Film and Media Studies Commons^™

Student Film Festival 2016 Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Student Film Festival 2016

Films by Providence College students

April 28th at 7PM

INTRODUCTORY REMARKS, Fr. Ken Gumbert

COMPETING FILMS

Charles Rainville '16, Slice to Meet You

Katie Flanagan '16, When Good Girls Go Bad

Joey Aiello '17, Return to Sender

Rebecca Goula '16, PCPD

Katelyn Sudlik '16, Virtual Reality

Stefan Puente '17, Dagger

Sam Vaccaro '16, Blue Moon

Manya Glassman '19, Reflections of Love

Victoria Virtue '16, Instincts

Andrew Butler '16, Hell Council

JURY DELIBERATIONS

Trapper Phillips '18, Jagged Little Pill

AWARDS PRESENTATIONS, Fr. Ken Gumbert

Language Lessons: Gender-Based Material Signifiers Of Social Intent In Better Off Dead, Elizabeth Brady

AWE (A Woman’s Experience)

While there is significant evidence of Lévi-Strauss’s model of women as material signifiers of male intent present in Better Off Dead, two characters undercut the absoluteness of this theory. Monique freely dwelled outside of the realm of the system, indicating that there are alternate models. Lane’s willingness to and success in denying the system and departing from it indicates that even those within the system are not inevitably bound to the tenets of the theory.

Uncovering America’S Horror Story: A Content And Critical Analysis Of American Horror Story., Jessica Maio

Honors Projects in Communication

The popular television series American Horror Story has captivated millions of Americans with its shocking and twisted plotlines that never fail to surprise. Perhaps one of the reasons that the show has become so popular is that it uses the horror genre as a way to explore controversial topics. The purpose of this project is to examine the controversial topics that are presented in American Horror Society and compare them with the current views of mainstream society to determine whether the show primarily reflects the views of the larger society or challenges them. In other words, how does American Horror …

Fictional Survivors And Real Life Survivors: Fede Alvarez’S Evil Dead As A Slasher Film And Unnecessary Depictions Of Sexual Violence, Alyssa Froehling

Audre Lorde Prize

This paper addresses the instances of rape in Sam Raimi's 1981 film The Evil Dead in comparison with Fede Alavarez's 2013 remake, Evil Dead. It explores the implications that these depictions of violence on film have on American culture, victim blaming, and gender inequality.

Swimming For Inclusion, Alexa Draman

The Review: A Journal of Undergraduate Student Research

This paper attempts to demonstrate how disabilities are portrayed to children through Walt Disney's popular film Finding Nemo. Through this film, children are exposed to inclusiveness which can then transfer to their overall impressions of disability in society. This film ultimately spins the negative connotation associated with disability and portrays it positively as an exceptionality.

An Actress, A Knight, And A Woodcutter Walk Into A Postwar Society: Memory And The International Postwar Art Film In Hiroshima Mon Amour, The Seventh Seal, And Rashomon, Austin King

Honors Theses

No abstract provided.

Rejecting The Ethnic Community In Little Caesar, The Public Enemy, And Scarface, Bryan Mead

Journal of Religion & Film

Film scholars commonly suggest that the 1930s American movie gangster represented marginalized Italian and Irish-American film-goers, and that these gangsters provided a visual and aural outlet for ethnic audience frustrations with American societal mores. However, while movie gangsters clearly struggle with WASP society, the ethnic gangster’s struggle against his own community deserves further exploration. The main characters in gangster films of the early 1930s repeatedly forge an individualistic identity and, in consequence, separate themselves from their ethnic peers and their family, two major symbols of their communal culture. This rejection of community is also a rejection of the distinctly Italian …

From Marseille To Mecca: Reconciling The Secular And The Religious In Le Grand Voyage (The Big Trip) (2004), Yahya Laayouni

Journal of Religion & Film

By the early 1980’s, a generation of children of Maghrebi (North African) parents born and/or raised in France started to become more visible, particularly after they organized a march in 1983 from Marseille to Paris under the slogan “For Equality and against Racism.” This generation was introduced to the public as the “Beur generation.” The word ‘Beur,’ coined by this generation, is the result of a Parisian back slang and means ‘Arab.’ It quickly gained popularity and has been used to refer to children of Maghrebi origins living in France. As much as it has been hard for the Beurs …

Fetish, Sacrifice And Tragic Freedom In The Dardenne Brothers' La Promesse, Andrew Small

Journal of Religion & Film

Fetish, Sacrifice and Tragic Freedom and in the Dardenne Brothers’ La Promesse

(Abstract)

The purpose of this article is to begin drawing attention to the strong likelihood that Freud’s Totem and Taboo (1913) contributed important ideas to the creation of La Promesse (1996) by Luc and Jean-Pierre Dardenne. In the current article, we take note of just two of its most important aspects: animism, and the childlike recurrence of totemism. In La Promesse, these concepts are elaborated in relationship to a small African statue present in the home of the West African illegal immigrants, Assita and Hamidou. The sculpture …

“He Who Kills The Body, Kills The Soul That Inhabits It”: Feminist Filmmaking, Religion, And Spiritual Identification In Vision, Carl Laamanen

Journal of Religion & Film

In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12^th-century mystic Hildegard, through its narrative and formal techniques, encouraging the audience to share in Hildegard’s visionary experiences. The film does so in an explicitly feminist way, drawing upon unconventional visual and sonic aesthetics to highlight the power and authority of Hildegard’s spiritual experiences. In particular, Vision’s use of music and sound points toward a conception of feminine spirituality that values the …

The Eyes Have It: Film, Editing, And Postmodern Theological Hermeneutics, James M. Hansen Mr.

Journal of Religion & Film

This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of looking at the interpretive process as it relates to Scripture. This article traces the history of and approaches to cinematic editing in hopes that it might provide a significant interlocutor to the burgeoning field of hermeneutical studies.

The Roles Of Violence In Recent Biblical Cinema: The Passion, Noah, And Exodus: Gods And Kings, Kevin M. Mcgeough

Journal of Religion & Film

When The Passion was released, its extremely graphic violence horrified critics and scholars of religion although its success at the box office indicates that this, if anything, made the story of Jesus more appealing for viewers. Now that more time has passed and expectations surrounding levels of acceptable violence in cinema have changed, it is worth reconsidering how cinematic violence is used as reception strategy in Biblical cinema. Considering The Passion with more recent Biblical films, Noah and Exodus: Gods and Kings, it becomes apparent that violence is not only used to expand laconic Biblical narratives but to invest …

Seeing The Light, Hearing The Call: Women Religious As Spectators And Subjects Of Popular Nun Films, Maureen A. Sabine Professor

Journal of Religion & Film

Though popular films like The Bells of St. Mary’s (1945), Heaven Knows, Mr. Allison (1957), The Nun’s Story (1959), and The Sound of Music (1965) have routinely been criticized for circulating polarized stereotypes about nuns, convent memoirs indicate that some women felt the stirrings of a religious vocation from watching these movies. This article arose out of interest in whether other women heard God’s call through nun films, and is based on a survey of 86 sisters from 28 different communities who had entered the convent between 1947 and 2007, and were prepared to discuss what they saw in these …

Hollywood Biblical Epics: Camp Spectacle And Queer Style From The Silent Era To The Modern Day, Kent L. Brintnall

Journal of Religion & Film

This is a book review of Richard Lindsay, Hollywood Biblical Epics: Camp Spectacle and Queer Style from the Silent Era to the Modern Day (Denver, CO: Praeger, 2015).

Faith Shapes My Design, Mark Volkers

Faculty Work Comprehensive List

"Make art that's so good, the world can't ignore you."

Posting about true Christian art from In All Things - an online hub committed to the claim that the life, death, and resurrection of Jesus Christ has implications for the entire world.

http://inallthings.org/faith-shapes-my-design/

Gay Doesn’T Begin To Cover It: Non-Binary Sexuality In Community’S Dean Pelton”, Jessica Mae Harmon

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In modern media, characters whose sexuality lies outside of binary gender and sexuality representations are few and far between. Most queer characters in mainstream American television are labeled as either gay or lesbian, and in a few rare cases bisexual. Bisexuality, while least visible among sexual minorities that fit within the prescribed LGBT acronym, is most visible outside of the gay/straight dichotomy. Meanwhile the spectrum of non-binary sexualities is largely ignored. In this essay I will examine one character that breaks this mold and forces the modern viewer to consider non-binary sexuality, Dean Craig Pelton of NBC/Yahoo’s Community. The …

Lovecidal: Walking With The Disappeared [Table Of Contents], Trinh T. Minh-Ha

Cinema & Media Studies

“Lovecidal: Walking with the Disappeared is filled with provocation and guided by evocation. Encompassing various forms (poetry, treatise, memoir, and historiography) and capaciously conceived, Trinh T. Minh-ha’s contemplation of war, state-authorized violence, state-sanctioned ‘security,’ and international amnesia is skillfully tempered by observations of beauty, humanity, and resistance. To say that this is an important book is in many ways an understatement; rather, Lovecidal is transformative.” —Cathy Schlund-Vials, author of War, Genocide, and Justice: Cambodian American Memory Work

Daniel Yun: Journey Of A Singaporean Filmmaker, Singapore Management University

Perspectives@SMU

A single-minded focus of being the best drove and defined the former boss of MediaCorp Raintree Pictures

Student Film Festival 2016 Instructions For Jury, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Student Film Festival 2016 instructions for jury

Smith Center Box Office - Spring Semester 2016: January 11 To April 29, Box Office

Promotional Materials

Providence College Department of Theatre, Dance & Film

Smith Center Box Office - Spring Semester 2016: January 11 to April 29