly anchored in 19th century scientific: theory. It underpins what we have always known but never perhaps spelled out fully, and that is the depth and width of George Eliot's scientific interests and how she integrated them into her work. Dr. Shuttleworth notes that George Eliot's knowledge of science was 'unmatched by any of her peers' and at the same time indicates the centre of her own study - …
The George Elliot Fellowship Review 1987 No.18, Kathleen Adams, Graham Handley
The George Elliot Fellowship Review 1987 No.18, Kathleen Adams, Graham Handley
The George Eliot Review Online, ISSN: 2831-5375
CONTENTS 1987
President’s Message 6
Annual Report- 1986 7
Accounts- 1986 15
Treasurer’s Report- 1986 16
George Eliot Memorial Lecture- 1986: Silas Marner: Filming the Novel by Louis Marks 16
Nuneanton Wreath-laying- June 1986 24
Westminster Abbey Wreath-laying- 1986 25
Shakespearean Allusionsin ‘Janet’s Repentance by A.G. van den Broek 27
Book Reviews:
The Clarendon Edition of Middlemerch edited by David Carroll 40
George Eliot and 19th Century Science: The Make-Believe of a Beginning by Sally Shuttleworh 42
George Eliot by Gillian Beer 43
Poem: At the Grave of George Eliot by Amy Clampitt 46
A Hard Moral Core by …
The Manuscript Of Daniel Deronda: A Change In Sequence?, Graham Handley
The Manuscript Of Daniel Deronda: A Change In Sequence?, Graham Handley
The George Eliot Review Online, ISSN: 2831-5375
The examination of a great writer's manuscript carries its own fascinations and frustrations, for eyes and mind are intent on discovery, with might-have-been replacing is at the blink of an eyelid. Deletions hide something of significance, single-word alterations are evidence of a change of mind (or of heart), and commonplaces are elevated by a single deft stroke or slant into transcendent maxims or inscrutable morality. Re-shaped sentences take on a greater profundity of thought, while paragraphs collated with the first printing or a later corrected one, show either the wisdom of reflection or the author's obstinacy, depending on the reader's …
Message Of Greeting From The Fellowship President, Jonathan G. Ouvry
Message Of Greeting From The Fellowship President, Jonathan G. Ouvry
The George Eliot Review Online, ISSN: 2831-5375
Having very much enjoyed my three year spell as President of the Fellowship I was delighted and honoured to hear from Kathleen Adams that I had been re-elected. She allayed my suspicion that this was simply to avoid the expense of reprinting the letterheading, pointing out that Ann Reader had retired from the Treasurership so that change. was, in any event, inevitable. I would like to add my personal thanks to Ann for all her tireless work in keeping the Fellowship on a sound financial basis over a very long period, and at the same time wish her successor a …
Book Review: The Clarendon Edition Of Middlemarch, Kathleen Porter
Book Review: The Clarendon Edition Of Middlemarch, Kathleen Porter
The George Eliot Review Online, ISSN: 2831-5375
We welcome the Clarendon edition of George Eliot’s Middlemarch, which is generally considered to be her greatest novel. It took her about three years to write, and it seems to have caused a good deal of trouble to all concerned.
David Carroll's splendid Introduction, although not intended to be biographical, offers the reader a glimpse of the working life of the Leweses. As the Editor tells us, George Eliot left no detailed account of the 'germ' of Middlemarch, but her letters to John Blackwood gave hints that an 'English novel' was in her mind as early as 1867. Then, after …
"Listening" A Poem Inspired By Middlemarch, M.A. Valk
"Listening" A Poem Inspired By Middlemarch, M.A. Valk
The George Eliot Review Online, ISSN: 2831-5375
LISTENING
Listening to silence
on its other side
hearing the grass grow
the beat of a bird's heart
the fall of a star
Shall 1 die of the roar
waiting for silence
to break - like glass?
Book Review: George Eliot, Kathleen Adams, Jennifer Uglow
Book Review: George Eliot, Kathleen Adams, Jennifer Uglow
The George Eliot Review Online, ISSN: 2831-5375
When I first heard that Virago were to pubIish a book about George Eliot (the author sought my help in locating certain photographs) I was a Iittle apprehensive. I feared that this might be a militant feminist view of a lady who concerned herself deeply about the 'Woman Question' but who did not align herself with the growing Victorian feminist movement. But a first reading allayed my fears, for Jennifer Uglow treats her subject with sympathy and understanding and does not try to prove that George Eliot was an active feminist when she was not.
The book opens with a …
The Sixteenth George Eliot Memorial Lecture- 1987, Beryl Gray
The Sixteenth George Eliot Memorial Lecture- 1987, Beryl Gray
The George Eliot Review Online, ISSN: 2831-5375
Although from its first chapter the novel evolves towards the crises of Maggie's brief maturity, my focus here is on the two final Books of The Mill on the Floss. Book VI is called "The Great Temptation"; Book VII is called ''The Final Rescue". Taken together, these two Books can be read as an allegory of moral struggle and redemption.
The temptation itself is located in Paradise. Indeed, the first chapter of Book VI - ''The Great Temptation" - is entitled" A Duet in Paradise". In conjunction, the key titular words - "Temptation" and "Paradise" - conjure the Temptation in …
George Eliot's Wesleyan Madonna, Elsie B. Homes
George Eliot's Wesleyan Madonna, Elsie B. Homes
The George Eliot Review Online, ISSN: 2831-5375
George Eliot's "favorite painting in all the world" was Raphael's "Sistine Madonna”, which she and George Henry Lewes first viewed at Dresden when she was writing Adam Bede. In her journal, she recorded that on her first sight of the painting she sat down briefly, but then "a sort of awe, as if I were suddenly in the presence of some glorious being, made my heart swell too much for me to remain comfortably, and we hurried out of the room" (Haight 264). Each day as they came to the gallery, they would return last to what Lewes termed “this …
Annual Report 1987
The George Eliot Review Online, ISSN: 2831-5375
Before I began this, my 20th. annual Report, 1 looked back to my first and found, to my amusement, that it was a mere half quarto page! During that year we had visited the Amold Bennett Country, seen the play of 'Wutherlng Heights', and our Guest of Honour at the Dinner was the writer, Richard Church, a kinsman of George Eliot. Our total membership was 60.
1987 was inevitably a quieter year than 1986 - can it really be more than two years since we unveiled the Statue? At the AGM in March it seemed almost inevitable that we should …
Unspeakable Rich Mercy: Text And Audience In Three Puritan Sermons : John Cotton's The Covenant Of God's Free Grace, Thomas Hooker's The Christian's Two Chiefe Lessons, And Thomas Shepard's The Saint's Jewel, Parley Ann Boswell
Dissertations
No abstract provided.
A Hard Moral Core, Vic Hopkins
A Hard Moral Core, Vic Hopkins
The George Eliot Review Online, ISSN: 2831-5375
The novelist C. P. Snow, reviewing a book on George Eliot by Robert Speaight (1954), seeking an answer to his own question: “Which of the Victorian novelists means much to the younger writers today?", after rejecting most of them, finally selected George Eliot, who, in her time, he explained
"received a complete esteem not given to any other English novelist, and who afterwards became regarded as a faintly comic monument.”
I paused over the statement, puzzled and fearing worse might follow, but mercifully the writer of it, buoyed perhaps by the thought II serious art needs a hard moral core", …
The Transformation: The Puritan Past And Language In Hawthorne's Novels, Joan A. Mullin
The Transformation: The Puritan Past And Language In Hawthorne's Novels, Joan A. Mullin
Dissertations
No abstract provided.
Lamberton, Robert. Homer The Theologian: Neoplatonist Allegorical Readings And The Growth Of The Epic Tradition. Berkeley: University Of California Press, 1986. (Review), Paul A. Olson
Department of English: Faculty Publications
This book is excellent both for classicists and Spenserians, for the latter not only because Homer is the (direct or indirect) source for many episodes in The Faerie Queene but because the modes of understanding epic which Lamberton explores are crucial to the comprehension of Spenserian allegory. The work continues the tradition of examination of classical myth and allegory begun by Felix Buffiere, Jerome Carcopino, Franz Cumont, and Jean Pepin. Beginning with the early Neo-Pythagorian allegorists, it proceeds to cover Homeric commentary in 'apostolic' and 'post-apostolic' times: that of Philo, Numenius, Clement and Origen in Jewish-Christian tradition; and that of …
Omar S. Pound, Arabic And Persian Poems In Translation, Robert Spoo
Omar S. Pound, Arabic And Persian Poems In Translation, Robert Spoo
Articles, Chapters in Books and Other Contributions to Scholarly Works
No abstract provided.
Raking Leaves, Ann Ellsworth
Raking Leaves, Ann Ellsworth
dead letter: uni magazine of the arts
No abstract provided.
Short-Story Fiction, Cj (Cynthia) Dyer Hine-Grove
Short-Story Fiction, Cj (Cynthia) Dyer Hine-Grove
Whittier Scholars Program
This project is a collection of four short-stories. The first section is an articulation of the problems faced, the solutions found, and the lessons learned while writing each story. The titles of the stories, in order, are: Caper, Witch Doctor, Vitamins, and Contest. Also attached are the rewrites of each story, with comments from editors included.
“What Thyng It Is That Wommen Moost Desiren”: Image And Self-Realization In The Wife Of Bath's Prologue And Tale, Thomas W. Köhn
“What Thyng It Is That Wommen Moost Desiren”: Image And Self-Realization In The Wife Of Bath's Prologue And Tale, Thomas W. Köhn
Masters Theses
The Wife of Bath is undoubtedly one of the most fascinating of the Canterbury pilgrims. At the same time she is one of those literary figures whose complex character constantly seems to elude the reader's judgement. Alisoun presents herself as a feminist advocating male subjection and female sovereignty in marriage, but her self-assertive behaviour cannot conceal an equally powerful longing for love and acceptance. Some critics therefore praise the psychological depth of the Wife's portrayal while others label her a stock character and join in the derisive laughter they believe her fellow pilgrims to bestow on her.
This thesis explores …