Developments In Television Viewership,
2016
CUNY Graduate Center
Developments In Television Viewership, Lucile E. Hecht
Dissertations, Theses, and Capstone Projects
In recent years the ways in which we watch television has changed, and so has the television we watch. “Binge watching,” almost the Oxford English Dictionary’s Word of the Year in 2013, has taken a firm hold on the American television audience who now watches television not according to the broadcast schedule but on its own terms. So, too, has the practice of engaging with other audience members, be they friends, family, or strangers, while watching a show by using a secondary device – a “second screen.” These practices have been developing for some time, and as technology adapts to …
Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art,
2016
CUNY Graduate Center
Shadows And Light. Ernie Gehr Exhibitions At The Museum Of Modern Art, Sean M. Fuller
Dissertations, Theses, and Capstone Projects
This thesis examines exhibitions and media installations of Ernie Gehr’s work at The Museum of Modern Art (MoMA), beginning with the pivotal 1970 show Information, which presented four films by Gehr. Wait (1968), Transparency (1969), Reverberation (1969), and History (1970) were screened alongside work by other avant-garde filmmakers and video artists in a circular viewing booth in the gallery space, in a show featuring works now considered masterpieces of conceptual art. It also considers the two site-specific video works, MoMA on Wheels (2002) and Navigation (2002), which Gehr created for the lobby space at MoMA QNS, …
關於雨傘 : 創作、情感、記憶,
2016
Lingnan University
關於雨傘 : 創作、情感、記憶, Suk Mun, Sophia Law
Research Expression through Art : Visual Studies Faculty
這是一本關於雨傘運動、藝術創作與情感記憶的書。
The Moving Image In Public Art: U.S. And U.K., 1980–Present,
2016
CUNY Graduate Center
The Moving Image In Public Art: U.S. And U.K., 1980–Present, Annie Dell'aria
Dissertations, Theses, and Capstone Projects
This dissertation examines the work of artists who use moving images in contemporary public art. Specifically, these works are understood through their interactions with spectators and the practices of media consumption and public interaction these passersby negotiate when they encounter a work of moving image-based public art. To this end, I argue, through an analysis of public art, that screen spectatorship is an inherently situated experience.
The project of this dissertation is two-fold. First, I outline a typology of moving image-based public art by dividing significant practices into three categories—the enchanting spectacle, the ludic interface, and the illumination of place. …
Fiction As Reality: Chinese Youths Watching American Television,
2016
Singapore Management University
Fiction As Reality: Chinese Youths Watching American Television, Yang Gao
Research Collection School of Social Sciences
American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to their viewing pleasure, has two sources: American programming’s textual quality and the Chinese context in which it is consumed. First, US television appeals to Chinese youths because they perceive its topical content and complex characterization as true to life. This perception can be explained by the higher transnational cultural capital of these youths, which renders US programming …
Streamlining The 3d Animation Process,
2016
Brigham Young University
Streamlining The 3d Animation Process, Dylan Hoffman, Kelly Loosli
Journal of Undergraduate Research
I knew from the beginning that this project – centered around improving the collaborative process of making a 3D animated film across several “stages” and made by several artists of different specialties, temperaments, and backgrounds – would be two-fold. The first phase was learning more about the process itself, and how each phase related to another. The second, zoning in on an area that has been a weakness for BYU Animated Films in the past – character effects and cloth simulation. The project evolved much over the course of the year, with far more time and value being placed in …
Learning To Speak The Language Of Influence,
2016
Dordt College
Learning To Speak The Language Of Influence, Mark Volkers
Faculty Work Comprehensive List
"There’s nothing wrong with media that entertains and delights. We need that. But prophetic media takes it a step further and dares ask an audience hard questions and helps us wonder about the state of things on earth today."
Posting about the new literacy of image from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.
http://inallthings.org/learning-to-speak-the-language-of-influence/
Dehexing Postwar West Balkan Masculinities: The Case Of Bosnia, Croatia, And Serbia, 1998 To 2015,
2016
Western Kentucky University
Dehexing Postwar West Balkan Masculinities: The Case Of Bosnia, Croatia, And Serbia, 1998 To 2015, Marko Dumančić
History Faculty Publications
Focusing on Bosnia, Croatia, and Serbia, this article examines film and music that emerged in the region since the end of the Yugoslav Wars of Succession. We analyze how the uncertainties of the postwar era facilitated a dynamic field of cultural contestation in which the music and film industries simultaneously challenge and affirm normative masculine sociocultural roles. Although traditional norms have not lost their primacy in public life, we emphasize the fact that attitudes toward masculinity have, in general, become increasingly ambiguous and multivalent. While local sociological studies accurately observe that violence and intolerance constitute central traits for the majority …
Films And Religion: An Analysis Of Aamir Khan’S Pk,
2016
Islamic University of Science and Technology, Jammu and Kashmir, India
Films And Religion: An Analysis Of Aamir Khan’S Pk, Monisa Qadri, Sabeha Mufti
Journal of Religion & Film
Every year, the Indian film industry produces the highest number of films in the world and also figures at the top position for ticket sales, but that does not make the society completely tolerant of how different issues are represented in films. That is a question which PK (2014), the biggest Bollywood grosser of all times, raised. This satirical comedy is based on challenging the superstitions labelled as religious practices in Indian society. India, being home to multiple religions and a diverse cultural fabric, supports many layers of understanding about faith, religion, rituals, and beliefs, which form a sensitive issue. …
The Qur’Anic Epic In Iranian Cinema,
2016
University of Edinburgh
The Qur’Anic Epic In Iranian Cinema, Nacim Pak-Shiraz
Journal of Religion & Film
The representation of religious figures in Islam has become particularly controversial in recent years. The creation of religious films has, therefore, turned into a highly sensitive undertaking. Iranian cinema is one of the very few in the Muslim world to have employed this new medium in imagining and narrating stories of revered religious figures. In this article I examine the complex socio-political context of Iran to study the relatively late emergence of the epic genre in Iranian cinema. I then study the recent creation and development of ‘Qur’anic Films’ within Iranian cinema with specific reference to Kingdom of Solomon ( …
Authenticity – An Important Property For Artistic Documents?,
2016
UiT – The Arctic University of Norway
Authenticity – An Important Property For Artistic Documents?, Roswitha Skare
Proceedings from the Document Academy
The notion of authenticity seems to have grown more and more important for artistic documents during the last decades. Critics are using the term as a kind of distinction; an authentic novel or film is a good novel or film. Authenticity in these cases does not mean questioning the novel or film as an original work of art; rather, what is meant by authenticity is the relationship between reality and the content of a novel or film, assuming possible mimesis in terms of a mirror-like relationship. The highly acclaimed and award-winning film Das Leben der Anderen (The lives of …
Using Heider’S Epistemology Of Thing And Medium For Unpacking The Conception Of Documents: Gantt Charts And Boundary Objects,
2016
The University of Sydney Business School
Using Heider’S Epistemology Of Thing And Medium For Unpacking The Conception Of Documents: Gantt Charts And Boundary Objects, Sebastian K. Boell, Florian Hoof
Proceedings from the Document Academy
Documents play a central role for many organizational processes. Current conceptualizations of documents predominantly engage with documents in two different ways. One sees documents as things with specific properties, and a second sees documents as medium enabling communication across different groups of actors. What is currently not well understood is how documents are perceived either as thing or as medium. This chapter engages with this issue by drawing from Fritz Heider’s epistemology of thing and medium, a concept stemming from social and media theory. According to Heider things are uniform and medium are multiform. Applying this concept to documents we …
Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera,
2016
Cleveland State University
Graverobber, Individualized Chorus: The Greek Chorus Reinterpreted In Repo! The Genetic Opera, Grace Markulin
The Downtown Review: An Interdisciplinary Journal Written and Peer-Reviewed by Mandel Honors College Students at Cleveland State University
The rock opera film Repo! The Genetic Opera (2008) provides its audience with details regarding the film’s setting and perspectives on the morality of the film’s plot through the character Graverobber, whose sung dialogue expresses this information. Graverobber’s penchant for scene-setting and moralizing within the film classifies the character as a Greek chorus according to the parameters of the Greek chorus in antiquity and modern interpretations of the chorus in twentieth-century musical theater, but the character’s visual distinctiveness, preexisting relationship with an established character, and prominent use of solo vocal lines throughout his sung dialogue demonstrates a degree of individuation …
Identity, Community, And Nikki S. Lee,
2016
Coastal Carolina University
Identity, Community, And Nikki S. Lee, Haley Yarborough
Bridges: A Journal of Student Research
This research sheds light on the complex artistry of Korean-born photographer Nikki S. Lee. Although Lee's work initially appears straightforward and casual, this essay explores how photographs in "The Hip Hop Project" and "The Tourist Project" actually reinforce and critique specific cultural stereotypes. In performing different ethnic and cultural identities for her photographs, Lee also investigates what it means to one's own identity to be labeled part of a specific community.
Audio Documentary Script: What's The Magic Word?,
2016
American University in Cairo
Audio Documentary Script: What's The Magic Word?, Yasmine Bassily
Papers, Posters, and Presentations
This script has all the interviews and narration transcribed, and timed. Additionally, the script offers an overview of the main objective of the documentary. This script should help the audience in finding the piece of information they are looking for easily. The first interview is with Ramy Emad, followed by Maya, and Sameh Bassily.
Script: An Attitude Makeover Towards Unconventional Dance In Egypt,
2016
American University in Cairo
Script: An Attitude Makeover Towards Unconventional Dance In Egypt, Sarah Guirguis
Papers, Posters, and Presentations
The purpose of this audio documentary is to put a microscope on the general Egyptian attitude towards unfamiliar art, specifically the types of dance that people are not used to watching on stage. Tune in to see the development of this attitude over time from the perspective of members of an old hip-hop dance crew formed in 2003 and the current hip-hop instructor at the American University in Cairo.
Double Edge Sword: The Story Of Armenians,
2016
American University in Cairo
Double Edge Sword: The Story Of Armenians, Miriam Mikhail
Papers, Posters, and Presentations
This documentary reveals the truth about the Armenians in 1915 and the Armenian Diaspora- more specifically in Egypt. After over hundred years of massacres and displacement, how they have become an integral part of the Egyptian society? Thousands of Armenians came and settled down in Egypt as new home and Egypt truly became their second or rather their substitute home. Since then Armenian community played a critical role in building that cosmopolitan nation we are speaking about its glory now. In 19th century, the Egyptian Armenian community began to participate effectively in building the Modern Egypt we know now. After …
Audio Documentary Script: Heroes Behind The Scenes.,
2016
American University in Cairo
Audio Documentary Script: Heroes Behind The Scenes., Farah Hany Tawfeek
Papers, Posters, and Presentations
Audio Documentary: Heros Behind the Scenes This Audio Documentary tells the story of two physically disabled people who made it in life: Magdy Shahir who became a motivational speaker and Amr Osama who, after a horseback riding accident became a ping pong player. It also focuses within their stories on the people who supported them through their journey: for Magdy this was his mom Christina Smith as for Amr this was his coach Mohamad Sakr. Special Thanks to the interviewees: Christina Smith, Magdy Sahir, Mohamad Sakr and Amr Osama. This Documentary tells the story of the struggles of disabled people …
Drugs In Egypt: Between Culture And Crime Audio Documentary Script,
2016
American University in Cairo
Drugs In Egypt: Between Culture And Crime Audio Documentary Script, Alaa El Dirini
Papers, Posters, and Presentations
Final audio documentary script This is the script of the final audio documentary produced for the JRMC 4460 Audio Production fall 2016 course.
A Patchwork Family: The Struggle For Survival In Pölsler’S Austrian Movie Die Wand,
2016
South Dakota State University
A Patchwork Family: The Struggle For Survival In Pölsler’S Austrian Movie Die Wand, Eckhard Rolz
School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies
The movie Die Wand (2013) was hugely successful in the German-speaking world and once dubbed, also in other countries. It is often described as a film depicting a woman living in utter isolation cut off from any social contact. I, however, argue that the protagonist, though she is without any human contact, creates a family-like order with the animals that have flocked to her. She is the dominant mother figure who takes care of her “children” and defends them when needed.
