American Art and Architecture Commons^™

Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy

Honors Program: Senior Projects (Public)

Between 1879 and 1961, non-Native perceptions of what constituted authentic Native art shifted. These changing perceptions were influenced by, and then in turn influenced, federal policy and legislation. While non-Native individuals and groups worked to improve conditions for Native communities and to protect “authentic” Native art forms, Native reformers also attempted to enact change to help Native communities and Native artists exercised control over their own art and identity.

Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier

Theses and Dissertations

This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.

Ray Johnson: Collage As Networked "Correspondance", Gillian Pistell

Dissertations, Theses, and Capstone Projects

Scholars unfailingly comment on the complex community of artists, poets, and musicians that form the foundation of Ray Johnson’s visual language, yet do not examine the implications of these relationships on Johnson’s art. “Ray Johnson: Collage as Networked ‘Correspondance’” looks at Johnson’s mail art and collages through the lens of Social Network Theory, a sociological concept used to analyze social groups, to investigate possible meanings recorded within Johnson’s elaborate imagery and show how his relationships manifested in his work. I argue that Johnson used his mail art to gather people and information to create a network, which he then manipulated …

Morris High School: A Biography, Naomi Sharlin

Dissertations, Theses, and Capstone Projects

Morris High School was conceived and built in the Bronx with a lofty mission: to provide a comprehensive, world-class secondary education to the children of immigrant and working-class families, and in so doing to elevate the American public education system and America itself. Such a weighty mission for an institution would result, one could expect, in painstaking record keeping, the lionization of great leaders, consistent investment in the building, and attention given to problems encountered or created over the years. And yet, the life of Morris High School remains elusive. Key figures in its story are lost to obscurity like …

Yay Or Neigh? Frederic Remington’S Bronco Buster, Public Art, And Socially-Engaged Art History Pedagogy, Jennifer Borland, Louise Siddons

Art History Pedagogy & Practice

This article outlines a collaborative, community-based project developed for two undergraduate art history courses at a large state university. The exercise focused on Frederic Remington’s 1894-95 sculpture, the Bronco Buster, a large bronze image of a cowboy whipping a bucking bronco with the goal of taming it. An enlarged replica of Remington’s sculpture was installed recently in the downtown district of this university town, raising questions about how it was selected and funded, as well as what message the sculpture sent about the town to its visitors. As we discussed our frustration with both the iconography and the selection …

Modern Visual Culture And The New Sciences Of The Self

Colby College Museum of Art

No abstract provided.

The Physicality Of Printmaking

Colby College Museum of Art

No abstract provided.

Using Visual Art To Structure A Curriculum

Colby College Museum of Art

No abstract provided.

Workshop Description

Colby College Museum of Art

No abstract provided.

List Of Participants

Colby College Museum of Art

No abstract provided.

Japanese-English Translation: Kitaōji Rosanjin--A Few Words For Aspiring Potters, Or Concerning The Relation Of The Person To The Work Of Art, Christopher Southward

Comparative Literature Faculty and Student Scholarship

Translation of 「陶芸家を志す者のために：芸術における人と作品の関係について」、北大路魯山人著—a speech delivered by Japanese potter, painter, lacquer artist, and restaurateur Kitaōji Rosanjin at Alfred State University, NY in April 1954. Part of a noncommissioned work in progress: Kitaōji Rosanjin: Reflections on Pottery, Travel, and Culinary Life All rights reserved, Christopher Southward (2019). Source, Aozora Bunko (a digital archive of Japanese-language literary work in the public domain): General website: https://www.aozora.gr.jp/ Current text: https://www.aozora.gr.jp/cards/001403/files/55081_54778.html

Program Schedule

Colby College Museum of Art

No abstract provided.

Archaeology Of Social Patterning, Chase Bray

Theses and Dissertations

The episteme that created the grid as a structure for logic has been usurped. We compose meaning from an adulterated grid, or pattern. I process meaning through the abuse of acrid patterns and the grid, the reduction of imagery to silhouettes and by referencing both cultural and classical mythology.

Art In The Museum, Christopher Janneck

Writing Across the Curriculum

I visited the Metropolitan Museum of Art (“the Met”) found at 1000 Fifth Avenue in New York City on Saturday, September 15, 2018, during a visit home. Although there was substantial traffic because of a German Heritage parade, it was a beautiful day to visit a magnificent museum. Everything about the Met is grand, including its entrance lobby and its artwork. I passed a few hours wandering the different halls with my family, while taking pictures and notes for this assignment. Some of my favorites during this visit was the Heavenly Bodies exhibit and the many halls filled by American …

In Black And White: Richmond’S Monument Avenue Recontextualized Through The Photographic Archive, Charlsa Anne Hensley

Theses and Dissertations--Art and Visual Studies

The release of the Monument Avenue Commission Report in July, 2018 was the culmination of over one year of research and collaboration with community members of Richmond, Virginia on how the city should approach the contentious history of Monument Avenue’s five Confederate centerpieces. What the monuments have symbolized within the predominately rich, white neighborhood and outside of its confines has been a matter of debate ever since they were unveiled, but the recent publicity accorded to Confederate monuments has led to considerations by historians, city leaders, and the public regarding recontextualization of Confederate monuments.

Recontextualization of the monuments should not …

Asian America And Empathy: Understanding The Chinese American Experience Through The Art Of Flo Oy Wong, Brienne Wong

Master's Projects and Capstones

This capstone examines how the work of Chinese American artist Flo Oy Wong could be an impetus for dialogue for creating empathy for the Asian American experience. The capstone briefly discusses Chinese American history as the Chinese are one of the earliest immigrant groups to the United States and Asian American art history which demonstrates the role of art for Asian Americans. It also describes the importance of empathy in society and how some museums today are trying to apply empathy to serve their communities. Within this framework, I discuss artist Flo Oy Wong whose ability to tell stories about …

North American Indigenous Collection And Curation And Its Impact On Market Arts., Adelaide Mccomb

Electronic Theses and Dissertations

This thesis examines the history of two North American Indigenous groups, those belonging to the Great Plains and the Arctic, and observes how settler-colonial influence determined the collection and curation of arts and artifacts in these areas. This art includes a mention of pre-Colombian works, but focuses predominantly on works being made after “first-contact” through the contemporary ear. The paper addresses the effect imperialist history has had on the development of Indigenous art markets, and how institutions such as museums may address them through ethical practices, and efforts to decolonize museum spaces.

The Sea Ranch: Unforeseen Failures And Statewide Successes Of An Ecologically Conscious Coastal Community, Robert Daley

Senior Theses

The term “residential development” or “planned community” brings to mind images of a stereotypical suburbia. The planned community of The Sea Ranch, along the Sonoma County coast in Northern California is a direct challenge to the suburban ideal. Construction of the nearly 1500 homes began in the late 1960s and continues to present day. All of the homes must meet specific design requirements including being ecologically sound and they must fit within the landscape. The strict architectural elements is what provides the distinct look of the community. The construction of a housing development along a ten-mile strip of untouched and …

Compositional Analysis And Cross-Cultural Examination Of Blue And Blue-Green Post-Fire Colorants On Tolita-Tumaco Ceramics, Breanna Fae Reiss

Art & Art History ETDs

Blue and blue-green ceramic colorants are an uncommon occurrence in the ancient Americas. This paper explores blue and blue-green post-fire colorants used by the coastal Tolita-Tumaco culture of ancient coastal Ecuador and Colombia through compositional testing and cross-cultural comparison. Using X-ray diffraction and scanning electron microscopy coupled with energy dispersive spectroscopy, one sample each of blue and blue-green colorants were tested to identify the mineral composition present. Though the colorants were thought to likely originate from copper carbonates like azurite or malachite, or perhaps even similar to other Mesoamerican pigments like Maya Blue, the blue-green pigment, collected at La Tolita, …

Atlanta Housing Interplay: Reinventing The Digital Monograph, Christopher Sawula

Bucknell University Digital Scholarship Conference

This panel will discuss Atlanta Housing Interplay, a new digital art history project in development at Emory University. The project, focused on the first public housing projects built in Atlanta in the 1930s, seeks to provide a model for a published, digital monograph. The talk will explain the origins of Atlanta Housing Interplay, its structure, and how it will bridge the gap between traditional print scholarship and interactive online projects. The panel will explore the issues of platform, publishing, and target audience and talk about striking a balance between academic research and public history.