Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985,
2019
CUNY Hunter College
Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper
Theses and Dissertations
This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.
The "I" Of The Artist-Curator,
2019
CUNY Graduate Center
The "I" Of The Artist-Curator, Natalie Musteata
Dissertations, Theses, and Capstone Projects
This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …
A Didactic Teaching And Learning Project In Art Market Research. Researching And Publishing The History Of Commercial Art Dealing,
2019
University of Cologne, Germany
A Didactic Teaching And Learning Project In Art Market Research. Researching And Publishing The History Of Commercial Art Dealing, Nadine Oberste-Hetbleck
Art History Pedagogy & Practice
In addition to research, one of the main tasks of art historians is the authoring of academically and stylistically sound texts in differing genres. This case study of the research and publishing project Zur Geschichte des Düsseldorfer Kunsthandels (A History of Commercial Art Dealing in Düsseldorf) will demonstrate how research and writing can be integrated into teaching. The project involved supervised work with source materials, data visualization, semi-structured interviews (oral history), a supplementary writing workshop, as well as detailed feedback from a writing instructor, the teacher, and fellow participants in the seminar. In addition, the high practical relevance of the …
Archaeology Of Social Patterning,
2019
CUNY Hunter College
Archaeology Of Social Patterning, Chase Bray
Theses and Dissertations
The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.
Rodcon, Program, 2019,
2019
University of Northern Iowa. Rod Library.
Rodcon, Program, 2019, University Of Northern Iowa. Rod Library.
RodCon Documents
Inside This Program:
--Rodcon: Free and open to the public
--Welcome to Rodcon
--Locations
--Schedule
--What's That?
--Artist Alley
--Food
--Sponsors
--Autographs
Hacking, Unlearning, Unleashing,
2019
Montclair State University
Hacking, Unlearning, Unleashing, Livia Alexander, Richard Jochum
Department of Art and Design Scholarship and Creative Works
No abstract provided.
Rodcon, Flier, 2019,
2019
University of Northern Iowa. Rod Library.
Rodcon, Flier, 2019, University Of Northern Iowa. Rod Library.
RodCon Documents
Rodcon
Saturday April 13, 2019
10 a.m.-4 p.m.
Free and open to the public
Flier used in promotion of the event.
A Body Of Work,
2019
Sotheby's Institute of Art
A Body Of Work, Ali Edelson
MA Projects
“A Body of Work”, the working title for this curatorial proposal, examines how a group of emerging female artists represent the female form in their work. The representation of the female form, and more specifically the female nude, has long been a key part of art history. For many years, men took ownership over women’s bodies as a commodity, especially in the case of nudes. In the 20th century, feminist artists began to take more power over the ways in which the female form was portrayed by either refusing to commodify or sexualize it or taking ownership over it themselves. …
Gallery K : Business Plan,
2019
Sotheby's Institute of Art
Gallery K : Business Plan, Shane Shenghan Kong
MA Projects
This business plan is to open a commercial art gallery in Vancouver, Canada. This business plan will elaborate on the art market in Canada, the art market in Vancouver, the gallery’s key partnerships, activities and resources, the gallery’s revenue streams and cost structures, the value propositions that the gallery offers as well as the potential challenges that the gallery faces. The key statistics from this business plan are gathered from Statistics Canada, ArtVenture’s Canadian Art Market Report 2018, Artsy.net, as well as from conversation with art dealers and gallery directors in Vancouver.
Humanizing The Tattoo: Looking Beyond The Skin's Surface,
2019
Sotheby's Institute of Art
Humanizing The Tattoo: Looking Beyond The Skin's Surface, Julia Schuckman
MA Projects
Tattoos. Works of art on the skin, but what does it mean? One does not just brand themselves without a just cause. There is much that goes into a tattoo; selection of a design, collaboration with an artist, color selection, actual tattooing, and the aftermath/healing. This is the same process no matter the size of the piece. Even as a simple quote in black across a section of skin, there is more behind the ink and skin. There is an individual with a story. The exhibition, Humanizing the Tattoo: Looking Beyond the Skin’s Surface will explore the human relationship to …
Subversive Stitch,
2019
Sotheby's Institute of Art
Subversive Stitch, Kimberly Reinagel
MA Projects
WhiteBox Harlem is thrilled to present Subversive Stitch, a group exhibition featuring female contemporary artists that work in textiles, curated by Kimberly Reinagel. Presented at this show will be works by Eozen Agopian, Alexandria Deters, Zhen Guo, Lisa Kellner, Mariana Garibay Raeke, Kimberly Reinagel, Leila Seyedzadeh, Victoria Udondian and Christina Whitney Wong. This exhibition will look at the societal reassignment of the textile in the art market. Textiles throughout history have been primarily considered a "feminine" medium. Fabrics, fashion, embroidery and tapestry all connote a feminine background, and have thus notoriously not been received with much gravity. This exhibition is …
Land Art : True Capitalist Art,
2019
Sotheby's Institute of Art
Land Art : True Capitalist Art, Annie Gustafsson
MA Theses
Land art is known to exist in remote locations, are immense in scale, are site specific and are incredibly costly to create. All of these traits make Land artworks inherently resistant to conservation and the secondary market.
If these artworks do not present an obvious investment opportunity, how then can an art movement like Land art even exist? What is its role in a capitalist driven society, if it cannot perform as a financial asset? Where then does the value in Land art lie?
This paper will attempt to explore the cultural effects on the movement, the subsequent methodologies developed …
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty,
2019
Sotheby's Institute of Art
Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson
MA Theses
The preservation and conservation of Land art has become an increasingly complex and urgent issue as important Earthworks created in the late 1960s and early 1970s continue to age. They present a variety of challenges—both physical and philosophical—to those tasked with maintaining them. Using Robert Smithson’s Spiral Jetty (1970) as a case study, I have outlined four key guidelines for maintaining and preserving works of Land art. In order to survive, the artist’s intention intact, these works require collective stewardship, an interdisciplinary approach, the promotion of responsible visitorship, and an extension of the museum model. Today, social media has presented …
What Are The Challenges Of Establishing The Fair Market Value (Fmv) Of Guggenheim Founding Collection? If The Transparency Of An Asset Value Is Possible On Non-Profit Financial Year Report, How Can The Fmv Preserve The Continuity Of Public Art Patronage, In Spite Of, Deaccession Artwork From The Guggenheim’S Collection Being Sold On The Auction Market?, Leng Ho
MA Theses
A collector’s financial interest in purchasing works of art is often motivated by potential return on investment. These collectors have heard countless stories of others gaining huge financial returns after consigning rare works of art from a museum collection. In recent decades, rising debates on the capitalizing of museum collections to gain financial assets allude to long-term negative repercussions. Those opposed postulate that art patron will lose trust in a museum’s ability to care for its publicly-owned collections. Deaccession is a difficult research topic, attempts to resolve any conflicts of interest in the matter of selling cultural work of art …
Private Art Museum Backed By Hong Kong Invetment - Wan Fung Art Musem As An Example,
2019
Sotheby's Institute of Art
Private Art Museum Backed By Hong Kong Invetment - Wan Fung Art Musem As An Example, Yiye Chen
MA Theses
The rapid development of private art museums in the world can be regarded as the epitome of global economic development. The Chinese government has given unprecedented support to the development of culture and art. As the world's second largest economy, China's middle class has been increasing year by year. The hot art market has attracted European and American auction giants, and famous galleries have entered the Chinese market. Since the birth of the first private art museum in China at the end of the 20th century, Chinese scholars have been constantly exploring the direction of development. From copying the European …
Teamlab Research,
2019
Sotheby's Institute of Art
Teamlab Research, Chinchen Liu
MA Theses
teamLab undoubtedly opened a new era of art. It allows professionals in multi-industries to use the latest science and technology to create art, they are all popular for local audiences from Japan to the United States, from Italy to China, wherever they go. As a significant representative form of the trendy show and immersive exhibition, teamLab's works are completely different from the past in terms of creative logic, exhibition experience, and collection methods. By going through the development history of teamLab, this article studies the characteristics of its exhibitions, audience, and the connection with traditional art, in order to explore …
A Study On The Commercial Promotion Mode Of Contemporary Young Artists In China Taking Art Nova 100 As An Example,
2019
Sotheby's Institute of Art
A Study On The Commercial Promotion Mode Of Contemporary Young Artists In China Taking Art Nova 100 As An Example, Han Le
MA Theses
Nowadays, young artists have increasingly become a significant part of the art market in China since there has been a recent emergence of China's art market. Therefore, their personal growth and development would greatly impact the future of art market. With the support of relevant economic and political policies from the government, China has initiated many innovative characterized business modes of cultivating young artists. By looking at Art Nova 100, a quite typical art project of recent years in China, this paper firstly deals with the actual living situation of contemporary young Chinese artist together with considerations for specific historical …
The Explosion Development Of Chinese Contemporary Art Market From 2000 To 2015,
2019
Sotheby's Institute of Art
The Explosion Development Of Chinese Contemporary Art Market From 2000 To 2015, Yaning Wang
MA Theses
After Chinese Culture Revolution, the brand new chapter was approaching which opened for the modern Chinese art history; Chinese contemporary art has been deepened understanding by the art market. In the context of an emerging market, art is as much a matter of cultural economy as socio-politics. Thus the thesis will focus on the challenges facing the market and how tradition and economics providing the framework for the sustainability of art market. It will present a historical overview of emergence of Chinese contemporary art the period of 2000 to 2015 and expose the unbreakable bind between the development of its …
Story Of Twin Cities, Who Will Be The Next Storm Center Of Art Fairs?,
2019
Sotheby's Institute of Art
Story Of Twin Cities, Who Will Be The Next Storm Center Of Art Fairs?, Rui Bian
MA Theses
Since 2000, with the rapid development of China's economy, the evolution of contemporary art fairs in China has been accelerated. This paper takes two representative cities, Beijing and Shanghai, as examples. In the past one decade, Shanghai and Beijing have respectively led the trend of contemporary art market due to various internal and external factors. This paper uses PEST model to analyze, trying to find out who will be the next center of contemporary art in the next ten years.
The first part of this paper mainly starts from the differentiations in policies and regional distributions of Chinese contemporary art …
How Does Contemporary Artists Consolidate Their Success And Achievements Through Social Media Platform Such As Instagram? : Case Study Of Successful Co-Existing Relationship Developed Between Contemporary Artists Ai Weiwei And Kaws With Their Instagram Account,
2019
Sotheby's Institute of Art
How Does Contemporary Artists Consolidate Their Success And Achievements Through Social Media Platform Such As Instagram? : Case Study Of Successful Co-Existing Relationship Developed Between Contemporary Artists Ai Weiwei And Kaws With Their Instagram Account, Rouchen Yao
MA Theses
In the following thesis, I would compare and contrast the two art world phenomenon:Ai Weiwei and KAWS, whom have very distinctive artistic focus and style. And how the two artists utilize their social media platform to achieve different purposes and reflect different values. In the past few years, due to internet accessibility to the art world, online and social media platforms have become an intermediary between the art world and the masses, giving everyone access to art. Being household names from the art world, both of the artists generated a large number of fans on their social media platform of …
