Ethics And Market Economic System: A General Review And A Survey,
2014
Missouri Western State University & Walden University
Ethics And Market Economic System: A General Review And A Survey, Reza G. Hamzaee
International Journal of Applied Management and Technology
Recent global recession has motivated this predominantly historical and exploratory research of thoughts and perceptions. A continuous planning of governmental correction of any market failure, such as various types of externalities and information asymmetry, has been strongly recommended by the pioneers of free enterprise systems. Capitalism—in which private ownership of means of production, physical capital, human capital, financial capital, brand-name capital, social capital, land, and mineral deposits are all protected by law without implementation of a series of certain evolving ethical standards and principles—may not continue to be the same efficient system as implied to be by the cost-benefit balancing …
An Interview With Gernot Böhme,
2014
School of Art and Design, Kassel, Germany
An Interview With Gernot Böhme, Zhuofei Wang
Contemporary Aesthetics (Journal Archive)
No abstract provided.
Recent Publications,
2014
Rhode Island School of Design
Reflections On Music And Propaganda,
2014
University of Salzburg
Reflections On Music And Propaganda, Luis Velasco Pufleau
Contemporary Aesthetics (Journal Archive)
In general, the concept of propaganda refers to a method as well as the symbolic object mobilized by it. Propaganda equally constitutes a particular type of communication that involves not only the mobilization of objects, but also of discourse, places, acts, and rituals. This essay employs the writings of Max Weber, Paul Ricœur, Jacques Ellul, and Jacques Rancière to analyze propaganda as a particular type of symbolic political dispositif linked to a specific performance and utterance context. I examine humanitarian songs as a propaganda tool in democracy, and show the conditions and the limits of their mobilization through their contextualization. …
Editorial,
2014
Rhode Island School of Design
Notices,
2014
Rhode Island School of Design
Contemporary Aesthetics: Perspectives On Times, Space And Content,
2014
Aalto University
Contemporary Aesthetics: Perspectives On Times, Space And Content, Ossi Naukkarinen
Contemporary Aesthetics (Journal Archive)
What is contemporary aesthetics? The answer to this question is often simply stated rather than carefully elaborated, even if the current nature and scope of the discipline is far from self-evident. To examine how both the concept and the field of contemporary aesthetics can be understood, I suggest that it is useful to consider three themes: the time, space, and content of aesthetics, i.e., the questions of when, where, and what contemporary aesthetics is. Through this, it is possible to construe a conceptual space of contemporary aesthetics and to compare different instantiations of it with each other.
Numbing The Heart: Racist Jokes And The Aesthetic Affect,
2014
John Jay College of Criminal Justice at CUNY
Numbing The Heart: Racist Jokes And The Aesthetic Affect, Tanya Rodriguez
Contemporary Aesthetics (Journal Archive)
People sometimes resist the idea that racist humor fails on aesthetic grounds because they find it funny. They make the case that we can enjoy its comic aspects by controlling our attention, by focusing on a joke’s rhythm or delivery rather than on its racist content. Ironic intent may reside with the joke teller and/or the audience. I discuss how arguments for the immorality of racist jokes fall short. Ironic racist jokes may be acceptable to an audience that already rejects racism but is comfortable with such ironic racist joking precisely because as individuals they feel confident in their own …
Oceanic Feeling In Painterly Creativity,
2014
University of Jyvaskyla
Oceanic Feeling In Painterly Creativity, Jussi Antti Saarinen
Contemporary Aesthetics (Journal Archive)
The oceanic feeling is a frequent topic of discussion in both creativity research and aesthetics. Characterized by a sensation of self-boundary dissolution, the feeling has been reported to involve experiences of fusion with various objects, including works of art. In this article, I discuss the oceanic feeling in the specific context of painterly creativity. I begin by arguing that the oceanic feeling cannot be classified as an emotion, mood, or bodily feeling, in the established definitions of these terms. I then introduce philosopher Matthew Ratcliffe’s theory of existential feelings to help formulate a more accurate view of the oceanic feeling. …
Historical Formalism In Music: Toward A Philosophical Theory Of Musical Form,
2014
Nanjing University
Historical Formalism In Music: Toward A Philosophical Theory Of Musical Form, Andrea Baldini
Contemporary Aesthetics (Journal Archive)
In this paper I begin to fashion a theory of musical form that I call historical formalism. Historical formalism posits that our perception of the formal properties of a musical work is informed by considerations not only of artistic categories but also of the historical, sociopolitical, and cultural circumstances within which that work was composed.
Musical Ontology: Critical, Not Metaphysical,
2014
College of Charleston
Musical Ontology: Critical, Not Metaphysical, Jonathan A. Neufeld
Contemporary Aesthetics (Journal Archive)
The ontology of musical works often sets the boundaries within which evaluation of musical works and performances takes place. Questions of ontology are therefore often taken to be prior to and apart from the evaluative questions considered by either performers as they present works to audiences or an audience’s critical reflection on a performance. In this paper I argue that, while the ontology of musical works may well set the boundaries of legitimate evaluation, ontological questions should not be considered as prior to or apart from critical evaluation. Rather, ontological claims are a type of critical evaluation made within musical …
Pushing The Limits: Risk And Accomplishment In Musical Performance,
2014
Rowan University
Pushing The Limits: Risk And Accomplishment In Musical Performance, David Clowney, Robert Rawlins
Contemporary Aesthetics (Journal Archive)
Using examples from musical performance of several kinds, we argue that risk-taking, showing off, virtuosity, and other forms of musical showmanship are in many cases, though not in all, an integral and appropriate part of the music as performed on that occasion. We reflect on the difference between cases where this is so and cases where it is not, using insights from John Dewey’s aesthetics as articulated in Art as Experience.
The Point Of Everyday Aesthetics,
2014
Rhode Island School of Design
The Point Of Everyday Aesthetics, Kevin Melcionne
Contemporary Aesthetics (Journal Archive)
The point of everyday aesthetic activity is well-being
Nancy And Neruda: Poetry Thinking Love,
2014
Samford University
Nancy And Neruda: Poetry Thinking Love, Joshua M. Hall
Contemporary Aesthetics (Journal Archive)
My intention in this paper is to respond to Jean-Luc Nancy’s claim that poetry, along with philosophy, is essentially incapable of what Nancy describes as “thinking love.” To do so, I will first try to come to an understanding of Nancy’s thinking regarding love and then of poetry as presented in his essay “Shattered Love.” Having thus prepared the way, I will then respond, via Pablo Neruda’s poem “Oda al Limón,” to Nancy’s understanding of poetry vis-à-vis “Shattered Love.” This response, in acting out Nancy’s thinking regarding love, will suggest a greater plurality within poetry than Nancy acknowledged
(Dis)Functions: Marxist Theories Of Architecture And The Avant-Garde,
2014
University of Newcastle
(Dis)Functions: Marxist Theories Of Architecture And The Avant-Garde, Michael Chapman
Contemporary Aesthetics (Journal Archive)
This paper investigates the relationship between architecture and theories of the avant-garde in the critical projects of the 1970s, with a focus on the theories of Peter Bürger and Manfredo Tafuri. Both Tafuri and Bürger were writing from within the context of a radicalized Marxism and were fueled by an intellectual pessimism towards the totalizing systems of cultural production that questioned the role of resistance in aesthetics and the inability of the historical avant-gardes to engage within the political and economic fields of contemporary society. While there is a common ancestry to these two approaches, and mutual acceptance of the …
Schiller Revisited: "Beauty Is Freedom In Appearance" Aesthetics As A Challenge To The Modern Way Of Thinking,
2014
Friedrich-Schiller-Universitaet Jena
Schiller Revisited: "Beauty Is Freedom In Appearance" Aesthetics As A Challenge To The Modern Way Of Thinking, Wolfgang Welsch
Contemporary Aesthetics (Journal Archive)
This essay re-evaluates Schiller's idea of beauty as “freedom in appearance,” as brought forward in his Kallias or On Beauty(1793), against the backdrop of early modern and modern thinking that based itself on a fundamental split between nature and freedom, world and man. Schiller's claim that natural beauty results from freedom in nature bridges this gap. His suggestion is confirmed by modern science. Schiller's view is recommended and defended as a way of escaping modern bigotry
Fitness For Function And Dance Aesthetics,
2014
Queens University of Charlotte
Fitness For Function And Dance Aesthetics, Eric C. Mullis
Contemporary Aesthetics (Journal Archive)
This essay discusses the manner in which the appreciation of fitness for function can be applied to dance aesthetics. Drawing on Allen Carlson and Glenn Parsons’ work, the essay considers the problems of indeterminacy, translation, and dysfunction as they pertain to the appreciation of dance movement. It then argues that fitness for function can be used to critically assess post-modern task dances and contemporary dance works that do not rely on the execution of codified dance technique.
Smell And Anosmia In The Aesthetic: Appreciation Of Gardens,
2014
Universidad Autónoma de Barcelona
Smell And Anosmia In The Aesthetic: Appreciation Of Gardens, Marta Tafalla
Contemporary Aesthetics (Journal Archive)
In his Critique of the Power of Judgment, Kant defined the garden as a visual art and considered that smell plays no role in its aesthetic appreciation. If the Kantian thesis were right, then a person who has no sense of smell (who suffers from anosmia) would not be impaired in his or her aesthetic appreciation of gardens. At the same time, a visually impaired person could not appreciate the beauty of gardens, although he or she could perceive them through hearing, smell, taste, and touch. In this paper I discuss the role of smell and anosmia in the aesthetic …
Art As Person: Correlative Personhood In Aesthetic Representation,
2014
University of North Florida
Art As Person: Correlative Personhood In Aesthetic Representation, Michael Dufresne
UNF Undergraduate Capstone Projects and Honors Theses
In this paper, I argue that the metaphor of art as person should be implemented as a way to understand artistic interaction, such that the relationship between artworks and spectators should be understood as one between persons. I begin this argument by first juxtaposing Hans-Georg Gadamer’s notion of aesthetic representation with the values that constitute correlative person in Confucianism. This juxtaposition draws similarities between artworks and persons that make the metaphor of art as person a plausible means for understanding artistic interaction. I then appeal to Michel Foucault for two significant reasons: his subjectfication of the self solidifies the comparisons …
Fictional Emotions: Genuineness Of Emotions In Fictions,
2014
Claremont McKenna College
Fictional Emotions: Genuineness Of Emotions In Fictions, Lorien Giles
CMC Senior Theses
The common position in philosophy calls into question the ability of our emotions that derive from fictions to be genuine. In this paper I analyze this view, its motivating examples, and some unconsidered positions. In doing this I hope to offer a good defense of why our emotions that derive from fictions are in fact genuine and why the Paradox of Fiction is too broad.
