Editorial,
2015
Rhode Island School of Design
The Cacaio Project: Education For Environmental, Aesthetic And Moral Development,
2015
Institute of Economics, Brazil
The Cacaio Project: Education For Environmental, Aesthetic And Moral Development, Atila T. Calvente
Contemporary Aesthetics (Journal Archive)
Economic inequalities, institutional awkwardness, cultural underdevelopment, social exclusion, a fast rate of environmental, ecological, and biodiversity degradation have all been at the root of historic social injustice and structural poverty in Brazil for centuries. Human development and emancipation in this context should be approached as a set of non-formal educational practices to promote better learning and dignity. These would become potent means for reducing material poverty and selfish individual behavior, and for improving holistic modes of education and culture. Non-traditional educational practices can have an important influence in state-run schools, as well as in private schools, by enhancing resilience and …
Experience Of Awe: An Expansive Approach To Everyday Aesthetics,
2015
San Jose State University
Experience Of Awe: An Expansive Approach To Everyday Aesthetics, Thomas Leddy
Contemporary Aesthetics (Journal Archive)
As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, one that includes festivals, tourism, and many daily activities of artists and other professionals, along with most ordinary and common experiences. I argue for continuities between aesthetics of everyday life and the aesthetics of art and nature. Looking through a window, for example, may involve aspects of all three. Although I agree with Melchionne that everyday aesthetics is closely related to questions of subjective well-being, I take a more expansive approach to this, drawing from recent psychological studies of the experience of “awe” to stress the …
Shusterman’S Thinking Through The Body And Everyday Aesthetics,
2015
San Jose State University
Shusterman’S Thinking Through The Body And Everyday Aesthetics, Tom Leddy
Faculty Publications
How does Richard Shusterman’s Thinking Through the Bodyapply to the issues of everyday aesthetics? As it turns out, many chapters contribute significantly to everyday aesthetics, in particular the work on architecture, self-styling, the body as background, lovemaking, and the process of making a photographic portrait. Shusterman’s concentration on the art of living has special importance to everyday aesthetics. Current debates within the field of everyday aesthetics also raise problems for somaesthetics. I also question the limits of somaesthetics and Shusterman’s rejection of defamiliarization in making the ordinary extraordinary.
Armed With An Easel: Understanding Artistic Political Praxis Through The Works Of Theodor Adorno And Chantal Mouffe,
2015
The College of Wooster
Armed With An Easel: Understanding Artistic Political Praxis Through The Works Of Theodor Adorno And Chantal Mouffe, Evelyn Yu Yu Swe
Senior Independent Study Theses
This Independent Study is divided into four chapters. The first chapter examines the role of capitalism in the formation of our culture. The argument presented here is that culture plays an important role in reinforcing modern neoliberal capitalism and that neoliberal capitalism has massive control over the dissemination of culture and the arts. The chapter concludes that it is necessary to utilize socio-cultural means in combating the influence of capitalism, and there does indeed exist emancipatory potential in artistic political praxis.
The second chapter focuses on Theodor Adorno’s aesthetic theory in articulating his conception of the emancipatory potential of art. …
Postcession,
2015
Viginia Commonwealth University
Postcession, Evan D. Pomerantz
Theses and Dissertations
This is a series of daily writings. Each day consists of a new topic and is closed at the end of the day. The ideas presented are philosophical, humorous, rambling, lamentations, incantations, doubt-ridden, aesthetic pep talks which combine into an affective representation of my studio practice’s becoming. There will be little congruency, some stories, and a lot of parallels because that is who I am.
Notices,
2015
Rhode Island School of Design
Recent Publications,
2015
Rhode Island School of Design
Landscapes Of Human Experience,
2015
Johann Wolfgang Goethe-University, Frankfurt/Main
Landscapes Of Human Experience, Martin Seel
Contemporary Aesthetics (Journal Archive)
Landscapes of Human Experience, PDF download. This essay begins with some observations concerning the interaction between nature and art. Relying on these reflections, in the second part experience of landscape will be interpreted as a model for the human stance within the natural as well as the historical world. In the third part some consequences for an ethics and politics of saving the conditions for individual as well as social well-being will be drawn.
The Aesthetic Pulse Of The Everyday: Defending Dewey,
2015
University of Helsinki
The Aesthetic Pulse Of The Everyday: Defending Dewey, Kalle Puolakka
Contemporary Aesthetics (Journal Archive)
In the relatively fragmented field of everyday aesthetics, some issues have gradually become the subject of increasingly heated debate. One of the primary disputes concerns aesthetic experience and how that concept should be understood. This article defends the view that the conception of aesthetic experience developed by John Dewey offers a much more promising foundation for a theory on the aesthetics of everyday life than some scholars have believed.
What Is Temporal Art? A Persistent Question Revisited,
2015
Adelaide University
What Is Temporal Art? A Persistent Question Revisited, John Powell
Contemporary Aesthetics (Journal Archive)
This article examines the fourteen conditions constituting Levinson and Alperson’s taxonomy of conditions for temporal arts. It claims that some of the conditions and several of the lists of arts exemplifying them need revision. It recommends adding a new condition concerned with the effects of the passage of time on gardens, environmental sculpture, and outdoor installations. The article concludes that gardens may be a model for understanding and appreciating other arts sharing the same bi-(multi-) modality.
Annunciations - Figuring The Feminine In Renaissance Art,
2015
Villanova University
Annunciations - Figuring The Feminine In Renaissance Art, John M. Carvalho
Contemporary Aesthetics (Journal Archive)
Viewers of Renaissance representations of the Annunciation miss an important irony. Where Mary is figured as unimpressed by Gabriel's proposal, she is upholding a masculinist ideal of female virtue. Where she is figured as delighted by the news, she represents an alternative feminine ideal that continues to be attractive to women and feminists, today. Inspired by the writings of Luce Irigaray and Julia Kristeva, I figure Mary in Renaissance representations of the Annunciation as contesting an ideal of feminine virtue that would deny her sexual difference and deny her pleasure in fulfilling her role as the bride and mother of …
Epistemic Function And Ontology Of Analog And Digital Images,
2015
Academy of Art, Poland
Epistemic Function And Ontology Of Analog And Digital Images, Aleksandra Lukaszewicz Alcarez
Contemporary Aesthetics (Journal Archive)
The important epistemic function of photographic images is their active role in construction and reconstruction of our beliefs concerning the world and human identity, since we often consider photographs as presenting reality or even the Real itself. Because photography can convince people of how different social and ethnic groups and even they themselves look, documentary projects and the dissemination of photographic practices supported the transition from disciplinary society to the present-day society of control. While both analog and digital images are formed from the same basic materia, the ways in which this matter appears are distinctive. In the case of …
Yellowism And Ontology: A Skeptical Analysis,
2015
Grand Valley State University
Yellowism And Ontology: A Skeptical Analysis, Wesley D. Cray
Contemporary Aesthetics (Journal Archive)
When Vladimir Umanets entered the Tate Modern on October 7, 2012 and defaced Rothko's Black on Maroon, he was operating, not as an artist or a vandal, but as a Yellowist. Yellowism is neither art nor anti-art but is instead a supposedly new cultural element that exists for its own sake and is about nothing but the color yellow. It might be tempting to write Yellowism and the Rothko defacement off as a mere prank or as pseudo-intellectual fraud, but I argue that, intentionally or not, the Yellowists have raised issues salient to those invested in both the ontology of …
One Song, Many Works: A Pluralist Ontology Of Rock,
2015
Rice University
One Song, Many Works: A Pluralist Ontology Of Rock, Dan Burkett
Contemporary Aesthetics (Journal Archive)
A number of attempts have been made to construct a plausible ontology of rock music. Each of these ontologies identifies a single type of ontological entity as the “work” in rock music. Yet, all the suggestions advanced to date fail to capture some important considerations about how we engage with music of this tradition. This prompted Lee Brown to advocate a healthy skepticism of higher-order musical ontologies. I argue here that we should instead embrace a pluralist ontology of rock, an ontology that recognizes more than one kind of entity as “the work” in rock music. I contend that this …
Norms Of Cultivation,
2015
Rhode Island School of Design
Norms Of Cultivation, Kevin Melchionne
Contemporary Aesthetics (Journal Archive)
In this paper I identify a new group of aesthetic norms, which I call norms of cultivation. Judgments of taste are often accompanied by forecasts or expectations about future aesthetic satisfaction. When we find something beautiful, we expect to find it beautiful in the future. Forecasting is at play in all sorts of aesthetically motivated behavior. Yet psychologists have observed an unreliability in such forecasts. As a result of forecasting error, what we take as our taste can be an unreliable guide in our aesthetic lives. Compensating for the unreliability of taste are norms of cultivation, implicit rules for engaging …
Symbolic Misery And Aesthetics- Bernard Stiegler,
2014
Technological University Dublin
Symbolic Misery And Aesthetics- Bernard Stiegler, Noel Fitzpatrick
Articles
In this article I will deal with the development of a theory of aesthetics within the work of the French contemporary philosopher Bernard Stiegler with particular reference to his concept of symbolic misery. Rather than give an extensive account of Bernard Stiegler’s aesthetics this article will focus on some key concepts mobilized in the definition and analysis of symbolic misery. Firstly, I will argue that Stiegler’s understanding of the aesthetic comes from an expanded notion of aesthesis, where the political and the aesthetic are mobilized together. In this regard I will interrogate some key concepts in his work Symbolic Misery …
If You See Something, Say Something: A Look At Experimental Writing On Art,
2014
CUNY Graduate Center
If You See Something, Say Something: A Look At Experimental Writing On Art, Charlotte Lucy Latham
Dissertations, Theses, and Capstone Projects
Signs all over New York City state, "If you see something, say something," but museum studies repeatedly find viewers do not attend to pictures, just as eye witness testimony is invariably skewed. Ways of seeing have been limited to known ways of discussing. Alternative approaches offer new insights. The first section, "Experiments in Art Writing," examines two texts: T.J. Clark's The Sight of Death, a journal of his daily visits looking at two Poussin paintings, for which he maintains the ambiguity of exploration and argues to keep visual images from their dissolution into political symbols; and, Charles Simic's Dime Store …
Civilization Of The Living Dead: Canonical Monstrosity, The Romero Zombie, And The Political Subject,
2014
CUNY Graduate Center
Civilization Of The Living Dead: Canonical Monstrosity, The Romero Zombie, And The Political Subject, Nicholas Walter Robbins
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the canonical monsters of Western political theory, including Plato's wolf-man, Hobbes's Leviathan and Tocqueville's mechanical mass. It argues that monster theorists - including horror film director George A. Romero, creator of the zombie and its apocalyptic narrative - utilize the horror genre in order to reveal the hidden dysfunctions and unrealized potentials of self and society. The canon features several prison-like heuristics - including Plato's cave, Hobbes's sate of nature, Tocqueville's prison, and Romero's zombie apocalypse - that bring to light the mass enslavement, intellectual dysfunction, appetitive tyranny, and cannibalism of the political subject. Theorists consistently depict …
To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories,
2014
Centre allemand d'histoire de l'art
To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux
Artl@s Bulletin
How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …
