Slavic Languages and Societies Commons^™

The Gaps We Choose To Fill And How We Choose To Fill Them: Readers' Creation Of Turkish German Identity In Texts By Zehra Çirak, Whitney Roberts Ehle

Theses and Dissertations

This thesis explores why readers insist on interpreting Zehra Çirak's texts in light of her Turkish German background when she claims that her texts have little to do with her Turkish heritage and are more universally applicable. While readers can interpret her texts without considering the author's biography, thereby obtaining insights into their own personal identity, I suggest that it also makes sense for readers to interpret her texts with the author's biography in mind because of current events and the history of Turkish migrant labor in Germany. To explore different possible interpretations of her texts, I have categorized Çirak's …

Russian And East European Science Fiction, Sibelan E. S. Forrester

Russian Faculty Works

No abstract provided.

Universal Identities And Local Realities: Young Poland's (Mis)Readings Of Synge, John A. Merchant

Modern Languages and Literatures: Faculty Publications and Other Works

The problems Young Poland experienced in understanding the work of John Millington Synge were informed by precisely the same kind of behaviors that Daniel Corkery described in his argument for a truly native Irish national literature in the 1930s. Overcome by a strong sense of self, Poles were not fully able to appreciate the complexities and nuances of Synge's work and by extension, the Irish-Ireland movement. In the end, then, Young Poland was incapable of really understanding the Irish, and so the best they could do was to associate with them. As a result, Poles may have been able to …

Boutique Cinderella, M. M. Dimovska, Sibelan E.S. Forrester , Translator

Russian Faculty Works

No abstract provided.

Тенденции В Словосложении При Образовании Существительных В Жаргоне И В Литературном Языке, Артемий Романов

Russian Language Journal

Как известно, словосложение является одним из способов образования существительных и в литературном, и в некодифицированном русском языке. В этой работе мы ставим задачу выявить сходства и отличия в использовании словосложения в русском литературном языке и в жаргонах.

Tomáš Masaryk And Jane Addams On Humanitarianism And Cultural Reciprocity, Marilyn Fischer

Philosophy Faculty Publications

Chapter addresses similarities between Addams's and Masaryk's positions on cultural difference and national states. The similarities were based not only on their shared general humanitarian point of view, but on a personal interaction as well. Masaryk visited the U.S. several times and even delivered series of lectures on Slavs and their history at Hull House in Chicago. Masaryk spoke with Addams and was in contact with her through his daughter Alice, who spent time in Chicago and whom Addams mentored. In these circumstances the similarities in their ideas of trans-nationalism, the plasticity of national identity, and cultural reciprocity are not …

Poema Of Lieutenant Schmidt’S End: Pasternak’S Dialogue With Tsvetaeva Through The Prism Of Genre., Ludmila Lavine

Faculty Journal Articles

Boris Pasternak’s poemy are acutely self-conscious of their place in the epic tradition. Lieutenant Schmidt (LS) represents one attempt at exploring the parameters of the poema itself as the poet makes a “difficult” transition from “lyric thinking” to “the epic.” In this article I examine this transition against a contemporaneous example in the genre, Tsvetaeva’s Poema of the End (PE). In LS, structural elements of the poema are counterposed to those of PE. While PE amplifies the individual voice, LS muffles what is personal for the sake of the public voice. While PE is atemporal, LS is historical. While PE …

New But Hardly Improved: Are Multiple Retranslations Of Classics The Best Cultural Use To Make Of Translation Talent?, Timothy D. Sergay

Russian Language Journal

The notion of audio remastering seems to inform the way literary “consumers” conceive of retranslations of classic works today. This is almost certainly because the two operations—remastering and retranslation—are such natural cousins. Retranslation seems to imply, at the very least, continuous improvement of the literary product in the target language, that is, the elimination of earlier translators’ errors in construing the source text and the ever more adequate recreation of the original author’s stylistics. How close this seems to the idea of “cleaning up” an audio signal, improving the “signal‐to‐noise ratio,” enhancing fidelity—this critical term, along with loss, is common …

Digital Determinism: The Cyrillic Alphabet In The Age Of New Technology, Martin Paulsen

Russian Language Journal

The spread of digital technology has created new conditions for the existence and development of languages. The East Slavonic languages Belarusian, Russian, and Ukrainian are excellent examples. Since the Internet originated in the U.S., and since most computer devices are created on the basis of languages that use the Latin alphabet (i.e., English), people who use other alphabets, such as Cyrillic, face additional challenges in adapting to the new technological realities (Sproat 2010).3 In this article, I shall focus on how digital technology challenges Cyrillic, as the alphabet in which the East Slavonic languages are written.

The consequences of similar …

Translations, Retranslations, And Multiple Translations: A Case For Translation Variance Studies, Alexander Burak, Timothy Sergay

Russian Language Journal

The cluster of three related articles offered here represents what the authors propose to call “translation variance studies,” or TVS, a subfield of translation studies concerned with semantic, pragmatic, and stylistic equivalence and divergence between a single source text and its multiple translations into a specified target language. Multiple translations of a single source text into a single target language have become a widespread phenomenon. Its “ontological basis,” as Anna Muza recently observed, is “variability of solution within the target language.” All parties to translation must of necessity negotiate this variability of solution, beginning with the translator in the act …

Some Like It Hot – Goblin‐Style: “Ozhivliazh” In Russian Film Translations, Alexander Burak

Russian Language Journal

This article is about English‐to‐Russian voiceover translating as a translation technique and a medium that responds to and shapes sociocultural identities. It is also about a trend in Russian film translating to enliven – in various degrees – the translation text as compared with the more neutral language in the original films. And, finally, given the multiple translations of the same cultural products, films included, it is an attempt to make a case for a strand of research and translation quality analysis that that may be called “translation variance studies.”

Oblomov – Retranslating A Classic Bridging The Time, Place, Contextual And Cultural Gap: An Account Of Some Of The Policy Choices Entailed By The Re‐Translation Of Oblomov, Stephen Pearl

Russian Language Journal

There is a crucial and underappreciated distinction between the task of translating a hitherto unknown foreign language literary work for the purpose of making it available for the first time to readers in the target language, and that of re‐translating a classic. In the latter case, translators expose themselves to, and indeed invite, not only comparison with previous translations, but also the haunting question of the very raison d’etre of the new translation itself. For this reason, a re‐translation is in a sense as much about the nature and quality of the translation as about the original work itself – …

Проблемы Поиска И Лексикографического Описания Советизмов 1920‐30 Гг., Елена Елена

Russian Language Journal

В широком смысле советизм ‐ «вербальный или невербальный знак любой сложности как факт советской культуры» [Пихурова 2005:5]. Мы применяем этот термин1 в собственно лингвистическом смысле. Советизмы ‐ тип историзмов, то есть устаревших слов, выход которых из активного употребления обусловлен исчезновением обозначаемых ими понятий, предметов, явлений.

Великий И Могучий Олбанский Язык: The Russian Internet And The Russian Language*, Daniela S. Hristova

Russian Language Journal

The worldwide proliferation of the Internet as a fundamentally new media technology has coincided with a radical social and linguistic liberalization in Russia. This junction changed drastically the interrelationship between the standard language and the non‐standard language varieties. A paradigmatic manifestation of the new Russian linguistic reality is the prevalent Internet trend of alternate spellings and non‐normative lexical use. The phenomenon is frequently referred to as an “Olbanian” language and associated with the counter‐culture of the so‐called “padonki.” Disregarding the fundamental principles of Russian orthography, spelling, and even morphology, the padonki have created an idiom that seemingly allows complete freedom …

Преподавание Глагольного Вида В Русском Языке: Проблемы И Решения, Валентина Соболева

Russian Language Journal

Категория глагольного вида в русском языке является одной из наиболее трудных тем в методике преподавания русского языка как иностранного. Трудности, которые испытывают не только студенты, изучающие русский язык, но зачастую и преподаватели, пытающиеся им помочь в понимании и усвоении этой категории, возникают по нескольким причинам.

Full Issue

Russian Language Journal

No abstract provided.

Pauline Viardot's Russian Compositions, Amy Jo Hunsaker

UNLV Theses, Dissertations, Professional Papers, and Capstones

Pauline Viardot-Garcia (1821-1910), an internationally famed opera singer well known for her vocal dexterity and range, was an intelligent and sophisticated woman who circulated easily among the brightest stars of the nineteenth century. Viardot, who was fluent in five languages, composed over 100 songs and was one of the first Western Europeans to set Russian words to music. Many of her French, German, Spanish, and Italian songs were translated into Russian and published in St. Petersburg. Viardot’s interest in Russian music began early in her career, when she performed with the Imperial Opera in St. Petersburg from 1843 to 1846. …

"Heimatlos In Dieser Welt": The Isolated Modern Woman In Edith Södergran’S Vaxdukshäft Poetry, Kajsa M. Spjut

Theses and Dissertations

In this thesis, I explore how, although Edith Södergran’s Vaxdukshäf poems seem to support new female roles in early 20th century European society, they also reflect on the danger in changing from traditional to modern roles. As the poems illustrate, this change can create an isolated woman, who becomes trapped in her new independence and is unable to alter herself to connect with others. In order to understand what is meant by traditional and modern female roles, I present a historical background that contrasts the woman of pre-20th-Century Europe with the new woman that emerged around the Turn of the …

Graduate Student Forum, Sibelan E. S. Forrester

Russian Faculty Works

No abstract provided.

The Work Of Architecture In The Age Of Its Technological Reproducibility, Elizabeth Rae Guthrie

Theses and Dissertations

Dresden's historic reconstructions bring up questions that reach far beyond the city's new/old Neumarkt district. In this thesis, I would like to take a closer look at the current ideological discourse surrounding the reconstruction of destroyed historic buildings in Dresden and other cities in the former DDR. What seems at first to be a simple culture war between progressive and reactionary city planners is actually, I will argue, a unique historical moment that blurs the dogmatically held ideas of rationality and nostalgia, ornament and function, and high art and kitsch. From the uncanny shadow of a church recently raised from …