Film and Media Studies Commons^™

Narratives Of Violence: The White Imagination And The Making Of Black Masculinity In “City Of God”, Jaime Alves

Publications and Research

The article explores the representation of young-black men in the 2002 film City of God. The film deploys “pathological scripts” of Black masculinity in Brazil as criminal and deviant. The controlling image of Black men’s bodies as a source of danger and impurity sustains Brazilian regime of racial domination, and the narratives of violence make explicit the ways in which the Brazilian nation is imagined though a racial underpinning. Blackness is consumed as an exotic commodity, yet is also understood as a threat to national harmony. The nation is, then, written and re-imagined as a racial paradise, but mostly by …

Rover, William L. Blizek

Journal of Religion & Film

This is a film review of Rover (or Beyond Human: The Venusian Future and the Return of the Next Level) (2013), directed by Tony Blahd.

Pink & Baby Blue, William L. Blizek

Journal of Religion & Film

This is a film review of Pink & Baby Blue (2013), directed by Catrin Hedström.

Unruly Girls, Unrepentant Mothers: Redefining Feminism On Screen By Kathleen Rowe Karlyn; African American Actresses: The Struggle For Visibility, 1900-1960 By Charlene Regester; Unsettling Sights: The Fourth World On Film By Corinn Columpar: A Review By Mantra Roy, Mantra Roy

Faculty and Staff Publications

No abstract provided.

Pratfalls, Seduction And The Farce Of Marriage: How The Screwball Comedy Redefined American Preconceptions Of Traditional Feminine Morality, Fletcher Parrott Thornton Iv

History

No abstract provided.

Working Women: Contemporary Cinematic Costumes In "Desk Set" And "Working Girl", Karen Hummel Kinsley

Dissertations, Theses, and Capstone Projects

The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.

The focus of this thesis is to examine how the contemporary cinematic costume designer unifies contemporary clothing with the actor's body to narrate a cinematic character's story. In order to understand how the costume designer creates a …

"The Last Of The Great Bohemians": Film Poetry, Myth, And Sexuality In Greenwich Village And The Atlantic, 1930-1975, Thomas Winfield Hafer

Dissertations, Theses, and Capstone Projects

In Greenwich Village, a final generation of bohemians contested the rise and trajectory of gay liberation. During the 1930s, this generation blended modernist poetry and sexuality to develop a new manifestation of bohemia. In the postwar period, they transformed modern poetry into the new artistic medium of film that was critical to shaping postwar American art and culture. This wave of bohemia was built on certain modernist principles, including a universalist understanding of sexuality and identity that was different from, and incompatible with, the growth of identity politics in the 1960s. This dissertation argues that this was a last gasp …

Postmodern Funhouse: The Sly Underpinnings Of Hitchcock’S Psycho, Jacob T. Bart

Cinesthesia

Although his filmography is studded with gems, no other Hitchcock film has lodged itself in the popular consciousness as firmly as Psycho. It provides chills as a ripped-from-the-headlines slasher flick, but the macabre surfaces conceal its deeper, mordant cultural resonances. In Psycho, many of Hitchcock’s major tactics fall under the umbrella of postmodernism. These methods include, but are not limited to, Hitch’s specific focus on developing a playful mood, his exploration of levels of audience participation within the confines of a film, and his preoccupation with surfaces. Although made within the confines of the last vestiges of the classic Hollywood …

The Cinematic Power Of Night And Fog, James M. Christie

Cinesthesia

A contemplative camera glides fluidly through a vacant field, one that appears like any other. As it glides, somber images of barbed wire, dilapidated barracks, and rusted railroad tracks beckon the audience to witness the ruins of the Aushwitz-Birkenau concentration camp. “Going slowly along the tracks, seeking what?” asks narrator Michel Bouquet. These questions are more rhetorical than anything, allowing the audience to question their own moral and social obligations to the unfathomable. For the sake of humanity, it is crucial to remember the events of the Holocaust and deny them from happening again. Released only ten years after the …

The Realism Of Space In Black Swan, Raquel Bordin

Cinesthesia

The camera pans from the shattered pieces of a mirror to blood pouring from under the bathroom door. The sight of blood comes as no surprise to the audience, who has just witnessed Nina murder Lily in that very dressing room. It is later revealed that there is no blood and that the murder never occurred. Yet, the audience believes these scenes from Black Swan (Aronofsky, 2010) to be real because director Darren Aronofsky effectively evokes the story's illusions out of reality itself. An analytical study of Andre Bazin's realist theory demonstrates how Aronofsky is able to consciously manipulate mise-en-scene, …

Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum

Cinesthesia

No abstract provided.

Animando Al Dibujo: Del Guión A La Pantalla, José García Moreno

Faculty Pub Night

No abstract provided.

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.

The Great Mirror Of Fandom: Reflections Of (And On) Otaku And Fujoshi In Anime And Manga, Clarissa Graffeo

Electronic Theses and Dissertations

The focus of this thesis is to examine representations of otaku and fujoshi (i.e., dedicated fans of pop culture) in Japanese anime and manga from 1991 until the present. I analyze how these fictional images of fans participate in larger mass media and academic discourses about otaku and fujoshi, and how even self-produced reflections of fan identity are defined by the combination of larger normative discourses and market demands. Although many scholars have addressed fan practices and identities through surveys and participant observation, many of these studies work with Western groups of fans whose identities may not be consistent with …

A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith

Faculty Publications

Women have come a long way since the mid-1960's, both in the real world and in the world of philosophy. Given the advances in society and the developments within feminism that took place between that decade and the first decade of the 21st century, we might reasonably expect the new Prisonerseries to present a more contemporary perspective on women than the original. Such is most emphatically not the case. If we compare the original Village to the new one, it looks as if those pennyfarthing wheels are spinning backwards instead of forwards.

Reporting The Irish Famine In America: Images Of "Suffering Ireland" In The American Press, 1845-1848, James M. Farrell

Communication

This chapter is a study of American newspaper reporting on the Great Irish Famine. The study examines six master narratives that constrained the image of Ireland and the Irish people presented to American readers. Those narrative constraints predisposed Americans to respond with hostility when Irish Famine refugees began to arrive in the United States.

Film Review: The Rabbi's Daughter And The Midwife, David B. Levy

Touro University Libraries Publications and Research

The author presents a review of the film The Rabbi's Daughter and the Midwife.

Intertextos Y Guiños Del Cine Negro De Hitchcock En Queda La Noche De Soledad Puértolas, Paloma Pérez Valdés

Books/Book Chapters

Intertextos y guiños del cine negro de Hitchcock en Queda la noche

En mi comunicación se analiza la incorporación de elementos de dos clásicos del cine negro, Vértigo y Extraños en un tren, de Alfred Hitchcock, en la novela contemporánea Queda la noche, de Soledad Puértolas. Mediante una serie de guiños al lector, la autora pone a su alcance un código reconocible que le permite ascender al plano de la creación del texto. Consigue de este modo, por un lado, la ruptura con la diferencia jerárquica entre lector y escritor, y por otro, la destrucción de la frontera …

Edwin Rousby: Un Misterio Desvelado, Luis Guadaño

World Languages and Cultures Faculty Publications

En este trabajo se aclaran las dudas e incógnitas que hasta ahora han existido sobre la vida y actividad professional de Edwin Rousby (1856-1927) quien llevó a cabo, adelantándose a los hermanos Lumière, las primeras exhibiciones cinematográficas como negocio en España y Portugal.

[This article sheds new light on the unknown professional and personal life of Edwin Rousby (1856-1927), the first to carry out public film exhibitions in Spain and Portugal ahead of the Lumière Brothers.]

Carlos Saura Y La Relativización De La Historia Y La Memoria Antes De La Transición, Luis Guadaño

World Languages and Cultures Faculty Publications

(First paragraph) La idea principal del presente trabajo es la de intentar darle una nueva perspectiva a tres películas de Saura- El jardín de las delicias (1970), La prima Angélica (1973) y Cría cuervos (1975)- que las pondría en relación con el espíritu de la transición y no solamente con la oposición política al regimen de Franco. La crítica ha analizado estas películas principalmente desde una perspectiva que hace referencia al context histórico-político específico de su aparición dentro de la dictadura de Franco. Así, por ejemplo, se han interpretado como los últimos coletazos críticos al Régimen poco antes de su …