Film and Media Studies Commons^™

Grand: A Short Film, Joshua R. Pereira

LSU New Orleans Theses and Dissertations

In this paper I will describe the creative process throughout the making of my short film thesis GRAND. I will describe this in three parts: pre-production, wherein I will detail developing the concept, writing the script, and funding/preparing for production; production, wherein I will detail the set construction, visual planning, and the day-to-day operations on set; and post-production, wherein I will detail the editing of the film and the composition of the score. All of this will be framed in reference to the proposed theme of the film, and I will conclude by evaluating whether or not the finished short …

Surviving In The Land Of Opportunity: Outcomes Of Post-Crisis Urban Redevelopment In The United States, Brianna D. Foster

LSU New Orleans Theses and Dissertations

How we develop cities in the twenty-first century remains a subject of contentious debate worldwide. As neoliberal strategies are implemented in redevelopment projects, public safety nets are reduced and low-income communities of color in declining urban neighborhoods become particularly vulnerable. This multiple case study seeks to understand the experiences of post crisis urban redevelopment for low-income communities of color in 5 major U.S. cities. The data I analyzed include 101 short videos from the interactive documentary platform Land of Opportunity, documenting the process of post-crisis urban redevelopment in New Orleans, New York, Chicago, Detroit, and San Francisco. In doing so, …

Facilitating Student Documentary Projects Toward 21-Century Literacy And Civic Engagement, Steven Goodman

Occasional Paper Series

The author describes how he uses video making as a way to engage students in high-needs schools. Goodman believes video making projects can help counter the ways minority students are made invisible by school curriculum and the culture of testing. More importantly, creating video documentaries allows students to use multiple literacies and does not exclude those who struggle with the written word.

Docu-Minutes: 60 Second Documentaries, Muriel Green

SIDLIT Conference

Anyone can make a 60 second documentary. In this presentation I will describe my experience at the Lawrence Public Library’s Sound + Vision filmmaking studio instructing patrons in the Documinutes method. The presentation will cover high-level theory, implementation, and how to scale filmmaking instruction for institutions of various sizes.

Still Waiting: An Analysis Of The Permeation Of Racial Stereotypes In Top-Grossing Black Romance Films From The 1960s To The 2000s, Jasmine Boyd-Perry

Honors College Theses

In this study, I compare how films portray relationships involving Black people, over the course of 5 decades. I do this by analyzing the characters and relationships in the top-grossing film from each decade (1960’s through 2000’s), that have a focus on Black love. I started this journey curious about how the silver screen portrayed how Black people loved romantically. As a person who regularly frequents my local major movie theatre, I had become tired of only seeing Black actors in comedies, Black men in drag and buddy dramas. I also grew tired of the sappy love stories featuring White …

Ironman: The Gordon Haller Story, Jacqueline Marie Antoinette Grajeda

Graduate Theses and Dissertations

The documentary film Ironman: The Gordon Haller Story takes a look at an ordinary man who accomplished the extraordinary feat of winning the first Ironman triathlon in 1978. Gordon Haller was born and raised in Oregon before a career in the United States Navy took him to Hawaii where he would eventually participate in the first Ironman competition. He is now a programmer analyst for Walmart, living with his wife in Bella Vista, Arkansas. This 26-minute film includes interviews with Haller as well as his wife, a friend and the director of development at the American Diabetes Association where he …

When The Silver Screen Fades To Black : An Analysis Of Black Faces In Film., Travesheia Rashel Bass

Electronic Theses and Dissertations

The Black Film Industry emerged with the goal of challenging the misrepresented images of African Americans that were promoted in early American Films. The Black Film making process promoted a centrality of stories told from an Afrocentric point of view. This thesis analyzes how Black Film has been defined over the last sixteen years and how it has impacted American society. Films that were made by or in collaboration with African American writers, directors, and producers with a focus on the African American community (its values, cultural aesthetics, and practices) and featuring an all or primarily Black cast were found …

About The Concept Of "Gnosticism" In Fiction Studies, Fryderyk Kwiatkowski

CLCWeb: Comparative Literature and Culture

I In his article "About the Concept of 'Gnosticism' in Fiction Studies" Fryderyk Kwiatkowski notices that in the twentieth-century humanities the concept of Gnosticism has become a popular term for labelling tendencies in modernity and postmodernity. Kwiatkowski argues that the majority of scholars in fiction studies base their research on outdated methodologies. In consequence, Kwiatkowski presents an overview of contemporary approaches in Gnostic studies and discusses how they can be adapted in studies of literature, film, video games, comic books, etc. By outlining advantages and disadvantages of methodological approaches, Kwiatkowski posits that in studies of fiction with Gnostic components it …

Negotiating The Politics Of Representation In Iranian Women’S Cinema Before And After The Islamic Revolution, Alshaatha Sultan Al Sharji

Graduate Theses and Dissertations

From Mahvash, the Iranian entertainer who sang and danced coquettishly in numerous Iranian films that were produced before the Islamic revolution of 1979, to the skateboarding vampire girl who makes a feast out of abusive men in Ana Lily Amirpour’s A Girl Walks Home Alone at Night, the representation of Iranian women on screen has changed drastically. This comparative study focuses on the politics of representation of Iranian women in the cinema before and after the Islamic revolution, with the aim of deconstructing the readily-available notions of women’s oppression in Iran. It analyzes the works of female Iranian directors Forough …

Shaken, Not Stirred: Espionage, Fantasy, And British Masculinity During The Cold War, Anna Rikki Nelson

Master's Theses

This project seeks to define and explore the development of Cold War British masculinity and national identity in response to decolonization. Following World War II, Great Britain experienced a time of political and cultural rebuilding. This project argues that following World War II, Britain had to renegotiate gender and national identity within the context of decolonization, the rise of the welfare state, and Britain’s diminished role in global politics, and the tensions within gender and national identity were expressed in Britain’s interest in espionage narratives both real and fictionalized. British spy novels by Ian Fleming, Desmond Cory, and John Le …

Statistical Plight Of Black Women, Kimberly-Joy M. Walters

Sociology Summer Fellows

The purpose of this research is to examine how television shows and their portrayals of professional Black women impact the interpretation of marriage rates by race and perpetuate ideologies about the angry, unlovable Black woman. Using a content analysis of cable and network television shows with Black professional women as lead characters, this study connects an analysis of the characters’ lived experiences to normative expectations of Black women in relationships to call into question the prevailing narrative that Black women are in part personally responsible for their statistical plight. I will closely study how the two stereotypes, the Jezebel and …

Female Moments / Male Structures: The Representation Of Women In Romantic Comedies, Jordan A. Scharaga

Media and Communication Studies Summer Fellows

Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. In 1999, a character struggles …

Queer History Of The United States: A Syllabus, Jordan Ostrum

History Summer Fellows

This project is a proposed syllabus of a college level history course dealing with queer and trans experiences in the 20^th century. The course utilizes the Ursinus inquiry based approach to learning, focusing on the core questions “How can we understand the world?” and “How should we live together?” Supplementary materials, such as the course proposal, are meant to encourage the Ursinus College History Department to offer the course in the future.

"A Girl And Her Room", Rania Matar

Occasional Paper Series

A photographic essay of girls' bedroom culture.

Paradise Lost: Cuban Exile Filmmaker León Ichaso, Amy S. Orf

Conference Presentations

In this paper I examine the trilogy of Spanish-language films directed by Cuban exile León Ichaso: El super (1979), Azúcar amarga (1996), and Paraíso: Freedom is Murder (2009). The profound sense of loss that Ichaso must have experienced when he left Cuba at the age of fourteen comes through in his films, which portray life after the Cuban Revolution as a loss of paradise both for those who have left Cuba, as well as for those who still live on the island.

Television In Ireland Before Irish Television: 1950s Audiences And British Programming, Edward Brennan

Conference Papers

The first television broadcasts in Ireland were watched in the 1950s. These initial programmes were British. This history of these early viewers, however, has been ignored. A dominant narrative has addressed the history of television in Ireland as the history of the public broadcaster Radio Telefís Éireann (RTÉ). Thus, the history of Irish television often begins in 1961, overlooking Irish people’s experience of the medium in the preceding decade. This paper breaks with traditional historiography by employing life history interviews to explore the uses, rituals and feelings attached to television in the years before RTÉ.

Irish people who watched television …

Love Story Of A Lovely Tomboy, Oji Nguyễn (Director)

Reconstruction: Studies in Contemporary Culture

Can a Tomboy every find acceptance or even love? Surprises await at every corner.

'Do You, Andy?' [Taiwan], Portico Media Productions

Reconstruction: Studies in Contemporary Culture

Andy, a cute Taiwanese guy, about to propose to his boyfriend Jeffrey of "four years eight months and ten days" before his parents walk into the restaurant, throwing his plans off entirely. Together, the four end up eating together and in the end, after much awkwardness on Andy's part, his parents let him know they accept him and his boyfriend Jeffrey.

Heavy South: Identity, Performance, And Heavy Music In The Southern Metal Scene, Michael A. Mcdowell

USF Tampa Graduate Theses and Dissertations

The Southern Metal scene depends heavily on the performance of a Southern Identity. While considerable research has been done on other musical genres and scenes from the American South (country music, blues, gospel music), less attention has been given to the extreme metal scene of Southern Metal. Using scholarship of Nadine Hubbs, Philip Auslander, Jefferey C. Alexander, and Keith Kahn Harris, among others, I analyze two films, Slow Southern Steel (2010) and NOLA: Life, Death, and Heavy Blues from the Bayou (2014), and one song, Down’s “Eyes of the South” as cultural productions of this Southern Metal scene. In …

Digital Integration, Jacob C. Boccio

USF Tampa Graduate Theses and Dissertations

Artificial intelligence is an emerging technology; something far beyond smartphones, cloud integration, or surgical microchip implantation. Utilizing the work of Ray Kurzweil, Nick Bostrom, and Steven Shaviro, this thesis investigates technology and artificial intelligence through the lens of the cinema. It does this by mapping contemporary concepts and the imagined worlds in film as an intersection of reality and fiction that examines issues of individual identity and alienation. I look at a non-linear timeline of films involving machine advancement, machine intelligence, and stages of post-human development; Elysium (2013) and Surrogates (2009) are about technology as an extension of the self, …