Screenwriting Commons^™

The Snoops, Rigvedita Nigam

LMU Theses and Dissertations

No abstract provided.

Blood Night, Tasha Joi Henderson

LMU Theses and Dissertations

No abstract provided.

Finders Keepers, Nicholas Jay Thacker

LMU Theses and Dissertations

No abstract provided.

Bad Romance, Chad Edward Wellinger

LMU Theses and Dissertations

No abstract provided.

If Not Now: An Account Of The Challenges And Experiences Of Writing, Directing, And Editing A Graduate Thesis Film, Tylyn S. Anson

LSU New Orleans Theses and Dissertations

In this paper, I will catalog and describe my process involved in the creation of my thesis film If Not Now. In the main body of the paper I will cover the topics of Writing, Casting, Directing, Production Design, Cinematography, Editing, and Sound, as well as Technology and Workflow. Special emphasis will be placed on Writing, Directing, Editing, and Sound. The Analysis section will discuss the overall effectiveness of my goals to communicate a story about self-identity and community, as well as the film's artistic merit and quality.

The Stars Of David, Eric B. Millman

LSU New Orleans Theses and Dissertations

The Stars of David is based on the true story of a woman whose love of baseball stood above all. Set in the midst of the Great Depression, Jackie Austin, disgusted by the chauvinistic expectations of her impoverished father, sets off on her own to play for whatever team that will have her. That team proves to be the barnstorming House of David Baseball Club, an ascetic religious commune struggling to regain past glory after a decade of tragedy and shame. Outsiders and freaks to the rest of the world, these new "Stars" of David must learn to work together …

Entrepreneurs, John A. Patton

LSU New Orleans Theses and Dissertations

In this paper, I will cover the process of making my thesis film, Entrepreneurs. Specific facets of this process include writing, directing, production design, cinematography, editing, sound, and technology. I will detail the goals initially set for each facet, the approach taken during production, and the results that led to the finished product. I will then evaluate the overall success of the project.

A Miniseries Of Unfortunate Events: Realizing The Full Potential Of Lemony Snicket's Book Series Through Television Adaptation, Ryan T. Pait

Mahurin Honors College Capstone Experience/Thesis Projects

Lemony Snicket’s A Series of Unfortunate Events, a series of 13 children’s books, seemed like it had the potential to become a massive franchise in a similar vein to the Harry Potter film series. Snicket’s books feature three plucky protagonists, a sinister villain, and constantly-shifting settings—all elements that could make a successful movie series. A film adaptation, titled Lemony Snicket’s A Series of Unfortunate Events was made in 2004. It adapted the first three books in the series, and became a moderate financial and critical success. Despite the success, no further films were made.

As a fan of Snicket’s …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

Malibu Jackson 3: Boldest Move Yet - A Study Of Screenwriting, Parody, And Mullet-Clad Action Heroes, Caleb D. Nelson

Senior Honors Theses

This project is a parody short film script, targeting blockbuster action films of the 1980s. It is written in accordance with the traditional three-act structure of screenplays, which plays an important role in the writing arena of the film industry. It is a comedy, the theory of which is discussed in this paper, and more specifically parody. Like most short films and their scripts, it does not seek to be profitable, but rather serves the purpose of demonstrating skill and achievement on behalf of the screenwriter and filmmaker. This paper also includes a brief synopsis of the project.

The Movie Mogul, Moses And Muslims: Islamic Elements In Cecil B. Demille’S The Ten Commandments (1956), Michael D. Calabria Ofm

Journal of Religion & Film

Cecil B. DeMille’s 1956 film, The Ten Commandments, has come to define the genre of the biblical epic. It has earned a permanent place in American culture due to its annual airing on television during the Easter and Passover holidays. Most viewers are unaware, however, that DeMille had sought to make a film that would appeal to Jews, Christians and Muslims at a time when their common Abrahamic ancestry had yet to be articulated, and interreligious dialogue was all but unheard of. To this end, Henry Noerdlinger, DeMille’s researcher for the film, consulted the Qur’an, and screenwriters incorporated Islamic …

An Evil Threat To Marriage, Children And The Future: Queer Theory, "The Passion Of The Christ," And Evangelical Political Rhetoric, Richard Wolff

Journal of Religion & Film

This article employs queer theory to analyze Mel Gibson’s film The Passion of the Christ (2004) for its portrayal of queer characters (Satan and Herod) in contrast with non-queer (Pilate and Claudia, Seraphia, Simon the Cyrene, and Mary, Christ’s mother), and how it depicts the former as evil and the latter as good. In particular, these contrasts involve self-indulgent or predatory sexual expression versus a healthy marital relationship, and evil versus loving influences over children, who represent hope for the future. Finally, the article looks at the film’s heavy marketing to American evangelicals and how the symbolic representations in the …

Pathos, Winter 2015, Portland State University. Student Publications Board

Pathos

Editor: Brook Horn

Volume 9 No.2

Alien On A Savage Planet, Shena Mullins

LSU New Orleans Theses and Dissertations

This paper details the process of creating the UNO Graduate thesis film Alien on a Savage Planet. Each major step in the filmmaking process is covered: screenwriting, producing, directing, cinematography, sound, production design, costumes, hair and makeup, workflow, editing, color correction, music and post- sound. A comprehensive assessment of the filmmaking process and the successes and failures of the project are discussed in length.

The Lost Row, Roman Buetel

Honors Projects

Set in 2032, The Lost Row chronicles the pre-dystopian city of Fostoria, where three citizens have taken it upon themselves to combat crime.

Weeb-Con, Rachel Williams

Senior Honors Theses

One of the most important parts in the development stage of filmmaking is writing a screenplay. Weeb‐Con is a thirty‐two‐page action comedy screenplay. After an anime convention in Galveston, Texas, is forcefully taken over by armed robbers in creepy, badlymade fursuits, it is up to Dolores “Dolly” Lopez, a Lolita who must lead the convention attendees ‐ including her family and her fat pitbull Butterball ‐ and make them band together. Dolly is something of a perfectionist loner; but, with the help of her new friends Seymour, a cowardly nerd, and Boyd, a stoner who is smarter than he looks, …

Orenda, Lauren Reeks

Senior Honors Theses

The following work is a feature length screenplay about Anna Morris, an 18-year-old girl who finds herself faced with a moral dilemma when her estranged father, Robert, contacts her on her 18th birthday. When she learns about Robert’s past involvement in an online child pornography ring Anna must decide if she can forgive him, or -- more importantly -- if he is worthy of forgiveness. However, as the story unfolds we find that it is not just Anna who needs to forgive. This story approaches issues of repentance, growth, and the journey into adulthood as Anna takes on each new …

Pathos, Fall 2014, Portland State University. Student Publications Board

Pathos

Editor: Brooke Horn

Volume 9 No.1

Got Lost Behind The Scenes: Underexposed Television Producers In Magazines, Jordan King

Pell Scholars and Senior Theses

Award-winning television shows are popularly depicted through digital media and magazine coverage. However, the strenuous efforts of TV producers are hidden behind the publicity of celebrities and plotlines of the show. Using Eugene Shaw's agenda-setting theory and Robert Entman's framing theory as a basis, the author created a case study analyzing how the producers of Lost and Game of Thrones are portrayed in magazines. The research shows that reporters tend to perpetuate the anonymity of these producers, which in effect, leads an audience to deem them as unimportant.

How To Protect A Literary Character Through Copyright And Trademark, Annie Provenzano

Journalism

This paper is about finding the best practices in which to protect a literary character as an individual and help authors keep the rights to their characters when the characters are taken out of the original work. It focuses on the basic copyright and trademark laws, how they apply to a literary character, what is afforded to the character for protection, and the lack of protection by the courts. The research helps facilitate ideas and advice on how to better protect a literary character before and after the process of copyrighting or trademarking the work.