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Around Campus, 2018 DePaul University

Around Campus

DePaul Magazine

Reburying the Dead: Returning control of ancient remains to Native American tribes; Communicating Climate Change: DePaul professor discusses effective ways to connect with skeptical and disengaged audiences; The Great Mind of Michael Shannon


First Reformed, William L. Blizek 2018 University of Nebraska at Omaha

First Reformed, William L. Blizek

Journal of Religion & Film

This is a film review of First Reformed (2018), directed by Paul Schrader.


It's A Wrap: Librarians, Filmmakers And Archival Collections, Monika Antonelli, Daardi Sizemore Mixon 2018 Minnesota State University, Mankato

It's A Wrap: Librarians, Filmmakers And Archival Collections, Monika Antonelli, Daardi Sizemore Mixon

Library Services Publications

Outreach Librarian, Monika Antonelli and University Archivist Librarian, Daardi Sizemore will show an excerpt of their 50 minute documentary film, Two Weeks in May, which documents student anti-Vietnam War protests on the Minnesota State University, Mankato campus in May 1972. The presenters will share their experiences creating the film including: timeline, funding, personnel, film production, use of archival material, and acquisition of new archival material. The film highlights historical events at the University and in the city of Mankato, and demonstrates the importance of student engagement with social and political issues.


Romantic Ramblings, Revisited: Eco-Logics Of Mobility In Sina Queyra's Expressway, Jenny Kerber 2018 Wilfrid Laurier University

Romantic Ramblings, Revisited: Eco-Logics Of Mobility In Sina Queyra's Expressway, Jenny Kerber

English and Film Studies Faculty Publications

No abstract provided.


"Mirror, Mirror, On The Wall": Reflections On Colorism, Healing, And Resistance In Literature And Social Media, Sarah Lorena Webb 2018 Louisiana State University and Agricultural and Mechanical College

"Mirror, Mirror, On The Wall": Reflections On Colorism, Healing, And Resistance In Literature And Social Media, Sarah Lorena Webb

LSU Doctoral Dissertations

Colorism is a warped mirror image problem. A mirror is anything we refer to, consciously or not, for feedback about ourselves. A mirror is warped to the extent that it disempowers or disenfranchises those reflected in it. Speculative mirrors expose the distortion of warped mirrors by revealing positive or subversive alternatives. Speculative mirrors help us conceive of theories that resist harmful ideology. Newly aware of the distortion of warped mirrors and newly equipped with the tool of speculative mirrors, we may choose to engage in self-reflection—the process of composing one's own affective and empowering or tactical self-concept. Projecting one's self-reflection …


Complete Issue, 2018 Edith Cowan University

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.


Taiwanese Comedies Under The Shadow Of The Chinese Market, James N. Udden 2018 Gettysburg College

Taiwanese Comedies Under The Shadow Of The Chinese Market, James N. Udden

Cinema & Media Studies Faculty Publications

Comedy is arguably the most local of genres. Tropical Fish (1995) is a Taiwanese comedy that made no effort to disguise its local flavour, and was largely unseen outside of Taiwan. Recent Taiwanese comedies such as You Are the Apple of My Eye (2011), The Wonderful Wedding (2015) and Our Times (2015) have achieved not only success in Taiwan, but also unprecedented box office in the mainland Chinese market. Compared to Tropical Fish, all three films also seemingly tone down the local flavour to varying degrees. This is due to the irresistible pull of recent opportunities posed by the …


Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger 2018 University of Salzburg

Habsburg’S Last War: The Filmic Memory (1918 To The Present), Hannes Leidinger

Habsburg's Last War: The Filmic Memory (1918 to the Present)

A divergent survey of scholarship on World War I cinema produced in succession countries of the Habsburg Empire. This untapped body of film records a contentious phase in world history, from the perspective of an often misunderstood, yet pivotal, region. The volume gathers scholarly essays exploring the intersections between the political, historical, and aesthetic, as expressed in the region’s various “moving pictures,” with sustained attention to the relationship between artistic representation and collective memory.


Mia Park Interview, Justin Fernandez 2018 DePaul University

Mia Park Interview, Justin Fernandez

Asian American Art Oral History Project

Bio: Mia Park is a multidisciplinary artist acting, writing, playing music, producing events, teaching yoga, and volunteering in Chicago, IL. She shares her passion for discovery and self-inquiry with hope and optimism. Mia began professionally acting in 1997 hosting the cult favorite cable access dance show Chic-A-Go-Go. Her acting career has brought her on stage, in film, on television and on the radio. Mia currently plays the recurring character Nurse Beth Cole on NBC's Chicago Med. She has advocated for Asian American representation in acting since 2006 when she co-founded A-Squared Theatre and hosted educational theater workshops for the Chicago …


Review Of Chris Ware: Conversations, Carly Diab 2018 Emily Carr University of Art + Design

Review Of Chris Ware: Conversations, Carly Diab

SANE journal: Sequential Art Narrative in Education

No abstract provided.


Review Of Pioneering Cartoonists Of Color, Carly Diab 2018 Emily Carr University of Art + Design

Review Of Pioneering Cartoonists Of Color, Carly Diab

SANE journal: Sequential Art Narrative in Education

No abstract provided.


Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli 2018 Monmouth University

Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli

SANE journal: Sequential Art Narrative in Education

Indexing identity through writing responses among ELL students in response to a graphic novel helps provide insight into how writing responses represent people and how graphic novels can aid in that process of self-discovery through their inherent multimodalities. This study takes looks at four students in an ELL class at an urban high school in southern Pennsylvania as they responded in writing to a portion of Will Eisner's New York: Life in the Big City (2006). All of the participants took events from the portion of the graphic novel provided to them and indexed their urban, cultural perspectives through their …


Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa McGrail, Alicja Rieger, Gina M. Doepker, Samantha McGeorge 2018 Georgia State University

Pre-Service Teachers’ Perspectives On How The Use Of Toon Comic Books During Guided Reading Influenced Learning By Struggling Readers, Ewa Mcgrail, Alicja Rieger, Gina M. Doepker, Samantha Mcgeorge

SANE journal: Sequential Art Narrative in Education

The study presented in this article examines the use of comic books, specifically the TOON comic books during guided reading instruction. The instruction was provided to struggling readers by the Literacy Center at a comprehensive university in southeastern United States. What most pre-service teachers in this study agreed upon was that comic books served as an effective tool for getting their students interested in reading. Reading comic books with tutors as partners in conversation with the struggling readers in this study was also a powerful medium for facilitating students’ literacy skills development, particularly in the areas of reading fluency and …


Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette 2018 University of New South Wales

Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette

The Qualitative Report

Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …


Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta 2018 Université McMaster

Perspectives Plurielles Sur La Danse Du Lion Et Du Dragon: La Chinafrique, Suzanne Crosta

Présence Francophone: Revue internationale de langue et de littérature

When it comes to China and Africa, one thinks spontaneously of immensity versus mosaic, but one can also be fascinated by the rooting in the past. To create La legende des siècles, a French epic, Victor Hugo allowed himself to be carried by "history listened through the gates of legend", according to his own words. Imagine what would be the writing of The legend of the millennia for China and Africa, impressive asteroids launched in the sky of time? Thousand eyes scrutinize with their camera the interactions between the people of the great country and those of the African …


La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé 2018 Université du Québec à Montréal (UQAM)

La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé

Présence Francophone: Revue internationale de langue et de littérature

This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.


La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau 2018 College of the Holy Cross

La Question Du Cinéma Populaire En Afrique Du Nord, Michel Serceau

Présence Francophone: Revue internationale de langue et de littérature

The different North African cinemas, which appeared after the independences and were the work of film directors trained in Europe, were, as a principle, an art-house cinema at odds with the classical cinema type. Presented at festivals very often, they were not really embraced by the national audiences, who were mainly consumers of popular productions, either western or Egyptian. But the production of genre films (especially comedies) which were very rare until the 1990s is increasing today, at least in Morocco. Their arrival at the top of the Moroccan box-office where they compete with the American blockbusters prove that the …


Abstracts (N° 90), 2018 College of the Holy Cross

Abstracts (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo 2018 Université de Dschang (Cameroun)

Esthétique Écologique Et Hybridité Dans Les Génériques De Début Des Feuilletons Télévisés Camerounais, -- Ngetcham, Leslie Goufo Zemmo

Présence Francophone: Revue internationale de langue et de littérature

The first television pictures appeared in Cameroon thirty years ago, proposing series for public consumption. These imported products later on suffered a singular competition from local artists, whose works were mostly broadcast on private channels, besides what was proposed by the single public media of Cameroon Television (CW). In this article, we intend to carry an ecocritical analysis on the aesthetic aspects of ten credit titles; we also bring out the formal process of producing movies; this is how we can identify hybridity through costumes, languages and scenery because they go beyond the local environment which they reveal to present …


Parties Annexes (N° 90), 2018 College of the Holy Cross

Parties Annexes (N° 90)

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.


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