Philosophy Commons^™

Up In Smoke: The Place Of The Modern American Cigarette, Hannah B. Grose

Student Publications

Since its discovery, the use of tobacco products has acted as a form of meditation, social engagement, and reprieve. In the era following the late 1950’s, designated “smoking areas,” whether sequestered informally by social constraints or formally by the law, have led to a culture of very “implaced” cigarette smoking. These have become places of escape, places of exile, and places of compromise. This paper explores what it means to belong, and not to belong, to these places, and the role of designated smoking areas in the formation of our culture.

Recent Publications

Contemporary Aesthetics (Journal Archive)

No abstract provided.

On 'Shock:' The Artistic Imagination Of Benjamin And Brecht, Mara Polgovsky Ezcurra

Contemporary Aesthetics (Journal Archive)

“Shock” is perhaps the central concept of modernist aesthetics and Walter Benjamin its best known theorist. It has been well documented that Benjamin’s long-lasting friendship with Bertolt Brecht and the latter’s dramatic theory had a profound influence on his thinking about this notion. Brecht's techniques of interruption and juxtaposition in the practice of epic theater were in close relationship with Benjamin’s use of montage as a mechanism to “liberate” meaning. Despite Theodor Adorno’s and Gershom Scholem’s attempt to situate Benjamin’s thought in a different aesthetic tradition, Brecht’s understanding of Verfremdung (estrangement) and Benjamin’s idea of “shock” are often deemed identical. …

On Eros In Plotinus: Attempt At A Systematic Reconstruction (With A Preliminary Chapter On Plato), Alberto Bertozzi

Dissertations

This study is an attempt at a systematic reconstruction of Plotinus’ understanding of eros or love in two basic steps, corresponding to Chapters One−Two and Three−Four respectively.

The first step highlights Plotinus’ connection to Plato. In Chapter One, first I argue that Plotinus’ way of reading the dialogues is faithful to Plato’s intention insofar as it is an active engagement in the practice of philosophy advocated in the dialogues; I then try to show that some important elements of Plotinus’ understanding of eros, most notably the differentiation of levels of reality in the soul’s ascent to Beauty and the view …

The Structural Injustice Of Forced Migration And The Failings Of Normative Theory, David Ingram

Philosophy: Faculty Publications and Other Works

I propose to criticize two strands of argument - contractarian and utilitarian – that liberals have put forth in defense of economic coercion, based on the notion of justifiable paternalism. To illustrate my argument, I appeal to the example of forced labor migration, driven by the exigencies of market forces. In particular, I argue that the forced migration of a special subset of unemployed workers lacking other means of subsistence (economic refugees) cannot be redeemed paternalistically as freedom or welfare enhancing in the long run. I further argue that contractarian and utilitarian approaches are normatively incapable of appreciating this fact …

[Introduction To] Property-Owning Democracy: Rawls And Beyond, Martin O'Neill, Thad Williamson

Bookshelf

Property-Owning Democracy: Rawls and Beyond features a collection of original essays that represent the first extended treatment of political philosopher John Rawls' idea of a property-owning democracy.

- Offers new and essential insights into Rawls's idea of "property-owning democracy"

- Addresses the proposed political and economic institutions and policies which Rawls's theory would require

- Considers radical alternatives to existing forms of capitalism

- Provides a major contribution to debates among progressive policymakers and activists about the programmatic direction progressive politics should take in the near future

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Defending Everyday Aesthetics And The Concept Of 'Pretty', Thomas Leddy

Contemporary Aesthetics (Journal Archive)

The paper defends everyday aesthetics against critiques inspired by Kant’s distinction between the agreeable and the beautiful, such as that of Christopher Dowling. It does this by focusing on analysis of the concept of the pretty. Following Carolyn Korsmeyer and A. C. Bradley, I posit a continuum for the aesthetic, from the pretty to the beautiful and finally to the sublime. After giving a history of the concept of 'pretty,' I consider its largely gendered nature and the feminist issues this raises. I conclude by arguing that limiting aesthetics to art or to art plus nature ignores the continuity between …

Hot Emotions: Dissolving The Paradox Of Fiction, Katherine Tullman

Contemporary Aesthetics (Journal Archive)

This essay critiques two of the main theories in the philosophy of emotions, the pure-cognitive theory and the neo-Jamesian theory, through the paradox of fiction. After explaining the different kinds of emotions we experience when engaging with fictions, I argue that a middle-ground, hybrid theory more adequately accounts for current scientific research and the paradox of fiction than either of the previous two. I propose a “HOT” theory of emotions (higher-order thought) specifically to explain complex emotions about fictions.

Beauty Or Bane: Advancing An Aesthetic Appreciation Of Wind Turbine Farms, Tyson-Lord J. Gray

Contemporary Aesthetics (Journal Archive)

I begin this paper by looking at declining wind turbine sales during the years 2007 to 2010. In an attempt to locate a reason for this decline, I evaluate two claims by wind farm opponents: 1) that wind farms reduce property value, and 2) that wind farms ruin the beauty of nature. The first claim I respond to by looking at three studies conducted on residential property sales located near wind farms. For the second claim, I engage in a comparison of Immanuel Kant’s and John Dewey’s aesthetics. I ultimately advance an aesthetic appreciation of wind farms that seeks to …

Introduction, Ossi Naukkarinen, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Variations On Artification, Ossi Naukkarinen

Contemporary Aesthetics (Journal Archive)

The purpose of this article is to provide an overview of the most important aspects of the concept of artification. I will proceed through five main questions: (1) What does artification mean? (2) What can become artified? (3) Why does artification take place? (4) How can it manifest itself? (5) What kinds of things are accentuated in artification processes? The answers to these questions have a direct influence on how we understand artification’s real effects and those desired but not necessarily actual on both the things that become artified and on art itself. At the end of the article, I …

Artification, Fine Art, And The Myth Of "The Artist", Larry Shiner

Contemporary Aesthetics (Journal Archive)

I begin by examining three concepts of “artification:” the decoration, transformation, and modification. I argue that the typical business argument for artification claims that since businesses must be constantly innovating and since art and artists are the principal locus of creativity in our society, businesses must be “artified.” I argue that these claims about artists and creativity are based on widely accepted conventional views about art and artists that are false. I illustrate my general argument by examining one of the best statements of the case for business artification, Austin’s and Devin’s book, Artful Making, showing that artful making is …

Everyday Aesthetics And Artification, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

Everyday aesthetics aims to illuminate the rich aesthetic dimensions of our lives that have been neglected in the modern Anglo-American art-centered aesthetic discourse. Artification, a new concept and practice, encourages us to experience various aspects of our lives normally not associated with art or aesthetics, such as business, education, and medical practice, from an artistic viewpoint. Both discourses are helpful in sharpening our aesthetic sensibility and enriching our aesthetic life. However, precisely because the aesthetic dimension of our lives exerts a considerable power in shaping our lives and the world, we need to cultivate aesthetic literacy and a vigilant attitude …

Pending On Art, Pauline Von Bonsdorff

Contemporary Aesthetics (Journal Archive)

Artification is mostly approached from a contextualist perspective where “art” refers to objects that are presented and appreciated within socially recognized art institutions. Artification then means that the notion of art is extended to non-art areas. Yet it can be argued that contextualism is circular, since it starts with an unquestioned assumption about what art is. Another weakness of contextualism is that by privileging theory it tends to downplay the role of creative and appreciative practices. Alternative approaches are possible, and this article explores in a preliminary way what a naturalist approach could mean for how we see art and …

Artification And The Aesthetic Regime Of Art, Aleš Erjavec

Contemporary Aesthetics (Journal Archive)

The author discusses “artification” and attempts to ascertain whether some common features can be found between artification and Jacques Rancière’s aesthetics, especially his notion of the “aesthetic regime of art.” The author argues that Rancière’s project of “art become life” can be employed as a common denominator of both theoretical frameworks, that of artification and that of the aesthetic regime of art. Nonetheless, the art to which Rancière’s notion primarily applies is different from art in the traditional sense, which seems to form the empirical basis of the notion of artification.

"... And I'D Look At My Hands And Think Of Lady Macbeth ...", Yrjänä Levanto

Contemporary Aesthetics (Journal Archive)

After resigning from the service of Sotheby's Auction House, Bruce Chatwin changed his views on art, the art world, and art history. He developed an approach that differed from established art-historical writing; he began to contextualize differently. He saw and understood the use of artistic means more widely than in traditional art-historical writing. From Chatwin's viewpoint, one possibility was to "smuggle" new material into the existing system. In this study, I take as my material Bruce Chatwin's enthusiasm and loyalty to Andre Malraux and his ideas about Le Musee Imaginaire. I also make use of Chatwin's interest in Heinrich Wolfflin's …

Projective Artistic Design Making And Thinking: The Artification Of Design Research, Stephen A.R. Scrivener, Su Zheng

Contemporary Aesthetics (Journal Archive)

Artification concerns the introduction of artistic ways of thinking and doing into non-art domains, such as business, typically because the host domain recognizes that art has something of value to offer that it does not. However, it is by no means easy to establish exactly what it is that the art actually does offer. In this paper, we approach this question by examining problems encountered in what might be called the “researchification” of artistic design. Following an historical and experiential account of the problematic conjunction of artistic design and research, we conclude that the projective making and thinking strategies of …

Artification For Well-Being: Institutional Living As A Special Case, Susann Vihma

Contemporary Aesthetics (Journal Archive)

Millions of people live in institutional residences that differ significantly from their homes. This article looks closely into the quality of these habitations and points out some critical characteristics based on a research project called CoWell. One salient question circles around the concept of homeyness, which in many countries is the main objective to realize in institutional living. Some kind of artification is implemented and is seen as a means for achieving a homey atmosphere and of stimulating the inhabitants and the staff. However, very little research has been done on homeyness. Cleanliness, permanence, and randomness are often recognizable in …

Artification Of Sport: The Case Of Distance Running, Matti Tainio

Contemporary Aesthetics (Journal Archive)

This article deals with the possibilities of artification in sport, using distance running as an example. Sport is viewed as one phenomenon in the history of physical cultures, with both predecessors and also the possibility of developing into something new. Sport was first defined primarily as a competitive activity but, by the end of the twentieth century, it had developed as part of the athletic trend towards exploring experience-seeking fitness sports. Through the developments of contemporary visual art, sport has also become a possible medium of art. These developments, both in sport and art, provide an opportunity to look for …