Film and Media Studies Commons^™

The Production Of Ek Tha Tiger: A Marriage Of Convenience Between Bollywood And The Irish Film And Tourist Industries, Giovanna Rampazzo

Articles

This article examines a collaboration between the Irish and Hindi film industries, adopting the production of Kabir Khan’s Ek Tha Tiger (2012) in Dublin as a case study. It critically narrates the arc of the film’s production, foregrounding the intersecting concerns of Yash Raj Films and Irish creative and cultural institutions. Ek Tha Tiger represents Ireland through constructed idyllic images which proved to be successful in attracting tourists. Tracing the links between the production of the film and the promotion of tourism to Ireland, this article explains how the film was used to construct a ‘tourist gaze’ for audiences in …

Rodcon, Slides, 2016, University Of Northern Iowa

RodCon Documents

RodCon Program Schedule of Events

Kawergosk: Home Made Of Cloth, Saddam Al-Zubaidi, Elizabeth Wuerffel, Sarhang Sherwany

Art Faculty Publications

After fleeing war in Syria and crossing the border into Kurdistan Region, Iraq, Syrian Kurds attempt to build a life in Kawergosk Refugee Camp. Music, food, and education provide families some comfort and meaning while they struggle with camp conditions and the persistence of waiting. Kawergosk: Home Made of Cloth gives entrance to the struggles facing many of the 250,000 Syrian refugees in the Kurdish Region of Iraq. Poignant refugee stories and depiction of camp life illustrate both the specific history of Syrian Kurds and common needs of refugees. From a rap artist creating songs of resistance to a young …

An_Invisible_Man_In_American_Society.Pdf, Miguel Juarez

Selected Works Temporary Series

Interview with experimental filmmaker Willie Varela. Willie Varela was born in 1950 in El Paso, TX, where he currently lives and works. He earned a MA in Interdisciplinary Studies in 1996 from The University of Texas at El Paso. He was a past Assistant Professor in the Department of Theatre Arts and Film. His solo exhibitions include a mid-career retrospective at the Whitney Museum of American Art, New York, NY (1994) and Crossing Over which originated as a collaborative project between the El Paso Museum of Art, TX and the College of Liberal Arts at The University of Texas at …

Techno-Apocalypse: Technology, Religion, And Ideology In Bryan Singer’S H+, Edward Brennan

Books/Book chapters

This essay critically analyses the digital series H+. In the near future, adults who can afford them, have replaced tablets and cell phones with nanotechnology implants. The H+ implant acts as a medical diagnostic and can overlay the user's senses with a computer interface. The apocalypse comes in the form of a computer virus which infects the H+ network and instantly kills one third of humanity. The series represents the anxiety and religiosity that surrounds the possible social consequences of digital technology. It also explores the tensions and intersections between technology and faith. This essay makes the case, however, that …

Rodcon, Program, 2016, University Of Northern Iowa

RodCon Documents

Inside This Program:

--RodCon 2016 at the Rod Library, Saturday April 2, 10 a.m. - 4 p.m.
--Welcome to RodCon
--Locations
--Schedule
--What's That? Event Descriptions
--Autographs

Blackfish-Ing For Buzz: The Rhetoric Of The Real In Theme Parks And Documentary, Steven W. Schoen

Faculty Publications

In 2014, a year of record tourism in the state of Florida, SeaWorld saw a drop of one million visitors to its theme park in Orlando. The decline followed Gabriela Cowperthwaite’s 2013 documentary film Blackfish, which presented the circumstances of orcas, or “killer whales,” held in captivity at parks like SeaWorld as cruel to the animals and dangerous to their trainers. In 2016, SeaWorld announced it will stop breeding orcas, and phase out its orca theatrical shows by 2019, a move widely attributed in the press to the impact of Cowperthwaite’s film. This article examines the film Blackfish as a …

Illusory Perspectives: Edward Weston, Jeremy Razook

Bridges: A Journal of Student Research

Photographer Edward Weston was famously able to capture unexpected beauty—no matter if his subject was fruit or human. This essay locates Weston's artistic vision within the modernist movement of the first half of the twentieth century and uses two well-known images to illustrate Weston's unique talent for transcending the boundaries between human and nonhuman, animate and inanimate, being and nonbeing in his desire to encourage the experience of introspection and contemplation in viewers.

How To Save...A Nation? Televisual Fiction Post-9/11, Melissa R. Ames

Faculty Research & Creative Activity

To claim that the national tragedy of 9/11 is a defining moment in thefirst decade of the tV1renty-first century for the United States is not profound,nor is the statement that it directly and indirectly influenced thecultural production within American society throughout these years.Regardless of the obviousness of these claims, it is exactly upon theseassumptions that this chapter rests. In the years following the attackson the World Trade Center and Pentagon, cultural products have beensites for interrogating and remediating the trauma that 9 /11 causedfor the citizens of a country that believed itself to be untouchable.Although these cultural concerns were played …

Negotiating Gender And Sexaulity In Contemporary Turkey, Jaspal Kaur Singh 2508334, Mary Lou O'Neil

Books

Turkey is often visualized as a modern nation-state having a perfect balance of Eastern and Western cultural mores and traditions within dominant ideological constructions and representations, but on closer inspection, one can detect conflicts and contradictions within various texts - particularly in regards to depictions of gender and sexual identity. Upon its foundation as a nation, Turkey embarked on a state-centered, elite-driven path toward modernization and Westernization while also seeking to produce a monolithic culture. At the time, it was widely believed that Turkey could not rank among modern, Western countries without the emancipation of women. As a result of …

Pathos, Winter 2016, Portland State University. Student Publications Board

Pathos

Editor: Philip King

Volume 10 No. 2

Ragged Football, Mirna Vohnsen

Books/Book chapters

No abstract provided.

Heroes For The Helpless: A Critical Discourse Analysis Of Canadian National Print Media’S Coverage Of The Food Insecurity Crisis In Nunavut, Bradley Hiebert, Elaine Power

FIMS Publications

In northern Canada, the Inuit’s transition from a culturally traditional to a Western diet has been accompanied by chronic poverty and provoked high levels of food insecurity, resulting in numerous negative health outcomes. This study examines national coverage of Nunavut food insecurity as presented in two of Canada’s most widely read newspapers: The Globe and Mail (GM) and the National Post (NP). A critical discourse analysis (CDA) was employed to analyze 24 articles, 19 from GM and 5 from NP. Analysis suggests national print media propagates the Inuit’s position as The Other by selectively reporting on social issues such as …

Epic And Genre: Beyond The Boundaries Of Media, Luke Arnott

FIMS Publications

Noting the resurgence of popular and academic interest in epics across disparate media, this essay proposes a theory of the epic genre that transcends particular media and cultures. It seeks to reconcile discussions of the epic in Aristotle, G.W.F. Hegel, Georg Lukács, Mikhail Bakhtin, Erich Auerbach, and Northrop Frye, arguing that traditional definitions of epic narrative are instead subsets of a greater generic structure. The epic is, following Gregory Nagy and Franco Moretti, among others, a literary “super-genre” that encompasses as many other kinds of narrative as possible. The essay explains how epic narrative, disembedded from earlier oral poetry, is …

Display-Through-Foregrounding By Photojournalists As Self-Reflexivity In Photojournalism: Two Case Studies Of Accidental Peace Photojournalism, Saumava Mitra

FIMS Publications

This article explores media self-reflexivity as understood within Peace Journalism (PJ) in the case of photojournalists and photojournalism. Carrying forward the discussion started by Allan (2011) for research into ‘peace photography’ to be extended to ‘tacit, unspoken rules’ underlying photojournalistic images, the article shows, through two examples of mainstream news images, how photojournalists can and may break from diktats of ‘news values’ to advertently or inadvertently critique the myths of the very practice they function within. Such self-reflexive, synecdochic images which display media’s own role in covering conflict are examples from which PJ can take lessons for a new visual …

Commercial Content Moderation: Digital Laborers' Dirty Work, Sarah T. Roberts

Media Studies Publications

In this chapter from the forthcoming Intersectional Internet: Race, Sex, Class and Culture Online (Noble and Tynes, Eds., 2016), I introduce both the concept of commercial content moderation (CCM) work and workers, as well as the ways in which this unseen work affects how users experience the Internet of social media and user-generated content (UGC). I tie it to issues of race and gender by describing specific cases of viral videos that transgressed norms and by providing examples from my interviews with CCM workers. The interventions of CCM workers on behalf of the platforms for which they labor directly contradict …

Through Google-Colored Glass(Es): Design, Emotion, Class, And Wearables As Commodity And Control, Safiya Umoja Noble, Sarah T. Roberts

Media Studies Publications

This chapter discusses the implications of wearable technologies like Google Glass that function as a tool for occupying, commodifying, and profiting from the bio- logical, psychological, and emotional data of its wearers and those who fall within its gaze. We argue that Google Glass privileges an imaginary of unbridled exploration and intrusion into the physical and emotional space of others. Glass’s recognizable esthetic and outward-facing camera has elicited intense emotional response, partic- ularly when “exploration” has taken place in areas of San Francisco occupied by residents who were finding themselves priced out or evicted from their homes to make way …

Digital Refuse: Canadian Garbage, Commercial Content Moderation And The Global Circulation Of Social Media’S Waste, Sarah T. Roberts

Media Studies Publications

The story of a rogue Canadian garbage barge attempting to offload illegal garbage in the Philippines opens this article on techno-trash, in order to underline both the relationships between countries of the Global North with countries of the Global South in matters of waste, as well as to reframe discussions of techno-trash as one fundamentally tied to material things. The definition of techno-trash is then expanded, to cover digital detritus created through an entirely digital set of practices I term “Commercial Content Moderation.” The attempt to offload mounds of e-waste and the similar ways in which a great deal of …

In/Visibility, Sarah T. Roberts

Media Studies Publications

In online life there is a normative supposition that the information- and image-rich environment of the web and other platforms should provide unfettered access to the circulation of all types of content. Less attention is paid to what is not seen, to the invisible—be it actual content that is rescinded, altered or removed, or the opaque decision-making processes that maintain its flow. In/visibility online is central to the intertwined functions/mechanisms of user experience and platform control, further operationalized under globalized, technologically driven capitalism. A digital labour phenomenon that is both responsible for it and relies upon it: is …

Alien Affects: Movement, Migration, And Landscapes Of Citizenship, Michael Andrew Lechuga

Electronic Theses and Dissertations

Alien Affects is a materialist examination of the ways citizenship landscapes are shaped by three mechanisms of control - extraterrestrial film, border security, and the legal apparatuses of the State - that accelerate flows of dominant national citizenship and hinder the movements of migrants. As bodies move through borders and through communities in the US, they are subjected to techniques of citizenship control that divide citizens from aliens. This political division maximizes the State's capacity to benefit from the mobility of its preferred citizen groups while subjugating its alien groups - those who might be characterized as such because they …