Latin American Literature Commons^™

A Scarlet Ending, Alison J. Gibson

Undergraduate Honors Theses

Dancing a duet with my shadow by integrating dance and digital media in an elaborate and entertaining performance.

Voiceless Victims In Sin Tetas No Hay Paraíso, Henry James Morello

CLCWeb: Comparative Literature and Culture

In his article "Voiceless Victims in Sin tetas no hay paraíso" Henry James Morello discusses Gustavo Bolívar's Sin tetas no hay paraiso. The novel is, in Bolívar's words, his way of bringing attention to the problem of young women in Colombia using prostitution in order to pay for plastic surgery a very specific problem facing the youth of Colombia. However, at what price is the success of the novel? Or, rather, who is compromised as a result of this cultural phenomenon? The author may have intended to write a novel that called attention to the problems facing Colombian …

Neo-Stoicism And Skepticism In Part One Of “Don Quijote”: Removing The Authority Of A Genre. Daniel Lorca. Lanham: Lexington Books, 2016. Ix 1 158 Pp. $80., Damian Bacich

Faculty Publications

It is no surprise that a work of the stature of Don Quixote continues to engender debate among scholars more than four centuries after its publication. Neo-Stoicism and Skepticism in Part One of “Don Quijote” by Daniel Lorca enters the fray by addressing Cervantes’s intention in writing the novel and the strategy he used to achieve his goal. As Cervantes himself tells us in the prologue to Don Quixote, his aim in writing the novel is to do away with the popularity of chivalric romances. But did Cervantes intend to discredit an entire literary genre simply through ridicule? Or was …

Literary And Cinematic Representations Of Neoliberal Forms Of Contemporary Violence In Latin America With Special Interest In Mexico And Colombia, Ivan De Jesus Iglesias

Graduate Theses and Dissertations

In the last decades, with an increased rhythm and greater intensity, the so-called neoliberal violence has come to play a relevant role within the history of world societies. The Latin American institutional, political, social, and economic changes of the 1970’s and 1980’s, especially those produced under dictatorships, contributed to create the conditions for the implementation of the processes of economic liberalization and global market as part of the concept of institutional modernization and cultural globalization that gave rise to the neoliberal mentality. In this context, neoliberalism becomes hegemonic as a mode of discourse and is incorporated into the way individuals …

The Afterlives Of Julia De Burgos, Vanessa Pérez-Rosario

Publications and Research

This essay—a response to a discussion of the author’s 2014 book Becoming Julia de Burgos: The Making of a Puerto Rican Icon—focuses on the importance of generations, intellectual genealogies, iconicity, and the afterlives of Puerto Rican poet and writer Julia de Burgos.

From Locus Amoenus To Locus Horribilis: Provincial And Urban Spaces Of Cultural (Re)Assertion And Hegemony In Yates And Sigel’S When The Mountains Tremble And Bustamante’S Ixcanul, Katrina Abad

Views from Below: The Underdog in Contemporary Latin American and Spanish Film

The trope of locus amoenus, or the idyllic representation of heaven on earth, and its counterpart locus horribilis, or the mundane incarnation of hell, was first critically defined by Ernst Robert Curtius in 1953 and identified in religiously influenced literature as early as Latin and medieval European works. Since then, the locus theory has appeared in numerous secular texts and films, such as Marcelo Ferrari’s Sub Terra (2004), as a means of distinguishing the once-pristine ‘purity’ of provincial spaces from the physically and metaphorically cramped mines and buildings produced by an urbanized modernity. This essay seeks to translate …

La Nación Está En Otra Parte: Cultura Y Neoliberalismo En México (1977-1996), Rafael Lemus

Dissertations, Theses, and Capstone Projects

This dissertation studies a series of cultural products and practices that, between 1977 and 1996, either contributed to the formation and propagation of a neoliberal rationality in Mexico or opposed it. By analyzing objects as diverse as cultural magazines, art exhibitions, literary polemics and social movements, it addresses the reconfiguration of the Mexican cultural field triggered by the neoliberal turn in the 1980s as well as the construction of a new national narrative intended to displace the old revolutionary tale and to rationalize and facilitate the insertion of the country into the global economy.

The first chapter focuses on the …

Políticas De Lo Estético En La Ilustración De Ciencia Ficción. El Caso De “Think Blue, Count Two” De Cordwainer Smith, Silvia Gabriela Kurlat Ares

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Desde el período del Dadá se han ido borrando los límites entre las formas artísticas y sus soportes, entre las estéticas de uso y las estéticas formales, entre los espacios altos y bajos de producción cultural, y también, entre la percepción de centros y periferias que parecen haberse astillado y reproducido a la interioridad de espacios hasta hacer de la hegemonía misma, al decir the Beasley Murray, un concepto no sólo inestable sino casi inexistente. En el caso de la ciencia ficción, esa porosidad hace a la constitución misma de una estética que opera desde la factura del naturalismo pero …

Nuestras Patologías De La Realidad Virtual, Jorge Armando Romo

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Is a review of Patologías de la realidad virtual. Cibercultura y ciencia ficción, Teresa López-Pellisa. Madrid: FCE, 2015, 279 páginas. ISBN: 978-84-375-0731-6

Sacralizar Lo Efímero: Configuración Del Amante Y El Amado En Luis Cernuda Y César Moro, Lena R. Retamoso Urbano

Dissertations, Theses, and Capstone Projects

In this study I create a dialogue between two poets, Luis Cernuda from Spain and César Moro from Peru. I use two of their most representative books of poetry, Cernuda’s Los placeres prohibidos and Moro’s La tortuga ecuestre, to study the dialectics that take place between the lover and the beloved. My general hypothesis is that Los placeres prohibidos can be read as a prologue to the lyrical discourse of La tortuga ecuestre. To explore the bridge between these two poetic worlds, I analyze the various mechanisms through which Eros expresses itself.

Drawing on the work of Denis …

Choteo Cubano: Humor As A Critical Tool In Twentieth-Century Cuban Theater, Rebecca L. Salois

Dissertations, Theses, and Capstone Projects

This project analyzes the incorporation of choteo in specific Cuban theater texts written during three distinct periods in twentieth-century Cuban history, all of which coincide with specific moments of social, political, and/or economic unrest or transition. Choteo in the theater has served as a tool to demonstrate discontent and frustration with authority figures in various contexts. As that need has altered over time, so too has the approach that playwrights have taken to speak out about these issues. I suggest that by responding to changing circumstances with choteo, confronting a difficult situation is more palatable to audiences or readers than …

Una Democracia Aterrorrizada: Justicia Y Afecto En Los Textos De La Transición Democrática Argentina, Mariana Graciano

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the links between justice and affect in some of the most emblematic texts of the democratic transition in Argentina. Films, novels and photos are incorporated here as texts or complex utterances, as they constitute a framework of signs with a communicative intention that makes sense in a given context. In order to analyze these links, I consider terms from the field of transitional justice (reconciliation, forgiveness, restoration) and specific affects (terror, empathy, guilt, resentment, tenderness, happiness and cruelty).

The key questions guiding this thesis are: what links did visual arts and literature have in relation to the …

Elogio Del Amateur: Traducción Y Resistencia En La Era Del Panamericanismo (Ee.Uu. 1889-1945), Maria Soledad Marambio Castro

Dissertations, Theses, and Capstone Projects

My dissertation explores the notion of amateurism in the context of the translation of Latin American literature in the U.S. at the beginning of the 20^th century. I argue that all literary translators are amateurs in terms of their modes of production, and that this condition allows them to resist the hegemonic projects of their day (In this dissertation, “amateurism” does away with the pejorative connotation that the term has acquired in the common use). With this in mind, I study the work and the career path of two American translators, Alice Stone Blackwell and Isaac Goldberg, and the …

Colombian Readings Of Paradise Lost: Gabriel García Márquez’S Literary Conversation With John Milton, Daniela M. Maestre, Angelica Duran

The Summer Undergraduate Research Fellowship (SURF) Symposium

Englishman John Milton’s epic poem Paradise Lost has twenty European Spanish translations. Despite the high number of translations, three Latin American writers, one Mexican and two Colombians published three more versions. Our project seeks to discover what motivated the Colombian translators to publish more versions of Paradise Lost, as part of the influence of Milton’s works in Colombian literature in the nineteenth and twentieth centuries. There is little information about Colombian readings of this epic poem: we do not yet know how Colombians read the epic poem and why. To get a better sense of Colombian reception of Paradise Lost, …

[Review Of] Jose Marti And The Global Origins Of Cuban Independence, Anne O. Fountain

Faculty Publications

No abstract provided.

Masculinidades Peligrosas: Monstruosidad, Vampirismo, Canibalismo Y Homosexualidad En La Literatura Mexicana De Los Siglos Xx Y Xxi, Jorge Estrada

Spanish and Portuguese ETDs

This dissertation examines public and institutional perceptions of homosexuality in Mexico from the time of Porfirio Díaz’s dictatorship (c. 1880-1910) through the early twentieth-first century. In my introduction, I study diverse representations of the male homosexual as a monstrous figure in Western culture, taking as models gothic images that emerged in the late nineteenth-century as a response to the rise of scientism, industrialization, and urbanization. The models that I utilize include the literal and metaphorical cannibal, the anxiety-causing vampire, and the dehumanized depiction of those who transgress social boundaries of gender and race.

Taking an interdisciplinary approach drawing on critical …

Monstrous Dolls: The Abject Body In Rosario Ferré’S Works, Mackenzie Fraser

Senior Theses

In this Honors Thesis project, I examine two literary texts, “The Youngest Doll” (1991) and The House on the Lagoon (1995), by Puerto Rican author Rosario Ferré (1938-2016) with attention to her depiction of the abject female body as a figure analyzed by both theories of gender and the subaltern. Using these critical frameworks as well as my own textual analysis, I argue that Ferré offers a postcolonial feminist critique of the double oppression—patriarchal and colonial— operating upon her female Puerto Rican characters. Yet these women also turn this abjection into transgression, allowing Ferré to expose the paradoxes of female …

Diversas De Sí, Entre El Hoy Y El Ayer: Rememoria De Tres Íconos Femeninos Espirituales, La Condesa De Malibrán, Sor Juana Inés De La Cruz Y La Falsa Teresa De Jesús, Ana Gabriela Hernandez Gonzalez 5059749397

Spanish and Portuguese ETDs

This dissertation traces the cultural memory of three magical/religious women of the colonial period: Sor Juana Inés de la Cruz, La Condesa de Malibrán and La Falsa Teresa de Jesús. It studies these icons specifically in three different discourses that construct cultural identities in Mexico: colonial discourse (XVI-XVII Centuries), the discourse of national consolidation (XIX-XX centuries) and postcolonial discourse (XX-XIX Centuries). First I describe how the narratives of the colonial period and of national consolidation employ an official lens to place magical/religious women within traditional gender roles. Then I delineate how historical novels in the 21st century employ a postcolonial …

“Tú Hablas Ahora:” Viequense Female Archetype And Agency In The Works Of Carmelo Rodríguez Torres, Emma T. Comery

Kentucky Journal of Undergraduate Scholarship

Author Carmelo Rodríguez Torres incorporates many of his experiences with the U.S. naval occupation of Vieques, Puerto Rico into his novels and short stories. Few scholars have written on Torres, and even fewer have discussed him in terms of womanhood and feminism. Yet central to many of his works are figures of womanhood that are at once archetypal and progressive. In my paper I investigate Torres' treatment of his female characters in all his novels and two of his short stories. I place his presentation of women within the context of the U.S. occupation of Puerto Rico and its feminist …

"La Patria Es Nuestra Madre": Family Metaphor And Race In The La Guaira Conspiracy, Thomas Genova

Spanish Publications

This paper explores the intersection of race and the metaphor of the national family in the texts generated during the Conspiración de La Guaira, a failed 1797 republican independentista revolt in colonial Venezuela led by Mallorcan enlightened intellectual Juan Mariano Picornell. Turning away from traditional representations of the dynastic state in terms of paternity, the La Guaira conspirators figure the nation as a mother and creoles and Afro-Venezuelans as brother citizens. Yet, at the same time that it indicates a transition from dynastic to republican paradigms, the conspirators’ emphasis on revolutionary brotherhood serves to contain the radical notions of equality …