Film and Media Studies Commons^™

'Cause & Effect Of Beauty Standards'; 'Dissolution: Whale Fall'; & 'Enumeration And Ethical Hacking Iv', Zoé Shaikh, Lillie Turinsky

.RAW Journal of Art and Design

No abstract provided.

'Angels Die With U', Sofia Del Gatto

.RAW Journal of Art and Design

No abstract provided.

'Westward' & 'The Warning Sign', Ashley Fortes, Kaysen Erickson

.RAW Journal of Art and Design

No abstract provided.

'Sequel To The Dancing Man' & 'Entelechy (When I Was Born Perfect)', Cézar Gomez, Frank Cooke

.RAW Journal of Art and Design

No abstract provided.

'Degradation' & 'Midnight Snack', Jack Meyer, Addy Cota

.RAW Journal of Art and Design

No abstract provided.

'Joshua Tree, California', Colin Pope

.RAW Journal of Art and Design

No abstract provided.

Preface, Liliana Monge

.RAW Journal of Art and Design

No abstract provided.

Table Of Contents, Maxwell Rice

.RAW Journal of Art and Design

No abstract provided.

Opening, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

Cover, Connor Larson

.RAW Journal of Art and Design

No abstract provided.

Full Issue, Michaela Velleno, Erin Robinson, Zoé Shaikh

.RAW Journal of Art and Design

No abstract provided.

The Sensationalizing Of Presidential Assassinations In Mass Media Throughout American History, Lindsay E. Smith

Undergraduate Theses

This project explores how mass media has shaped the public response to presidential assassinations across American history. By examining the deaths of Abraham Lincoln (1865), James A. Garfield (1881), William McKinley (1901), and John F. Kennedy (1963), we can trace how evolving media technologies – such as newspapers, yellow journalism, radio broadcasts, and live television coverage – have sensationalized violence, politicized tragedy, and transformed periods of national mourning into mass spectacles. The thesis analyzes reporting methods, narrative framing, and the news industry to show how each has influenced emotional response, political landscapes, and eventual presidential legacy. Ultimately, we find that …

Destination: Love And Redemption In The Underworld, Alexis P. Johnson

Masters Theses

This essay serves as an artist’s statement for Alexis Johnson, outlining her journey as a storyteller and the development of her MFA thesis work, focusing on her feature film screenplay, Destination. Johnson details her lifelong connection to Arizona and the desire to propose storytelling on film that moves outside the stereotypical standard the state is known for. Through Destination, she aims to expand the Western genre by weaving in elements of magic and imagination, showcasing Arizona as a place rich in narrative potential. The screenplay explores themes of death, identity, and transformation. She reflects on how her life’s challenges have …

Knightly Arts For Modern Audiences: Faithfully Portraying Historical European Martial Arts In Contemporary Media, Justus (Isaiah) Morgan '26

Honor Scholar Theses

The ahistorical spectacular stylization of medieval and Renaissance European martial arts, which is common in modern artistic media, is flawed. In at least some cases a historically informed approach is preferable. This thesis describes how one might take such a historically informed approach to writing a fight scene. It examines the martial arts practiced by elite members of society through the medieval poems Beowulf and The Song of Roland, and through martial arts manuals including Fiore de’i Liberi’s Flos Delatorum, the glosses of Johannes Liechtenauer’s Zettel, and the rapier manuals of Camillo Agrippa and Girard Thibault d’Anvers. It considers audience …

The Two Lives Of Chuck Norris, Ben Pettis

Rhetoric and Communication Studies Faculty Publications

“Chuck Norris doesn’t do push-ups. He simply pushes the world down.”

“Chuck Norris counted to infinity – twice.”

“Chuck Norris once strangled someone – with a cordless phone”

In the late 2000s and early 2010s, Chuck Norris, the 1980s action star, became a tongue-in-cheek model of toughness and masculinity in viral internet memes known as “Chuck Norris Facts.”

Get Busy Living: Leaping Out Of Confinement With Kierkegaard In The Shawshank Redemption, Christian Wilken

Journal of Religion & Film

This article offers a Kierkegaardian reading of The Shawshank Redemption (1994), arguing that the film functions not as a miracle narrative but as a cinematic enactment of existential theology. While existing scholarship frequently interprets Shawshank through biblical typology or Foucauldian notions of incarceration, few consider how the film dramatizes Kierkegaard’s categories of anxiety, despair, and the leap of faith. Shawshank presents prison as more than a space of punishment—it becomes a refuge from the “dizziness of freedom,” a structured escape from the terrifying burden of possibility. Brooks’s suicide tragically embodies what Kierkegaard calls the “despair of weakness,” the inability to …

Numinous Matter: Time, Image, And The Sacred In Tarkovsky’S Cinema, Pamela Breda Phd

Journal of Religion & Film

In an era increasingly defined by acceleration, fragmentation, and commodification, the act of watching cinema has become subject to the same regimes of optimization that govern nearly all other domains of life. Streaming platforms quantify attention and the rhythms of visual consumption seem to be calibrated for distraction, rather than immersion. As film theorist Jonathan Beller stresses, in the contemporary attention economy, spectatorship itself becomes a form of labor enlisted into the machinery of value extraction. Within this cultural (and ocularcentric) regime to engage with the cinematic oeuvre of Andrei Tarkovsky is a radical counter-practice. Operating in the liminal space …

The Inscrutability Of Providence In Tarkovsky's Stalker, Peter G. Goldman

Journal of Religion & Film

Andrei Tarkovsky’s Stalker (1979) follows a spiritual journey that is at once literal and allegorical. The Zone, created by an alien visitation, is a place with conscious agency, and it reacts to those who enter its space. The Stalker says, rather obscurely, "it's as if we construct it according to our state of mind." How exactly the Zone responds to those who visit it is arguably the central question of the film. The Zone's agency is analogous to Providence in some sense, and the film is filled with Christian references on several levels. While most critics see Stalker as an …

Contemplative Absence: Sacred Experience In Abbas Kiarostami’S The Wind Will Carry Us And The Aesthetics Of Slow Cinema, Hessam Abedini

Journal of Religion & Film

This article examines how Abbas Kiarostami’s The Wind Will Carry Us (1999) creates sacred experience through systematic absence within contemporary slow cinema aesthetics. While previous scholarship has focused on religious content in spiritual cinema, this analysis demonstrates how formal techniques—particularly strategic concealment and extended duration—generate contemplative states without explicit religious references. Drawing on Paul Schrader’s transcendental style theory and recent slow cinema scholarship, the article traces how Kiarostami adapts Persian poetic traditions, particularly concepts of pardeh (veiling) and the interplay between bāṭin (hidden) and ẓāhir (manifest), to create meaning through what remains unseen. The dying woman who never appears, the …

Theology And The Films Of Christopher Nolan: Cinematic Transcendence, Travis W. Cooper

Journal of Religion & Film

This is a book review of Joel Mayward, Theology and the Films of Christopher Nolan: Cinematic Transcendence (Bloomsbury Academic/Fortress Academic, 2025).