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Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons

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1,674 Full-Text Articles 1,376 Authors 2,423,804 Downloads 125 Institutions

All Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture

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1,674 full-text articles. Page 40 of 62.

Moveable Feasts: Processions As Multimedia Performance In Le Puy-En-Velay, Elisa A. Foster 2015 Texas Christian University

Moveable Feasts: Processions As Multimedia Performance In Le Puy-En-Velay, Elisa A. Foster

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


“Pictures Are Material Signs Of The Invisible:” Medieval Visual Theory And Modern Graphic Narratives, Dominique Hoche 2015 West Liberty University

“Pictures Are Material Signs Of The Invisible:” Medieval Visual Theory And Modern Graphic Narratives, Dominique Hoche

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: John Lowden, Medieval And Later Ivories In The Courtauld Gallery: Complete Catalogue, Katherine Eve Baker 2015 Broward College

Book Review: John Lowden, Medieval And Later Ivories In The Courtauld Gallery: Complete Catalogue, Katherine Eve Baker

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Elizabeth Valdez Del Álamo, Palace Of The Mind: The Cloister Of Silos And Spanish Sculpture Of The Twelfth Century, Mickey Abel 2015 University of North Texas

Book Review: Elizabeth Valdez Del Álamo, Palace Of The Mind: The Cloister Of Silos And Spanish Sculpture Of The Twelfth Century, Mickey Abel

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 1), 2015 Kenyon College

Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 1)

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Graphic Record Of A Lost Wall Map Of The World (C. 1490) By Henricus Martellus, Chet Van Duzer 2015 University of Mississippi

Graphic Record Of A Lost Wall Map Of The World (C. 1490) By Henricus Martellus, Chet Van Duzer

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Identity, Status, And Material: Medieval Alabaster Effigies In England, Rachel Dressler 2015 State University of New York, Albany

Identity, Status, And Material: Medieval Alabaster Effigies In England, Rachel Dressler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Ampullae, Re-Imbursed: A Formal Analysis Of Medieval “Shell-Shaped” Lead-Alloy Pilgrim Ampullae, Greg Campbell 2015 Kenyon College

Ampullae, Re-Imbursed: A Formal Analysis Of Medieval “Shell-Shaped” Lead-Alloy Pilgrim Ampullae, Greg Campbell

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Secular Learning And Sacred Purpose In A Carolingian Copy Of Boethius’S De Institutione Arithmetica (Bamberg, Staatsbibliothek, Msc. Class. 5), Laura E. Cochrane 2015 Middle Tennessee State University

Secular Learning And Sacred Purpose In A Carolingian Copy Of Boethius’S De Institutione Arithmetica (Bamberg, Staatsbibliothek, Msc. Class. 5), Laura E. Cochrane

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Jennifer P. Kingsley, The Bernward Gospels: Art, Memory, And The Episcopate In Medieval Germany, Eliza Garrison 2015 Middlebury College

Book Review: Jennifer P. Kingsley, The Bernward Gospels: Art, Memory, And The Episcopate In Medieval Germany, Eliza Garrison

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Introduction To Mappings, Dan Terkla 2015 Illinois Wesleyan University

Introduction To Mappings, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


A Blank Space: Mandeville, Maps, And Possibility, Asa Simon Mittman 2015 California State University, Chico

A Blank Space: Mandeville, Maps, And Possibility, Asa Simon Mittman

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


The Dual Language Of Geometry In Gothic Architecture: The Symbolic Message Of Euclidian Geometry Versus The Visual Dialogue Of Fractal Geometry, Nelly Shafik Ramzy 2015 Sinai University

The Dual Language Of Geometry In Gothic Architecture: The Symbolic Message Of Euclidian Geometry Versus The Visual Dialogue Of Fractal Geometry, Nelly Shafik Ramzy

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Book Review: Matthew Champion, Medieval Graffiti: The Lost Voices Of England’S Churches, William Anderson 2015 University of Melbourne

Book Review: Matthew Champion, Medieval Graffiti: The Lost Voices Of England’S Churches, William Anderson

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Discoveries, 2015 Kenyon College

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 2), 2015 Kenyon College

Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 2)

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart 2015 University of Nebraska-Lincoln

The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …


Recenti Scavi A Morgantina: Il Progetto Contrada Agnese (2013-2014), J. Benton, R. Gorham, J. F. Huemoeller, L. A. Lieberman, D. Massey, A. Smalling, R. Souza, A. Truetzel, D. A. Walthall 2015 Old Dominion University

Recenti Scavi A Morgantina: Il Progetto Contrada Agnese (2013-2014), J. Benton, R. Gorham, J. F. Huemoeller, L. A. Lieberman, D. Massey, A. Smalling, R. Souza, A. Truetzel, D. A. Walthall

Art Faculty Publications

Il gruppo Progetto Contrada Agnese (CAP) di American Excavations at Morgantina (AEM) ha iniziato nel 2013 un progetto di ricerca e scavo pluriennale, che si concentra su un'area probabilmente residenziale ubicata nella parte Ovest di Morgantina. Basandosi parzialmente sui risultati di una ricognizione geofisica effettuata nel 2012, lo scavo sta gia facendo venire alla luce i contorni e i partico-lari di un isolato situato lontano dal lusso e dalla grandezza dell'agorà. In questa nota si presentano le scoperte chiave delle stagioni 2013 e 2104 del progetto, con un'interpretazione preliminare dei dati di scavo e, in aggiunta, un resoconto dei progressi …


The Map In The Böddeken Cartulary, Arnold Otto 2015 Erzbistum Paderborn (Archdiocese of Paderborn)

The Map In The Böddeken Cartulary, Arnold Otto

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.


Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido 2015 Scripps College

Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido

Scripps Senior Theses

This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …


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