Film and Media Studies Commons^™

Reassembling Documentary: From Actuality To Virtuality, Emine Selmin Kara

Wayne State University Dissertations

At a period of intense technological change, which has led to an increasing degree of modularity in documentary media, "Reassembling Documentary: From Actuality to Virtuality" takes up episodic documentaries and non-fiction films broken into distinctly conceptualized parts, in order to examine how the evolution of technologies transform documentary film and media's relationship to the audiovisual archive across different historical periods. More specifically, the dissertation challenges the assumption that documentary film is essentially holistic in its discursive orientation and audiovisual aesthetics, by studying the fragmented works of a highly unique and international group of filmmakers, such as Harun Farocki, Werner Herzog, …

Comparative Literature: Theory, Method, Application, Steven Tötösy De Zepetnek

CLCWeb Library

Tötösy de Zepetnek, Steven. Comparative Literature: Theory, Method, Application. Amsterdam: Rodopi, 1998. ISBN 90-420-0534-3 299 pages, bibliography, index. Steven Tötösy de Zepetnek presents a framework of comparative literature based on a contextual (systemic and empirical) approach for the study of culture and literature and applies the framework in audience studies, film and literature, women's literature, translation studies, new media and scholarship in the humanities and in the analyses of English, French, German, Austrian, Hungarian, Romanian, and English-Canadian modern, contemporary, and ethnic minority texts. Copyright release to the author in 2006.

Surrealism Is Not Dead: A Look At Surrealism In Contemporary Mass Communication Via Analysis Of Modern Popular Films, Joi Deanne Chadwick

Communication & Leadership Dissertations and Theses

This study examined three modern films - Toy Story 3, Alice in Wonderland, and Iron Man 2 - to understand the place of Surrealism in contemporary communication. The thesis began with a review of literature regarding Surrealism's revolutionary propensities and its flow into the mainstream. The review's basis was postmodernist philosophy rooted in Roland Barthes's and Umberto Eco's semiotics and Stuart Hall's cultural studies. This underlying philosophy asserted the complexity and mutability of signs and styles, a media role in acceptance and mutation of signs/styles, and endurance of ideas through cultural shifts. Semiotic analysis was crucial methodology in this study …

香港文學的現代主義 : 六、七〇年代歐洲電影與香港文學的關係, Pak Shing Tse

Lingnan Theses

大量的史實證明，香港五、六○年代銳意介紹西方現代主義的文藝雜誌與 副刊跨越了不同的藝術媒介，為香港現代文學奠下了重要的基礎；而這個基礎 有兩個重要的特質：一它是一個連續的累積過程，二它具有跨越媒介的特色。 由《文藝新潮》（1956－1959）以降，到《新思潮》(1959)、《好望角》(1963) 等提倡現代文藝的雜誌，它們所累積的現代主義文化根基及對不同藝術媒介的 包容吸收，到了六○年代的《中國學生周報》仍然秉承這份精神。本文把西方傳入的現代主義思潮看成是一個在香港連續發展的整體。

現代主義雖然是西方思潮，但在香港的特殊背景之中，反而把其消化成香港獨特的文學風格，令香港文學更加本土化；而對於六○年代在香港成長的作者，歐洲電影更是一個吸收現代主義思潮的重要途徑。本文以現代主義及歐洲電影兩條線索在香港交匯的事實構成一個視角，一方面考察香港本土意識的形成，另一方面探討電影與文學在美學及文化上的互動關係。

在這個視角下，六○年代《中國學生周報‧電影版》所討論的歐洲電影成為本文重要的文獻，而本文會抽取當中較有代表性的電影作品，並以之為章節， 看其對香港文學的影響。討論的作品以長篇作品《剪紙》（1977）及《我城》 （1979）為主，旁及《養龍人師門》（2002）、《象是笨蛋》（1969）以至也斯及西西的影評，以及他們回應某些歐洲電影的文學作品。與過往的評論不同， 本文把這兩部作品放在歐洲電影與現代主義文學交錯的脈絡中，重新發掘其背後的影響來源，討論的電影包括阿倫‧雷奈（Alain Resnais，1922－）的《去 年在馬倫巴》(Last Year at Marienbad， 1961)、路易士‧布紐爾（Luis Buñuel， 1900－1983）的《模糊的情慾對象》(That Obscure Object of Desire，1977)、 安東尼奧尼（Michelangelo Antonioni）的《春光乍洩》（Blow-Up，1966)、路 易‧馬盧（Louis Malle，1932－1995）的《莎西遊巴黎》（Zazie dans le m�tro， 1960）等，並旁及這些導演其他電影作品及當時歐洲的電影文化，以至它們背後的文學原著，包括法國情色文學作家皮亞‧盧維（Pierre Louÿs，1870－1925） 的《女人與玩偶》（The Woman and The Puppet，1898）、 南美魔幻寫實作家科塔薩爾（Julio Cotazar，1914－1984）的短編作品、法國新小說作家的電影劇本等，並以也斯和西西早期作品為參照，察看當中受電影文化影響的轉變過程。

Bad Pixels Challenges Of Microbudget Digital Cinema, Alexander Jon Bowser

Electronic Theses and Dissertations

Bad Pixels is a feature-length, microbudget, digital motion picture, produced, written, and directed by Alexander Jon Bowser as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida. The materials contained herein serve as a record of the microbudget filmmaking experience. This thesis documents the challenges confronted by a first-time feature filmmaker; an evaluation of both the theory and application of a dynamic microbudget approach to digital content creation. From script development to digital distribution, the thesis aims to reflect on technical and procedural decisions made and assess …

Sacramento, Marlena Fitzpatrick

Open Access Theses & Dissertations

Inspired by entertaining, opinionated voices with debatable, controversial messages I wrote "Sacramento." EVA RIVERA, a 32 year old Honduran poet is captured and incarcerated by the "Maduros Guerrilla" due to her controversial political activism through a network called "Las Hijas Del Maiz." After being held captive, tortured and raped, she miraculously escapes. She manages to return home, gather her belongings and cross the border, all the way to New York via Canada. FATHER MARTIN RODRIGUEZ, a 35 year old Chilean Catholic Priest has disgraced his faith by keeping a promise he made his brother on his death bed: he will …

Indígenas, Indigenistas E Indigeneidad En El Cine Latinoamericano Reciente: Video Nas Aldeias, Juan Mora Catlett, Claudia Llosa, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Resumen

El ensayo propone un marco crítico transnacional y transmediático, que permite una perspectiva comparatista y transcultural. Esta aproximación crítica se aplica a la reflexión de un breve corpus de películas extraídas de la vasta producción audiovisual asociada con la representación de voces indígenas/indigenistas, en el espacio nacional y continental, en los últimos años. Se propone que esta producción, que se gesta dentro y en asociación con movimientos políticos, sociales y culturales de implicaciones históricas, responden al acontecimiento de la indigeneidad, noción propuesta por Jeff Himpele, antropólogo y documentalista. Las películas que se discuten son: Pïrínop (Mi primer contacto, Brasil, …

National Identity, Gender, And Genre: The Multiple Marginalization Of Lotte Reiniger And The Adventures Of Prince Achmed (1926), K. Vivian Taylor

USF Tampa Graduate Theses and Dissertations

Contemporary American visual culture is saturated with animation, from websites and advertisements to adult and children's television programs. Animated films have dominated the American box office since Toy Story (1995) and show no signs of relenting, as demonstrated by Up (2009) and Alice in Wonderland (2010). Scholarly interest in animation has paralleled the steady rise of the popularity of the medium. Publications addressing animation have migrated from niche journals, such as such as Animation Journal and Wide Angle, to one of the most mainstream English-language publications, the Modern Language Association's Profession, which included Judith Halberstam's article "Animation" in …

Nation, Fantasy, And Mimicry: Elements Of Political Resistance In Postcolonial Indian Cinema, Aparajita Sengupta

University of Kentucky Doctoral Dissertations

In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. This dissertation conducts a study of the cinema from India with a view to examine the extent to which such cinema represents an anti-colonial vision. The political resistance of Indian films to …

Modelos Masculinos Y Violencia En Sanctuary Y Crónica De Una Muerte Anunciada, Cesar Valverde

Scholarship

This essay analyzes how two novels, William Faulkner’s Sanctuary and Gabriel Garcia Marquez’s Chronicle of a Death Foretold, present masculine models that juxtapose power and violence during times of social crisis. Both novels present violent masculinities that overcome peaceful masculinities, in conflicts that result in murders and rapes; but rather than acuse the individuals responsible for the violent acts, the texts point out the social mechanisms that inexorably move the authors of the crimes. In both works we also see violence against women and resulting public deaths of men wrongly accused, which happen due to an inability to adapt to …

Media Effects In Context, Brian O'Neill

Books/Book chapters

The media effects tradition occupies a hugely influential and dominant role within mainstream communications research. It is unquestionably the longest running tradition within the field of audience studies, spanning nearly its entire history, yet it continues to divide opinion, both methodologically and with regard to its fundamental approach towards the study of media audiences.  Its influence extends well beyond the academy, and the powerful influence exerted by its research agenda on public and political understanding of the impact of media is perhaps one of its most significant achievements.

Restauration Und Ambivalenz: Maskulinitaet Im Deutschsprachigen Film Nach 1990 Im Lichte Des Neuen Deutschen Films, Sascha Harris

Articles

Restoration and Ambiguity: The Male in Post-Wall German Film

As the programmatic, if diverse tenets of the Neuer Deutscher Film began to lose their hold on German film-making in the eighties, filmic narratives and cinematography emerged which on the one hand draw on this tradition, especially in seemingly postmodern narratives of subversion, minority and subjectivity, but on the other combine these with conventional, even restorative film language and narrative construction. Reunification has set a development in motion which to a remarkable extent echoes the cultural metanarrative of the post-war period. The role and representation of male characters in a significant …

Review Of Branded To Kill, Michael Adams

Publications and Research

Review of Seijun Suzuki's 1967 crime film.

Review Of Zazie Dans Le Metro, Michael Adams

Publications and Research

Review of Louis Malle's 1960 French New Wave film.

Review Of The Killing, Michael Adams

Publications and Research

Review of Stanley Kubrick's The Killing: http://www.media-party.com/discland/2011/10/the-killing-blu-ray.html

Review Of Last Tango In Paris, Michael Adams

Publications and Research

Review of Bernardo Bertolucci's Last Tango in Paris: http://www.media-party.com/discland/2011/03/last-tango-in-paris-blu-ray.html

Review Of Lolita, Michael Adams

Publications and Research

Review of Stanley Kubrick's Lolita: http://www.media-party.com/discland/2011/06/lolita-1962-blu-ray.html

The Return Of The 1950s Nuclear Family In Films Of The 1980s, Chris Steve Maltezos

USF Tampa Graduate Theses and Dissertations

In the 1980s the cinematic nuclear family flourished again after the self-explorative 1960s and turbulent 1970s. This thesis explores the portrayal of the idealized American family in film between the 1950s and 1980s. The 1955 film Rebel Without a Cause reflects the 1950s cinematic family model. My investigation includes the role of the father figure and the bonds in intergenerational relationships. During the early 1980s, films such Ordinary People and ET: The Extraterrestrial reflect the need to reevaluate the 1950s ideal nuclear family. My examination of these films continues to include the importance of the father figure and bonds between …

_Alien_ Thoughts: Spectatorial Pleasure And Mind Reading In Ridley Scott's Horror Film, Cecilia Madeline Bolich

USF Tampa Graduate Theses and Dissertations

Pleasure experienced in an unpleasant film genre, like horror, has prompted numerous discussions in film studies. Noted scholars like Carol J. Clover and Noël Carroll have rationalized spectatorial enjoyment of a genre that capitalizes on human anxieties and complicates cultural categories. Clover admits that horror initially satisfies sadistic tendencies in young male viewers but then pushes them to cross gender lines and identify with the strong female heroine who defeats the film's threat. Carroll provides a basic explanation, citing spectators' cognitive curiosity as the source of pleasure. Both scholars are right to consider emotional, psychological, and cognitive experiences felt by …

The Hero Soldier: Portrayals Of Soldiers In War Films, Gavin Davie

USF Tampa Graduate Theses and Dissertations

The mythos of the hero has existed within the stories of humanity for as long as we can remember. Within the last hundred years film has become one of the dominant storytelling media of our culture and numerous films, especially war films, about heroes and their inspirational actions have been made. This study focuses on war films and the hero soldiers and their actions portrayed in those films. It uses a narrative analysis of five war films to accomplish this. The findings suggest that the hero soldier has become more human and fallible over time and that heroes are a …