Contemporary Art Commons^™

Identity And Representation In Contemporary Art: An Inclusive 400/500-Level Art History Seminar Course, Laura E. Franz

Theses

This project is an upper-level art history seminar addressing identity and representation – specifically related to race, ethnicity, gender, and sexuality – in contemporary art. Primarily a discussion-based course, the course is focused on inclusivity and is highly structured, with weekly low-stakes assignments that provide students with ample opportunities to practice engaging with academic texts. Designed for students with varying levels of academic skills, it is built around current non-academic articles that students select via an online survey. Students then “unpack” the “big ideas” in each of the four chosen non-academic articles via a cluster of academic readings and videos …

Adaptive Compulsion, Amanda A. Santos

Electronic Theses, Projects, and Dissertations

Adaptive

Adjective

Adap.tive ( ə-ˈdap-tiv)

of, relating to, or being a heritable trait that serves a specific function and improves an organism's fitness or survival

Compulsion

Noun

Com.pul.sion (kəm-ˈpəl-shən)

a repetitive behavior or mental act that a person feels driven to perform to alleviate the anxiety and distress caused by an unwanted thought or urge, known as an obsession.

For years we have lived in unprecedented times. From the worldwide quarantine in 2020 resulting from the pandemic, to our current US political crisis. The constant barrage of events is overwhelming and demoralizing.

The work in this gallery is a display …

Red Thread, Unknotted: A Visual Self-Inquiry Into Becoming Artist /Educator, Jennifer Jervis

International Journal of Lifelong Learning in Art Education

This arts-based self-inquiry presents a counternarrative of one woman artist/educator navigating identity formation, agency, and resistance within the gendered structures of the contemporary art world. Informed by posthuman feminist theory and guided by a/r/tography, the study uses artmaking as both inquiry and data to challenge the persistent divide between artist and art educator—particularly as experienced by women. Through reflexive writing and textile-based creation, the author offers a material and embodied critique of the systemic expectations that diminish women’s artistic authority and invisibilize their creative labor. The resulting work becomes a site of resistance, reclaiming artist identity through the layered intersections …

Tailoring Black Style And Its Powerful Pieces: From West Africa To The U.S. West Coast And Everything In-Between, Gabriel Capellan

Occasional Essays

Introduction:

On September 19, 2025, I went to the Metropolitan Museum of Art Museum (MET) with some of the Bronx African American History Project team. The people in attendance were Graduate Assistant, Anthony Rosado, and Undergraduate Assistants, Serena Velasquez and Emma Garr, wonderful people, I tell you. After the tour, we ended up at the American art exhibit and had podcast conversations about history for what felt like both hours and very brief minutes... We went to the MET to see a particular piece that was in the Superfine: Tailoring Black Style exhibit curated by Barnard professor, Monica L. Miller …

“Do Women Have To Be Naked To Get Into The Met. Museum?”: An Exploration Of Contemporary Feminist And Women’S Exhibitions And Collectives, Demi R. Dauterive

LSU Master's Theses

This thesis examines the creation and evolution of feminist art exhibitions and collectives in the United States from the early 1970s through the 2020s. These exhibitions and the work they contain are analyzed alongside each wave of feminism that ran parallel to their existence. Beginning with the 1970s and Second Wave Feminism, Chapter One explores Judy Chicago and Miriam Schapiro’s Womanhouse in addition to Lucy Lippard’s Twenty Six Contemporary Women Artists and the work of other smaller collectives. Chapter Two explores the DIY initiatives and subversive ideologies of Third Wave Feminism through artist groups such as the Guerrilla Girls and …

Photo Essay: Two Fates Of The Statue Of Peace, Nogin Chung

Asia Pacific Perspectives

This photo essay examines the contested cultural and political landscapes surrounding the Statue of Peace, a bronze sculpture by Kim Seo- kyung and Kim Eun-sung that commemorates the victims of wartime sexual slavery,commonly referred to as the“comfort women.”Better known to South Koreans as the “Statue of a Girl,” this public art piece has served more than a memorial as it has become a flashpoint of grassroots activism, vandalism, and international controversy. Through visual analyses of multiple iterations of the sculpture, the essay traces its divergent trajectories—both as a target of iconoclastic threats and as a focal point of civic engagement.

Redefining Gender And Rural Life In The Pampas: Alessandra Sanguinetti’S The Adventures Of Guille And Belinda Series, Alejandra López-Oliveros

Art Inquiries

At the time of Argentina’s independence, the gauchos (nomadic horsemen) had become the symbol of the nation in its purest form. Celebrated as independent, heroic and strong, and usually portrayed as the sole inhabitants of the Pampa, the idealized image of the gaucho has flooded popular culture and art even today, to the detriment of flesh-and-bone wage laborers of all genders. As opposed to this static image, I propose to examine Alessandra Sanguinetti’s photographic series, The Adventures of Guille and Belinda (ongoing since 1999), which focuses on girls and women in the countryside, pointedly highlights their previous absence. By contrasting …

An Interview With An Instagram Archivist: @404mph Interviews @Onlystarleft, 404mph (On Instagram)

Digital Laboratory: Publisher of Internet Journal

An Interview with an Instagram Archivist: @404MPH Interviews @ONLYSTARLEFT is a dialogue conducted entirely through iMessage, presented as both a publication and a designed artifact. Within this text exchange, the conversation navigates themes of digital preservation, authorship, and self-curation—examining how social media aesthetics transform personal experience into collective memory. @ONLYSTARLEFT reflects on the act of archiving not as static documentation but as a living, participatory practice shaped by the speed and impermanence of online culture. Formally, the project recognizes the iPhone as a cultural mediator—its interface shaping not only how we communicate, but how we perceive and construct value within …

Immersive Art, Nature, And Afrofuturism: Cultivating Wellness And Cultural Awareness, Jojo Abenaavi Wright

Theses

This research demonstrates how Afrofuturistic art, combined with nature and scent, enables powerful methods to transform African Diaspora perceptions and support holistic wellness through sensory-emotional engagement. The project introduces The Next Narrative: An Immersive Journey Through Black Time as a multisensory immersive exhibition that combines Afrofuturistic aesthetics with Harlem Renaissance cultural elements. The exhibition presents salons as a sequence that allows visitors to experience time through visual, sonic, and atmospheric transitions. The three senses of touch, scent, and sound operate as fundamental tools for grounding and transformation, which disable analytical thinking while using bodily experiences to perform decolonial memory work. …

Research On The Use And Effects Of Freezing In Controlling Clothes Moth Infestations In A Contemporary Art Collection, Sara Thornburg

Art Conservation Master's Projects

This study investigates the efficacy and implications of low-temperature pest eradication— specifically freezing—as a method for managing clothes moth infestations in museum collections, with a focus on contemporary and composite artworks. Prompted by the evolving needs of the San Francisco Museum of Modern Art (SFMOMA), this research explores current best practices, material vulnerabilities, and institutional approaches to freezing treatments. A literature review was conducted alongside a global survey of 40 museum professionals to assess how freezing protocols are implemented, what materials are considered safe, and what challenges arise in real world applications. Results show that while freezing remains a widely …

Cartography, Botany, And Violence In The Codex Rodriguez-MondragóN, Maria Davison

Theses and Dissertations

This thesis examines how Sandy Rodriguez deploys the visual language of the Florentine Codex and other sixteenth-century Mesoamerican sources to examine the persisting effects of colonialism on people and land in Mexico-U.S. borderlands in Codex Rodriguez-Mondragón (2017-present), her ongoing series of maps, botanical illustrations, and landscape paintings.

The Representation Of Indonesian National Identity In Syuhada Mosque, Kotabaru, Yogyakarta, Muthia Zahri Mardhiyah, Ali Akbar

International Review of Humanities Studies

This article examines the concept of national identity as embodied by the Syuhada Mosque, located in Kotabaru, Yogyakarta. Completed in 1952, the mosque was established as a monument to the independence of the Republic of Indonesia. This research addresses whether Syuhada Mosque genuinely represents national identity. The study aims to describe the architectural form of Syuhada Mosque and elucidate the representations of national identity embedded within its structure. The research methodology aligns with the framework proposed by Sharer and Ashmore, encompassing formulation, implementation, data collection, data processing, analysis, interpretation, and publication. Based on its historical background, the foundational ideas and …

Ghost Highway: De-Touring Albuquerque's Route 66, Madison A. Garay

Art & Art History ETDs

Route 66 was a U.S. Numbered Highway stretching from Chicago, IL to Santa Monica, CA, rising to fame through music and popular culture. In Albuquerque, New Mexico, Route 66 has a troublesome twin life as Central Avenue, a highly politicized space where bodies are contested. In this thesis, the function of public arts and architecture of Albuquerque’s main street thoroughfare, Central Avenue, will be analyzed as visual devices of U.S. Highway 66, or known in popular culture as “Route 66.” I employ a critical Derridean framework through Mark Fisher’s theorization of hauntology and Gerald Vizenor (White Earth Ojibwe)’s theory of …

Connecting Children With Artists Through A Children's Art History Book, Katie Meyer

Theses

This project is a children’s art history book that is set in an art museum. The goal of the book is to help children connect with Contemporary artists and their art. A museum setting is utilized to introduce children to museums and as an appropriate environment for viewing art. The theme of the exhibit that will be presented in the book is titled the “Innovators Exhibit.” This exhibit features six Contemporary artists from different art styles/mediums. The artists come from diverse backgrounds to expose children to a variety of cultures. Thought provoking questions will also be asked throughout the book …

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

Personifying The Goddess: Contrasting Representation Of The Deified Body In Feminist Art, Kelly Lorraine Phillips

Theses

Goddess imagery, the representation of a female deity or a concept of divine feminine power through various forms, symbols, and narratives, has been used by artists to communicate a multitude of sentiments, from spiritual reverence to political ideology. This study probes the evolution of representations of the deified female body from the 1970s to the current era to reveal contrasts in how these icons of female power have transformed over time. The artwork of second-wave feminist and self-identified “Goddess artist” Mary Beth Edelson is examined as a foundation for second-wave Goddess sentiment. Edelson’s collage work, which incorporates figures from a …

An Interactive Walkthrough Of Richard Kostelanetz’S Library, Martin Glick

Dissertations, Theses, and Capstone Projects

My project utilizes the visual novel game engine Ren’Py to create an embodied virtual walkthrough of Richard Kostelanetz’s personal library. Kostelanetz is a pioneering avante-garde artist, critic, and anthologist whose work spans multiple decades and artistic practices. This interactive experience introduces users to the astounding collection of 25,000 books that Kostelanetz has amassed in Ridgewood, Queens over his decades of publishing avant-garde literature. While scholars might be familiar with his anthologies such as Scenarios: Scripts to Perform (1980) and Texts-Sound Texts (1980), my project allows users to browse through sample pages of his original “Book Art”.

This New Media Object …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

The Terror Of The Threshold: On Impermanence, Enclothed Hauntology, And Rest, David M. Legrand

Masters Theses

My artistic practice explores the intersections of impermanence, enclothed cognition, necropolitics, and rest as intertwined acts of decolonial resistance. Through a studio practice rooted in transient mediums—charcoal, chalk, and erasure—the work confronts neoliberal and anti-Black demands for coherence, productivity, and permanence. The ephemeral drawings, layered and dissolved on my studio walls, embody a fugitive aesthetic inspired by Édouard Glissant’s “right to opacity[1],” rejecting colonial logics of legibility and commodification. These impermanent gestures mirror Haiti’s silenced revolutionary history[2], as theorized by Michel-Rolph Trouillot, while invoking Vodou’s vevè symbols as counter-archives of survival.

Enclothed cognition[3] is reimagined …