Aesthetics Commons^™

Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender

Student Theses 2015-Present

This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim …

The Catholic Imagination, Y Bittner Wiseman

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger

Senior Honors Projects, 2010-2019

J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …

Theater As A Civic Practice, Charlie Santos

Senior Honors Projects

Contemporary artists are working within a cultural moment saturated with political fervor. The ideologies of social and political movements such as Black Lives Matter, Queer Rights, and Gun Control weigh heavily on the minds of young artists. More and more, I see actors, writers, and creators struggling to reconcile their identities as artists and identities as political beings. How do artists resolve the internal dissonance between their artistic and political spheres? Is activist art an opportunity to synthesize these two spheres? Or might creating art for political ends pose ethical and/or aesthetic hazards? On the one hand, creating political art …

Where Literature And Philosophy Meet And Diverge, Clare C. Hagan

Undergraduate Theses

Many writers and philosophers have asked “What is art?” or “What is philosophy?” but it is difficult to encounter a text where these questions are set beside each other. Many works of philosophy appear very literary in form and content, just as there are many literary works that are very philosophical in nature. This essay examines the intersection of literature and philosophy, using Kant’s Critique of Judgement as a way into analyzing Plato’s Phaedo, as an example of literary philosophy; and Shakespeare’s Hamlet, as an example of philosophical literature. The first section deals with literature and philosophy as texts, looking …

On Superhero Stories: The Marvel Cinematic Universe As Tolkienesque Fantasy, A.G. Holdier

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

By considering the movies in the Marvel Cinematic Universe as a case study, I bring Tolkien’s explication of mythopoesis in “On Fairy Stories” to bear on the current popularity of superhero films to argue that such works qualify as cinematic examples of Tolkienesque fantasy tales. After summarizing Tolkien’s criteria for the genre in Nietzschean aesthetic terms, I both demonstrate how the builders of the MCU have crafted a sub-created fictional world and defend the existence of fairy stories in visual media from Tolkien’s own criticism of such a possibility.

For The Sake Of The Intellect, Let Them Have Art: A Possible Reconciliation For The Value Of Mimetic Arts In The 'Republic', Breanna Liddell

Theses

This paper explores the possibility of a cohesive philosophy that recognizes both Plato’s concern about art as a moral danger in the Republic and the aesthete’s—a worthy adversary—position of art as something worth preserving. Plato understood the arts as mimêsis, or imitative and representational. Additionally, this paper suggests that Plato’s take on art extends beyond the limited realm of the performative arts that depict the misguided actions of Greek heroes and gods and how those arts positively or negatively impact the educational development of a citizen of the Republic. Rather, I assert that what he means by “art” is …

Inventing An Ethics: Existentialism And Engagement Through Literature, Michael Foster Wickham

LSU Master's Theses

The existentialist ethics of Jean-Paul Sartre and Simone De Beauvoir offers a unique perspective that challenges a traditional, normative picture that has been dominant throughout the history of ethical thinking and continues to dominate in contemporary discourse. The perspective in question refuses to rely on essence to ground its positions, opting instead to focus on the contingency of the subject and the interpersonal as being fundamental in the invention of moral values and ethical practices. This thesis looks to – in the first chapter – explore the relationship between the subjective and the interpersonal through a discussion of Heidegger’s Mitsein …

Curating Illustrations Of Lewis Carroll’S Alice’S Adventures In Wonderland, Lindsay Persohn

USF Tampa Graduate Theses and Dissertations

In the 150 years since Lewis Carroll and John Tenniel (1865/1866) first published Alice's Adventures in Wonderland, various illustrators have found inspiration in this story to recreate its images again and again. Since Carroll and Tenniel, Wonderland has concerned itself with sociocultural ideas and the work of artists who re-illustrated this story provide ways to trace history of these ideas.

Accordingly, the purpose of this project was to examine connections and breaks with tradition in illustration that contribute to an evolution of meaning in the Wonderland story. Additionally, through this project, I worked to interpret ideas from different artists in …

Is Viewing A Painting Really Like Reading? An Investigation Of Trans-Symbolic Comprehension Processes, Christian C. Steciuch

Graduate Research Theses & Dissertations

Humans form mental models of the world around them. A large body of research has outlined these mental processes for comprehending texts, yet less work has been conducted in the world of comprehending artworks. The recent Trans-Symbolic Comprehension (TSC) Framework has posited that there are shared comprehension processes between the domains of text and artwork. The current study tested this claim by having individuals think-aloud while viewing paintings and reading texts. Think-aloud protocols were then parsed and coded for six distinct mental processes that the TSC framework claims are required for comprehension across symbol systems. It was hypothesized that individuals …

Sargent's Women: Four Lives Behind The Canvas, By Donna M. Lucey, New York: W.W. Norton & Company, 2017 (Book Review), Anne-Taylor Cahill

Philosophy Faculty Publications

No abstract provided.

A Song Of Confusion And Annoyance: Kant On The Beauty Of Absolute Music, Ryan Walton Turner

Electronic Theses and Dissertations

Kant's evaluation of music in the Critique of Judgement stands as a blemish on an otherwise appealing system of judgments of beauty and of assigning aesthetic worth. In order to resolve this tension, I will present an argument in three parts. First, I will delve further into Kantian judgments of beauty to provide solid contextual grounds for why he draws his conclusions about music and will further elaborate on his various positions concerning music. Second, I will look at a few potential answers for the problem of music given by others in the philosophy of music and briefly evaluate their …

Creator And Creation: Artistic Development In Herman Melville’S Pierre; Or, The Ambiguities And James Joyce’S A Portrait Of The Artist As A Young Man, Magdalena M. De La Cruz

Dissertations and Theses

This study focuses on the primary protagonists of Herman Melville’s Pierre; or, the Ambiguities (1852) and James Joyce’s A Portrait of the Artist as a Young Man (1916), Pierre Glendinning and Stephen Dedalus, as well as Isabel Banford, a supporting character in Melville’s novel, to illustrate how the tensions of contemporary society have a direct influence on the artist-hero’s representations and perspectives on self-realization. This thesis will draw on the major concepts of the artist and artist fiction as put forth in Otto Rank’s Art and Artist (1916), Herbert Marcuse’s “Der Deutsche Künstlerroman” (“The German Artist Novel”, 1922), and Maurice …

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Appreciating Nature And Art: Recent Western And Chinese Perspectives, Glenn Parsons, Xin Zhang

Contemporary Aesthetics (Journal Archive)

Landscape painting has played a significant role in shaping practices of nature appreciation in Western and Chinese cultures. Both cultures have also seen the recent emergence of philosophical views of nature appreciation that stress the importance of ecological understanding. However, these philosophical views differ in their response to the influence of the landscape painting tradition: whereas Western approaches have largely been critical, Chinese ecoaestheticians have embraced it. In this paper, we explore this difference and argue that it is not explained by differences between Western and Chinese art but by differences in Western and Chinese philosophers’ conceptions of ecology. We …

The Universal Validity Of The Conceptions Of Artistic Creativity And The Perception Of Beauty In Pre-Modern China: A Comparative Examination, Junghwan Lee

Contemporary Aesthetics (Journal Archive)

In contemporary aesthetics, artistic creativity and the perception of beauty are the key concepts in explaining aesthetic consciousness. From the birth of modern aesthetics, an underlying assumption has been that artistic creativity and the perception of beauty are each genuinely universal in human experience, which is worthy of particular attention. To examine the universal validity of Western aesthetic claims on these two distinctive subjects, this paper presents a very brief outline of pre-modern Chinese interpretations of both concepts. Specifically, in comparison to Kant’s concept of genius and aesthetic judgment, I draw two conclusions. First, although there was no concept equivalent …

On Habits And Functions In Everyday Aesthetics, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

A group of theorists in everyday aesthetics, named restrictivists, have explicated the notion of the everyday in terms of a particular stance of everydayness that they believe, in time, comes to characterize people’s relationships to their daily things and environments. The everyday is revealed to be something habitual and routine that, despite its ordinariness, provides a pleasurable sense of safety and trust. In this paper, I present a series of considerations drawing on John Dewey’s notion of habit, on the one hand, and Jane Forsey’s account of the aesthetics of design, on the other, that call into question the general …

The Aesthetics Of Silence: A Matter Of Spatial Critique In The Works Of Marcel Broodthaers, Elsbeth Dekker

Contemporary Aesthetics (Journal Archive)

In 1967 Susan Sontag published her essay, "The Aesthetics of Silence,” on the craving towards silence in artistic movements of the nineteenth and twentieth centuries. Even though it appears that notions of silence are still influential within the visual arts, theoretical writings on silence are nearly absent. This article explores how notions of silence emerged in the early works of Marcel Broodthaers, by scrutinizing his works, related to Pense-Bête, together with the writings of Susan Sontag and related ideas from Stéphane Mallarmé and Theodor Adorno. Through a vivisection of these early works of Broodthaers, this article argues how silence …

The Problem Of Thick Representation, Rafe Mcgregor

Contemporary Aesthetics (Journal Archive)

The purpose of this paper is twofold: to define the problem of thick representation and to show that the problem is a puzzle for representation rather than a puzzle for a specific art form or art, in general, as has previously been suggested. In the course of identifying and formulating the problem, I shall demonstrate why the solution proposed thus far fails to solve either the artistic problem at which it is aimed or the representational problem I define. I conclude by indicating two promising directions in which a solution might be found and by explaining the philosophical and critical …

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.