Front Matter And Table Of Contents (N° 90),
2018
College of the Holy Cross
Front Matter And Table Of Contents (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présentation,
2018
Université Concordia
Présentation, Françoise Naudillon
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Présence Francophone, Numéro 90,
2018
College of the Holy Cross
Présence Francophone, Numéro 90
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade,
2018
Indiana University
Cinéma Ambulant Et Éducation: Télé Yaka Et Cinomade, Vincent Bouchard
Présence Francophone: Revue internationale de langue et de littérature
Cinomade is an association that tries to sensitize the populations about the HIV pandemic in Burkina Faso. Télé Vaka, literally the "Neighborhood Television" in more language, was an itinerant local television around Koudougou in Burkina Faso. By comparing the reception of screenings organized in rural areas by Télé Vaka and Cinomade, this article describes a popular form of consumption of audio-visual images in West Africa. By causing the debate inside the communities using a heterogeneous device connecting endogenous (the chief's words, those of the elders, etc.) and exogenous (video projection and public testimony), ways of communication, this experiment modifies our …
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte »,
2018
Faculdade de Comunicação da Universidade Federal da Bahia (Facom-UFBA)
Les Modes De Réception Des Films Populaires Africains Au Brésil: Entre Usage Socioculturel Et « Plaisir Du Texte », Mahomed Bamba
Présence Francophone: Revue internationale de langue et de littérature
In this article, I discuss the uses and the reception of African films (popular films and films d'auteur) in Brazil, especially in some Mostras. I examine, among other issues, the role of these mini-festivals in the establishment of what we can call a popular African cinema experience in a community. These contexts of reception produce in the audience a level of expectation, but also some constraints that impact the films' reading and interpretation.
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale,
2018
Université Sainte-Anne (Nouvelle-Ecosse)
Du Folklore Au Cinéma: La Transformation D'Un Classique De La Littérature Orale, Désiré Nyela
Présence Francophone: Revue internationale de langue et de littérature
Michel Ocelot's film Kirikou et la sorcière became a great success as soon as it hit the screens in 1998. It even inspired a sequel, Kirikou et les betes sauvages, whose release in 2005 earned the figure of the small African boy a permanent place in a wider Francophone imaginary. Originating in a traditional tale, Kirikou et la sorcière is an adaptation and, as such, the result of a transformation. Indeed, it is the result of a two-fold transformation involving a transition from the oral to the written, on one hand, and from the written to the visual, on …
Index (N° 90),
2018
College of the Holy Cross
Index (N° 90)
Présence Francophone: Revue internationale de langue et de littérature
No abstract provided.
Editorial,
2018
University of California - Berkeley
Editorial, Linda Haverty Rugg, Salma Monani
Environmental Studies Faculty Publications
The editorial frames a special issue that introduces Scandinavian cinema and media scholars to ecomedia studies and its potentials.
The Buffered Slayer: A Search For Meaning In A Secular Age,
2018
Liberty University
The Buffered Slayer: A Search For Meaning In A Secular Age, Kari Willinger
Masters Theses
Charles Taylor, in A Secular Age, claims that over time, modernity has given way to a new secular age, and with this new era comes cultural shifts in our perception of ourselves and the world. Given Taylor’s notion of a world haunted by transcendence, we can notice this haunting throughout aspects of modernity, especially in literature and entertainment where we can see authors and creators deal with issues of identity and morality from a purely modern perspective. Specifically, Taylor’s concepts connect with Buffy the Vampire Slayer because the characters in Buffy align with Taylor’s understanding of the buffered self, which …
Remembering World War I In 2014: Films And Tv Productions In Austria And A New Path Of Visual Memory,
2018
University of Vienna, University of Innsbruck
Remembering World War I In 2014: Films And Tv Productions In Austria And A New Path Of Visual Memory, Karin Moser
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
World War I In Hungarian Motion Picture History, 1914 To 1945,
2018
National Film Archive, Budapest
World War I In Hungarian Motion Picture History, 1914 To 1945, Márton Kurutz
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
’The Empire Means Order’: Images Of The Austrio-Hungarian Monarchy In Romanian Fictional Films About The First World War,
2018
Ludwig Maximilian University of Munich
’The Empire Means Order’: Images Of The Austrio-Hungarian Monarchy In Romanian Fictional Films About The First World War, Enikö Dácz
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Preface To Habsburg’S Last War: The Filmic Memory (1918 To The Present),
2018
Center Austria, University of New Orleans
Preface To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Günther Bischof
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The First World War In The Czech And Slovak Cinema,
2018
Charles University, Prague
The First World War In The Czech And Slovak Cinema, Václav Šmidrkal
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Introduction To Habsburg’S Last War: The Filmic Memory (1918 To The Present),
2018
University of Salzburg
Introduction To Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Films About World War I In Hungary After 1945,
2018
Hungarian National Digital Archive, and Film Institute
Films About World War I In Hungary After 1945, László Deák-Sárosi
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The Contact Zone: In Search Of The Galician Theater Of War In German Cinemas Of The 1920s,
2018
Konrad Wolf Film University Babelsberg
The Contact Zone: In Search Of The Galician Theater Of War In German Cinemas Of The 1920s, Philipp Stiasny
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
The Decaying Empire And The Human Dilemmas: The Last War Of Austria-Hungary In Polish Cinematography From 1918 Onwards,
2018
University Warsaw
The Decaying Empire And The Human Dilemmas: The Last War Of Austria-Hungary In Polish Cinematography From 1918 Onwards, Piotr Szlanta
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Postscript: A Cinema Of Liminality,
2018
University of Vienna
Postscript: A Cinema Of Liminality, Thomas Ballhausen
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
Habsburg’S Last War In Austrian Films, 1918 To The Present,
2018
University of Salzburg
Habsburg’S Last War In Austrian Films, 1918 To The Present, Hannes Leidinger
Habsburg's Last War: The Filmic Memory (1918 to the Present)
No abstract provided.
