Social Justice Through Storytelling: Sugar Land,
2017
Loyola Marymount University
Social Justice Through Storytelling: Sugar Land, Alexa Garster
Honors Thesis
This thesis project (i.e. feature screenplay) was inspired first and foremost by an interest in the function of capital punishment in today’s society; and secondly, by the significant absence of female protagonists across the majority of contemporary film narratives. As such, this script focuses on a female anesthesiologist who, through a series of unanticipated events, comes to accept the job of executioner at a Texas state prison.
This narrative thus addresses the role of the executioner—as well as the political, social, cultural, and psychological consequences that come from such a position—against the larger backdrop of capital punishment. It is a …
“The Imaginary Dragons” A Short Film.,
2017
Syracuse University
“The Imaginary Dragons” A Short Film., Christina Mcdonagh
Renée Crown University Honors Thesis Projects - All
It’s mid September of 2001 and Fawn, a sheltered yet curious girl living in Manhattan, begins to feel as if everyone is keeping a secret from her…
– A Short Film Based on a True Story –
My Story.
Think back to the day of September 11th, 2001. Do you remember where you were and what you were doing when the tragic news broke? Most Americans do, but what if it was kept from you? What if your world was so sheltered you didn’t realize the city you lived in was falling apart around you? That was the …
Story Problem Solving,
2017
Buffalo State College
Story Problem Solving, Brian D. Kalina
Creativity and Change Leadership Graduate Student Master's Projects
This project paper will explore and define the relationship between the Creative Problem Solving (CPS) and the timeless concept of storytelling. Since the beginning of time, people have been sharing stories to relate their experiences and their solutions to overcome challenges and obstacles. CPS is a more modern methodology that aids people in their approach and their ability to generate plans and solutions to overcome challenges and obstacles. Therefore, the premise of this project is to seek answers to the questions; (1) How might we look to stories as frameworks for solving our problems? and (2) How might we marry …
Re::Humanity,
2017
University of New Orleans
Beacon,
2017
University of New Orleans
Beacon, Samantha Eroche
Senior Honors Theses
Beacon is a short, relatively low production value screenplay about two people coming to know each other better, about them coming to know themselves better and to grow as human beings. When Kate Clarence realizes she’s discovered the journal of her favorite pen-named author from childhood—“C. Rimes”—she embarks on a journey to return it to him, whoever he is. She’s delinquent on her rent, her bookshop’s failing, she’s far from her landlocked Midwest home and family, and she’s single; the obligation to return the journal is a welcomed adventure and reprieve. However, when she comes to the conclusion that C. …
Pathos, Spring 2017,
2017
Portland State University
Pathos, Spring 2017, Portland State University. Student Publications Board
Pathos
Editor: Jessica Moore
Volume 11 No. 3
Hollywood, The Media, And The Alteration Of Image In The 1940s,
2017
Pepperdine University
Hollywood, The Media, And The Alteration Of Image In The 1940s, Sean M. Conrad
Seaver College Research And Scholarly Achievement Symposium
I am currently writing a feature-length screenplay entitled Klara based on true events and people surrounding the rise of Nazi Germany and the exile of Jewish-German intellectuals to America during 1933-1945. The narrative is grounded in the work of the European Film Fund (1938-1948), the Paul Kohner Talent Agency, and the various agents of propaganda at work both in Nazi Germany and America during this time period. Through my research I hope to explicate how Jewish-German exile in America influenced not only those exiled, but also the burgeoning American film industry and how the cross-cultural intersection of media propaganda, both …
"Fragmegration" Of Identity In Laurent Cantet's Ressources Humaines And L'Emploi Du Temps,
2017
Old Dominion University
"Fragmegration" Of Identity In Laurent Cantet's Ressources Humaines And L'Emploi Du Temps, Peter Schulman
World Languages and Cultures Faculty Publications
As James Rosenau has written, localization and globalization came crashing together at the turn of the 20th century in a type of oxymoronic chaos he labels "fragmegration" that characterizes the confusion people have as to their role in society. It is this identity confusion that Laurent Cantet portrays in his landmark films Ressources humaines (1999) and L'emploi du temps (2001). Cantet's protagonists seek their place in society as they cope with the sudden destabilization of their local, national, and globalized identities.
Pathos, Winter 2017,
2017
Portland State University
Pathos, Winter 2017, Portland State University. Student Publications Board
Pathos
Editor: Jessica Moore
Volume 11 No. 2
Fantissity,
2017
Eastern Illinois University
"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S,
2017
Old Dominion University
"If You Want To Be The Man, You've Got To Beat The Man": Masculinity And The Rise Of Professional Wrestling In The 1990'S, Marc Ouellette
English Faculty Publications
This paper traces the relationship between the shifting representations of masculinity in professional wrestling programs of the 1990s and the contemporaneous shifts in conceptions of masculinity, examining the ways each of these shifts impacted the other. Most important among these was a growing sense that the biggest enemy in wrestling and in day-to-day life is one’s boss. Moreover, the corporate corruption theme continues to underscore the WWE’s on-screen and off-screen coverage, well into the second decade of the twenty-first century. Thus, the paper provides a template for considering a widely consumed popular cultural form in ways that challenge the determinism …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création,
2016
Chapman University
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Pathos, Fall 2016,
2016
Portland State University
Pathos, Fall 2016, Portland State University. Student Publications Board
Pathos
Editor: Jessica Moore
Volume 11 No. 1
Grand: A Short Film,
2016
University of New Orleans
Grand: A Short Film, Joshua R. Pereira
LSU New Orleans Theses and Dissertations
In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the finished short …
When The Silver Screen Fades To Black : An Analysis Of Black Faces In Film.,
2016
University of Louisville
When The Silver Screen Fades To Black : An Analysis Of Black Faces In Film., Travesheia Rashel Bass
Electronic Theses and Dissertations
The Black Film Industry emerged with the goal of challenging the misrepresented images of African Americans that were promoted in early American Films. The Black Film making process promoted a centrality of stories told from an Afrocentric point of view. This thesis analyzes how Black Film has been defined over the last sixteen years and how it has impacted American society. Films that were made by or in collaboration with African American writers, directors, and producers with a focus on the African American community (its values, cultural aesthetics, and practices) and featuring an all or primarily Black cast were found …
Confessions Of A Media Literacy Scholar-Practitioner: Job Market Advantages, Research Agenda Challenges, And Theory-Driven Production,
2016
University of Tampa
Confessions Of A Media Literacy Scholar-Practitioner: Job Market Advantages, Research Agenda Challenges, And Theory-Driven Production, Christopher Boulton
Journal of Media Literacy Education
This essay explores how higher education’s move away from the liberal arts tradition of learning by thinking and towards more vocational “experiential” approaches has implications for media literacy educators’ career options, scholarly identities, and teaching strategies. Specifically, I consider my own negotiation of increasing administrative and student demands for “hands-on” production courses by confessing both my advantages on the job market and my post-hire challenges in articulating a clear research agenda. I then conclude with a case study of how I repurposed my scholar-practitioner identity and used critical theory to drive production by bringing film students into a cultural studies …
Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis,
2016
Seattle Pacific University
Stealing Revelation: A Screenplay Of The Thief Accompanied By A Religious Analysis, Jean E. Sleight
Honors Projects
Megan Whalen Turner’s The Thief follows the story of a thief who seeks to steal an item for fame and glory and to save his country. Though he initially does not believe in the gods, he finds that they exist and are more involved in his life than he would want them to be. The screenplay is a loyal adaptation of the book. The analysis follows the thief’s journey from skepticism to faith and draws a comparison between the gods in the novel and the Christian God.
Yasuke: The Black Samurai,
2016
Loyola Marymount University
Yasuke: The Black Samurai, Aaron A. Lancaster
LMU Theses and Dissertations
No abstract provided.
Guerrilla,
2016
Loyola Marymount University
Legendary,
2016
Loyola Marymount University
