Film and Media Studies Commons^™

Pathos, Fall 2016, Portland State University. Student Publications Board

Pathos

Editor: Jessica Moore

Volume 11 No. 1

Analysis Of Media In Rwanda: Internship With The New Times, Rhiannon Snide

Independent Study Project (ISP) Collection

This report examines the effects and expectations of media in Rwanda today, specifically in reference to the New Times daily newspaper. I spent one month interning with the New Times as a news writer, spending approximately 45 to 50 hours a week with the institution. Within this month, I was able to use both primary research and secondary research to analyze the role of media in Rwanda’s society today. Interviews with head editors of the New Times and conversations with paid journalists from the New Times provided me with much of the information specific to the news outlet, while desk …

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

Preservation First? Re-Viewing Film Digitization, Lauren Tilton

Rhetoric and Communication Studies Faculty Publications

This article addresses the politics of film digitization by arguing that we should reconsider archival and preservation "best practices" that require film restoration. Instead, it advocates for digitizing films "as is," which, in turn, captures the film's current materiality (i.e., fading, scratches, and other facets that reveal age, wear, and use). Using the work of Luis Vale, one of the youth filmmakers from New York City's Lower East Side's Young Filmmaker Foundation's Film Club, as a case study, the article points to the importance of archiving and saving these youth films as part of a growing movement to look beyond …

The Invisibles: Becoming And Being A Reader In A Fan-Dominated Community, Lucia Cedeira Serantes

Publications and Research

The study of comics consumption has regularly focused on the study of teens and young people. However, the association between the fan experience and comics has colonized the experience of reading comics, especially in mainstream culture, leaving almost no room for the possibility of other recognizable experiences: if you are committed to reading comics, inevitably you are, will become, or are expected to be, a fan. However, Gabilliet (2010), Pustz (1999), Parsons (1991), and Barker (1989) point at the presence and need for more research about what they labelled as “casual readers,” or the bulk of the comics readership.

This …

In Plain Sight: Changing Representations Of "Biracial" People In Film 1903-2015, Charles Lawrence Gray

Dissertations (1934 -)

Rooted in slavery, the United States in both law and custom has a long history of adhering to the one drop rule–the stipulation that any amount of African ancestry constitutes an individual as black. Given this history, decidedly mixed race people have been subjected to a number of degrading stereotypes. In examining the three broad themes of the tragic mulatto, racial passing, and racelessness in cinema, this dissertation asks to what extent film representations of mixed race characters have had the capacity to educate audiences beyond stereotypes. Although a number of film scholars and critics have analyzed mixed race characters …

Masculinidades En Crisis Y Prácticas De Resistencia Feminista En La Literatura Y El Cine Españoles De Autoría Femenina, Carmen Sanchis-Sinisterra

Dissertations, Theses, and Capstone Projects

This dissertation examines the representation of masculinity in crisis in films and novels by contemporary female authors of Spain. The films are El último viaje de Robert Rylands by Gracia Querejeta, Te doy mis ojos by Iciar Bollaín and La vida sin mí by Isabel Coixet. The novels are Amado amo by Rosa Montero, Los aires difíciles by Almudena Grandes and La conquista del aire by Belén Gopegui. The question this dissertation asks is if by introducing male characters that lack power, control and success the works promote practices of feminist resistance. The answer is that they do but, as …

Screening Male Crisis: A Comparative Analysis Of The Alternative Coming-Of-Age Motion Picture, Matthew J. Tesoro

Dissertations, Theses, and Capstone Projects

This thesis will identify how the principle male character in select film narratives transforms from childhood through his adolescence in multiple locations and historical eras. The primary film narratives include Satyajit Ray’s Apu Trilogy: Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959), François Truffaut’s "Antoine Doinel" cycle: Les Quatre cents coups (1959), Antoine et Colette (1962), Baisers volés (1968), Domicile conjugal (1970), and L’Amour en fuite (1979), and Richard Linklater’s Boyhood (2014). These images of experience/maturation in motion are all intended to exemplify how the boy physically and psychologically changes over an extended period of time. The concept of …

“Straight” Acting: Changing Image Of Queer-Masculinity In Media Representation, Zheng Zhu

Publications and Research

In this essay, I critically examine media representation of Welsh rugby legend Gareth Thomas, with a specific focus on the construction of his masculinity as an outing gay celebrity. The existing critical scholarship has studied various forms of media representation of queer images. But they did not examine how unconventional queer representation interacts with the normative gender performance. This paper investigates mainstream media’s discursive construction of masculine gay male. The findings call our attention to the emergence of macho gay characterization, which supports the hegemonic domination of heterosexual normativity. The stigmatization of gay-ness as the deviated other is rationalized through …

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.

Televisual Subjectivities In Pepe Rojo’S Speculative Fiction From Mexico: 1996-2003, Stephen C. Tobin

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Pepe Rojo, a key author often tied to the Mexican cyberpunk movement of the 1990s, has been most effective in articulating a kind of visual dystopia in the country that focuses upon television as a key site for constructing dislocated subjectivities. His writing reacts to larger shifts occurring in the country’s field of vision that have been catalyzed by the neoliberal political-economic policy changes and have altered the way in which the mass media culture industry in Mexico functioned in the 1990s. This brought a multitude of changes in how the media industry functioned both internally and externally, ultimately becoming …

Intenciones Enmascaradas En La Pantalla Plateada. El Santo Y El Mimetismo Imperial, David S. Dalton

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

El cine Mexploitation de los 1960 y 1970 ha recibido poca atención académica debido a las supuestas fallas estéticas que emergieron cuando los directores de este movimiento yuxtaponían los tropos de la ciencia ficción y el horror hollywoodenses a películas protagonizadas por luchadores enmascarados. No obstante, este cine elucida los discursos imperialistas que abundaban en México a mediados del siglo veinte. En este ensayo analizamos el personaje del Santo —el luchador más exitoso del cine Mexploitation— a través de varias películas. Luego afirmamos que su cine postula una colonialidad liminal mexicana. El Santo interpretaba una versión ficticia de sí mismo …

Partisanship In The Media: A Comprehensive Look At The History And Potential For Bias In News Media, Henry Ferguson

Pop Culture Intersections

On July 10, 2016 Republican Presidential Nominee Donald Trump tweeted, “The media is so dishonest. If I make a statement, they twist it and turn it to make it sound bad or foolish. They think the public is stupid!”^[1] On August 10, 2016 Trump’s campaign released a statement titled, “Trump Campaign Statement on Dishonest Media.”^[2] The statement itself had nothing to do with media dishonesty, but rather the statement clarified some remarks the candidate made during a speech about gun control. Both of these statements were made due to Trump’s feeling that his words had been twisted and …

The Colonial Remix: Power And Language In Colonial And Digital Spaces, Susana Aho

The Quiet Corner Interdisciplinary Journal

This paper maps the similarities between colonial and digital media histories, as well as the repercussions these similarities might have on constructions of power and language in a digital age. The colonial encounter in sixteenth century led to the eventual displacement of indigenous pictographic forms by Western alphabetic ones. However, the first years of encounter are also marked by experimentation in which these two forms were combined in unique ways, creating hybrid reading and writing methods. Similarly, digital platforms are able to combine previously separate media (photography, film, 3D animation, print design, maps, etc) in the same files and environments, …

Cinderella

Children's Book and Media Review

Ella, the daughter of a successful merchant and his wife, is taught from a young age to "have courage and be kind," and this will bring magic into her life. Years after his wife’s death, Ella's father remarries Lady Tremaine, who has two daughters of her own. When Ella's father dies unexpectedly while traveling, Lady Tremaine cruelly forces Ella to take over all the household chores and begins to call her Cinderella. Ella decides to run away, but a chance meeting with the prince in the forest reminds her to have courage and be kind. Ella’s kindness eventually brings magic …

Infringicus Maximus! An Exploration Of Motion Picture Title Protection In An International Film Industry Through The Legal Battles Of Harry Potter, Emily Kathryn Tyler

Journal of Intellectual Property Law

No abstract provided.

Tinder: True Love Or A Nightmare?, Anthony Kao

Pop Culture Intersections

The computer first played matchmaker in the late 1950s. Data would have been fed into the system, and after some data crunching, it would spit out a match based on common interests. Today’s dating sites, such as eHarmony.com, PlentyOfFish, and Match.com are reminiscent of the earliest days of online dating - they rely on algorithms to pair potential matches based on shared interests. With the advent of mobile dating apps such as Tinder, of which I will examine in-depth in my paper, the ability for geo-location, which allows users to “see” other users that are nearby their location, has opened …

Green Religion: Manipulation Transcending Ideology, Miranda Wittmond

Pop Culture Intersections

As more Americans become aware of the environmental consequences of their actions and decisions, corporations have moved to profit off of rising environmental consciousness. However, instead of changing their practices to actually become environmentally conscious, many corporations often instead present a false front to make our society perceive them as green when they are not, an action commonly referred to as greenwashing. This allows them to gain advantage over their competitors, some of which might actually be sustainable, by taking advantage of consumers’ environmental consciousness. Despite legal action taken to stop this and federal laws putting restrictions on green advertising, …

Digital Gaming And Tolkien, 1976-2015, Helen Young

Journal of Tolkien Research

‘Tolkien’ the cultural phenomenon is far bigger than J. R. R. Tolkien the author, or even J. R. R. Tolkien the author-and-oeuvre. When Christopher Tolkien asserted in 2012 that his father’s legacy has been rendered monstrous he blamed its fate on the gross depredations of commercialization generally and the Warner Bros’ franchise in particular. Explorations of – and encomiums on – the afterlives of Tolkien’s novels generally focus on the impact of Peter Jackson’s films. The forces which have shaped contemporary ‘Tolkien’ are not only commercial however; fans also ‘do things’ with Tolkien’s writings. The drive to make …

Playing With The History Of Middle Earth: Board Games, Transmedia Storytelling, And The Lord Of The Rings, Adam Brown, Deb Waterhouse-Watson

Journal of Tolkien Research

Contemporary cases of transmedia storytelling have thrown many conventional understandings of ‘adaptation’ into disarray. The resurgence of tabletop game culture has thus far played a significant role in this, though scholars have largely neglected the subject, particularly in terms of how transmedia relationships reconfigure the meaning(s) shaped by and through games by players. This paper addresses this phenomenon through a close analysis of two board games based on The Lord of the Rings, in which the (re)construction of the story-world of the source text(s) impacts strongly on ‘conventional’ modes of narrative and identification. Governed by the adoption of various …