Film and Media Studies Commons^™

The Cinematic Power Of Night And Fog, James M. Christie

Cinesthesia

A contemplative camera glides fluidly through a vacant field, one that appears like any other. As it glides, somber images of barbed wire, dilapidated barracks, and rusted railroad tracks beckon the audience to witness the ruins of the Aushwitz-Birkenau concentration camp. “Going slowly along the tracks, seeking what?” asks narrator Michel Bouquet. These questions are more rhetorical than anything, allowing the audience to question their own moral and social obligations to the unfathomable. For the sake of humanity, it is crucial to remember the events of the Holocaust and deny them from happening again. Released only ten years after the …

Animando Al Dibujo: Del Guión A La Pantalla, José García Moreno

Faculty Pub Night

No abstract provided.

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.

The Great Mirror Of Fandom: Reflections Of (And On) Otaku And Fujoshi In Anime And Manga, Clarissa Graffeo

Electronic Theses and Dissertations

The focus of this thesis is to examine representations of otaku and fujoshi (i.e., dedicated fans of pop culture) in Japanese anime and manga from 1991 until the present. I analyze how these fictional images of fans participate in larger mass media and academic discourses about otaku and fujoshi, and how even self-produced reflections of fan identity are defined by the combination of larger normative discourses and market demands. Although many scholars have addressed fan practices and identities through surveys and participant observation, many of these studies work with Western groups of fans whose identities may not be consistent with …

A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith

Faculty Publications

Women have come a long way since the mid-1960's, both in the real world and in the world of philosophy. Given the advances in society and the developments within feminism that took place between that decade and the first decade of the 21st century, we might reasonably expect the new Prisonerseries to present a more contemporary perspective on women than the original. Such is most emphatically not the case. If we compare the original Village to the new one, it looks as if those pennyfarthing wheels are spinning backwards instead of forwards.

Reporting The Irish Famine In America: Images Of "Suffering Ireland" In The American Press, 1845-1848, James M. Farrell

Communication

This chapter is a study of American newspaper reporting on the Great Irish Famine. The study examines six master narratives that constrained the image of Ireland and the Irish people presented to American readers. Those narrative constraints predisposed Americans to respond with hostility when Irish Famine refugees began to arrive in the United States.

Film Review: The Rabbi's Daughter And The Midwife, David B. Levy

Touro University Libraries Publications and Research

The author presents a review of the film The Rabbi's Daughter and the Midwife.

Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

Intertextos y guiños del cine negro de Hitchcock en Queda la noche

En mi comunicación se analiza la incorporación de elementos de dos clásicos del cine negro, Vértigo y Extraños en un tren, de Alfred Hitchcock, en la novela contemporánea Queda la noche, de Soledad Puértolas. Mediante una serie de guiños al lector, la autora pone a su alcance un código reconocible que le permite ascender al plano de la creación del texto. Consigue de este modo, por un lado, la ruptura con la diferencia jerárquica entre lector y escritor, y por otro, la destrucción de la frontera …

Edwin Rousby: Un Misterio Desvelado, Luis Guadaño

World Languages and Cultures Faculty Publications

En este trabajo se aclaran las dudas e incógnitas que hasta ahora han existido sobre la vida y actividad professional de Edwin Rousby (1856-1927) quien llevó a cabo, adelantándose a los hermanos Lumière, las primeras exhibiciones cinematográficas como negocio en España y Portugal.

[This article sheds new light on the unknown professional and personal life of Edwin Rousby (1856-1927), the first to carry out public film exhibitions in Spain and Portugal ahead of the Lumière Brothers.]

Carlos Saura Y La Relativización De La Historia Y La Memoria Antes De La Transición, Luis Guadaño

World Languages and Cultures Faculty Publications

(First paragraph) La idea principal del presente trabajo es la de intentar darle una nueva perspectiva a tres películas de Saura- El jardín de las delicias (1970), La prima Angélica (1973) y Cría cuervos (1975)- que las pondría en relación con el espíritu de la transición y no solamente con la oposición política al regimen de Franco. La crítica ha analizado estas películas principalmente desde una perspectiva que hace referencia al context histórico-político específico de su aparición dentro de la dictadura de Franco. Así, por ejemplo, se han interpretado como los últimos coletazos críticos al Régimen poco antes de su …

Big Questions Travels The World For Answers To Human Need

DePaul Magazine

"Big Questions" is a 13-episode series of stories from around the world that highlights impoverished and stressed communities and those who have come to their aid. The series if based on the question, "What can on person do to change the world?" It was produced cooperatively by four colleges at DePaul--Business, Communication, Liberal Arts and Social Sciences, and Computing and Digital Media, by faculty and students and aired on local PBS stations.

Rod Library Mini Comic-Con, Flier, 2014, University Of Northern Iowa

RodCon Documents

Saturday, March 29, 2014 - 12:00pm to 4:00pm

Flier used in promotion of the event.

Unveiling The Monster: Memory And Film In Post-Dictatorial Spain, Juan Pablo Pacheco Bejarano

Self-Designed Majors Honors Papers

In 2007, the Spanish congress approved the Law of Historical Memory, recognizing a collective desire to exorcize the ghosts and monsters from its abject and repressed traumatic past. Spanish contemporary identities are still heavily impacted by the traumatic Civil War (1939) and the nearly forty-year long dictatorship (1939-1975) that marked most of its twentieth century’s history. This research focuses on a close reading of three films located within the aesthetic tradition of the Grotesque and the Gothic, and situated within the aftermath of the Civil War: El Espíritu de la Colmena (The Spirit of the Beehive) (1973) by Victor Erice, …

Children In The Films Of Alfred Hitchcock, Debbie Olson, Jason Mcentee

English Faculty Books

Jason McEntee is a contributing author, "'The Future’s Not Ours to See’: How Children and Young Adults Reflect the Anxiety of Lost Innocence in Alfred Hitchcock’s American Movies.”, pp.31-46.

Children and youth perform both innocence and knowingness within Hitchcock's complex cinematic texts. Though the child often plays a small part, their significance - symbolically, theoretically, and philosophically - offers a unique opportunity to illuminate and interrogate the child presence within the cinematic complexity of Hitchcock's films.

"You'll Have To Take It: Urban Vigilantism And American Film, 1967-1985", Joseph E. Roskos

Masters Theses

My thesis shows how vigilantism as expressed through the politics of race interacted from the late 1960s until the mid-1980s, serving to support a culture of backlash that drew from the public’s mistrust of government institutions and authorities, and its reactions to crime, class conflict, and racial tensions. Vigilante films served as the battleground where class conflicts were played out; violent backlash was realized; historical wars were refought; cultures and principles clashed; and people cleansed their communities of crime and illegal drug-use. The culture of backlash as portrayed in vigilante films as well as historical events showed how their relationship …

Effingham Performance Center: Art At The Crossroads, Keith Sutterfield

Undergraduate Honors Theses

No abstract provided.

The Hopeless Dream Of Being: An Exploration Of The Female Gaze In Bergman’S Persona, Benton Meadows

The Corinthian

In its extensive play with character and form, Bergman’s Persona becomes as difficult to analyze as an actual patient. Susan Sontag talks about how the viewer can only move toward but never achieve certainty about the action. Simply, it is about two women whose conflicting desires lead them to spend a cathartic summer at a seaside cottage. Critic John Simon describes the movie as a meditation on the numbers 1 and 2: it is about one splitting in two and two becoming one. The film is constantly attempting to balance, or at least justify, the existence of the disparities and …

‘The Future’S Not Ours To See’: How Children And Young Adults Reflect The Anxiety Of Lost Innocence In Alfred Hitchcock’S American Movies., Jason Mcentee

English Faculty Publications

Introduction:

In The Man Who Knew Too Much (1956), the Ambassador, while plotting to kill the Prime Minister, orders the kidnapped American child Hank McKenna killed, telling his would-be gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s kidnapping.
The movie unfolds as a cat-and-mouse game in which the McKennas desperately try to locate and save their kidnapped son, …

The Pit Bull's Discourse: An Examination Of Discursive Construction, Karen Jennings

Bridges: A Journal of Student Research

Since the early 1980s, news reporters have used the pit bull as a scapegoat to get media attention by plastering the frightening image of a snarling, bloody dog across all news outlets. Over the years, the pit bull's image has suffered major blows to its already battered reputation with every new "dog attack" news story published. Each reporter's word choice, in both past and present news stories, has an effect on the reader's perception of the topic. By analyzing several unrelated stories about pit bulls, both good and bad, I reveal how word choice alone shapes a reader's perception while …

From Dracula To Twilight: The Threat Of The Romantic Vampire, Alexis Cantanzarite

Journal of Dracula Studies

No abstract provided.