Film and Media Studies Commons^™

There’S No Place Like Home: From Oz To Antichrist, J. Sage Elwell

Journal of Religion & Film

This article explores the dialectic of the uncanny in The Wizard of Oz (Victor Flemming, 1939) and Antichrist (Lars von Trier, 2009), treating the latter as a sequel to the former such that we encounter Dorothy first as a young girl and then as a grown woman. I observe that the uncanny entails a repressive and expressive moment that is cinematically rendered in these two films, and drawing on Freud and Žižek, I argue that in Dorothy’s evolution from Oz to Antichrist we see that the witches and wizards and gods and devils of our own minds are known to …

Scapegoats And Redemption On Shutter Island, Cari Myers

Journal of Religion & Film

The themes of redemptive violence, scapegoating, and ritual in the films of Martin Scorsese have provided much grist for critical scholarship. While it is going too far to claim that Scorsese is intentionally interpreting Girardian themes (which are themselves borrowed from a rich mythological tradition), the comparisons between the theorist and the director are compelling. My goal here is to establish the primary themes of scapegoating, mimesis, the cycle of violence, and feuding identities that occur in both Girard’s works and Scorsese’s films and pull them forward into a more recent work of Scorsese, Shutter Island.

Menstruation As Heroine’S Journey In Pan’S Labyrinth, Richard Lindsay

Journal of Religion & Film

I propose that the Guillermo del Toro film, Pan's Labyrinth (2006) follows the narrative outline of Joseph Campbell's hero's journey as experienced through the biological process of onset of menstruation in its young protagonist. I suggest a reading of the film that takes into account the visual and mythological symbolism of the figure of Pan, as well as the cultural context of menstruation in mythology and religion. I offer interviews from the director that support this interpretation, but ultimately I value a folk interpretation, or a "viewer's hunch" that the strange and fertile symbolism of the film represents a coming-of-age …

The Woodshed, Catherine R. Amond

University of New Orleans Theses and Dissertations

In this paper, I will share in detail the entire process of creating my thesis film, The Woodshed. I will cover each step from writing and pre-visualization to producing, directing, production design, cinematography, editing, and sound. I will mainly focus on the style of directing I employed and the key decisions I made as an editor to best tell my story. I will then evaluate my decisions to determine the success of the project.

Lost In Space No Longer: The Visionary Union Of 'The Wire', Brett Dupré

University of New Orleans Theses and Dissertations

In its serial space, David Simon’s The Wire season two relates the seemingly “disconnected” union men, foreign sex worker women, and African-American drug traders and crosses constructed boundaries of race, gender, sexuality, and geography to evoke the possibility of a transnational working class. The Wire’s serialized narrative trespasses the limitations of money and numbers games and of individual characters to build, scene by scene, what Roderick Ferguson calls in Aberrations in Black: Toward a Queer of Color Critique “the location for new and emergent identifications and social relations” (108).

Blood In The Grass, James Trent Davis

University of New Orleans Theses and Dissertations

This paper thoroughly examines the thesis film, Blood in the Grass. Each area of the film's production is carefully analyzed, including writing, directing, production design, cinematography, editing, sound, and technology and workflow. In addition to these areas, the background and ideology of the filmmaker provides a context for the choices made in production. This overall analysis discusses the effectiveness of the goals set by the filmmaker for the film to be an emotionally effective commentary on capital punishment, and to be conducive to the short film medium.

Lost In The Fire, Nicholas Isom

University of New Orleans Theses and Dissertations

In this paper, I will discuss the production of my thesis film, Lost In The Fire. The main subjects of this paper are Writing, Directing, Production Design, Cinematography, Editing, Sound, and Technology. I will also be talking about the ways the Graduate Film program at UNO prepared me to accomplish this project. In addition, I will share my process and reflect on the failures and successes of making this film.

The Persistence Of Vengeance From Early Modern England To Postmodern New York, Dominic M. Sevieri

University of New Orleans Theses and Dissertations

As a passing glance at the popular texts of any given period reveals, the subject of vengeance is nearly inescapable; on billboards, websites, and year end lists, revenge represents a curious constant even amid disparate media. This study explores the cultural commonalities that align revenge texts of the English Renaissance and exploitation films of late 20th century America. As in-depth inquiry reveals, numerous ideas and narrative tropes popularized during the Early Modern period are pushed to their logical extremes in these films. The central factor that aligns London during the Renaissance and New York at the cusp of the 1990s …

Politique De La Traduction: Le Sous-Titrage De Références Liées À La Culture, Rebecca J. Marion

Scripps Senior Theses

Cette analyse examine la problématique du sous-titrage des références liées à la culture (RLC). On s’intéresse à une question fondamentale : Comment le sous-titrage des RLC oriente-t-il un film vers la culture cible et quelles sont les conséquences possibles de cette orientation? Dans le premier chapitre, je vais faire une étude de l’histoire de la traduction du cinéma. En analysant comment les distributeurs et les exploitants ont abordé la traduction audiovisuelle, je vais exposer l’influence importante des motivations nationalistes sur le développement des processus de traduction. Le deuxième chapitre traite des contraintes posées par le sous-titrage des références liées à …

Women And Video Games: Pigeonholing The Past, Allison Perry

Scripps Senior Theses

Academic work dealing with the overlap between video games and female representation is limited in both volume and proper research. Most texts agree on three supposed flaws with video games: they alienate female participants, there are no games for female players, and female players cannot relate to female characters. This thesis sheds light on these points, not only citing specific counter-examples, but also showing how many of these issues reflect on a larger societal problems.

Protecting The Last Tree: Environmental Education In The United States, 1990-2012, Liza R. Baskir

Pitzer Senior Theses

Having already been hired as an environmental organizer, I reflect on how my childhood experiences impacted me. I embark upon this vocational journey with youthful optimism, a good dose of realism, and just a touch of cynicism. An environmental organizer is someone who works mobilizing individuals around targeted environmental issues. They create policy changes that are environmentally positive… generally for little pay. What has motivated me, and scores of others, to willingly take on this seemingly impossible task? For me: was it the summer vacations to Yellowstone and The Rocky Mountains with my brothers and parents? Maybe it was being …

La Réconciliation De La Tradition Et De La Modernité Dans L’Adaptation Cinématographique Contemporaine Du Conte De Fées En France Et En Allemagne, Mirabelle Korn

Scripps Senior Theses

This thesis examines the adaptation of fairy tales in ten recent French and German films. It looks specifically at narrative structures, representations of magic, portrayals of childhood, and manifestations of good and evil. This thesis asks how and why contemporary French and German filmmakers choose, consciously or not, to update some of the central motifs of fairy tales for a modern audience and what attitudes toward the reconciliation of tradition and modernity those choices express.

The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton

The Kennesaw Journal of Undergraduate Research

This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …

Parallel Session: Effects Of Bollywood Blockbusters On Crime Scene In Pakistani Society, Erum Hafeez Aslam

International Conference on Marketing

This study aims at examining the increasing popularity of Bollywood films in Pakistani market and its dynamic effects on various segments of Pakistani society such as criminals and victims. It primarily analyzes the contribution of Bollywood blockbusters to the demography of violent criminals and silent victims in real crime scene of the country across the four decades (i.e. 1970s, 80s, 90s & 2000s). It is arbitrarily assumed that violence is often projected on silver screen as a quick and easy remedy to social injustice and class discrimination in the blockbusters of Bollywood and Lollywood.

"The Wicked Flee When None Pursueth": A Formalist Critique Of Three Crime Films By Joel And Ethan Coen, Timothy Semenza

Honors Scholar Theses

By analyzing the artistic and technical components of film (e.g. cinematography, writing, acting, etc.), similarities and differences between three crime films by the American directors, Joel and Ethan Coen, are assessed. The films that are analyzed are Fargo, No Country for Old Men, and True Grit. The purpose of this endeavor is to investigate in great detail three critically acclaimed works by some of the most influential filmmakers in America today, and to advocate for a more widespread scholarly appreciation of these directors.

"La Venus Se Fue De Juerga Por Los Barrios Bajos": Nacho López, Mass Culture, And Modernity, Jenifer L. Caneschi

Master's Theses

No abstract provided.

Student Film Festival 2012 Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Student Film Festival 2012

Films by current PC students

Wednesday, May 2nd @ 6pm

Student Film Festival 2012 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Student Film Festival 2012

Films by current PC students

Wednesday, May 2nd @ 6pm

INTRODUCTORY REMARKS, Rev. Kenneth Gumbert, O.P.

COMPETING FILMS:

John Smith ‘13, The Tale of Two Spuds

Nick Widmer ‘12, The Parts of Himself

Kelly Vail ‘14, How to Get a Date

Katherine Gonzalez ‘12, Youth Voices

Dan Laberge ‘12, Impossible Soul

Patrick McGrath ‘12, Brendan Frail: Forever a Friar

Jorge Lucas ‘12, Homonculove

Billy Nawrocki ‘12, One Minute

Rachel Ball ‘12 & Meg Conway ‘12, Tuesday

Alex Cacheco ‘12, Bioterrorism: The Post 9/11 Era

Emily …

'People Want To See What Happened': Treme, Televisual Tourism, And The Racial Remapping Of Post-Katrina New Orleans, Lynnell L. Thomas

American Studies Faculty Publication Series

Occupying the space between cultural reproduction and theatrical production, the HBO series Treme offers an important vantage point from which to analyze the intersection of race, class, culture, and media representation animating New Orleans’s post-Katrina tourist identity. Treme illustrates the tension between the welcome recognition and celebration of New Orleans black expressive culture and its spectacularization and commodification. The resuscitation of tourist tropes and an emphasis on jazz and heritage music in the series often render the city’s history of racial conflict and injustice invisible or subordinate to new narratives of cross-racial unity among Katrina survivors and paternalistic actions by …

A Photographic Journey Along El Camino Real De Los Tejas, Christopher K. Talbot

Faculty Publications

This is a photographic traveling exhibit in conjunction with the National Park Service. The exhibit was made possible through the Challenge Cost Share Program in cooperation with Stephen F. Austin State University. This matching fund program allows the National Park Service and partners to work together to preserve and improve resources on national trails. To view selected images from the project visit El Camino Real de los Tejas National Historic Trail.