Into The Basque Country: The Spiritual Underpinnings Of Eduardo Chillida's Gure Aitaren Etxea, 2021 CUNY Hunter College
Into The Basque Country: The Spiritual Underpinnings Of Eduardo Chillida's Gure Aitaren Etxea, Katherine J.E. Scalia
Theses and Dissertations
In 1988, Eduardo Chillida dedicated his sculpture, Gure Aitaren Etxea, to the victims of the 1937 Spanish Civil War aerial attack on the city of Gernika. This thesis maintains that beyond memorial, the sculpture can be understood as a sacred site and examines the sources of the sculpture’s spiritual dimension, paying particular attention to the work’s underlying Basque influences. Gernika’s cultural significance, the intricacies of the Basque language, and the history of Basque Nationalist ideology are addressed. The paper concludes, however, that while Chillida found great stimulus within his own culture, the sculpture’s ability to serve as refuge, sanctuary, …
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, 2021 CUNY Hunter College
Structures Of Time: Expressions Of Subjectivity And Social Politics In Works By Silvia Gruner, 1986–2014, Silvia Sampaio De Alencar
Theses and Dissertations
The works of Silvia Gruner (born 1959) illustrate the use of time registers as strategies to express contemporary subjectivity’s experiences with globalized environments between 1986-2014. Through this approach, the artist connects her production to the social politics of Mexico to critique the effects of globalization on Mexican society and culture.
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, 2021 William & Mary
The Line Of Dichotomy: Standpoints And Meaning In Anne Truitt's Art, Charles J. Parsons
Undergraduate Honors Theses
Some of Anne Truitt’s formal strategies—such as using the separate faces of the work to force the viewer to engage in it sequentially—build or depend on real or literal facts of the “situation” of the artwork. If this is the case, how do such works escape being reducible to their objecthood, their literal properties of size and shape? And how do they produce effects that are not mere experience or mere affective response? The answer I offer is that they depend on conventions and interpretation.
Much of my analysis focuses on the ways Truitt makes her intentions visible through form, …
Art And Aids: Viral Strategies For Visibility, 2021 University of Mississippi
Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow
Honors Theses
“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …
Race To The Finish: An Obstacle Course With A Biological Twist, 2021 Providence College
Race To The Finish: An Obstacle Course With A Biological Twist, Kayli Fagan
Art & Art History Student Scholarship
Major: Business Management and Studio Art
Faculty Mentor: Professor James Janecek, Art and Art History
The Button Bash: A Minigame, 2021 Providence College
The Button Bash: A Minigame, Miranda Balossi Ventre
Art & Art History Student Scholarship
Major: Psychology
Faculty Mentor: Professor James Janecek, Art and Art History
Consumer, 2021 Providence College
Consumer, Catherine Romsey
Art & Art History Student Scholarship
Faculty Mentor: Professor James Janecek, Art and Art History
Artists' Genres: A Brief Introduction To Post-Medieval Western Art, 2021 University of Kentucky
Artists' Genres: A Brief Introduction To Post-Medieval Western Art, Robert Jensen
Art and Visual Studies Faculty Book Gallery
Artists' Genres is a brief introduction to the history of post-medieval Western art organized by the major genres. The book is designed as a basic textbook for high school- or introductory college-level courses or for individuals simply looking for an interesting guidebook into the art of this period and geographical region.
This is the revised edition of Artists' Genres: A Brief Introduction to Post-Medieval Western Art, which was released in 2018.
Understanding Spaces Of Abandonment Through Virtual Frameworks In Landscape Architecture, 2021 University of Nebraska - Lincoln
Understanding Spaces Of Abandonment Through Virtual Frameworks In Landscape Architecture, Aus Perez
Honors Theses
In recent years, design professionals have implemented many contemporary landscape architecture projects across the United States. With a primary goal of returning nature to urban environments, contemporary landscape architects and other transdisciplinary partners work diligently to sculpt physical spaces that reflect the human-living experience. However, a leap into the world of video game design could allow landscape architects and urban planners to more freely create virtual social environments to address rising issues of abandonment in today’s urban and rural spaces. Video game mechanics and methodologies can be used extensively in the disciplines of design that value participatory processes, like landscape …
Art Brut, Grotesque, Nouveau Realisme, 2021 CUNY City College
Art Brut, Grotesque, Nouveau Realisme, Elvis Fuentes
Open Educational Resources
An overview of the most salient artistic movements in Postwar Europe: Art Brut, L'Informel, Grotesque, Nouveau Realisme
The Passing Show, 2021 University of Massachusetts Amherst
The Passing Show, Kathryn Fanelli
Masters Theses
The Passing Show, examines the interface between contemplative practices and the destabilizing effect of the carnivalesque. A repurposed early 20th century merry-go- round is reconfigured as a conceptual vehicle for renewing our attention to removing hindrances. The site-specific installation, titled Vimoksha, is viewed through the lens of the radical imaginary, investigating notions of karmic inheritance through a heuristic approach to material processes, personal history, kinetics and sound.
Archaeology Of The International Space Station, 2021 Chapman University
Archaeology Of The International Space Station, Justin Walsh, Alice Gorman, Wendy Salmond
Art Faculty Data Sets
The explicit goal of the International Space Station Archaeological Project (ISSAP) is to provide an understanding of material culture as a key component of life in space, on par with the research by biomedical and psychological scholars that has been ongoing since the 1960s. We take as our inspiration a phrase first used in the National Academy of Sciences report Human Factors in Long-Duration Spaceflight, which described a crewed spacecraft as “a microsociety in a miniworld” (Lindsley 1972, 23). One of our primary methods is the cataloguing of people and elements of material culture (objects and built spaces) from photographs …
Shared Idiosyncrasies: Stuart Davis And Giorgio De Chirico, 2021 CUNY Hunter College
Shared Idiosyncrasies: Stuart Davis And Giorgio De Chirico, Virginia Melvin
Theses and Dissertations
Within the scholarship produced on Stuart Davis, the influence of twentieth century European avant-garde artists has been identified as critical to his growth and establishment of an idiosyncratic style. Missing in these studies is the exposure and impact of the Metaphysical paintings of Giorgio de Chirico on works produced by Davis between late 1927 through 1929. The influence of de Chirico’s Metaphysical paintings on Davis becomes evident when comparing stylistic techniques applied by Davis to those pioneered by the Metaphysical artist.
Ivan Puni's Berlin Period: 1920-1924, 2021 CUNY Hunter College
Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev
Theses and Dissertations
This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.
The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,
Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …
Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, 2021 CUNY Hunter College
Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban
Theses and Dissertations
Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.
Bernice Lee Bing’S Art And Spiritual Practice, 2021 CUNY Hunter College
Bernice Lee Bing’S Art And Spiritual Practice, Lin Ma
Theses and Dissertations
Living and working in northern California between the late 1950s and 1990s, abstract painter Bernice Lee Bing practiced Zen, Nichiren, and Nyingma Buddhism. This thesis studies what the visual and conceptual impact of these spiritual practices had on her abstract and visionary paintings.
Oversexualization In Primitivism, 2021 Regis University
Oversexualization In Primitivism, Morgan Maureen Fleetwood
Regis University Student Publications (comprehensive collection)
This essay examines how Primitivist artwork of the late 1800s and early 1900s by Matisse, Gauguin, and Picasso oversexualized colonized women. White European male artists viewed colonized women as the ‘other’ through a biased racialized and gendered lens. Fatimah Tobing Roby’s theory of Ethnographic Spectacle and Kimberlé Crenshaw’s theory of intersectionality are evident in these Primitivist works. Through a deeply rooted colonial mindset, European male artists exploited the image of colonized women because they are considered outside of history and unevolved. Colonized women experienced this unfair treatment due to their unique intersectional position of gender and race, as well as …
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement, 2021 Claremont Colleges
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement, Alexandra Branscom
Scripps Senior Theses
Even though the canon of Western Art History has attributed the Pop movement to the US and the UK, artists from around the world have made significant contributions to pop art and formed their own Pop movements. This includes the Latin American pop artists Felipe Ehrenberg (Mexican), Antonio Henrique Amaral (Brazilian), and Juan Dávila (Chilean), who, between the years 1968 and 1974, fled right-wing political unrest of their respective home countries and gained artistic education in dominant, imperialistic countries. These artists subvert the capitalistic, adverting language of pop art to promote the localized political sensibilities of their home countries and …
La Otra Arquitectura Y La Construcción De Identidad En América Latina - Amereida Y La Ciudad Abierta Ritoque Chile, 2021 Universidad de La Salle, Bogotá
La Otra Arquitectura Y La Construcción De Identidad En América Latina - Amereida Y La Ciudad Abierta Ritoque Chile, Brayan Camilo Holguín Rodríguez
Arquitectura
No abstract provided.
Brutal Encounters: Primitivity, Politics, And The Postmodern Revolution, 2021 Bowdoin College
Brutal Encounters: Primitivity, Politics, And The Postmodern Revolution, Archer Thomas
Honors Projects
The switch from late modernism to postmodernism in Western aesthetic theory and criticism took place in the mid-to-late 20th century, radically changing the face of cultural criticism. Much has been written on how postmodernism broke from modernism, but what factors paved its way in the decades following the Second World War? This paper argues that postmodernism represents both a reaction to and a necessary evolution of late modernism, specifically as it manifests in architecture, politics, and the politics of architecture. It focuses on the crisis of confidence among Western left-wing circles following the upheaval of the Second World War and …