Arts and Humanities Commons^™

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Criterion: A Journal of Literary Criticism

No abstract provided.

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Criterion: A Journal of Literary Criticism

No abstract provided.

Blake’S Green Symbols Of Humanity, Society, And Spirituality, Angela J. Heagy

Criterion: A Journal of Literary Criticism

William Blake is an exemplar of Romantic poetry characterized by depictions of the occult, the divine, and human nature. Despite Blake’s reputation as a Romantic poet, many critics claim that there is not sufficient evidence to consider him a nature writer. As a result, Blake’s name is frequently omitted from ecological discussions; some scholars go so far as to claim that Blake’s poetry demonstrates a disregard for nature altogether. This article argues that an eco-critical analysis of Blake’s Songs of Innocence and of Experience reveals nature to be Blake’s continual source of inspiration. Within this collection, nature represents the struggles …

Withholding In Shakespeare: An Analysis Of King Lear And As You Like It, Nylene R. Ward

Criterion: A Journal of Literary Criticism

Shakespeare is a name familiar to most people who have had the opportunity to study beyond the third grade. Withholding is a practice that isn’t as well known to us until we reach teenage and young adult years. This essay examines both of these topics, exploring the causes and effects of withholding in King Lear and As You Like It while comparing them to real-world definitions and findings. No concrete resolution is formed, instead leaving the outcome to readers as they consider the ethical, relational, and logical implications of the adult hide-and-seek that is withholding.

“Our Experience Is Fragmentary”: Partial Redemption In Marilynne Robinson’S Gilead Tetralogy, Zachary Stevenson

Criterion: A Journal of Literary Criticism

Although the characters and thematic throughlines vary across the four books in the Gilead series, each book takes an interest in the reality of division and considers ways of negotiating and healing that division. Whether the divisions are theological, familial, socioeconomic or racial, their presence haunts the text and the question of their resolution always hovers near the surface. Taken together, these considerations of difference across the four books demonstrate that Robinson populates her novels with chasms that her characters bridge, but only partially so. This coexistence of alienation and reconciliation allows Robinson to articulate a vision of Christian community …

“Viewed In Prospect Or Retrospect”: Dorothy Wordsworth’S “Revisiting” On The 1820 Continental Tour, Eve Dixon Fennimore

Criterion: A Journal of Literary Criticism

This paper argues that Dorothy Wordsworth, in her often overlooked Journal of a Tour on the Continent, was essentially “revisiting” places that she was viewing for the first time, as she had visited them secondhand through William's stories and writings about them. In 1820, Dorothy, William, and Mary Wordsworth embarked on a tour of the continent in the inverse direction of William’s youthful 1790 trip. For thirty years, Dorothy had heard stories and read about his experiences, building up an image in her mind of what the Continent would be like which changed her own exploration of the sights. …

Painted As Political: The Cultural Significance Within Zitkala-Ša’S Boarding School Narratives, Toni Aguiar

Criterion: A Journal of Literary Criticism

Zitkala-Ša was a Dakota writer, educator, and political activist who was and is widely influential within and outside of Native American communities during the twentieth century. As a child, Zitkala-Ša was sent to school at White's Indiana Manual Labor Institute, which spurred her writings in “School Days of an Indian Girl” recounting her experiences at the school and the struggles she faced. Though many scholars debate the activist choices she made in her later life as either pro or anti assimilation, some also extend this political criticism into her childhood experiences. My paper argues an alternative reading of these boarding …

Community As A Force Of Action In Lorraine Hansberry's "Les Blancs", Lily Jensen

Criterion: A Journal of Literary Criticism

This paper explores Hansberry’s philosophy of community in her 1970 play, Les Blancs. The paper analyzes Hansberry’s use of complex characterization in this text to show the wide reach of the colonial power structure and to show what is required of a community to push for effective action. The paper also analyzes the National Theatre’s 2016 production of Les Blancs, and how this production incorporates and enhances Hansberry’s philosophy of community through the characteristics afforded through theatre as a medium.

The Villainess Does Damage Control: Cultural Rescue In The Man Of Law’S Tale, Lucy Esplin

Criterion: A Journal of Literary Criticism

In the late fourteenth century, Geoffrey Chaucer wrote his masterwork, The Canterbury Tales, a satirical frame narrative centered on English society. The tales follow a group of pilgrims spanning a wide range of English society, who engage in a storytelling contest as they embark on their pilgrimage. One story is the “Man of Law’s Tale,” a crusader romance that follows the pious Constance in her missionary-like journeys. She first travels to Syria to marry a Sultan, after negotiations between the Roman and Syrian rulers demanded the Sultan be baptized and control over Jerusalem would be handed over to Christians (Chaucer …

Cover And Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

From "Pictures Of Perfection" To "No Ideal Expression": How Jane Austen Reimagines And Reinvents Eighteenth-Century Heroines, Gretchen Picklesimer Kinney

Criterion: A Journal of Literary Criticism

No abstract provided.

Gender And Orality In Toni Morrison's Song Of Solomon, Nessa Ordukhani

Criterion: A Journal of Literary Criticism

This essay explores the intersection of postmodernism and multiculturalism in Toni Morrison's novel, Song of Solomon. It delves into the destabilization of historical metanarratives by postmodernism through the theories of Jean-François Lyotard, which challenges the notion of a singular truth and questions who constructs popular historical narratives. The essay discusses the role of the victors, particularly white males, in shaping history and the process of legitimation through which historical facts are determined. It examines how Morrison's novel offers an alternative history that highlights African American perspectives and challenges the dominant white narrative. Additionally, the essay explores the tension between multiculturalism …

“Creating And Maintaining Black Life-Worlds”: The Black Aesthetics Of Bernardine Evaristo’S Blonde Roots And Girl, Woman, Other, Sharanya Dg

Criterion: A Journal of Literary Criticism

Black Aesthetics is the philosophical inquiry into the objects and practices of expressions coming from people who have been racialized as black. These expressive practices then lend to the creation of the life-worlds of people subjected to racist discourses. One such author in the contemporary English society, Bernadine Evaristo, responds to anti-black racist discourses by exploring the cultural plurality of British black life-worlds. This paper is a textual and formal analysis of two experimental novels of Evaristo to study how they distinctly present the quotidian lives of various characters in their racialised bodies to reflect on the sociocultural and political …

Milton, Immortality, And Obtaining Eliot's "Significant Emotion", Aaron By Gorner

Criterion: A Journal of Literary Criticism

In his essay Tradition and the Individual Talent, T. S. Eliot famously asserts that very few can actually access "significant emotion" in poetry, and do so by understanding where relics of the classical tradition assert their immortality. In my article, I support Eliot's claims by demonstrating two (previously undiscussed) occasions where Milton, via Paradise Lost, inserts Christianity into the classical world: Satan and Abdiel alluding to Virgil's Remulus and Ascanius, and then Eve and Adam with Virgil's Nisus and Euryalus. Ultimately it will be apparent that not only does Milton's poetry obtain Eliot's "significant emotion" and its associated immortality, …

The “Fruit” Of Success: Christina Rossetti’S “Goblin Market” As An Allegory Of The 19th Century Literary Marketplace, Priyodarshini Ghosh

Criterion: A Journal of Literary Criticism

Christina Rossetti’s “Goblin Market” is probably her most critically acclaimed literary masterpiece. It has been accepted undoubtedly as an allegory of something, but critics have not been able to come to a unanimous conclusion as to what. Some have tried to establish it as a Christian allegory of Fall and Redemption, while others as an allegory of sexual temptation. Certain critics have hinted that this poem could be an allegory of the literary marketplace during the 19^th century, which was wholly dominated by men, women’s entry into that marketplace being either restricted or marked by insurmountable obstacles. Following the …

Full Issue

Criterion: A Journal of Literary Criticism

No abstract provided.

Beyond "His Native Town": Travel And Alienation In Mary Shelley's Frankenstein, Erin G. Quinn

Criterion: A Journal of Literary Criticism

Mary Shelley’s 1818 novel Frankenstein features a surprisingly extensive variety of locations through which Victor Frankenstein travels, ranging from the vibrant cities of London and Oxford to the isolated Orkney islands and Arctic lands. Scholars have analyzed the roles which some of these settings, namely, the Alps and the Arctic, play in the novel, and many have noted the importance of travel to the text. However, little scholarship exists assessing how Victor’s travels as a whole impact him, as well as their collective purpose within the story. Given the prominence of travel in Shelley’s text, as well as the fact …

The Art Speaks For Itself: Aura And Corruption In Cuarón’S Children Of Men, Colby Orton

Criterion: A Journal of Literary Criticism

In the world of Alfonso Cuarón’s Children of Men, the audience comes face to face with many scenes and shots that are filled with symbolism that it may become difficult to pick up on all the excellent directional moves made by Cuarón. This essay will closely analyze not only the clever placement of art but the heavy symbolic nature that each of these art pieces possess; furthermore, I will analyze the implications that these symbolic references bring to the film and how these implications complicate the film while furthering the difficult themes proposed by Cuarón. To achieve the highest understanding …

Havens And Covens: Pregnancy, Witchcraft, And Female Power In Cotton Mather’S “Retired Elizabeth”, Brittney A. Hatchett

Criterion: A Journal of Literary Criticism

Over the decades, scholars have been holding two adjacent conversations about witchcraft and gender in Cotton Mather’s works that surprisingly have not been put in dialogue. On the one hand, they have examined Mather’s witchcraft ideology and motivations for involving himself in the Salem witch trials. On the other hand, scholars have discussed how Mather seeks to exert control over women spiritually and physically. However, no one has yet explored how these conversations might converge. I suggest that we can see how Mather intertwines discourses of witchcraft and gender in the section titled “Retired Elizabeth” in The Angel of Bethesda. …

Claude Mckay's Protest Sonnets, Lily Jensen

Criterion: A Journal of Literary Criticism

The sonnet tradition is rich with change. It is a genre forged in strict conventions: fourteen lines, iambic pentameter, a volta (or even multiple turns), and themes of praise and unrequited love. Because of these rules, sonneteers from Petrarch to Shakespeare, Donne to Rosetti, and Hopkins to Hughes have used this form and bent it to their own personal uses. The sonnet has an intense social, cultural, and political history. This paper analyzes how Claude Mckay both used the conventions of the sonnet tradition and broke from the sonnet tradition in the poems “If We Must Die” and “The Lynching” …

“Hopelessly Crippled”: The Construction Of Disability In Borges’S “Funes, His Memory”, Madilyn Abbe

Criterion: A Journal of Literary Criticism

In Jorge Luis Borges’s “Funes, His Memory,” the narrator presents Ireneo Funes as an intriguing example of both physical and cognitive atypicality. Although the narrator is quick to identify Funes’s deficiencies, he unashamedly acknowledges his own cognitive weaknesses as well. Using a literary disability studies lens, this article examines the construction of disability within the text, arguing that the narrator imposes disability onto Funes to mask the possibility that he be categorized as disabled. The narrator sets up an ableist binary to undermine Funes physically, yet this binary falls apart when applied to cognitive ability. In order to address this …

Cover And Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

“Perfect In Her Eyes:” Domestic Retrenchment And Panoptical Resistance In Jane Austen’S Mansfield Park, Holden O. D'Evegnee

Criterion: A Journal of Literary Criticism

Mansfield Park features one of Jane Austen's most unique heroines, Fanny Price. Though Fanny is painfully shy—almost to the point of becoming the audience to her own story—she manages, by the end of the novel, to gain everything she wanted while the rest of her adopted family falls apart into disgrace or reform. Some critics see this as proof of Fanny’s monstrosity while others read Fanny’s ascent as a reward for her principled nature. Using recent postcolonial readings of Mansfield Park with Michel Foucault’s theory of panoptical surveillance, my goal is to show how Fanny Price subverts the colonial authority …

Recognizing Freedom: Zitkala-Ša's Fight For Native Citizenship, Camille J. Karpowitz

Criterion: A Journal of Literary Criticism

Minority groups protesting and petitioning for civil rights have been fundamental to United States history. Before the Indian Citizenship Act of 1924, Zitkala-Ša, a Native American rights activist, positions herself as a voice for Native citizenship. Within the native community, however, the issue of citizenship was not as easily advocated for, due to past injustices perpetrated by the United States government. As a result, Zitkala-Ša has been labeled an assimilationist or one who connect to either Natives or Americans.

While her advocacy for citizenship does not go unnoticed by scholars, it is often ignored in her works outside of political …

Henrietta Maria: Royalist Women’S Representations Of The French Catholic Queen, Kim Hansen

Criterion: A Journal of Literary Criticism

By the mid-15^th century, the royal marriage of King Charles and Queen Henrietta Maria incited enough conflict to spark civil war, as the English struggled to reconcile between the long-established image of female English domesticity and a pervasive cultural expectation for equality between marriage partners. Any form of equality in the royal marriage called the absolute power of the king into question, as it would imply that his actions had included her direct involvement, and even at times were more representative of her, not his, views. Letters captured at the Battle of Naseby confirmed fears that the queen …

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.

“What Could She Do Next?”: Margaret’S Power And Control Through Failed Emotional Labor In Elizabeth Gaskell’S North And South, Cianna Alano

Criterion: A Journal of Literary Criticism

Critics of Elizabeth Gaskell’s North and South identify Margaret as an emotional laborer, but they emphasize how this is a detriment to Margaret rather than how she uses it to her advantage. Margaret’s role as an emotional laborer is, indeed, often unwanted and inconvenient, but she reappropriates this work to gain control of undesirable situations. Most notably, Margaret repeats this pattern when telling her mother of their imminent move to Milton, when dealing with the Higgins and Boucher families after familial deaths, and when attempting to stop rioters from hurting Mr. Thornton. Instead of just trying to complete the unwanted …

Full Issue

Criterion: A Journal of Literary Criticism

No abstract provided.

A Feminist Icon Or A Homicidal Coward: Medea’S Revenge On Patriarchy, Beyza Ertugrul

Criterion: A Journal of Literary Criticism

Medea, the alleged epitome of sophistication, does not deserve her title of the flawless feminist icon as she is praised to be. For context, Euripides’ Medea, first performed in 431 BC, portrays a young sorceress whose abusive husband abandons her for another woman and who takes revenge by murdering her own children to spite him. Throughout the tragedy, Medea speaks out on gender inequality, and by definition, such uncommon and advanced statements can be described by the modern term of feminism as the “belief in and advocacy of the political, economic, and social equality of the sexes” (Merriam-Webster). Especially …

Exploring The Matriarchal Past To Forge A Modern Identity: Maternal Origins In Woolf And Ihimaera, Kirsten W. Burningham

Criterion: A Journal of Literary Criticism

Though the writings of Virginia Woolf and Witi Ihimaera are “incommensurable” in many ways, I find “commesurablilities”––the kind of commensurabilities the Susan Stanford Friedman seeks out across the planetary landscape of modernism––in the way they negotiate a new creative identity in a modern environment with the bang clash of history and present ringing in their ears. I see this commensurability in at least three key features: 1) Woolf and Ihimaera each gave birth to new literary movements: Woolf was mother to high British Modernism with experimental techniques such as free indirect discourse and the relegation of plot to the background; …