Caribbean Languages and Societies Commons^™

Entry Nr. 468 Francisco Mina, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 469 Dolores Roca, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 470 Antonio Quesada, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 472 Poli, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 153 Ibrahim, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 132 Antson Zizer, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

Entry Nr. 172 Richard Pierpoint, Aaron Spencer Fogleman, Robert Hanserd

500 African Voices

No abstract provided.

The African Experience And Heritage In The Caribbean And Brazil Project, Willie Mack

Open Educational Resources

This project will be a culmination of work that the student will do over the course of the semester. The first step is for the student to identify a country that they wish to examine. By the end of the semester, the student will be able describe, in a 5 – 8 page paper, the experience/heritage of Africans and African identity in that country. Alternatives to a paper submission are also accepted with consultation and approval from the instructor.

Keywords In Caribbean Studies: A Project Statement, Vanessa Pérez-Rosario, Ryan Cecil Jobson

Publications and Research

Responding to a call for a renewed and reinvigorated project of Caribbean criticism, the Keywords in Caribbean Studies project proposes an examination of the critical vocabulary that shapes our field of study. A genuinely regional Caribbean criticism—one that necessarily encompasses the entirety of the Caribbean Sea and its archipelago, its coastal territories of the South and Central Americas, and their global circuits of migration and diaspora—demands concerted attention to the critical vocabulary with which we engage the region.

Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho

The Coastal Review

This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …

Los Fantasmas De La Imaginación En El Deseo Más Canalla De Arístides Vargas, Rojo Robles Mejias

Publications and Research

Como motivo del evento crítico teatral Un espacio seguro producido por Caborca y Teatro Público en el Teatro de la UPR en Octubre 2022, este ensayo revisita la obra de Arístides Vargas, El deseo más canalla (2001). El artículo argumenta que la obra divisa la posibilidad de transformar espacios y proyectar seres creativos por medio de la imaginación. La imaginación en la dramaturgia de Vargas es un mecanismo recurrente para establecer una relación entre la realidad interior y la exterior, entre una posible construcción del yo y la otredad. Esa metamorfosis del yo se alcanza por medio del juego literario …

Carnivalizing The Nation: Reassessing The Trinidad And Tobago Carnival As An Inclusive Platform For Local And Diaspora Cultural Identity, Shari Bissoondatt

CGU Theses & Dissertations

Trinidad and Tobago's 2020 National Cultural policy ostensibly seeks to build the twin islands’ cultural confidence through the development of a unifying and empowering national cultural identity. However, this research asserts that the current policy undermines these national goals by approaching its community through problematic colonial, nationalist frameworks and through centralizing the annual carnival festival. This positioning poses several key problems. First, it reinscribes the colonial cultural identity of the island. Second, this nationalist, Christian colonial approach reinforces a binary of belonging and non-belonging that excludes minoritized, diasporic, and non-conforming gender communities. Third, by centralizing carnival in cultural policy, the …

Self-Reclamation Through Death: Attaining Creoleness In Jamaica Kincaid’S The Autobiography Of My Mother And In Praise Of Creoleness By Jean Bernabé, Patrick Chamoiseau And Raphaël Confiant, Phillip J. Jordan

Dissertations and Theses

This thesis makes the claim that Xuela, the protagonist of the novel The Autobiography of My Mother mirrors the principles of the essay In Praise of Creoleness by Jean Bernabé, Patrick Chamoiseau, and Raphael Confiant. These works, published nearly a decade apart address a process of identity formation in which specifically Caribbean identity features blend together in a fluid and complex way, the process of creolization. The essay, In Praise of Creoleness, can be seen as the manifesto of creolization, while Kincaid’s Xuela in The Autobiography of My Mother is the manifestation. Kincaid’s work presents an account of an individual’s …

Family Relationships And Academic Performance Via Belongingness Among Cuban Medical Students: Examining Family Legacy And Sex As Moderators, Maria J. Cisneros-Elias

Theses and Dissertations

Medical diplomacy is a foundational part of Cuban domestic and foreign policy (Feinsilver, 2010). Cuba has an abundance of doctors, encouraged by the country’s free medical education program (Hand et al., 2020), and has made a significant impact with its well-established healthcare system, provision of healthcare for all of its citizens, and healthcare support internationally. The current study aims to focus on processes underlying Cuban medical students’ academic performance, as they are a critical component of this successful system, and a population that has received limited empirical attention. Thus, the current study used path analyses to examine the relations between …

La Voz Fall 2021, El Instituto: Institute Of Latina/O, Caribbean, And Latin American Studies

La Voz

In this issue:

• Two New Colleagues Join El Instituto’s Core Faculty; Marysol Asencio Retires
• WFSB Profiles El Instituto during National Hispanic Heritage Month
• UConn and UPR Debut Online Event Series
• Learn About La Comunidad Intelectual
• Eyzaguirre Lecture Series Returns
• El Instituto Welcomes Activist-in-Residence MaryJoan Picone
• Meet El Instituto's New Graduate Students for AY 21-22

Praxis Of Jose Marti: Politico Literary Discourse And Agency For Independence Movement, Yishan Lea

All Faculty Scholarship for the College of Education and Professional Studies

This article explores Jose Marti’s political mobilization in general and extrapolates Marti’s praxis specifically. A multifold analysis is conducted as follows: first, the analysis explores the narrative of Jose Marti regarding the development of his consciousness and his role in changing the historical trajectory of Cuba; second, the analysis examines Marti’s political praxis in engaging with the geopolitical semiotic field and mobilizing Cuban cultural communities for the Cuban War of Independence.

Disrupting Paradise: A Pan-Caribbean Film Series, Dessane L. Cassell

Dissertations, Theses, and Capstone Projects

As one of the regions most economically dependent on tourism in the world, the Caribbean is a place where the impacts of colonial myth-making remain viscerally felt. Long framed as a tropical “paradise,” the Caribbean has been marked by campaigns to package and promote the region as idyllic, picturesque, and available for (primarily Western) consumption. Building upon the writings of Krista Thompson, Ian Gregory Strachan, and Angelique V. Nixon, Disrupting Paradise connects the myth of “paradise” and the modern tourism industry to the long, extractive history of colonialism in the region. Taking shape as a film series, this project examines …

Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez

Gettysburg Social Sciences Review

For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …

The Preacher And Missionary War: The Political Role Of Race And Christianity In The 1831 Baptist War, Emilee Dale

Graduate Theses and Dissertations

Abolitionists from the Eighteenth Century to the mid-Nineteenth Century tended to be remembered by William Wilberforce, Joseph Soul, Thomas Clarkson, Samuel Bowly, and William Lloyd Garrison. All of these men have been extremely well represented throughout scholarship and the archives. The voices that are often left out of the archives are the men and women who fought on the frontlines for their freedom. Enslaved men and women fought to the death for their freedom and are often overshadowed by White missionaries and abolitionists in the archives. Black leaders often have less representation throughout history and scholarship due to the lack …

The Ill-Treatment Of Their Countrywoman: Liberated African Women, Violence, And Power In Tortola, 1807–1834, Arianna Browne

Master's Theses

In 1807, Parliament passed an Act to abolish the slave trade, leading to the Royal Navy’s campaign of policing international waters and seizing ships suspected of illegal trading. As the Royal Navy captured slave ships as prizes of war and condemned enslaved Africans to Vice-Admiralty courts, formerly enslaved Africans became “captured negroes” or “liberated Africans,” making the subjects in the British colonies. This work, which takes a microhistorical approach to investigate the everyday experiences of liberated Africans in Tortola during the early nineteenth century, focuses on the violent conditions of liberated African women, demonstrating that abolition consisted of violent contradictions …