Theory and Criticism Commons^™

Art And Hyperreality, Alfredo Martin-Perez

Open Access Theses & Dissertations

My Thesis pertains to philosophy of art. Its main purpose is a reconsideration of the notion of art as a response to claims stating the end of art, as in the case of the writings on hyperreality, stating that the transformation of reality, has resulted in a world that is permeated with a virtual reality that replaces traditional schemas for ways of living in the world, that valued the originality of art.

In the setting up of the subject, I will briefly mention descriptions of both reality and hyperreality, and the developments in art throughout the modern, and post modern …

Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick

Publications and Research

No abstract provided.

Decollations, Joseph Mcbirnie

Open Access Theses & Dissertations

The following presents the critical preface to the unpublished manuscript, Decollations. Through the tapestry metaphor, the author describes the process of creating the collection through the lenses of aesthetics, psychology and mythology.

The Living Torrents: Hokusai's "Journey Around The Waterfalls Of Various Provinces" (2014), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"This book invites its readers to join RISD WS 2014 Japanese Prints class for an edifying expedition to Japan’s eight waterfalls portrayed by Katsushika Hokusai, an ukiyo-e preeminent artist, in his masterpiece print series “A Journey to the Waterfalls of Various Provinces.” In fact, this expedition is an academic endeavor undertaken by a collective of students who tried their hand at curating a museum exhibition as their art history course project. ..." -- Foreword, The Living Torrents: Hokusai's " Journey Around the Waterfalls of Various Provinces"

Contributing Authors

Jane Bak, Graham Bessellieu, Amy Chen, Julie Chon, Sofia Diaz de la …

Coalescence In Confinement: Cultural Synthesis And Identity In Michi Tanaka's Community Life, Kimberly L. Sanders

Theses and Dissertations

Community Life by Michi Tanaka was one of eight government commissioned murals created by students at Rohwer Relocation Center in 1944 illustrating the Japanese American evacuation and relocation. The final versions of these works no longer exist. The preparatory drafts, however, remain intact and provide valuable information regarding the artists' experiences at Rohwer. Through an iconographic analysis of Tanaka's mural draft and an exploration of themes and principal elements in her life at camp such as religion, fashion and socialization, this thesis suggests that Community Life illustrates a cultural synthesis between two disparate cultures. This synthesis influenced the development of …

Eagerly Patient, Erin Elizabeth

Theses and Dissertations

Are banal and routine experiences in life less important or memory-worthy than celebratory moments that require preparation and planning, the anticipation of which is akin to emotional foreplay? What is the purpose of celebration? Is it empty, bound to disappoint, or is it ritualistic punctuation of the mundane, providing balance for the sublimity of suffering? These questions are addressed in the thesis exhibition, Eagerly Patient. The exhibition includes carriers of celebration such as cake, confetti, banners, and gifts in an attempt to understand the paradoxical hierarchy of experiential value.

Alexander Volkov And The Dancing Bacha: Uzbek Motifs In Motion, Rachel S. Golden

Theses and Dissertations

Alexander Volkov (1886-1957), an Uzbek artist identified by his expressive style, vibrant palette, and devotion to folk subjects, was a leading figure in the movement known as the Uzbek avant-garde. Volkov's influence is still at work among artists in Uzbekistan, though his legacy remains largely unexplored by Western scholars. The Arkansas Arts Center owns one drawing by Volkov depicting the tradition of dancing boys or bachas, a subject the artist also painted among his reflections on Uzbek culture. Work from the same period by fellow artist Alexander Nikolaev (Usto Mumin, 1897-1957), who was better known for his attachment to bachas, …

John White Alexander And The Feminine Aesthetic: A Discussion Of The Artist's Late Works (1901-1915), Jeanne-Marie Adelle Meyer

Theses and Dissertations

Upon his death in 1915, John White Alexander was recognized as a popular portrait painter, muralist, and genre painter in America. Scholarship on Alexander is limited and, in many instances, his later works are overlooked suggesting that Alexander's late paintings suffered due to the focus on of his artistic philanthropy to American art schools. His style, at the end of his life, is believed to have decreased from a strong Art Nouveau style seen in his earlier works. It is the intent of this thesis to show that Alexander's late works did not decline from his earlier style, but displayed …

Science Fictional Transcendentalism In The Work Of Robert Smithson, Eric Saxon

School of Art, Art History, and Design: Theses and Student Creative Work

In studies of American artist Robert Smithson (1938-1973), scholars often set the artist’s early abstract expressionist and Christian iconographical paintings apart from the rest of his body of work, characterizing this early phase as a youthful encounter with the enduring legacy of abstract expressionism in the late 1950s to early 1960s as well as a temporary preoccupation with ritualized Catholic imagery. This thesis argues for the inclusion of this early phase into Smithson’s career as a foundational period in which he established the set of problems that artistically engaged him throughout his life: issues of temporality, materiality, and universal entropy. …

Ritual Process, Kevin A. Baer

LSU New Orleans Theses and Dissertations

My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …

Many Worlds Converge Here: Vision And Identity In American Indian Photography, Alicia L. Harris

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs of Native Americans taken by Frank A. Rinehart at the Trans-Mississippi and International Exposition in 1898 were then and continue to be part of the construction of indigenous identities, both by Anglo-Americans and Natives. This thesis analyzes the ramifications of Rinehart’s portraits and those of his peers as well as Native American artists in the 20^th and 21^st centuries who have sought to re-appropriate these images to make them empowering icons of individual or tribal identity rather than erasure of culture.

This thesis comprises two sections. In the first section, the analysis is focused on the historical …

Danger In Deviance: Colonial Imagery And The Power Of Indigenous Female Sexuality In New Spain, Mariel Frechette

Scripps Senior Theses

The primary objective of this work is to understand the importance of the indigenous, female body in early New Spain through the study of visual media from the first two centuries of colonization: specifically looking at illustrations from Book 10 (of 15) in the Florentine Codex and images of indigenous Christian wedding ceremonies such as the painted folding screen Indian Wedding and a Flying Pole (c.1690). I argue through visual, theoretical and historical analysis that regulating indigenous female sexuality was a critical component to in the creation of colonial New Spain and that imagery played an essential role in this …

Along The Tokaido With Two Brushes (2013), Theory & History Of Art & Design Department, Elena Varshavskaya (H791 Instructor)

Ukiyo-e Prints Course | Exhibition Catalogs

"This book is a student version of a scholarly catalog – it was written by RISD students to accompany the Japanese prints’ exhibition they have curated at the RISD Museum as the final project for 2013 spring semester course in art history. The idea of the course was to put emphasis on active learning from objects – not only through looking at the originals and analyzing them during visits to the museum but by trying a hand at various responsibilities of a museum curator. The Department of Prints, Drawings and Photographs of the RISD Museum welcomed this experimental course and …

Standing Nude: The Academic Influence In Figural Works By Henri-Edmond Cross, Callie Jackson

Theses and Dissertations

The available scholarship on Henri-Edmond Cross (1856-1910) focuses on his later Divisionist landscape paintings, giving little attention to his academic years and figural works. This study reviews the artist's formative years by looking at an academic figure study held in the Arkansas Arts Center collection entitled Standing Nude. To attribute a date to the sketch, it will be considered three ways: the figure, the cross-hatching technique and role of the model in the oeuvre of Cross. The suggested date will illustrate that Cross was not only working within the non-traditional movement of Neo-Impressionism, but that he also possessed academic training.

Saturnine Melancholy In The Art Of Francisco De Goya, Alex Carraway

Theses and Dissertations

Within the art of the Spanish Romantic artist Francisco José de Goya (1746 - 1828), there exist specific iconographic motifs that exemplify the personality of a melancholic and Saturnine type. Goya depicts the contemplative melancholic motif in such works as Capricho 43 and the Portrait of Jovellanos, and shows the traditional attributes of Saturn in the drawings of A Melancholy Woman and Allegory on Philosophy. My contribution to the study of Goya is important because in addition to the traditional melancholic motif and the attributes associated with Saturn depicted in his art, my thesis serves to see Goya as an …

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

The Aesthetic Unconscious, Roland K. Végső

Department of English: Faculty Publications

Within the context of recent European history, examines the phrase "aesthetic ideology" and attendant conceptual considerations. Discusses Jacques Rancière’s work and his unequivocal rejection of what he calls “this great anti-aesthetic consensus,” and the central category of the “distribution of the sensible” (le partage du sensible). Rancière calls some level of political engagement “primary aesthetics” and opposes it to actual “aesthetic practices.”

Further, considers Alain Badiou’s critique of Rancière’s Disagreement. Badiou summarizes Rancière’s argument by calling it “a democratic anti-philosophy that identifies the axiom of equality, and is founded on a negative ontology of the collective that sublates the …

New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski

Data and Test Instruments

What does fear look like? What can photography reveal of the unconscious dimensions of terror? Working with the largest photographic archive devoted to the 9/11 terrorist attacks on New York City, this chapter studies the visual inscription of terror in the bodily gestures of eyewitness, gestures that were captured by citizen photographers.

Lessons In Playing: A Current Work Of Art As A Biopolitical Milieu, Tim Stott

Conference papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono

Art Faculty Articles and Research

A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.