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Who Cares? A Critique Of Digital Classrooms In K–12 Education And What It Means For Students And Teachers, Jade R. McCobb-Pratt 2026 University of Central Florida

Who Cares? A Critique Of Digital Classrooms In K–12 Education And What It Means For Students And Teachers, Jade R. Mccobb-Pratt

Honors Undergraduate Theses

This thesis presents a critical analysis of digital classrooms, i.e., pre-made digital curriculum modules being used in in-person K–12 schools as a replacement for face-to-face instruction. By applying Martin Heidegger’s critique of modern technology, I will demonstrate that digital classrooms fundamentally alter the traditional classroom structure, centering it around domination and exploitation. I will expand Heidegger’s critique by drawing on Albert Borgman’s work to explain how digital classrooms commodify education, thus removing the possibility of a meaningful and enriching educational experience. These critiques run parallel to Michel Foucault’s critiques of discipline in schools. I will recount Foucault’s critiques, apply them …


The Signature Of The Self: Toward A Critique Of The Phenomenological Origins Of Self-Constitution, Dylan Mendez 2026 University of Central Florida

The Signature Of The Self: Toward A Critique Of The Phenomenological Origins Of Self-Constitution, Dylan Mendez

Honors Undergraduate Theses

This thesis is primarily concerned with how the narrative self emerges, as conceptualized in literature spanning phenomenology, philosophy of identity, and psychology. The first chapter focuses on an argument given by Dan Zahavi, in which he claims that an account of narrative self-constitution necessitates an account of minimal subjectivity, which he terms the “minimal self.” I argue against this claim on the grounds that an account of minimal intersubjectivity is a far more pragmatic and compatible model in determining how the narrative self emerges and develops throughout the lifespan. The model of minimal intersubjectivity that I propose is Trevarthen’s primary …


Being-Online: Towards A Phenomenological Account Of Virtual Place And Narrative Selfhood, Ben Runey 2026 University of Central Florida

Being-Online: Towards A Phenomenological Account Of Virtual Place And Narrative Selfhood, Ben Runey

Honors Undergraduate Theses

The intent of this thesis is to explore and explicate a phenomenology of virtual place by investigating how environments motivated by computers and smart devices appear within lived experience as well as how these virtual places found and mediate interpretative narratives of self-identity. Many individuals today spend vast portions of their waking hours concerned with or engaged within virtual domains. While contemporary scientific research aims to uncover the effects of this on human psychology, physiology, and social structures, phenomenology must be utilized to reveal the existential, lived dimensions of virtual places. This investigation will be founded upon, but not limited …


Discussion Of Living Through Capitalism, By James A. Chamberlain, James Chamberlain 2025 Mississippi State University

Discussion Of Living Through Capitalism, By James A. Chamberlain, James Chamberlain

Emancipations: A Journal of Critical Social Analysis

A discussion of Chamberlain's recent book, Living Through Capitalism: Resisting Devastation Through Communities of Life .


Wilhelm Von Humboldt And The Idea Of The Modern University: The Unity Of Bildung And Wissenschaft, Ken Udas 2025 University of Massachusetts Boston

Wilhelm Von Humboldt And The Idea Of The Modern University: The Unity Of Bildung And Wissenschaft, Ken Udas

Graduate Masters Theses

Wilhelm von Humboldt and the Idea of the Modern University examines Wilhelm von Humboldt’s contribution to shaping a philosophical ideal that has profoundly influenced the concept and identity of the modern research university for over two centuries. It highlights Humboldt’s position as a key figure in the Prussian reform movement and as the founder of the University of Berlin. Specifically, it addresses a question raised in the late twentieth century as part of the Mythos Humboldt revision: why has the Humboldtian Ideal maintained such lasting influence over the German university system, even as its practical realities have increasingly strayed from …


To Us For Every Decision We Make: A Deleuzian And Guattarian Criticism Of The Films "To Me The One Who Loved You And To Every You I'Ve Loved Before", Elstenn Nicholas Misa, Chino Samuel C. Sta. Ana, Ayed Anthony N. Velasco, Nathaniel Rey D. Ferrer 2025 De La Salle University

To Us For Every Decision We Make: A Deleuzian And Guattarian Criticism Of The Films "To Me The One Who Loved You And To Every You I'Ve Loved Before", Elstenn Nicholas Misa, Chino Samuel C. Sta. Ana, Ayed Anthony N. Velasco, Nathaniel Rey D. Ferrer

Sinaya: A Philippine Journal for Senior High School Teachers and Students

Anime has emerged not only as a form of entertainment but also as a cultural and philosophical medium exploring concepts such as identity, decision-making, and existential dilemmas. Despite its growing influence in both global and Filipino contexts, little scholarly attention has been given to how philosophical frameworks like Deleuze and Guattari’s can be applied to analyze such narratives. The study analyzed To Every You I’ve Loved Before (2022) and To Me The One Who Loved You (2022) while applying Deleuze and Guattari’s philosophical approach to understand how decisions, with identity formation and social norms, affect character development. The research applies …


Nature Naturing In And As Place, Edward S. Casey 2025 Stony Brook University

Nature Naturing In And As Place, Edward S. Casey

Duquesne Studies in Phenomenology

In this brief article, I single out two distinctly different kinds of natural place, attempting to show how these not merely contrast with each other but display larger patterns or tendencies that are also found in many other sorts of place. This is to take one integral step to a larger ecology of places provided by the natural world and from which human and nonhuman beings draw life and motion that sustain and support many ways of existing on earth. Without such places, we—and every other form of life—would perish or would not even exist to begin with. It is …


"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz 2025 University of Copenhagen

"Let Your Body Do The Talkin'": An Investigation Of Aesthetic Experience Through Phenomenological Psychology, Tone Roald, Anders Essom-Stenz

Duquesne Studies in Phenomenology

How does the experience of one’s own body contribute to aesthetic experience? This article answers the question from the point of view of phenomenological psychology by portraying how the body is lived from within in intense experiences with works of visual art. Based on descriptions of aesthetic experiences juxtaposed with phenomenological insights about the body and, in particular, Maurice Merleau-Ponty’s thoughts on concrete and abstract movement, it is shown how the lived body gives form to the experience. The experience of one’s own body reflects the expressions of the works of art and comprises not only movement, and with it …


Emotions As Work Material: On Dancers' Refined Use Of Affectivity, Camille S. Buttingsrud 2025 University College of Dance Art, Oslo

Emotions As Work Material: On Dancers' Refined Use Of Affectivity, Camille S. Buttingsrud

Duquesne Studies in Phenomenology

As part of their professional practice, dancers allow their affectivity to enhance their kinesthetic work. Their intentional and disciplined use of personal, emotional resources ensures both creativity, interpretation, absorption, and connections in ways that extend beyond the traditional phenomenological understanding of affectivity as pre-reflectively based. The affective regulations dancers employ can be seen as an “artistic epoché,” and their layered performance awareness corresponds with Edmund Husserl’s descriptions of “image-consciousness.” Through qualitative interviews with three professional dancers, phenomenological theory, and additional supportive literature, this article shows how affectivity can be experienced through high-order levels of Leib, constituting states of “bodily …


Participatory Presence In Aesthetic Experiences Of Performance, Sophie Morrissey, Shaun Gallagher 2025 University of Memphis

Participatory Presence In Aesthetic Experiences Of Performance, Sophie Morrissey, Shaun Gallagher

Duquesne Studies in Phenomenology

In the context of the performing arts, presence can generally be thought of as an experienced connection between performer and audience that heightens the affective impact of the performance. Explorations of how presence is experienced during live performance contribute to our understanding of the relation of presence to participants’ overall aesthetic experience and participation in the performance. However, they also reveal the complex phenomenology of presence and the challenge of offering a unified framework that can account for its various phenomenal manifestations. In this article, we conceive of presence as a recursive dynamical feedback loop that emerges through and modulates …


Artworks As Affective Atmospheres: Dufrenne's View Of Their Aesthetic And Philosophical Significance, Dimitris Apostolopoulos 2025 Duquesne University

Artworks As Affective Atmospheres: Dufrenne's View Of Their Aesthetic And Philosophical Significance, Dimitris Apostolopoulos

Duquesne Studies in Phenomenology

This article reconstructs and critically evaluates Mikel Dufrenne’s arguments for the claim that our embodied engagement with art is the most fundamental variety of affective experience. I show how, on his account, aesthetic affectivity, or feeling, emerges in aesthetic experience, and identify the central role that aesthetic atmosphere plays in its constitution. I propose an interpretation on which aesthetic feeling, for Dufrenne, is a founded and skilled form of intentional activity that has epistemic (evidence-responsive) and metaphysical (world-disclosive) import. An aesthetic atmosphere, I contend, is an affective and perceptual context that is tied to an artwork and exercises a regulative …


Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey McCurry 2025 Duquesne University

Introduction: Duquesne Studies In Phenomenology Volume 5, Jeffrey Mccurry

Duquesne Studies in Phenomenology

No abstract provided.


A Burlesque: The Shimmering Body Of Revealing, Lola Montgomery 2025 SAE University College

A Burlesque: The Shimmering Body Of Revealing, Lola Montgomery

Staff Scholarship - Australia & Dubai

A Burlesque: The Shimmer Manuscript is a hybrid critical–creative work that examines burlesque as an embodied methodology and a mode of knowledge production. Drawing from my two decades as a performer–scholar, the work reframes glamour, desire, and adornment as epistemological practices rather than theatrical ornamentation. The project is significant in that it expands understandings of performance studies, autotheory, and feminist aesthetics by foregrounding the performer’s body as an intelligent, sensing, world-making apparatus.

The methodology is creative practice research and archive-driven, integrating backstage documentation, AI-assisted photomontage, and theoretical reflection. The work draws from poststructuralist and feminist frameworks (Irigaray, Deleuze & Guattari, …


“War Is God” And “Unguessed Kinships”: Blood Meridian And Cormac Mccarthy’S “Border Tetralogy”, Seth Reeves 2025 Stephen F Austin State University

“War Is God” And “Unguessed Kinships”: Blood Meridian And Cormac Mccarthy’S “Border Tetralogy”, Seth Reeves

Electronic Theses and Dissertations

This thesis applies the metaphysics of philosopher Gilles Deleuze to Cormac McCarthy’s novel Blood Meridian, arguing that the novel initiates a thread of immanent subjectivity that unfolds throughout the Border Trilogy that follows it. Against a hierarchical metaphysics of transcendence, specifically an inverted Platonic Idealism, Blood Meridian dramatizes an immanent world of “optical democracy,” a prose style that levels the human and nonhuman and eludes subject and object categories. The kid’s autonomy from Judge Holden’s violent domination marks the truncated beginning of a Deleuzian subjectivity of becoming-other and immanent kinship. This incomplete gesture continues in the Border Trilogy, where …


Passive Listening: Exploring Interpassivity In Ambient Music, David Chechelashvili, Alan Brown 2025 SAE Auckland

Passive Listening: Exploring Interpassivity In Ambient Music, David Chechelashvili, Alan Brown

Staff Scholarship - New Zealand

The landscape of ambient music presents unique challenges for critique and classification due to its wide range of subgenres, functions and goals. Often defined by its atmospheric and immersive qualities, ambient music is traditionally seen as providing a backdrop for relaxation or as a means to block out the harsh reality of the outside world. This dominant theory, while valuable in certain contexts, tends to oversimplify the multifaceted nature of ambient music and ignores the potential for more nuanced listening experiences. The proposed alternative theory of interpassivity challenges existing understandings of ambient music production and consumption modes. Drawing on psychoanalytic …


The Spaces Between: A Phenomenological Exploration Of Classical Music Performance Practice, Fifi Zhang 2025 CUNY Graduate Center

The Spaces Between: A Phenomenological Exploration Of Classical Music Performance Practice, Fifi Zhang

Dissertations, Theses, and Capstone Projects

In his theory of duration, the philosopher Henri Bergson (1859-1941) asserts that the present moment is “both a perception of the immediate past and a determination of the immediate future…a joint system of sensations and movements.” In an ideal musical performance, this sensori-motor apparatus guides every one of the performer’s decisions on stage, resulting in an aural experience that is spontaneous, visceral, and deeply personal. In practice, much of today’s classical music performance culture, which relies heavily on visual notation and prioritizes fidelity to the composer’s intent, is antithetical to fundamental artistic values such as creativity, individual self-expression, and direct …


Tubuh Sebagai Subyek Dalam Dunia: Kajian Atas Skema Tubuh Dan Intensionalitas Motorik Menurut Merleau-Ponty, Antonius Puspo Kuntjoro 2025 Universitas Prasetiya Mulya

Tubuh Sebagai Subyek Dalam Dunia: Kajian Atas Skema Tubuh Dan Intensionalitas Motorik Menurut Merleau-Ponty, Antonius Puspo Kuntjoro

Multikultura

This article explores Maurice Merleau-Ponty's thought on the role of the body in shaping human experience, focusing on two key concepts: body schema and motor intentionality. Contrasting with the dualistic approach of modern Western philosophy that separates body and consciousness, Merleau-Ponty asserts that the body is not merely an object but an active subject in the world. The body schema is understood as a dynamic and pre-reflective structure that enables individuals to perceive the position and movement of their bodies within a situational space. Motor intentionality, as illustrated through the case of Schneider, shows that the body has the capacity …


Teaching Philosophy, Growing Child’S Empathy : Derrida’S Trace Theory For Critical Thinking And Character Education, Fatimah Fraya, Fristian Hadinata 2025 Department of Philosophy, Faculty of Humanities Universitas Indonesia

Teaching Philosophy, Growing Child’S Empathy : Derrida’S Trace Theory For Critical Thinking And Character Education, Fatimah Fraya, Fristian Hadinata

International Review of Humanities Studies

Child bullying cases increased significantly following the pandemic and took its toll on the need for emergency tackling and preventive action. This research focused on philosophy as a an approach to character building, using the synthesis method of literature views which also inspired from previous teachings known as Philosophy for Children (P4C), combined with hands-on experiment simulation. The aim is to discover a practical learning concept to enable philosophy to be introduced in children's classrooms at a certain age. Researchers found the intersection between philosophy and child character building beneficial in refining their empathy cognitively and creating better generations in …


Invasion As A Structure: Carceral Capitalism, Necropolitics, And The Persistence Of Settler-Colonialism, Ethan Peacock 2025 Georgia Southern University

Invasion As A Structure: Carceral Capitalism, Necropolitics, And The Persistence Of Settler-Colonialism, Ethan Peacock

Honors College Theses

In the United States, settler-colonialism is often dismissed as a "bad chapter" of the past, an embarrassing episode of the nation's history, considered irrelevant to contemporary socio-political discussions. In contrast, while ongoing, Canada's reconciliation efforts remain performative, failing to address underlying colonial power structures. This project argues that settler-colonialism is not merely a historical phenomenon but a pervasive socio-political and cultural structure shaping the contemporary world. Capitalism depends on racialized and gendered hierarchies, continually produced through dispossession, marginalization, and exploitation. The prison-industrial complex (PIC) exemplifies this dynamic by industrializing dehumanization and weaponizing state violence against marginalized communities through mass incarceration, …


Entropy And Incarnation In The Duchamp Room: An Inquiry Into Aesthetic Time, Jesse Goodman 2025 Duquesne University

Entropy And Incarnation In The Duchamp Room: An Inquiry Into Aesthetic Time, Jesse Goodman

Electronic Theses and Dissertations

This thesis investigates the posthumous installation of Marcel Duchamp, Étant donnés, as a test case for how particularly historically situated artworks may or may not change over time. It begins with an overview of Duchamp’s biography, and his own theories of art’s relationship to temporality (which influenced the piece’s construction). It then moves through contrasting accounts of aesthetic time from Adorno and Robert Smithson. Section two works with Walter Benjamin’s writing on photography and aura to produce an account of estrangement between the piece and the viewing subject induced by the historical development of the artwork’s “translation” and “replication”—through …


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