Vengeance Is Ours: Safe Spaces And Critical Empathy In Horror Films,
2018
Bridgewater State University
Vengeance Is Ours: Safe Spaces And Critical Empathy In Horror Films, David S. Hooker
Honors Program Theses and Projects
Many genres of film seek to bring viewers to heightened emotional states, perhaps this is most true of horror films. Although often displaying extreme violence, such films paradoxically provide openings for critically empathetic viewings which allow viewers with diverse backgrounds and experiences to identify with victims and survivors and transcend elements of subjective identity. This project analyzes the capacity of horror films, including those of William Friedkin, David Cronenberg, Brian DePalma and others, to offer viewers space in which to be critically empathetic. Regarding gender issues in the genre as outlined by such scholars as Carol J. Clover, and the …
Instituting Protest (Film),
2018
CUNY Hunter College
Instituting Protest (Film), Joshua Eisenberg
Theses and Dissertations
The road-trip story of one man looking at how first and fourteenth amendment rights have effected college campuses over time in the United States, while also looking at the possibility of revoking a diploma from a white nationalist for having different views than ones preferential to a certain college.
Study Abroad Blog: A Comprehensive Exploration Into Country And Culture,
2018
James Madison University
Study Abroad Blog: A Comprehensive Exploration Into Country And Culture, Kristin Zimney
Senior Honors Projects, 2010-2019
This writing serves as the reflective/contextual essay component of my creative thesis project. My creative project includes a detailed study abroad blog with photos, videos, and translated interviews I conducted with Salamanca locals regarding certain aspects of Spanish culture. This essay details the workings, text, and video content of my study abroad blog, and is intended to inform on a deeper basis with supporting research, the topics covered in the interviews.
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths,
2018
James Madison University
The Mythological Perspective Of Modern Media: Cross-Cultural Consciousness And Modern Myths, Rebecca E. Evans
Senior Honors Projects, 2010-2019
This piece assesses the cultural implications of modern narratives that incorporate classical mythology, specifically focusing on the hero’s journey. When the similarities of different myths across different cultures are analyzed, it becomes clear that there are modern analogs that incorporate mythic qualities and cultural values. These mythic foundations are analyzed here in popular works like Harry Potter, Star Trek, and Legend of Zelda, where the hero’s journey becomes an almost universal experience that inspires cross-cultural consciousness. The hero’s journey has evolved from a simple literary tool into a cross-cultural touchstone that shapes narratives into familiar works of cultural significance across …
Observational Representation Of A Rural Chinese Family's Life: The Return,
2018
CUNY Hunter College
Observational Representation Of A Rural Chinese Family's Life: The Return, Lingyun Zheng
Theses and Dissertations
The Return is a 60-minute observational documentary film that follows a Chinese family's life story from 2013 to 2016.
Consistent Passion, Little Fanfare: Rbg,
2018
CUNY Queensborough Community College
Consistent Passion, Little Fanfare: Rbg, Elizabeth Toohey
Publications and Research
Review of the 2018 documentary RBG
Student Film Festival 2018 Playbill,
2018
Providence College
Student Film Festival 2018 Playbill, Providence College
Playbill and Promotion
Student Film Festival
Introductory Remarks: Rev. Kenneth Gumbert, O.P.
Competing Films
Griff Massey ‘20, Abdel Zadieyh ‘21, Gerardo Davila ‘20, Matt Calogero ‘20, & Ricardo Saca ’20 - Road to the Shirt: The Movie
Trapper Phillips ‘18 - Kiss the Cook
Chris Paganelli ‘19 - Millennials
John Chatfield ‘19, Joe Ahart ‘18 - The Final Week
Jack Shanahan ‘19 - Pine Outfitters
Conor Holway ‘18 - Golden Dear Productions Gear Series
Blaine R. Payer ‘18 - Quail Hunting
Manya Glassman ‘19 - How to be Alone
Joe Fromer ‘19, Zach Gandara ‘19, Alex Poch ‘19 - Coffee Run
Jury Deliberations …
Student Film Festival 2018 Poster,
2018
Providence College
Student Film Festival 2018 Poster, Providence College
Playbill and Promotion
Student Film Festival
Angell Blackfriars Theatre
May 3 at 7PM
Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male,
2018
Macalester College
Race In Romance: Racialized Femininity And Intimacy Between Asian Female And Non-Asian Male, Minju Kim
Media and Cultural Studies Honors Projects
The film “Racing Romance” is a study of Asian female and non-Asian male intimacy. The film is based on an understanding that intimacy, desire and love are critical parts of one’s self-identification, while these desires are inevitably influenced by the historical and social contexts of race to varying degrees. There has been a limited academic interest in the female agency of Asian women in interracial intimacy. Too often, interracial marriages and relationships are simply celebrated as part of multiculturalism or anti-racism, without getting proper attention to the subtleties of racial and gendered dynamics that influence both members of the relationship. …
The Moving Collage,
2018
CUNY New York City College of Technology
The Moving Collage, Tian Leng
Publications and Research
Video is a medium based on space and time, and its forms and structures change how audience perceives and understand its content. This project will construct the interaction of videos in collage and explore the spiritual side of human experience with urban environment in New York City. Local museums and historical sites will be visited to understand the context of immigration history and culture.
High-definition video will be used to capture the imagery of several performers in field. The collage of shots, rather than the edit of them, provides a new perceptual experience for this medium. The structure of video …
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom,
2018
University of Connecticut, Storrs
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre
The Quiet Corner Interdisciplinary Journal
Breve análisis de los tópicos característicos en la obra fotográfica del fotógrafo cubano Juan Carlos Alom, en especial las que resumen su reciente exposición en el Jorgensen, Center for the Performing Arts, de la Universidad de Connecticut.
Polarization And The Modern Media Landscape,
2018
St. John Fisher University
Polarization And The Modern Media Landscape, Mark Walsh
3690: A Journal of First-Year Student Research Writing
Overview: This paper serves as an in-depth look into the partisan bias that exists in today’s mainstream and social media outlets and platforms, and concludes that this lack of objectivity further divides, polarizes and radicalizes the American populace. The evidence gathered supports the general claim that the mainstream media is indeed politically and ideologically biased to a certain extent, as are numerous influential social media blogs and news sites. Both loyal Democrats and Republicans enclose themselves within these ideological echo-chambers of their own making, based upon the news outlets they choose to use, as well as the way they choose …
Universal Truths, Verisimilitude, And Hyperreality: Baudrillard’S Simulacra And Simulation In Pride And Prejudice And The Lizzie Bennet Diaries.,
2018
University of Louisville
Universal Truths, Verisimilitude, And Hyperreality: Baudrillard’S Simulacra And Simulation In Pride And Prejudice And The Lizzie Bennet Diaries., Kathryn M. Kohls
Electronic Theses and Dissertations
This project applies Jean Baudrillard’s Simulacra and Simulation (1981) to Jane Austen’s Pride and Prejudice (1813) and Hank Green and Bernie Su’s The Lizzie Bennet Diaries (2012). By applying Baudrillard’s theory, one can see that Austen’s marriage plot is a shrewd critique of how social simulacra, simulations of reality, dictate how society is structured and interacts. These manipulative simulations are able to be transgressed by the novel’s protagonists, Elizabeth Bennet and Fitzwilliam Darcy. Their ability to find an unsimulated real is appealing to contemporary audiences caught in the hyperreality of the internet age. This leads to a panicked production to …
Age Of Failure,
2018
Kennesaw State University
Age Of Failure, Amber Stokes
Emerging Writers
Third-place winner of the Academic Category for the 2018 Emerging Writers Contest. The essay analyzes the use of sequels in the Avengers film series.
Language: The Amicable Monster In Arrival By Denis Villeneuve,
2018
Kennesaw State University
Language: The Amicable Monster In Arrival By Denis Villeneuve, Nicolas Franco-Roldan
Emerging Writers
Second-place winner in the Academic Category of the 2018 Emerging Writers Contest. The essay analyzes the use of language and its depiction as monstrous in Denis Villeneuve's film Arrival.
Introducing Godzilla To Marianne Moore's Octopus Of Ice At The Intersection Of Global Warming, Environmental Philosophy, And Poetry,
2018
Dominican University of California
Introducing Godzilla To Marianne Moore's Octopus Of Ice At The Intersection Of Global Warming, Environmental Philosophy, And Poetry, David Seter
Dissertations, Masters Theses, Capstones, and Culminating Projects
This paper explores the question: how can a poet write an ecologically aware poem about global warming? Global warming impacts everything on earth, most visibly the glaciers melting away before our eyes. Adopting Aldo Leopold’s environmental philosophy of thinking like a mountain, the poet may describe the impact of global warming upon the mountain, glacier, flora and fauna, that form an interconnected web of life. A poem that thinks like a mountain already exists: Marianne Moore’s “An Octopus” (published in 1924), which takes its title from the system of glaciers (or octopus of ice) on Mt. Rainier. For a contemporary …
Global Muslim Audiences’ Polysemic Reading Of “My Name Is Khan”: Toward An Emergent Multiculturalism,
2018
Portland State University
Global Muslim Audiences’ Polysemic Reading Of “My Name Is Khan”: Toward An Emergent Multiculturalism, Priya Kapoor
International & Global Studies Faculty Publications and Presentations
In this study, we learn how audiences make sense of a non-dominant text that is conveying a nonWestern story about the Global War on Terror (GWOT). The audiences affective narratives affirm Deuze’s argument that media is not separate from our lived experience; we live in media rather than with media. This study was conducted on an urban campus in the Pacific North-West, with film audiences of over fifty Saudi Arabian, Baharanian, Iranian, Iraqi, Yemeni, and other Arab and non-Arab Muslims. Multiple screenings of Hindi language film, My Name is Khan, shows that it speaks to a global, transcultural, primarily Muslim …
Hortus Conclusus 囚,
2018
Lingnan University
Hortus Conclusus 囚, Lantian D.
Artists-in-Residence Programme : Exhibition Catalogues
The Work of Lantian D.
One of the most basic things to understand about Lantian D.’s work is that it is born out of an acute awareness of the weaknesses inherent in contemporary art. The sorry state of the contemporary artworld is even the theme of one her earliest paintings, Crime and Punishment, which contains some suggestive depictions of artists and intellectuals who may bear some responsibility for the present situation: Jacques Derrida, Marcel Duchamp, Tracy Emin, Michel Foucault, Clement Greenberg, Damien Hirst, Jeff Koons, Charles Saatchi, and Andy Warhol are all depicted as witch-like creatures from one of …
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman,
2018
CUNY Graduate Center
Cellist, Catalyst, Collaborator: The Work Of Charlotte Moorman, Saisha Grayson
Dissertations, Theses, and Capstone Projects
When classically trained cellist Charlotte Moorman (1933-1991) moved to New York City in 1957, she swiftly positioned herself at the intersection of experimental music, performance, video, and the visual arts. She interpreted works by composers like John Cage, collaborated with artists such as Nam June Paik, and founded and organized the New York Avant Garde Festival from 1963 to 1980. This dissertation argues that Moorman’s career sheds new light on what it meant to be an artist in this post-medium-specific moment and proposes that Moorman’s deterritorialization of authorship exerts pressure on traditional art histories. The generative dynamics of her collaborations …
Party On, Derrida!: A Queer, Deconstructionist Look At Wayne's World, Glam, And The Losers Of Rock And Roll,
2018
CUNY Graduate Center
Party On, Derrida!: A Queer, Deconstructionist Look At Wayne's World, Glam, And The Losers Of Rock And Roll, Michelle A. Arp
Dissertations, Theses, and Capstone Projects
What do you get when you mix a girl from Long Island, critical theory, a movie based on a Saturday Night Live sketch, David Bowie, and alternative rock of the early 2000s? A lot of losers, a lot of queerness, and plenty of room for deconstruction.
Part performance studies, part queer studies, and part memoir, this study is a cross-genre and experimental analysis of postmodern ideologies, rock and roll, and comedy. More specifically, I use Jacques Derrida’s notion of “the slash” (Of Grammatology, 1967) in relation to high and low culture via comedies, such that of Wayne’s World …
