Understanding Spaces Of Abandonment Through Virtual Frameworks In Landscape Architecture,
2021
University of Nebraska - Lincoln
Understanding Spaces Of Abandonment Through Virtual Frameworks In Landscape Architecture, Aus Perez
Honors Program: Senior Projects (Public)
In recent years, design professionals have implemented many contemporary landscape architecture projects across the United States. With a primary goal of returning nature to urban environments, contemporary landscape architects and other transdisciplinary partners work diligently to sculpt physical spaces that reflect the human-living experience. However, a leap into the world of video game design could allow landscape architects and urban planners to more freely create virtual social environments to address rising issues of abandonment in today’s urban and rural spaces. Video game mechanics and methodologies can be used extensively in the disciplines of design that value participatory processes, like landscape …
Art Brut, Grotesque, Nouveau Realisme,
2021
CUNY City College
Art Brut, Grotesque, Nouveau Realisme, Elvis Fuentes
Open Educational Resources
An overview of the most salient artistic movements in Postwar Europe: Art Brut, L'Informel, Grotesque, Nouveau Realisme
Archaeology Of The International Space Station,
2021
Chapman University
Archaeology Of The International Space Station, Justin Walsh, Alice Gorman, Wendy Salmond
Art Faculty Data Sets
The explicit goal of the International Space Station Archaeological Project (ISSAP) is to provide an understanding of material culture as a key component of life in space, on par with the research by biomedical and psychological scholars that has been ongoing since the 1960s. We take as our inspiration a phrase first used in the National Academy of Sciences report Human Factors in Long-Duration Spaceflight, which described a crewed spacecraft as “a microsociety in a miniworld” (Lindsley 1972, 23). One of our primary methods is the cataloguing of people and elements of material culture (objects and built spaces) from photographs …
Shared Idiosyncrasies: Stuart Davis And Giorgio De Chirico,
2021
CUNY Hunter College
Shared Idiosyncrasies: Stuart Davis And Giorgio De Chirico, Virginia Melvin
Theses and Dissertations
Within the scholarship produced on Stuart Davis, the influence of twentieth century European avant-garde artists has been identified as critical to his growth and establishment of an idiosyncratic style. Missing in these studies is the exposure and impact of the Metaphysical paintings of Giorgio de Chirico on works produced by Davis between late 1927 through 1929. The influence of de Chirico’s Metaphysical paintings on Davis becomes evident when comparing stylistic techniques applied by Davis to those pioneered by the Metaphysical artist.
Ivan Puni's Berlin Period: 1920-1924,
2021
CUNY Hunter College
Ivan Puni's Berlin Period: 1920-1924, Elena Kakuriev
Theses and Dissertations
This thesis is dedicated to the work of the Russian Avant-Garde artist Ivan Albertovich Puni (1892-1956): an artist, a theorist and writer, an organizer of exhibition, a teacher of art, and above all, an innovator. This thesis presents an account of the artist's Berlin period (1920-1924), which has so far lacked scholarly attention.
The thesis begins with a close analysis of Puni's Russian period (1914-1919). In this time span,
Ivan Puni demonstrated his ability to adopt a wide gamut of diverse artistic styles. Puni first elaborated works akin to Cubist constructions. However, starting from 1915, the artist became a major …
Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist,
2021
CUNY Hunter College
Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban
Theses and Dissertations
Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.
Bernice Lee Bing’S Art And Spiritual Practice,
2021
CUNY Hunter College
Bernice Lee Bing’S Art And Spiritual Practice, Lin Ma
Theses and Dissertations
Living and working in northern California between the late 1950s and 1990s, abstract painter Bernice Lee Bing practiced Zen, Nichiren, and Nyingma Buddhism. This thesis studies what the visual and conceptual impact of these spiritual practices had on her abstract and visionary paintings.
The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums,
2021
Augustana College, Rock Island Illinois
The Last Prisoners Of War: How Nazi-Looted Art Is Displayed In U.S. Museums, Monica May Thompson
Geifman Prize in Holocaust Studies
How art museums approach NLA is important today because much of the public relies on museums for their education. NLA cases are especially controversial because they are not only legal battles, but ethical ones so museums have to be extra careful approaching them. Even if the museum has won the legal battle the public may not see them as winning the ethical one therefore they might want to avoid displaying this information to the public. However, as we can see with the previous websites, it actually looks worse for museums not to be open and honest about their NLA pieces …
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement,
2021
Claremont Colleges
Popping (Post)Modernism: Joaquín Torres-Garcia & Latin America's Pop Art Movement, Alexandra Branscom
Scripps Senior Theses
Even though the canon of Western Art History has attributed the Pop movement to the US and the UK, artists from around the world have made significant contributions to pop art and formed their own Pop movements. This includes the Latin American pop artists Felipe Ehrenberg (Mexican), Antonio Henrique Amaral (Brazilian), and Juan Dávila (Chilean), who, between the years 1968 and 1974, fled right-wing political unrest of their respective home countries and gained artistic education in dominant, imperialistic countries. These artists subvert the capitalistic, adverting language of pop art to promote the localized political sensibilities of their home countries and …
Moorish Revival Synagogue Architecture: Community And Style, Past And Present,
2020
Binghamton University
Moorish Revival Synagogue Architecture: Community And Style, Past And Present, Emily S. Jelen
Binghamton University Undergraduate Journal
The Moorish architectural style, originating in medieval Spain, was revived in the mid-nineteenth century. It became strongly linked with synagogues, first in Germany and then throughout the Western world. My research analyzes why the architects and Jewish communities were so attracted to the Moorish Revival style. During this period, European Jewish communities were tasked with constructing synagogues that could showcase their newfound freedoms as well as their history, culture and aspirations. Many argue that this style was chosen to demonstrate the connection between the communities and their ancient Middle Eastern history.
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room,
2020
CUNY Graduate Center
The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox
Dissertations, Theses, and Capstone Projects
Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …
Staging The Modern, Building The Nation: Exhibiting Israeli Art, 1939–1965,
2020
CUNY Graduate Center
Staging The Modern, Building The Nation: Exhibiting Israeli Art, 1939–1965, Chelsea Haines
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the role Israeli art exhibitions played in nation-building from 1939 to 1965. During this formative period, Israeli artists, curators, and government officials established new art institutions in the country and participated in a growing roster of international exhibitions overseas. Together, the art and architecture of these exhibitions helped to produce a concept of both modern Israeli art and Israel itself as a modern nation. As much as the project of Zionism rested on the creation of a homogenous Hebrew culture, the formation of “Israeli art” in these exhibitions relied on postwar European claims for visual art as …
Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964,
2020
CUNY Graduate Center
Norman Lewis: Linearity, Politics, And Pedagogy In His Abstract Expressionism, 1946–1964, Andrianna T. Campbell-Lafleur
Dissertations, Theses, and Capstone Projects
This dissertation focuses on Norman Lewis’s studio practice between the years 1946-1964 in particular his associations with the painters Romare Bearden, Robert Motherwell, Ad Reinhardt, and David Smith. Lewis’s influence extended far into the twenty-first century. As told by numerous contemporary art practitioners—Firelei Baez, Mark Bradford, David Kennedy Cutler, Charles Gaines, Rashid Johnson, Julie Mehretu, RJ Messineo, and Jack Whitten—Lewis was the mentor, friend, father and grandfather figure of an innovative black artist working with abstraction. In Chapter 1: An Integrative Line of Becoming, I trace Lewis’s change from Social Realism in the 1930s to semi-abstract portraits and genre paintings …
Accomplices In Art: The Expansion Of Authorship In The 1970s And '80s,
2020
CUNY Graduate Center
Accomplices In Art: The Expansion Of Authorship In The 1970s And '80s, Sydney Stutterheim
Dissertations, Theses, and Capstone Projects
This dissertation introduces the “accomplice,” a new figure in histories of performance and appropriation art in the United States and Western Europe during the 1970s and '80s that allows us to completely revise the relations of property, agency, and authorship that have been assumed in these fields. The accomplice is defined here as a type of agent who shares in the responsibility of artworks that are often centered on tactics of legal or ethical disobedience while the recognition of her or his authorial position in the artistic production is deliberately obscured, diminished, or overlooked. Focusing on the work …
Northwest Coast Native Art Beyond Revival, 1962–1992,
2020
CUNY Graduate Center
Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green
Dissertations, Theses, and Capstone Projects
Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …
Women Of Pop.,
2020
University of Louisville
Women Of Pop., Jourdan Cunningham
Electronic Theses and Dissertations
The hegemonic values that were represented in 1960s mass media were heavily reinforced by the Pop Art movement. Male Pop artists have often been viewed as genius, while the women were pushed aside to reside within the margins of the Pop canon. This thesis emphasizes the work of four female artists who participated in the Pop Art movement and were largely overlooked throughout Pop’s discourse. By analyzing their “popness” and Feminist viewpoints, it allows for the imbalance that has resulted from women Pop artists neglect throughout Pop’s discourse to be readdressed. In the Introduction I analyze the background of the …
Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity,
2020
East Tennessee State University
Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson
Electronic Theses and Dissertations
Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …
Culture Based Tourism Study In New Normal Era In Badung District,
2020
Universitas Indonesia
Culture Based Tourism Study In New Normal Era In Badung District, Fera Belinda
International Review of Humanities Studies
The tourism sector in Indonesia is rapidly declining due to the impact of the co-19 pandemic that occurred in various parts of the world, including in Indonesia. Entering a new era of normalcy, or a new normality of what is the condition of tourism in Indonesia, is it able to rise again and what is the strategy? Bali Province, can be said to be the epicenter of tourism in Indonesia. In this article discusses case studies in Badung Regency, related to culture-based tourism with qualitative research methods to analyze the data collected. The theory used is the theory of marketing …
Famine In Art - Imagery, Influences And Exhibition In Mid-20th-Century Ireland,
2020
Technological University Dublin
Famine In Art - Imagery, Influences And Exhibition In Mid-20th-Century Ireland, Niamh Ann Kelly
Books/Book Chapters
No abstract provided.
Plein-Air Drawing And Embodied Vision: Hans Hofmann's Landscapes, 1928-1935,
2020
CUNY Hunter College
Plein-Air Drawing And Embodied Vision: Hans Hofmann's Landscapes, 1928-1935, Anna H. Tome
Theses and Dissertations
Hans Hofmann (1888-1966) produced over one thousand black and white drawings during his early and mid-career before becoming known as a master of color and abstraction. This text examines landscape drawings made from 1928-1935 that evidence the role of nature, new perceptual theories, and embodied vision in his artistic development.
