Fabulistic: Examination And Application Of Narratology And Screenplay Craft,
2011
California State University, San Bernardino
Fabulistic: Examination And Application Of Narratology And Screenplay Craft, Nicholas Devan Snead
Theses Digitization Project
This project contains a literature review, a discussion, and an original feature length screenplay. The review of literature examines the various structuralist-inspired theories of narratology and the three-act structure method of screenplay construction.
From American Bandstand To Total Request Live: Teen Culture And Identity On Music Television,
2011
Fordham University
From American Bandstand To Total Request Live: Teen Culture And Identity On Music Television, Kaylyn Toale
American Studies Senior Theses
Because television succeeds or fails based on its ability to attract an audience large enough to entice advertisers, this project will operate under the assumption that popular television conveys some important cultural attributes of both its creators and its audience. American Bandstand and Total Request Live (TRL) each presented the most popular music of the day in ways that drew massive audiences from America’s youth, between 1952-1989 (Bandstand) and 1998-2008 (TRL.) I will treat these and related shows as venues through which to view American youth culture. The music itself adds an exciting component to the project: as music changed, …
Download This: Artist Development And Interconnectivity In The Internet Age,
2011
Fordham University
Download This: Artist Development And Interconnectivity In The Internet Age, Geoffrey Johnson
American Studies Senior Theses
The advent of internet media distribution has profoundly changed the way most people consume music and experience artists. Outlets such as Myspace, YouTube, Twitter, and peer-to-peer downloading networks have made music and artists more accessible than ever before. These changes have come largely at the expense of the traditional music industry model of distribution. My thesis proposes that these new media have radically redefined what it means to be a developing artist. Specifically, these media empower artists with the ability to circumvent music industry oversight while providing them with tools of self-promotion to autonomously construct a fan-base. My thesis will …
So You Think You Know Dance?: Popular Dance And Cultural Identity On Television,
2011
Fordham University
So You Think You Know Dance?: Popular Dance And Cultural Identity On Television, Eleni Koutroumanis
American Studies Senior Theses
Dancing has reached new levels of popularity in America due to its publicity in new television shows over the past seven years. These shows have changed the image and ways of dance world, but more importantly the shows have brought dance into the Public Sphere and allowed the excluded to comment on, and in a way join, the dance world. Furthermore, these shows are bringing forward commentary on subaltern counterparts of two levels. One is dance culture, and those who make dance what it is today, being acknowledged in a greater public. The other refers to subaltern counterparts of a …
Migration And Intercultural Cinema In Ireland: A New Contemporary Movement?,
2011
Technological University Dublin
Migration And Intercultural Cinema In Ireland: A New Contemporary Movement?, Agnes Kakasi
Books/Book chapters
Migration and Intercultural Cinema in Ireland: A New Contemporary Movement?
‘Accented cinema’ (Naficy, 2001) is a transnational cinematic genre shaped by the personal exilic and diasporic experience of the filmmaker, and the thematic and stylistic aesthetics of the film. Much as Third Cinema, it subverts the practices of classical (Hollywood) cinema and auteur (European) cinema by depicting the interstitial positionality of the exiled/diasporic/migrant/ethnic film, filmmaker, and production practice. In places where filmmaking belongs to a quasi-homogeneous privileged circle, representations of the ‘accented’ subject can be highly indicative of national ideologies, power relations, and cross-cultural interactions. This paper will introduce the …
Peak Oil And Transition: The Making Of A Documentary Video,
2011
Department of Communication and Media Studies, Dominican University of California
Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall
Collected Faculty Scholarship
Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles.
One response to these threats is to attempt …
Women & Language: Essays On Gendered Communication Across Media,
2011
Eastern Illinois University
Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames
Faculty Research & Creative Activity
The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.
Women & Language: Essays On Gendered Communication Across Media,
2011
Eastern Illinois University
Women & Language: Essays On Gendered Communication Across Media, Melissa R. Ames
Faculty Research & Creative Activity
The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century. This excerpt features the introduction and one essay from the co-editor.
To Speak Or Not To Speak: The Implications Of Silence In Shakespeare's Hamlet,
2011
California State University, San Bernardino
To Speak Or Not To Speak: The Implications Of Silence In Shakespeare's Hamlet, Margaret Rose Jones
Theses Digitization Project
This thesis explores the function and importance of silence throughout William Shakespeare's play Hamlet. Along with analysis of Shakespeare's text, this thesis also reviews and analyzes three film versions of the play: Laurence Olivier's 1948 production, Kenneth Branagh's 1996 production, and Michael Almereyda's 2000 production. All of these showcase various depictions of silence while working with the same Shakespearian text and plotline. Throughout the text and film analyses this thesis explores three areas in which silence plays an important role: refusal to join a conversation, emotional distress rendering someone silent, and societal limitations placed on the individual. This thesis attempts …
This Is Not A Love Story: A Semiotic Discourse Analysis Of Romantic Comedies,
2011
California State University, San Bernardino
This Is Not A Love Story: A Semiotic Discourse Analysis Of Romantic Comedies, Stephanie Lynn Gomez
Theses Digitization Project
This study is an examination of the ideologies present in the highest-grossing romantic comedy from each year in the past decade. Because romantic comedies feature prominent romantic relationships, repeated exposure to romantic comedies may influence audiences' perceptions of what romantic relationships should be like. People who are exposed to media content depicting romantic relationships may rely on those portrayals when they are either considering beginning a new romantic relationship, or evaluating a current romantic relationship.
An Ethico-Politics Of Subaltern Representations In Post-9/11 Documentary Film,
2011
Pitzer College
An Ethico-Politics Of Subaltern Representations In Post-9/11 Documentary Film, Joseph D. Parker
Pitzer Faculty Publications and Research
The World War Without End (WWWoE), formerly known as the War on Terror,ii is one of those rare occasions when a gendered subaltern population comes to the attention of the nation-state. If the subaltern is understood as something akin to illiterate rural women from the global South, then she now has the full attention of the White House and Downing Street, the US State Department, CNN and Time magazine.iii In official state positions and in media coverage, interest in the subaltern is often expressed in humanitarian attention to the rights or freedoms of these subaltern women in order to justify …
Between Reason And Faith: Breaking The Status Quo In Bram Stoker’S Dracula,
2011
State University of New York, New Paltz
Between Reason And Faith: Breaking The Status Quo In Bram Stoker’S Dracula, Erin Newcomb
Journal of Dracula Studies
No abstract provided.
Mormon Female Gothic: Blood, Birth, And The Twilight Saga,
2011
University of California, San Diego
Mormon Female Gothic: Blood, Birth, And The Twilight Saga, Lisa Lampert-Weissig
Journal of Dracula Studies
No abstract provided.
Vampires Do(N’T) Exist: Using Past And Present Technologies To Make Dracula Real,
2011
Dickinson State University, North Dakota
Vampires Do(N’T) Exist: Using Past And Present Technologies To Make Dracula Real, Holly J. Mcbee
Journal of Dracula Studies
No abstract provided.
Sexing The Book: The Paratexts Of Bram Stoker’S Dracula,
2011
Université de Montréal, Canada
Sexing The Book: The Paratexts Of Bram Stoker’S Dracula, Brigitte Boudreau
Journal of Dracula Studies
No abstract provided.
I Don't Remember Antwerp, But I Do Rome,
2011
University of Rhode Island
I Don't Remember Antwerp, But I Do Rome, Michael C. Vocino
Technical Services Faculty Publications
Brief short story of a fictional gay encounter in Antwerp, Belgium.
Panting In The Dark: The Ambivalence Of Air In Cinema,
2011
CUNY Queens College
Panting In The Dark: The Ambivalence Of Air In Cinema, Kevin L. Ferguson
Publications and Research
No abstract provided.
Sleeping Beauty: The Reality Of Harmful Images Of Women Within The Film Industry,
2011
Whittier College
Sleeping Beauty: The Reality Of Harmful Images Of Women Within The Film Industry, Noretta A. Morales
Whittier Scholars Program
This senior project is composed of three parts: a screenplay, essay, and journal. The purpose of this senior project is to provide a perspective of how women are treated within the film industry and women’s obsession with beauty and sexuality, as well as how the media portrays women. It focuses on the pressures that women deal with in the film industry and the construction of beauty and sexuality concepts. Drawing from articles, journals, books, and interviews, the project attempts to provide the various sides and aspects of how women give in, or not, to the stress of conforming to the …
A Process Archive: The Grand Circularity Of Woman's Building Video,
2011
CUNY Brooklyn College
A Process Archive: The Grand Circularity Of Woman's Building Video, Alexandra Juhasz
Publications and Research
No abstract provided.
Estimating The Effects Of Integrated Film Production On Box-Office Performance: Do Inhouse Effects Influence Studio Moguls?,
2011
Claremont McKenna College
Estimating The Effects Of Integrated Film Production On Box-Office Performance: Do Inhouse Effects Influence Studio Moguls?, Daniel M. Polyakov
CMC Senior Theses
Each year well over one billion movie tickets are sold to an audience who knows very little about what they are getting themselves into. Why is it that despite the uncertainty, people return to the theaters to see what Hollywood has in store for them? In efforts to provide answers regarding the driving forces behind Hollywood’s blockbuster hits, this study takes into account the integration levels of the studios. Specifically, does a movie produced in-house at a large studio have a better chance of being a blockbuster hit than one which is outsourced to an independent production company? Further, I …
