Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

From Private To Public: The Collection Of David P. Harris, Brad Hostetler, Ani Parnagian

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Teaching Collections And Codicology In The Age Of Digital Surrogates, Erika Loic

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Ethiopian Objects In The Blick-Harris Study Collection: Art, Context, And The Persistence Of Form, Brad Hostetler, Lynn Jones

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Question Of Authenticity: Two Ethiopian Icons, Sonia Dixon

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Cut And Sell: Two Parchment Fragments And The Collection Of Ethiopian Manuscripts In The West, Caitlin Mims

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Bibliography

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Role Of Art In Recent Biofiction On Sofonisba Anguissola, Julia K. Dabbs

Art History Publications

In recent years the life stories of early modern women artists have inspired many works of biofiction; yet often authors know more about what the artists created than the facts of their lives. This essay will explore the intermediality between visual and verbal content by exploring the role of art in two recent novels on the Italian Renaissance painter Sofonisba Anguissola: Donna DiGiuseppe’s Lady in Ermine: The Story of a Woman Who Painted the Renaissance and Chiara Montani’s Sofonisba: Portraits of the Soul. In the process I will explore the Renaissance paragone debate and consider how verbal descriptions of artworks …

Kalos, Emma Marie Bowden

2022 Symposium

My work, “Kalos”, is a unique composition made up of 3”x3” canvases with overall dimensions of 24”x30”. This series of acrylic paintings explores the boundaries within the photorealism technique in painting. For this painting, one 3”x3” canvas represents one corresponding square from the photorealism grid on the reference photo. The independent squares open new possibilities for viewer engagement and manipulation. The interactive piece encourages viewers to ponder the idea of beauty and how it can be manipulated.

Schemata: The Language Of The Body In Middle Byzantine Illuminated Manuscripts, Nava Streiter

Bryn Mawr College Dissertations and Theses

Representations of body language add a vital layer of meaning to middle Byzantine figural art, and they deserve systematic scholarly attention. My dissertation offers a method for unpicking the meanings of individual movements, and, more importantly, it explores the underlying cultural concerns that shaped the form of the body in middle Byzantine art. I argue that Byzantine images of body language are intentionally schematic and programmatic. By combining a restricted vocabulary of motion with pared-down renderings of physical forms, Byzantine artists engaged the vital force of embodied expression, while also transfiguring the body into a metaphoric representation of disembodied ideas …

Communication Of Values And Morals Through Andrea Della Robbia’S Prudence, Caylin Wigger

Undergraduate Research Awards

Created by Andrea della Robbia in 1475, the circular relief of Prudence, executed in tin-glazed terracotta, exemplifies an intrinsic relationship to religion, morals, and virtues in both medium and subject matter, typical of Renaissance Art. From the development of the della Robbia family workshop, to modern conservation efforts, the della Robbia tin-glazed terracotta method elucidates a timeless and extreme dedication to moral values. The inherent humility of the terracotta, a simple clay dug from the earth, had been recognized even before Andrea created Prudence by close followers of the Christian faith. Not only were the basic elements of Prudence …

The Art Of Burial In The Medieval Nile Valley: Christian And Islamic Interchange In Religious Funerary Contexts, Arielle Winnik

Bryn Mawr College Dissertations and Theses

Christian communities in medieval Islamic Egypt (ca. ninth to twelfth centuries) were active participants in Islamicate visual culture. Indeed, Christians employed the same artistic objects as their Muslim neighbors in secular contexts, and close commonalities were even pervasive in art employed in religious rituals.

This dissertation investigates one such instance of the shared use of objects between Christians and Muslims in distinct sacred contexts. Christian and Muslim burials shared deep similarities, including the use of burial shrouds and grave markers with almost identical iconographic and compositional features. I draw attention to ways that Christians deployed an interreligious visual and material …

Engram, Vol. 1 2022, Portland State University. School Of Art + Art History + Design

Engram: A Journal of Art History Student Writing

• Matthew Paris Itinerary Maps, the Holy Land, the Crusades and the Idealization of Pilgrimage, Amber Shrewsbury

• Clay Pilgrimage Tokens of Qal’at Sem’an, Ashley Hood

• Magical Amulets and Their Uses in Menstrual Health, Kelsey Bucks

• Attendant Statues to God Nabu: Gods, Kings, and Scholars, Rose Caughie

The Medieval Ideal: Utopian Medievalism In The Life, Thought, And Works Of William Morris, Benjamin Michael Kimball

Dissertations and Theses @ UNI

Interpreting the past often reveals as much about the interpreter as it does about the subject they interpret. This was the case with William Morris and his utopian mythologization of the Middle Ages. His art, writings, politics, and philosophy are suffused with a utopian vision of the medieval past. It runs through the whole body of his work and even in affected his personal life. It became a lens through which he could understand the world around him, a source on which he could draw for his political, social, and artistic critiques of Victorian Society. Through three different vantage points, …

Medieval Weathers: An Introduction, Michael J. Warren

Medieval Ecocriticisms

Introduction to the first volume of Medieval Ecocriticisms.

Case Study Of Byzantium, Shelby Johnson

BYZANTIUM: Trade, Treasure, Tradition

The Byzantine Empire (395-1453 CE) was a large cultural center that included a meshing of different societies in terms of trade. Located along the Mediterranean Sea, the empire had a monopoly of sea trade, leading to their multiple years of success under many different ruling emperors. Many different countries brought with them pieces of their culture and textile materials to the Byzantine Empire.

Around 500 A.D. China was known for their silk making textiles, holding the secret of their creation for many years until a group of traveling monks in Europe were able to smuggle out silkworm eggs from China, …

The Vienna Genesis And The Evolution Of Christian Book Illumination, Samantha Castro

BYZANTIUM: Trade, Treasure, Tradition

In this essay, I argue that the Vienna Genesis influenced future Christian manuscripts by pushing the idea that higher status and holiness were linked. The Vienna Genesis' expensive creation and classically-influenced illustrations, which were seen by some as conspicuous, would be imitated by the Paris Psalter, only differentiating in the subject matter. The Melisende Psalter would take a turn in its style, mimicking Byzantine icons rather than classical works, but it continued the high-cost production and ruler-appealing narrative of King David. And unlike the other two, the Melisende Psalter cements the initial bias, with signs hinting at possible royal/imperial ownership.

Byzantine Textiles: Embroidery, Delphine Dah

BYZANTIUM: Trade, Treasure, Tradition

The textile that I will be discussing is the Embroidered Medallion found in the fifteenth to the sixteenth century Byzantine Empire. This rare example of Byzantine embroidery consists of two medallions, one depicting the eagle of Saint John, the other the angel of Saint Matthew, two of the four evangelists. The original piece is paired with the other medallion, which shows the symbol for Mark and Luke. Since their scale is so small it suggests that they are meant to be attached to an epitrachelion, a stole worn by priests and bishops as a symbol of their priest hood.

The Face Of Power: A Chronological Comparison Of Byzantine Coinage, Emma Duffin

BYZANTIUM: Trade, Treasure, Tradition

Coinage was an effective tool for representing imperial power in the Byzantine Empire. This short essay focuses on the evolution of power representation in coinage and argues that Byzantine emperors displayed power by employing classical Roman elements in their coinage. This argument is communicated through a chronological comparison of five coins ranging in date from 288 to 1425 C.E. These coins are a small example of the transition from imperial iconography to Christian iconography in which we see how classical forms are preserved even among a drastic change in style and narrative.

The Constantine And Zoe Mosaic, Lilly Jones

BYZANTIUM: Trade, Treasure, Tradition

In this case study I will go over the history behind the Constantine and Zoe mosaic in the Hagia Sophia, why it was hidden for so long, and the multiple theories behind its alterations. I will also cover the history of Zoe and her many husbands and why altering the mosaic would have been necessary to show history and they wanted it to be remembered. There is not the same record of events in Byzantium like we have today, history was written by the powerful and important to write to narrative they wanted. Because of the clues left behind we …

Utility, Liturgy, And Luxury, Olivia Brock

BYZANTIUM: Trade, Treasure, Tradition

The material legacy of medieval Byzantium is one of intricate luxury objects made of precious materials. As was evident in many cultures and periods, including the Byzantine, high-quality luxury materials were used to promote the status of individuals and institutions. The Attarouthi Treasure out of the Church of St. Stephen in Syria presents an excellent case study of luxury liturgical objects used to promote the social status of the church, as well as imbed the church in a series of complex social networks that both enhanced and retracted from the church’s social role. These objects were also physically dynamic as …