Rationalising Public Service: Scheduling As A Tool Of Management In Rté Television,
2011
Technological University Dublin
Rationalising Public Service: Scheduling As A Tool Of Management In Rté Television, Ann-Marie Murray
Doctoral
Developments in the media industry, notably the increasing commercialisation of broadcasting and deregulation, have combined to create a television system that is now driven primarily by ratings. Public broadcast organisations must adopt novel strategies to survive and compete in this new environment, where they need to combine public service with popularity. In this context, scheduling has emerged as the central management tool, organising production and controlling budgets, and is now the driving force in television. Located within Weber’s theoretical framework of rationalisation, this study analyses the rise of scheduling as part of a wider organisational response to political and economic …
From Here To InFinnerty: Tony Soprano And The American Way,
2011
Butler University
From Here To InFinnerty: Tony Soprano And The American Way, Terri Carney
Scholarship and Professional Work - LAS
As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos challenges the traditional gangster genre formula and brings the mob closer to all of us: Tony and his gang inhabit a recognizable world of Starbucks, suburbia, and SUVs. They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode. In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” …
Lady Libertines, Female Fops, And Lady Julia Fulbank: Aphra Behn's Extraordinary Female Characters.,
2011
Brigham Young University - Provo
Lady Libertines, Female Fops, And Lady Julia Fulbank: Aphra Behn's Extraordinary Female Characters., Sarah Audine Amundsen
Theses and Dissertations
Aphra Behn has, throughout her life and subsequent years, been both demonized as a writer of bawdy and licentious plays and poetry as well as being hailed as the forerunner of female writers. She was a woman writing in a man's world, and not only survived the experience, but was exceptionally successful in her efforts. While so little is known about her background, the numerous plays she has left behind demonstrate a skilled author in many forms, as well as a creative and innovative storyteller. This thesis will examine how Behn used the traditional theatrical forms of the time and …
Cry The Beloved Media: New Media And Student Perceptions In A World Literature Classroom,
2011
Brigham Young University - Provo
Cry The Beloved Media: New Media And Student Perceptions In A World Literature Classroom, Timbre Janiece Newby Greenwood
Theses and Dissertations
This qualitative action research project addressed the infusion of media literacy and new media into a standard secondary English language arts curriculum. In examining students' perceptions of South Africa as they interacted with new media texts in conjunction with the traditional literary text Cry, the Beloved Country, this study also explored the manner in which students' media interactions informed their reading of the novel. As a result of the research data, the author asserts that media literacy education can, in fact, play an effective role in teaching literature within the world literature classroom.
A Country Of Immigration? Situating German Multiculturalism In The New Europe,
2011
University of Denver
A Country Of Immigration? Situating German Multiculturalism In The New Europe, Julia Khrebtan-Hörhager
Electronic Theses and Dissertations
This dissertation addresses a complex cultural and social phenomenon: German multiculturalism in the framework of the European Union in the century of globalization and global migration. I use selected cinematographic works by Fatih Akin, currently the most celebrated German and European filmmaker, as cultural texts. This project illuminates cultural controversies, political complexities, and the discriminatory nature of German multiculturalism. Specifically, I show how and why the German society eagerly accepts and successfully integrates Italian immigrants, yet, culturally marginalizes and socially excludes the Turks. My work illuminates how complex historical and political processes of the past, guided by the principle of …
Beyond This Point Are Monsters,
2011
University of Denver
Beyond This Point Are Monsters, Roxanne M. Carter
Electronic Theses and Dissertations
Beyond This Point Are Monsters is a creative work which establishes a fluid, unstable space between the mediated image and the written word. It addresses issues of repetition and difference in the TV melodrama and the inscribed surface of the house in the Gothic novel, performing the romantic and sensational tropes of the Gothic formula in order to subvert them. The project investigates and inhabits the soap opera Dark Shadows which aired daily on ABC from 1966 to 1971, and examines the manner in which the show defies its own genre conventions. I chose Dark Shadows as the foundational source …
From Where I Am Standing: Indigenous Narrative And Photo Documentary,
2011
California Polytechnic State University, San Luis Obispo
From Where I Am Standing: Indigenous Narrative And Photo Documentary, Nestor R. Veloz Passalacqua
Ethnic Studies
Latin American Indigenous Peoples (LAIP) are a marginalized segment in Latin America. They inhabit a sub-America and are forced to migrate due to socio-political struggle and cultural coercion. LAIP experience a transnational and transborder migration that reflects the quality of cultural hybridity and of regional, ethnic, and cultural crossings. The purpose of this study is to research LAIP ways of reclaiming and reproducing cultural practices that elicit Indigenous awareness, knowledge, and ethnic identification in a transnational setting. The study examines through interviews and photographs transborder experiences and the lives of the participants. As a result, the project reveals that LAIP …
Interview With Brooke Jacobson, 1st Interview (Audio),
2011
Portland State University
Interview With Brooke Jacobson, 1st Interview (Audio), Heather Oriana Petrocelli
Center for the Moving Image Oral Histories
Heather Petrocelli interviewed Brooke Jacobson in her home in Portland, Oregon on her involvement with the Center for the Moving Image.
Brooke Jacobson is a retired PSU professor and the co-founder of the Northwest Film Center.
Revolution In The Digital Age: Egypt's Facebook Revolution And Internet Freedom,
2011
California Polytechnic State University - San Luis Obispo
Revolution In The Digital Age: Egypt's Facebook Revolution And Internet Freedom, Kimberly Anderson
Communication Studies
This senior project looks at Egypt's revolution and the role the Internet and social media played in it. Internet freedom is also discussed.
Kazoku Cinema, Chunhyang And Postmodern Korean Cinema,
2011
University of Georgia
Kazoku Cinema, Chunhyang And Postmodern Korean Cinema, Hyangsoon Yi
Journal of Global Initiatives: Policy, Pedagogy, Perspective
This article examines the salient characteristics of two representative postmodern Korean films from the late 1990s: Park Chulsoo's Kazoku Cinema (1998) and Im Kwon-Taek's Chunhyang (2000). Im and Park are veteran filmmakers who developed their directorial careers in the mainstream commercial film and television industries. In the 1990s, however, they decided to turn from the conventional mode of cinema to a more experimental form of film. These shifts resulted in a series of self-reflexive films. Kazoku Cinema is structured in terms of a film-within-a-film. Park's metacinematic treatment of the movie-making process for a dysfunctional Korean-Japanese family showcases his effort to …
The Femme Fatale And The Exotic Queer Within Shinya Tuskamoto's Tetsuo: Gender As Narrative Tool Within An Allegory For Post Wwii Japan's Industrialized Identity Crisis,
2011
Portland State University
The Femme Fatale And The Exotic Queer Within Shinya Tuskamoto's Tetsuo: Gender As Narrative Tool Within An Allegory For Post Wwii Japan's Industrialized Identity Crisis, Nickolus Walters
Anthós
Within Shinya Tsukamoto’s seminal independent horror masterpiece Tetsuo, the viewer’s perceptions of reality and the present are distorted within a temporally disjointed blend of horrific fantasy and banal existence; this instability reflects the vocal and subconscious critiques of historical ontological truths exhibited within the emergent transnational genres of Japanese cyberpunk and American Avant-pop ideologies of the late 1980’s. Author Takayuki Tatsumi uses Shinya Tsukamoto's Tetsuo to illustrate the emergence of the "Japanoid," a technologically driven fusion of American and Japanese post-war identity best understood as a manifestation of Donna Haraway's socio-political "cyborg." Tatsumi strongly advises avoiding interpretation through a "queer" …
Interview With David Milholland, Part 2 (Audio),
2011
Portland State University
Interview With David Milholland, Part 2 (Audio), Heather Oriana Petrocelli
Center for the Moving Image Oral Histories
Heather Petrocelli interviewed David Milholland at the Northwest Film Center in Portland, Oregon on his involvement with the Center for the Moving Image.
David Milholland is a filmmaker, author, and co-founder of the Oregon Cultural Heritage Commission.
Empowering And Engaging Teen Girls Through Media From The Perspective Of A Practitioner And Producer,
2011
University of Massachusetts Boston
Empowering And Engaging Teen Girls Through Media From The Perspective Of A Practitioner And Producer, Marie Celestin
Critical and Creative Thinking Capstones Collection
Mainstream media plays an important part of our lives. For teens today, often labeled the “digital generation,” media sources affect the way they read, understand, and interpret information and are a critical influence on the way they see themselves. I have been a media critic since I was a teenager, but the Critical and Creative Thinking program allowed me to articulate my vision for a fairer representation of women and girls while tapping in my creative toolbox to produce original and bolder images of real girls through the G.I.R.L.S. (Growing Individuals Reacting to Life's Struggles) Project and GIRL TV—in short, …
Jonathan Laxamana Interview,
2011
DePaul University
Jonathan Laxamana Interview, Kevin Galanto
Asian American Art Oral History Project
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Bio: Jonathan Laxamana is the Program Director for the Chicago Filipino American Film Festival. To learn more about CFAAF visit: www.cfaff.org
Ground Zero: Tourism, Terrorism, And Global Imagination,
2011
Macalester College
Ground Zero: Tourism, Terrorism, And Global Imagination, Maxwell E. Loos
International Studies Honors Projects
At Ground Zero, the transnational phenomena of tourism and terrorism intersect. In this thesis, I introduce the concept of global imagination, and analyze how tourism and terrorism affect this process of global imagination for Americans, arguing that tourism plays an important role in constructing a globe, while terrorism – particularly the 9/11 attacks – works to interrupt imaginative process itself. I then explore how tourism of terrorism at Ground Zero influences global imagination, containing the events of 9/11, allowing for the construction of only a very specific globe in which the U.S. is an innocent, benevolent actor in world history.
(Don't) Stop Playing That Game: A Rhetorical Analysis Of The Video Game Addiction Stereotype,
2011
Western Kentucky University
(Don't) Stop Playing That Game: A Rhetorical Analysis Of The Video Game Addiction Stereotype, Chet Daniel Breaux
Masters Theses & Specialist Projects
The growing popularity of game addiction discourse has necessitated study of how video game critics rhetorically construct addiction. In the following thesis, I analyze contemporary examples of texts that link game addiction to drug abuse. I use Robert Cover’s analysis of how game addiction stereotypes form in conjunction with Aristotle’s rhetorical principles to isolate the persuasive appeals used by authors to rhetorically construct game play as addictive. These addiction arguments, however, are rooted in a larger historical context, and I present examples of game guidebooks and comic books published in the late 1970s and early 1980s to illustrate their rhetorical …
Interview With Tjerk Dusseldorp (Audio),
2011
Portland State University
Interview With Tjerk Dusseldorp (Audio), Heather Oriana Petrocelli
Center for the Moving Image Oral Histories
Heather Petrocelli interviewed Tjerk Dusseldorp in Portland, Oregon on his involvement with the Center for the Moving Image.
Tjerk Dusseldorp is Chairman of the WorldSkills Foundation who, in 2009, received the Order of Australia Medal for services to education and to the community.
Building An Interdisciplinary Production Program,
2011
Film and Screen Studies, Dyson College of Arts and Sciences
Building An Interdisciplinary Production Program, Ruth D. Johnson
Cornerstone 3 Reports : Interdisciplinary Informatics
No abstract provided.
Do Marketing Media Have Life Cycles? The Case Of Product Placement In Movies,
2011
Chapman University
Do Marketing Media Have Life Cycles? The Case Of Product Placement In Movies, Ekaterina Karniouchina, Can Uslay, Grigori Erenburg
Business Faculty Articles and Research
This article examines the economic worth of product placement in movies over a time span of 40 years (1968-2007). The authors find an inverted U-shaped relationship between the year of the movie release and the returns associated with product placements. In addition, a similar inverted U-shaped relationship characterizes the economic worth of tie-in campaigns associated with product placements. These findings are consistent with the habituation tedium theory used to explain the inverted U-shaped pattern in response to novel advertisements and suggest that the same mechanism could be influencing the response to an entire marketing medium. Overall, the results reinforce the …
What We Dreamed To Become,
2011
Syracuse University
What We Dreamed To Become, Caroline Clark Moore
Renée Crown University Honors Thesis Projects - All
For my honors thesis, I created a documentary film about my experience in India this past summer.
What We Dreamed To Become depicts the journey of two people of the same African heritage: Dr. Pashington Obeng, an African Studies Professor at Harvard, and a native of Ghana; and a young Siddi boy named Budhesab Hussein.
The Siddis are an Indian ethnic group descended from African slaves. Pash has worked extensively with the Siddis for more than a decade, and hopes to create self-sufficiency within the group.
The young Budhesab has severe vision problems, and happens to join Pash on a …
