Arts and Humanities Commons^™

“Ummm I Don’T Know If I Took A Writing Methods Course”: Learning From In-Service Teachers Revisiting The Methods Course, Christina Saidy, Isabelle Alize Meza, Talia Baca

Teaching/Writing: The Journal of Writing Teacher Education

In this article two teachers and their writing methods professor explore the challenges of the traditional methods course. In sharing the teachers’ experiences of retaking the methods course, they argue for the need to consider ways that practicing teachers can revisit the methods course to develop sustainable practices for the teaching of writing in secondary schools.

The Good Ghosts Of Process And Models: What Endures From The Composition Methods Course [Special Issue], Rebecca Powell, Jonathan Rivera, Heather Serpas

Teaching/Writing: The Journal of Writing Teacher Education

This article examines how secondary English teachers understand and implement writing pedagogy in their classrooms years after completing a writing methods course. Through reflective interviews and written responses from teachers in their fifth through seventh years of practice, we explore the tensions between pedagogical ideals learned in teacher preparation and the institutional pressures of contemporary schooling. Key themes include the influence of standardized testing on writing instruction, the challenge of maintaining process-oriented approaches amid curriculum standardization, and the ways teachers adapt their methods course learning to their specific school contexts.

What Are You Writing? The Hopes And Hurdles Of Transitioning From Writing Methods To Teaching Writing, Rebekah Buchanan, Darrin G. Ross

Teaching/Writing: The Journal of Writing Teacher Education

This co-authored piece examines how the writing methods course impacts teaching and thinking about writing through the lenses of a writing methods professor and a former student/current teacher. In writing and thinking together we found that a mutual grounding in liberatory education, using writing as a tool for social action and critical thinking, and teaching writing as a political act we see how the writing methods course and the relationships built through writing create a basis for future decision making and inspiration in the high school classroom.

Everyone Is A Writer: Building Writer Identities And Writing Communities In Preservice And English Language Arts Classrooms, Amber Warrington, Hanna Burns, Allie Zimmerly

Teaching/Writing: The Journal of Writing Teacher Education

In this article, a teacher educator and two early-career teachers reflect on a Teaching Writers methods course the teachers took as part of their teacher education program. In the course, the two teachers developed their own writer identities and took part in a writing community. The teachers discuss ways they have brought those experiences into their classrooms and adapted the experiences for their students and contexts.

“I Want To Teach That Way”: What We Learn In A Writing Methods Class [Special Issue], Brad Jacobson, Ana S. Muñoz, Paola Vianney Trevizo

Teaching/Writing: The Journal of Writing Teacher Education

In this dialogic essay, a teacher educator and two early career teachers discuss the influence of a writing methods course on their pedagogy in practice. The conversation focuses on a digital testimonio task that instilled values the early career teachers continue to bring to their teaching, including an expanded conception of what counts as writing and a critical, humanizing approach to literacy education. Moreover, the challenges they experienced as preservice teachers when composing a digital text helped them to see the value of a scaffolded writing process, demonstrating the value of experiential learning. While the digital testimonio project itself was …

Writing From Our Lives: From Reading Like Writers To Personal Narrative Writing, Julianna Kershen, Sarah Relja, David Mackowski, Grace Rhodes

Teaching/Writing: The Journal of Writing Teacher Education

This article describes the design and use of writing opportunities for preservice teacher candidates enrolled in English Language Arts education coursework. Based in the practice-based teacher education principle that preparatory coursework include implementation activities, we describe how preservice candidates engaged in the study of writer’s craft through immersion in mentor texts through close reading, annotation, and free response writing. This article highlights the benefits of such opportunities for preservice teacher-writers, as they (re)see themselves as active writers and reflect on their personal writing histories. Three preservice candidates share their writing as a means of celebrating their own beliefs and experiences …

From Corrector To Reader: Pre-Service Teachers’ Writing Values And Feedback, Amanda Brewer

Teaching/Writing: The Journal of Writing Teacher Education

This study investigates the written feedback practices of secondary English Pre-Service Teachers (PSTs) to understand how their values regarding "good" writing influence their comments on student work. Through analysis of feedback on 10th-grade writing samples and value-sorting surveys, the study examines their feedback tendencies and the links with their values. Findings indicate a significant shift over the semester from a directive, deficit-based "corrector" stance to a facilitative, asset-based "reader" stance. The data suggests that when PSTs lack specific metalinguistic language, they default to generic advice or mechanical correction. However, when instructed to align their feedback with their core writing values, …

Building A Foundation: Preservice Teachers' Exploration Of Writing Studies - Special Issue, Ellen Shelton

Teaching/Writing: The Journal of Writing Teacher Education

This article examines the Concept Exploration Essay assignment in a writing studies course that encourages PSTs to explore and question writing theories as they connect to their own experiences and understandings. The focus of the course is to develop an understanding of the self as a writer and as a future writing teacher through practical application of composition theory. Students are invited into the Burkean Parlor and enter the conversation as scholars. The students explore, question, and trouble complex writing theories in a dialogic classroom. PSTs leave the course empowered with the knowledge they can allow their future students the …

Introduction: Echoes, Effects, And Resonance: Examining The Writing Methods Course, Elizabeth Thackeray Nelson, Erinn Bentley, Jonathan E. Bush

Teaching/Writing: The Journal of Writing Teacher Education

No abstract provided.

Author Guest Of Honor Keynote - Fantasy As A Tool Of Resilience And Resistance / Mythopoeic Awards Ceremony, David R. Slayton

Mythcon

We find ourselves in a dire reality. America is facing a literacy crisis, especially among the young. College professors are sounding the alarm that students are entering higher education without having read a full novel while book bans are limiting access to reading materials. Many libraries are preemptively removing works before anyone can protest their inclusion even as budgets are being cut. Reading for pleasure among adults is down significantly, as is reading comprehension, at a time when media literacy is made crucial by weaponized misinformation, outright gaslighting, and the proliferation of AI generated media that is becoming increasingly hard …

“The Daemons Of Unplumbed Space”: Einsteinian Portals Into The Unknown In Paul W. S. Anderson’S Event Horizon And H.P. Lovecraft’S The Dreams In The Witch House, Kristine Larsen

Mythcon

Jason Colavito notes that “cosmic horror” developed in response to the counterintuitive and unsettling repositioning of space and time within Einstein’s Special and General Theories of Relativity, as embodied in H.P. Lovecraft’s Cthulhu Mythos. The horror of such a “weird tale” derives from the violation of already unnatural seeming physical law by the influence of super-natural powers. Lovecraft himself defined a weird tale as containing at least a hint of a “suspension or defeat of those fixed laws of Nature, which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.” Surely the singularity of …

The Road To Armageddon; Commonwealth Orcs, 1872-2000, Joseph Rex Young

Mythcon

J.R.R. Tolkien’s orcs are perhaps his most exported creations, having become stereotypical antagonists of fantasy games, hewn down in countless dungeons as the evil minions of unnumbered dragons. Commentators have raised justifiable questions about the notion of an ‘evil race,’ though on examination the absorption of orcs into the post-Tolkienian genre, especially by writers from the British Commonwealth, has perpetuated a strikingly consistent, coherently evolving notion of what that evil is. Rather than relitigate questions about the admissibility of orcish evil, the purpose of this paper is to document this point of continuance.

Tolkien equates the orcs of Middle-earth to …

Today’S Christianity: Are We In The Mirror Universe? A Comparison Of Petrine Christianity And The Gospel Of Mary Via The Heroine’S Journey, Blythe A. Collier

Mythcon

What if there was an alternative to Joseph Campbell’s so-called ‘Monomyth’? What if we could dodge yet another rehash of the tired old trope of an oversimplified, Eurocentric ‘Hero’s Journey’? The monomyth is often considered the sine qua non of archetypal modern Western literature. We can easily pick out some of its described elements within both J.R.R. Tolkien’s The Lord of the Rings trilogy and Silmarillion, and in C. S. Lewis’ Narnia series—as well as within Petrine Christianity, which is the mythic structural basis of both the contemporary bible, and also the fabled worlds of Tolkien and Lewis.

But …

Middle-Earth Inspired Chess Sets, Bruce Leonard

Mythcon

The response to Tolkien’s work is amazing in variety and depth. Flieger and others note The Lord of the Rings invites a participatory response from the reader. For a number of us this results in a lifelong engagement, from academic pursuits such as this conference to fan creations. Chess is a wonderful example of the creative reaction to Tolkien’s work. There are as many as 97 Middle-earth related chess sets. This includes different editions of the same set. Dr. Graeme Anthony produced ~32 editions of his War of the Ring set. As with most responses to Tolkien inspired work the …

The God Machine: Environmental Resonances In Tolkien And Hollow Knight: Silksong, Alicia Fox-Lenz

Mythcon

After reading The Lord of the Rings, it would not be surprising for the reader to assume Tolkien was a luddite or at very least had some deep-rooted environmentalist leanings. After all, the anti-industrialist sentiment is one of the many themes that so enamored his American fans in the 1960s. In LOTR, industry (as opposed to craft) is aligned with evil, most notably through Saruman — a failed craftsman who has turned to machination. Through him, we see the industrialization of Isengard and its deleterious effects on nearby Fangorn, as well as the resulting destruction of the failed …

The Harlequinades: Agatha Christie’S Forays Into Fantasy, Joe R. Christopher

Mythcon

This review by Joe R. Christopher explores Agatha Christie’s long engagement with the Commedia dell’Arte tradition - referenced in current popular culture through figures such as the Batman series’ Harlequin character – and traces how elements of that fantasy appear throughout her early poetry and some of her short-fiction work. Her Harlequinade foray was in a self- funded volume of poems, some of which read as autobiographical. The evocation of wandering ancient, semi-immortal spirits may reflect a business trip taken with her first husband. Christie extends the Commedia motifs into her prose where she introduces recurring characters; notably, a character, …

Mythopoeic Awards Finalists Discussion, David Lenander, Grace Moone

Mythcon

General Discussion of the Finalists for the 2026 Mythopoeic Awards. We expect some committee members to offer their opinions and experiences and invite others to share their reactions to the books! Discussion of the awards process and suggestions for the future are also in order. Find out how to become involved for next year. What books did we miss?

Gondor Calls For Aid! Volunteering And Running For Office With The Mythopoeic Society, Janet Brennan Croft, Megan B. Abrahamson, Phillip Fitzsimmons, Alicia Fox-Lenz, Victoria Gaydosik, Tim Lenz

Mythcon

We often talk about volunteering and about serving as a Society officer at the membership meeting at the end of Mythcon. But this more intimate panel will give you the opportunity to hear from Stewards and Managers directly about their experiences as volunteers and ask questions about how you can get involved -- and why you should think about it! Panelists will talk about how they got started, how rewarding it is, what kind of time commitment it takes, the differences between being a Steward and a Manager, and other long and short term volunteer opportunities.

Illustrating Lothlórien As A Faerie Space In The Lord Of The Rings By J.R.R. Tolkien, Marie Bretagnolle

Mythcon

In The Fellowship of the Ring, when the travelers step in Lothlórien, their perceptions of their surroundings and of time are altered. Numerous papers have considered the literary devices used by J.R.R. Tolkien to convey the sense of otherness that makes this Elven realm an equivalent to Faerie in Middle-earth. In their turn, how do visual artists tasked with illustrating The Lord of the Rings transpose these effects in their pictures? In this paper I continue my research into Tolkienian illustrations by analyzing the visual devices used by Mary Fairburn, Alan Lee, and the duo formed by the Queen …

Glen Goodknight's International Narnia Collection, David L. Emerson

Mythcon

In 1975, Glen GoodKnight, founder of the Mythopoeic Society, began to take serious interest in translations of the Narniad, collecting editions from over 40 different countries. By 2004, he had begun to make his wonderful collection of non-English editions available to the world through his website, inklingsfocus.com. With his passing in 2010, the site was due to be shut down, but I participated in preserving the images of these foreign book covers, assisting Lewis fan Gordon Greenhill in reconstructing the gallery on his site called The Disordered Image.

This presentation will be a slide show of many of these …

Perception As A Gateway Of Faërie In Owen Barfield’S Philosophy Of Language, Sylwia Wilczewska

Mythcon

Since Verlyn Flieger showed the importance of Owen Barfield’s account of poetic language outlined in Poetic Diction for the metaphysical structure of Tolkien’s universe (cf. Flieger 33-44), Barfield’s writings have been an object of increased scholarly attention. While the point most often commented upon is the impact of Barfield’s vision of the evolution of language on Tolkien’s theory of sub-creation, the traces of Barfield’s influence can also be found in other Inklings. Here I would like to offer some speculations on the connection between Barfield’s idea of language and the way in which the writings of the Inklings depict discovering …

Remembering Lee Speth, Megan B. Abrahamson

Mythcon

Do you have memories of Lee Speth you want to share? Please join us as we remember a beloved Mythsoc member and Steward, and consider how best to memorialize his presence in the future of the Society.

Between The Unexpected And The Unknown: The Liminal Transformation Of Bilbo Baggins And Travelers Along Route 66, Logan O. Uber

Mythcon

Much like Bilbo Baggins in J.R.R. Tolkien’s The Hobbit travelers along Route 66 knew where their journey would take them, but not how it would change them. Applying liminal theory this paper demonstrates that Route 66 and Tolkien’s road function as transformative threshold spaces where travelers leave behind familiar identities to enter landscapes marked by uncertainty, danger, and possibility. Dust Bowl Migrants—individuals and families fleeing the Depression for better opportunities—and Bilbo all set out to find a better, if not different future. Their journeys transform and change them, making them more than what they once were. Route 66 exists as …

Mythic Roads: Tolkien's Literary Network And Cosmopolitan Imagination, Hayden Bilbrey

Mythcon

Journeys and roads are central to J.R.R. Tolkien's stories in Middle-earth, but the significance of these pathways extends beyond physical landscapes. This paper argues that Tolkien's legendarium constructs a network of texts, cultural traditions, and temporal frameworks. Drawing on concepts from Caroline Levine's concept of literary networks, this paper examines how Tolkien integrates elements of Christianity, Norse, and other mythological systems to create a cohesive mythopoetic structure. Not merely just coexisting; these influences form interconnected nodes with a larger network that readers traverse through the narrative. Thus, Middle-earth becomes not only a setting but a cosmopolitan mythic space shaped by …

No Body, No Sacrament: Tolkien’S Route From Children Of The Valar To Marriage As An ‘Association’ In The History Of Middle-Earth Drafts, Nicole Duplessis

Mythcon

Rather than overt religious symbolism or over-reliance on the trappings of Catholicism, like Marian or Eucharistic imagery, that also appear in his works, Tolkien infused Middle-earth with his own sacramental imagination, possibly through both conscious and sub-conscious creative choices. This sacramental imagination helps explain how obvious pagan influences and seemingly contradictory readings of Tolkien’s works can coexist with his assertion that the work is fundamentally Catholic. One area in which this sacramental imagining can be followed, as a route through his drafts, is in his development of the Valar as non-corporeal beings alongside his alteration of their marriage relationships from …

Spacing Out Of The Shire: Spatiomagus And Spatial Nomadism In The Lord Of The Rings, Kieran Strand-Leeds

Mythcon

As a text, The Lord of the Rings is obsessed with the natural and the magical in the mundane. However, what is often neglected in Tolkien studies is the idea of the space in which the natural and the magical exist. Here, I present the theory of spatiomagus to help us understand space in fantasy literature. Building off the Deleuzoguattarian theory of smooth/striated space, spatiomagus asserts that space in fantasy texts is influenced physically and/or created virtually by the magical “light” and “dark.” This intersection of magic and space can create, destroy, and alter places via metaphysical means, and spatiomagus …

Eucatastrophe: J.R.R. Tolkien As A Christian Apologist, Donald T. Williams

Mythcon

Williams will explore the ways Tolkien defined eucatastrophe, and also provided numerous examples of eucatastrophe in his legendarium. In doing so, Tolkien develops a Christian apologetics.

Orc Road Trip; Or, We’Re Taking The Hobbits To Isengard!, Robert T. Tally Jr.

Mythcon

“Leg it!” Ever wanted to “foot it through the Horse-country” with Uglúk? Cross the Great River with Grishnákh? Travel with goblin messengers “to and fro between all their cities, colonies, and strongholds,” by “tunnel or under dark,” to “Gundabad of the North,” their “capital”? Or perhaps you can “slip off” with Gorbag and “a few trusty lads” to places “where there’s good loot nice and handy, and no big bosses”? It might be enough to join those who’ve just “come all the way from the Mines” to “avenge our folk” and “then go back north”? And if you’re feeling a …

Fundamentally Linguistic, John Rosegrant

Mythcon

We know that although Tolkien wrote that his legendarium was “fundamentally linguistic in inspiration. . . To me a name comes first and the story follows”, in fact legendarium content preceded Tolkien’s invention of Elvish languages. I will argue that nevertheless the first part of the quotation is true: the legendarium was fundamentally linguistic in inspiration. Tolkien used symbolic language to access the musical and body-related aspects of language that the symbolic has distanced us from, simultaneously uniting two aspects of our nature while recognizing their inevitable separation. When we as children master the symbolic function of language we lose …

Fangorn Forest As A Rerouting To The Ecological Contemplative In The Two Towers, Nicholas Birns

Mythcon

In The Two Towers, Fangorn Forest initially appears as an uncanny diversion when Merry and Pippin flee into its shadowy depths to escape Saruman’s Uruk-hai. Their encounter with Treebeard awakens the Ents, providing unexpected and devastating flow to the power of Saruman the White. Far from actually being scary or horrifying, though, the forest is actually the gateway to two very important qualities in The Lord of the Rings: a sense of deep psychology, of caring for the land so much that sentient being has become actually bound up with natural entities, and of contemplation, as Treebeard Who …