Иностранные Слова: «Лингвистическая Мода» Или Необходимость?,
2012
Brigham Young University
Иностранные Слова: «Лингвистическая Мода» Или Необходимость?, Анна Хруненкова
Russian Language Journal
Программа «Flagship» ориентирована на студентов, владеющих русским языком на уровне В2 – С1, а после года обучения в России достигающих уровня С1 – С2, соответственно. В течение учебного года иностранные учащиеся посещают лекции, семинары, практические занятия, индивидуальные и дополнительные занятия, такие, как дискуссионный клуб, проходят практику в различных некоммерческих организациях и ходят на экскурсии.
Использование Киноцитаты На Уроке Рки,
2012
Brigham Young University
Использование Киноцитаты На Уроке Рки, Джамиля Садуллаева
Russian Language Journal
Достаточно долгий опыт преподавания с одной стороны РКИ и истории и поэтики кино, с другой, привел меня к выводу, что изучение цитат из отечественных кинофильмов не только возможно, но и просто необходимо на продвинутом этапе обучения. Повседневная речь носителей языка переполнена цитатами разного уровня сложности и из разных источников. В речи молодежи, а именно молодежь – основной контингент изучающих русский язык в университете, постоянны мимолетные цитаты из видеотекстов, предназначенных для ежедневного, но не долгосрочного использования. Телевизионные сериалы, реклама на улице, в газетах и на телевидении, ошибки и оговорки в прямом эфире, забавные ролики в youtub’e, маргинальные тексты небольших сообществ вроде …
Giants, Dragons, And The Confrontation With "Den Schrecklichen Mystischen Naturkomplexen" – Apocalyptic Intertextuality In Alfred Döblin's Berge Meere Und Giganten,
2011
Brigham Young University - Provo
Giants, Dragons, And The Confrontation With "Den Schrecklichen Mystischen Naturkomplexen" – Apocalyptic Intertextuality In Alfred Döblin's Berge Meere Und Giganten, Nathan J. Bates
Theses and Dissertations
Berge Meere und Giganten (BMG) by Alfred Döblin is a fictional account of future events in which humanity brings about the ruin of western civilization by its own technological hubris. Although BMG has been examined considerably for its literary merit in light of the Döblin corpus, few scholars have identified Döblin's work as an apocalyptic text especially after the Judeo-Christian tradition. The apocalyptic nature of BMG implies a profound religious experience on the part of the author, which in my view offers at least one plausible explanation for Döblin's repeated fixation with BMG. In my thesis, I explicate the …
Klassnaya Gazeta No. 3,
2011
Connecticut College
Klassnaya Gazeta No. 3, Petko Ivanov, Jyoti Arvey, Dagna Bilsky, Kayla Cogle, Ivan Ivanich, Tara Law, William Martinsky, Leland Sidle, Gabby Wang
Slavic Studies Student Projects and Publications
No abstract provided.
Klassnaya Gazeta No. 2,
2011
Connecticut College
Klassnaya Gazeta No. 2, Petko Ivanov, Jyoti Arvey, Dagna Bilsky, Kayla Cogle, Ivan Ivanich, Tara Law, William Martinsky, Leland Sidle, Gabby Wang
Slavic Studies Student Projects and Publications
No abstract provided.
Review Of "Cyclops" By R. Marinković, Translated By V. Stojiljković,
2011
Swarthmore College
Review Of "Cyclops" By R. Marinković, Translated By V. Stojiljković, Sibelan E.S. Forrester
Russian Faculty Works
No abstract provided.
Klassnaya Gazeta No. 1,
2011
Connecticut College
Klassnaya Gazeta No. 1, Petko Ivanov, Jyoti Arvey, Dagna Bilsky, Kayla Cogle, Clayton Hillyer, Ivan Ivanich, Tara Law, William Martinsky, Leland Sidle, Gabby Wang
Slavic Studies Student Projects and Publications
No abstract provided.
Nazisploitation And The Problem Of Violence In Quentin Tarantino's Inglourious Basterds,
2011
Brigham Young University - Provo
Nazisploitation And The Problem Of Violence In Quentin Tarantino's Inglourious Basterds, Jared Welling Cook
Theses and Dissertations
In this thesis, I explore the representation of Nazis and violence in Quentin Tarantino's Inglourious Basterds (2009), including how the film proposes justification for violence and murder, and how the film participates in cultural fantasies. The film presents an alternate outcome of World War II in which the Allies achieve victory by assassinating Hitler and the High Command of the Third Reich in a movie theater. The Nazis in the film, far from being a complex enemy, are used for their token villain status. Using the Nazis in this way both participates in and reinterprets the Nazisploitation genre. The protagonists, …
The Gaps We Choose To Fill And How We Choose To Fill Them: Readers' Creation Of Turkish German Identity In Texts By Zehra Çirak,
2011
Brigham Young University - Provo
The Gaps We Choose To Fill And How We Choose To Fill Them: Readers' Creation Of Turkish German Identity In Texts By Zehra Çirak, Whitney Roberts Ehle
Theses and Dissertations
This thesis explores why readers insist on interpreting Zehra Çirak's texts in light of her Turkish German background when she claims that her texts have little to do with her Turkish heritage and are more universally applicable. While readers can interpret her texts without considering the author's biography, thereby obtaining insights into their own personal identity, I suggest that it also makes sense for readers to interpret her texts with the author's biography in mind because of current events and the history of Turkish migrant labor in Germany. To explore different possible interpretations of her texts, I have categorized Çirak's …
Russian And East European Science Fiction,
2011
Swarthmore College
Russian And East European Science Fiction, Sibelan E. S. Forrester
Russian Faculty Works
No abstract provided.
Universal Identities And Local Realities: Young Poland's (Mis)Readings Of Synge,
2011
Loyola University Chicago
Universal Identities And Local Realities: Young Poland's (Mis)Readings Of Synge, John A. Merchant
Modern Languages and Literatures: Faculty Publications and Other Works
The problems Young Poland experienced in understanding the work of John Millington Synge were informed by precisely the same kind of behaviors that Daniel Corkery described in his argument for a truly native Irish national literature in the 1930s. Overcome by a strong sense of self, Poles were not fully able to appreciate the complexities and nuances of Synge's work and by extension, the Irish-Ireland movement. In the end, then, Young Poland was incapable of really understanding the Irish, and so the best they could do was to associate with them. As a result, Poles may have been able to …
Boutique Cinderella,
2011
Swarthmore College
Boutique Cinderella, M. M. Dimovska, Sibelan E.S. Forrester , Translator
Russian Faculty Works
No abstract provided.
Tomáš Masaryk And Jane Addams On Humanitarianism And Cultural Reciprocity,
2011
University of Dayton
Tomáš Masaryk And Jane Addams On Humanitarianism And Cultural Reciprocity, Marilyn Fischer
Philosophy Faculty Publications
Chapter addresses similarities between Addams's and Masaryk's positions on cultural difference and national states. The similarities were based not only on their shared general humanitarian point of view, but on a personal interaction as well. Masaryk visited the U.S. several times and even delivered series of lectures on Slavs and their history at Hull House in Chicago. Masaryk spoke with Addams and was in contact with her through his daughter Alice, who spent time in Chicago and whom Addams mentored. In these circumstances the similarities in their ideas of trans-nationalism, the plasticity of national identity, and cultural reciprocity are not …
Poema Of Lieutenant Schmidt’S End: Pasternak’S Dialogue With Tsvetaeva Through The Prism Of Genre.,
2011
Bucknell University
Poema Of Lieutenant Schmidt’S End: Pasternak’S Dialogue With Tsvetaeva Through The Prism Of Genre., Ludmila Lavine
Faculty Journal Articles
Boris Pasternak’s poemy are acutely self-conscious of their place in the epic tradition. Lieutenant Schmidt (LS) represents one attempt at exploring the parameters of the poema itself as the poet makes a “difficult” transition from “lyric thinking” to “the epic.” In this article I examine this transition against a contemporaneous example in the genre, Tsvetaeva’s Poema of the End (PE). In LS, structural elements of the poema are counterposed to those of PE. While PE amplifies the individual voice, LS muffles what is personal for the sake of the public voice. While PE is atemporal, LS is historical. While PE …
Some Like It Hot – Goblin‐Style: “Ozhivliazh” In Russian Film Translations,
2011
Brigham Young University
Some Like It Hot – Goblin‐Style: “Ozhivliazh” In Russian Film Translations, Alexander Burak
Russian Language Journal
This article is about English‐to‐Russian voiceover translating as a translation technique and a medium that responds to and shapes sociocultural identities. It is also about a trend in Russian film translating to enliven – in various degrees – the translation text as compared with the more neutral language in the original films. And, finally, given the multiple translations of the same cultural products, films included, it is an attempt to make a case for a strand of research and translation quality analysis that that may be called “translation variance studies.”
Translations, Retranslations, And Multiple Translations: A Case For Translation Variance Studies,
2011
Brigham Young University
Translations, Retranslations, And Multiple Translations: A Case For Translation Variance Studies, Alexander Burak, Timothy Sergay
Russian Language Journal
The cluster of three related articles offered here represents what the authors propose to call “translation variance studies,” or TVS, a subfield of translation studies concerned with semantic, pragmatic, and stylistic equivalence and divergence between a single source text and its multiple translations into a specified target language. Multiple translations of a single source text into a single target language have become a widespread phenomenon. Its “ontological basis,” as Anna Muza recently observed, is “variability of solution within the target language.” All parties to translation must of necessity negotiate this variability of solution, beginning with the translator in the act …
New But Hardly Improved: Are Multiple Retranslations Of Classics The Best Cultural Use To Make Of Translation Talent?,
2011
Brigham Young University
New But Hardly Improved: Are Multiple Retranslations Of Classics The Best Cultural Use To Make Of Translation Talent?, Timothy D. Sergay
Russian Language Journal
The notion of audio remastering seems to inform the way literary “consumers” conceive of retranslations of classic works today. This is almost certainly because the two operations—remastering and retranslation—are such natural cousins. Retranslation seems to imply, at the very least, continuous improvement of the literary product in the target language, that is, the elimination of earlier translators’ errors in construing the source text and the ever more adequate recreation of the original author’s stylistics. How close this seems to the idea of “cleaning up” an audio signal, improving the “signal‐to‐noise ratio,” enhancing fidelity—this critical term, along with loss, is common …
Проблемы Поиска И Лексикографического Описания Советизмов 1920‐30 Гг.,
2011
Brigham Young University
Проблемы Поиска И Лексикографического Описания Советизмов 1920‐30 Гг., Елена Елена
Russian Language Journal
В широком смысле советизм ‐ «вербальный или невербальный знак любой сложности как факт советской культуры» [Пихурова 2005:5]. Мы применяем этот термин1 в собственно лингвистическом смысле. Советизмы ‐ тип историзмов, то есть устаревших слов, выход которых из активного употребления обусловлен исчезновением обозначаемых ими понятий, предметов, явлений.
Oblomov – Retranslating A Classic Bridging The Time, Place, Contextual And Cultural Gap: An Account Of Some Of The Policy Choices Entailed By The Re‐Translation Of Oblomov,
2011
Brigham Young University
Oblomov – Retranslating A Classic Bridging The Time, Place, Contextual And Cultural Gap: An Account Of Some Of The Policy Choices Entailed By The Re‐Translation Of Oblomov, Stephen Pearl
Russian Language Journal
There is a crucial and underappreciated distinction between the task of translating a hitherto unknown foreign language literary work for the purpose of making it available for the first time to readers in the target language, and that of re‐translating a classic. In the latter case, translators expose themselves to, and indeed invite, not only comparison with previous translations, but also the haunting question of the very raison d’etre of the new translation itself. For this reason, a re‐translation is in a sense as much about the nature and quality of the translation as about the original work itself – …
Тенденции В Словосложении При Образовании Существительных В Жаргоне И В Литературном Языке,
2011
Brigham Young University
Тенденции В Словосложении При Образовании Существительных В Жаргоне И В Литературном Языке, Артемий Романов
Russian Language Journal
Как известно, словосложение является одним из способов образования существительных и в литературном, и в некодифицированном русском языке. В этой работе мы ставим задачу выявить сходства и отличия в использовании словосложения в русском литературном языке и в жаргонах.
