Other History of Art, Architecture, and Archaeology Commons^™

The Social Life Of Plants: Botanical Representations In Moche Art, Breanna Fae Reiss

Art & Art History ETDs

The Moche were semi-autonomous communities who thrived in the ten fertile riverine valleys of Peru’s northern coast between the late fourth and ninth centuries CE. Phase IV (c. 590–700 CE) Southern Moche ceramics feature intricate fine line visual narrative scenes with many multivalent symbols and motifs. This dissertation intends to understand why plants begin to play a more significant role in the Moche iconographic corpus in this period. I explore the interests of elites, the ecological web interweaving image and environment, and species identification. The local flora was affected on one hand by naturally occurring changes in weather and environment …

Theological Rituals Of Death: An Archaeological Case Study Of A Thirteenth Century Christian Burial Site, Makayla J. Bowman

Research and Creativity Symposium

This study examines the theological principles reflected in the burial practices of El Corral de los Condes, a thirteenth-century cemetery associated with the Knights of Calatrava at Zorita de los Canes, Spain. Founded during the Crusades, the Knights combined monastic vows with military service, emphasizing poverty, chastity, and obedience. Archaeological evidence from El Corral de los Condes reveals burials devoid of grave goods, consistent with Christian ideals of renouncing earthly possessions at death, as exemplified in Athanasius’ Life of Antony. The orientation of burials along an East/West axis, with heads facing east, aligns with early Christian eschatology, symbolizing the …

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall

SACAD: Scholarly Activities

The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.

Of Cordial Ladies And Independent Women: An Analysis Of The Ceramic Assemblage Of The 19th Century Cooper-Frost-Austin House, Mikayla Roderick

Graduate Masters Theses

This thesis explores the transformation of Susan Austin’s (1807-1885) household in Cambridge, Massachusetts, from a private family home into a boardinghouse, challenging traditional distinctions between domestic and economic spaces. Using feminist and queer theoretical frameworks, it examines how Austin’s decisions blurred public and private boundaries, creating an intimate boardinghouse. Through ceramic analysis of two occupational phases and a documentary examination of the household members over time, this study identifies shifts in material culture that reflect changing household practices, social relationships, and status negotiation. Austin intentionally created an environment where commercial spaces took on a domestic appearance, integrating elements of familiarity …

Thor: An Evolution, Regan Cerlanek, Rachael Vause

Symposium of Student Scholars

Mythology today serves as a vehicle for storytelling, just as it did for ancient societies. These sacred tales continue to provide role models, express the core values of their respective cultures, answer timeless questions and serve as a moral guide for each generation. Myths are rewritten and retold time and time again, evolving to encapsulate modern beliefs, but often still staying true to their core. Many myths have made their way into popular culture and the heroes in these tales of old become icons, fan-favorites, and household names; namely, Thor the God of Thunder. This study explores and compares the …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Body Of Work: Wax As Medium In Art And Science In Enlightenment Bologna, Kristen Pou

Theses and Dissertations

Eighteenth-century Bologna is well known for its body of accurate and precise wax anatomical models. However, wax was also used for non-scientific purposes: for portraiture and religious artworks. This paper sets forth an argument to explain the scholarly neglect of enlightenment Bolognese waxworks that did not depict anatomized human bodies.

Haifa, Naḥal Aḥuzza A-10170/2025, Tal Lavi

Favissa: Past Archaeological Excavation Reports

In November 2025, a trial excavation was conducted in advance of the construction project “Ofer Moradot Freud” in Haifa (Permit No. A-10170/2025; map ref. 197775/743020; Fig. 1). The excavation took place on the western slope of Mount Carmel, east of Yod-Alef Ha-Sporta’im Street and north of Naḥal Aḥuzza (Ahuzza River), within the antiquities area Naḥal Aḥuzza [1] (61059/0). The excavation was conducted on behalf of the Israel Antiquities Authority and funded by Yael Oko. It was directed by T. Lavi (field photography), with the assistance of A. Azab (Haifa District archaeologist), N. Shahar (Haifa sub-district archaeologist), Z. Lotan and Y. …

Nahal Tamar (Tamar River) A-9979/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9979/2025; map ref. 545150/232580; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific giudance), G. Seriy (safety), and workers from …

Nahal Tamar (Tamar River) A-9978/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In January–February 2025, a salvage excavation was conducted in the Nahal Tamar area, east of Road 258, approximately 3 km north of Zafit Junction (Permit No. A-9978/2025; map ref. 220626-894/552395-3084; Fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesco, with the assistance of Y. Alamor (administration), A. Montague (drone photography and plans), A. Fraiberg (drone photography), L. W. Davies (flint), I. Azoulay (drafting), D. Eisenberg-Degen (scientific guidance), G. Seriy (safety), and laborers from …

Between Sde Boker And Mitzpe Ramon: Passing Bays, Highway 40, A-10140/2025, Nofar Lary

Favissa: Past Archaeological Excavation Reports

In September 2025, a trial excavation was conducted on Highway 40 (Permit No. A-10140; map ref. 174894-9185/518274-31301; Fig. 1), within preparation for the construction of passing bays. The excavation, conducted on behalf of the Israel Antiquities Authority and funded by Netivei Israel, was directed by N. Lary, with the assistance of T. Sapir (photography, field director), Y. Alamor (administration), A. Montagu (GPS, plans, and model), D. Varga (pottery), D. Degen-Eisenberg (consultant), S. Talis, G. Seriy, I. Radashkovsky, and A. Fraiberg (Southern District), along with laborers under contractual employment.

Caesarea Industrial And Business Park (ʻAl-Domiry) A-10145/2025, Anna Khalatov, Yotam Tepper

Favissa: Past Archaeological Excavation Reports

On October 2025, a trial excavation (Permit No. A-10145; map ref. 194335–41/708123–30; Fig. 1) was conducted in an area of dune sands, south of the Caesarea Industrial Park and north of Highway 65, in advance of the installation of an Israel Railways track. The excavation, carried out on behalf of the Israel Antiquities Authority and funded by Israel Railways, was directed by A. Khalatov (field photography) and Y. Teper (guidance), with the assistance of Y. Amrani and Z. Lotan (administration), S. Emmanuilov (surveying, documentation, and drafting), A. Dagot (GPS), A. Massarwa (sub-district archaeologist), A. ʻAzab (district archaeologist), and eight laborers.

Jerusalem, Ramat Rahel (West, Kathisma Site) A-10036/2025, Rina Avner

Favissa: Past Archaeological Excavation Reports

In early April 2025, a trial excavation was conducted south of the Kathisma site and south of the junction between Hebron Road and the main road descending eastward to the Har Homa neighborhood, approximately 200 m north of the Mar Elias Monastery (Permit No. A-10036/2025; map ref. 220137-51/627263-79; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Moriah – The Jerusalem Development Corporation, was directed by R. Avner, with the assistance of M. Chernin (field supervision), N. Sapir (Jerusalem District), S. Halevi (photogrammetry), M. Cimadevilla (drafting), and laborers.

Elat, Shehoret Industrial Zone, A-10054/2025, Tal Sapir

Favissa: Past Archaeological Excavation Reports

In April–May 2025, a trial excavation was conducted northwest of Elat, in the Shehoret Industrial Zone (Permit No. A-10054/2025; map ref. 196507/390351; Fig. 1), in advance of the construction of Reservoir 2. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot – Israel’s National Water Company. The excavation was directed by T. Sapir (field photography), with the assistance of Y. Alamor (administration), A. Montague (surveying and aerial photography), A. Azoulay (plans), D. Degen-Eisenberg (scientific guidance), Y. Radashkovsky (aerial photography) and G. Seriy of the Southern Negev District.

Nahal Tamar (Tamar River) A-9980/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9980/2025; map ref. 546070/233150; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the Mekorot Water Company. It was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific supervision), G. Seriy (safety), and workers from …