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Le Vent Du Sud, « La Nuit Et L’Enfant » – Récit D’Une Vidéo-Correspondance Avec Zoheir Mefti, David Yon

Regards

Entre 2011 et 2012, Zoheir Mefti et David Yon ont entretenu une correspondance autour de la réalisation filmique. A travers leurs échanges, ils questionnent la nécessité de l’image. Zoheir Mefti travaille un geste filmique de l’urgence, tandis que David Yon prépare un film en Algérie dans un temps plus long. Après les mots, ils partagent des images et des sons, tels des carnets filmiques, dans lesquels ils donnent leurs positions et interrogent les liens entre la vie et le cinéma.

Carnets De Bord. Tables D’Orientation « Tariq Teguia », Pascale Cassagnau, Tariq Teguia

Regards

This interview by Pascale Cassagnau with Tariq Teguia puts into perspective the Algerian filmmaker’s work notebooks, which are both autonomous objects and working documents, linked to the film itself. A medium for thought, the notebook is a space for language, a score and a cartographic space that gives shape to the writing of the film in a graphic way. A discursive space parallel to the space of scriptwriting, the notebook accompanies the development of the film from its inception, collecting the writing of thought in no particular chronological order.

Résumé
Cet entretien de Pascale Cassagnau avec Tariq Teguia met en …

« Voi(E)X De L’Exil, Formes De La Pensée » : Le Cinéma-Essai De Borhane Alaouié », Elie Yazbek, Farah Alhashem

Regards

This article offers a comprehensive study of Borhane Alaouié’s work, a central figure in modern Lebanese cinema, situating it within the tradition of the essay film. Through an analysis of Lettre d’un temps d’exil, À toi où que tu sois and Khallas, it examines how exile, wounded memory, and fragmentary thought shape the filmmaker’s aesthetic and ethical approach. Exile is explored not only as a geopolitical condition but as an interior state, a persistent uncertainty that structures voices, narratives and images. The study highlights the importance of voice-over, fragmentation, memory-driven editing and epistolary address, while positioning Alaouié’s work …

The Personal Is Collective: Egyptian First-Person – Documentary Cinema As Post-Revolution Diary, Eman Elharmeel

Regards

The 2011 Egyptian revolution marked a watershed moment in the reconfiguration of individuality, autonomy and self-expression within Egyptian society. Challenging long-standing collectivist frameworks, the revolutionary moment opened new spaces for individual agency and subjective reflection. This paper examines how these shifts intersect with the rise of first-person documentary cinema as a powerful medium for articulating post-revolutionary subjectivity in Egypt.
Focusing on The Past Will Return (2015) by Dina Hamza, Happily Ever After (2016) by Nada Riyadh and Ayman El Amir, and Little Eagles (2016) by Mohamed Rashad, the paper analyzes how filmmakers negotiate personal desires, familial pressures and collective belonging …

Triste Souvenir Et Sombre Avenir, « Lettre À Ma Sœur » (2006) De Habiba Djahnine, Boualem Khelifati

Regards

This article explores how Letter to My Sister (2006), a film by director and poet Habiba Djahnine dedicated to her sister Nabila, a democratic and feminist activist who was murdered by Islamist terrorists in Tizi Ouzou in 1995, revisits the fate of the direct and indirect victims of Algeria’s dark decade of the 1990s and the repressive religious and state policies towards women. It employs a narrative structure that combines several film genres – film-letter, film-journey, film-poem, and film-archive – showing situations in which memories and pain are shared, as well as the necessary perpetuation of a struggle that is …

Beyrouth 1978-1982 : Le Fonds Photographique De Monica Maurer – Une Collection Contre L’Oubli Et La Destruction, Aude Fourel

Regards

It was while searching for unused film footage on the Palestinian struggle for a documentary essay that I discovered the filmography of German director Monica Maurer and her work restoring and preserving Palestinian films. For the past four years, we have been working together to digitise and catalogue the photographs and documents she still keeps at home.
I reflect on the paths opened up by the writing of a film in the making, on the formatting of Monica Maurer’s photographic collection, and on the initial prospects for visual and historical studies of this material in the particular context of the …

Sonorisation De L’Anarchive Ou La Palestine Comme Projet Politique – À L’Écoute De « A Fidai Film » De Kamal Aljafari Et De « Partition » De Diana Allan, Judith Abensour

Regards

Kamal Aljafari’s A Fidai Film draws on Palestinian archives confiscated by Israel in Beirut in 1982. Diana Allan created Partition using archives from Mandatory Palestine held at the Imperial War Museum in London. The film notebook not only refers to a type of fragmentary editing, but also allows us to revisit the relationship between sound and image, thus offering an exercise in remembrance in the present. By adding sound to images, the two filmmakers question the contradictions inherent in archives, their erasure or their resistance to authoritative or propagandistic discourse. Thus, under the guise of sensory and sound anthropology for …

Videotracts For Palestine : Images Et Contre-Images, Lola Maupas

Regards

This article examines the political and aesthetic gesture of Videotracts for Palestine, a collective founded on Instagram in November 2023 in the context of the Israeli offensive in Gaza. Heirs to the ciné-tracts of 1968 and, more broadly, to international militant cinema, these very short anonymous films also mobilize contemporary digital tools and produce what might be called a counter-visuality of resistance. The study highlights how the collective situates itself within a tradition of images as weapons of struggle while inventing its own forms, shaped by the massive circulation enabled by the Internet and social media. The videotracts deconstruct …

Des Sons Pour L’Histoire. Correspondance Avec Mohammed Yaghi, Aude Fourel

Regards

Sounds for History. Correspondence with Mohammed Yaghi
Mohammed Yaghi was born in 1992 and trained in sound engineering in Gaza. He has worked for UNRWA television and collaborated with Palestinian and international documentary film production companies.
These sound recordings for films, educational programs and interviews were the first step in the sound diary that he has kept on building on a daily basis.
[...]


Résumé
Mohammed Yaghi est né en 1992 et s’est formé aux métiers du son à Gaza. Il a travaillé à la télévision de l’UNRWA et collaboré avec des maisons de productions palestiniennes et internationales de films …

Women’S Agency And Pleasure (Wap): Toward A Black Feminist Theory Of Sexuality, Jelisa S. Clark, Erica Campbell

Journal of Research Initiatives

Black feminist theory has identified sexuality as a site of oppression for Black women, however, there has been limited attention to Black women’s pleasure. We suggest that WAP by Cardi B and Meg the Stallion provides a conceptual lens through which Black women's sexuality can be more humanely envisioned. WAP, in the tradition established by Black women in the blues, represents Black feminist theorizing about sexuality. Themes of Cultivating Community and Developing Voice through Self-Definition are central to discussions of Black women's pleasure. In this work, we bridge academic theorizing and Black women's cultural productions to reinvigorate Black feminist theorizing …

Knights Of Guinevere, Knights Of Terrace, Abigail Hyacinthe Woelk

Gateway Reader- Individual Papers

• The Problem: The researcher addresses a gap in media criticism regarding Dana Terrace's animated series Knights of Guinevere, arguing that critics like Rosa Perez over-emphasize the show's jabs at Disney while neglecting its broader allegorical critiques of corporate pollution and capitalist labor practices.

• The Method: The study analyzes the pilot episode of Knights of Guinevere by evaluating its framing, character design, and setting alongside a comparative critique of Rosa Perez's 2025 article "This Animated Sci-Fi Series Fires a Shot at Disney".

• Quantitative Finding: The core text references specific timestamps from the 2025 pilot episode, including the introduction of narrative …

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Introduction: Rethinking Circulation In Italian Film And Media, Simone Brioni Dr., Rachel Johnson, Shelleen Greene

Department of English Faculty Publications

This introduction to the special issue ‘Rethinking Circulation in

Italian Film and Media’ reconsiders how Italian audiovisual culture

moves across borders – industrially, geographically, linguistically,

and digitally. By focusing on the complex dynamics of circulation,

the essays gathered here trace the evolving connections between

production and distribution, exploring how contemporary modes

of localization, translation, and platform curation shape the

visibility and cultural capital of Italian cinema in global contexts.

From streaming giants such as Netflix to curated services like

MUBI, and from film festival circuits to independent film-making

networks, the issue interrogates how transnational infrastructures

of distribution redefine what counts …

Artificial Intelligence And The Palimpsestuous Nature Of Image Documents, Brian C. O'Connor, Laurie J. Bonnici

Proceedings from the Document Academy

We propose that document engagements are palimpsestuous - meaning emerges through layered interactions between viewers and documents rather than inhering within documents themselves. A photograph of a coffee mug prompts the question "Who's Blake?" for one viewer while evoking decades of family ritual, community relationships, and funeral flowers in ice cream containers for another. Traditional cataloging systems capture surface-level nouns (coffee mug, ice cream parlor) while systematically excluding the epidata and proximity relationships where meaning lives.

Through conversations with Claude.ai about photographs - including a Lewis Hine child labor image, everyday objects, and landscapes - we demonstrate that AI systems …

Figures Of Truth And Justice: Superman & Rock Music, Kelan Vitali

CAFE Symposium 2026

The American comic superstar Superman and rock music are completely different forms of media. One performs acts of heroism, and one is performed on stage. Despite their differences, however, both are prominent symbols of inspiration and moral courage.

Disney's American Mulan, Sofia Diascro

CAFE Symposium 2026

In America, we are taught that we should live for ourselves. We are told we have personal freedom to be an individual and do what we want. Ancient China prioritized collectivism, an idea deeply rooted in Confucianism. Collectivism is about hierarchy, family, duty, and obligation. Disney’s Mulan movies differ from the Chinese legend of Mulan by emphasizing American values of individuality and self-discovery.

Mamma Mia! What Nostalgia!, Asher Leuzzi

CAFE Symposium 2026

An analysis of Phyllida Lloyd's Mamma Mia!, and how it relates to Authentic Rock Culture. Discusses the power of nostalgia, demonstrating that it can be either a positive or negative force. Generally, sound used within this film helps display energy and emotional truth, which allows for complex themes to be revealed.

Hercules In Myth And Animation: Masculinity And Heroism, Noah Bautista

CAFE Symposium 2026

Disney's Hercules is a model man in today's society who combines the best aspects of both masculinity and femininity. In the myths, however, Hercules was much different and did not act as such a bridge between femininity and masculinity at the time. Through other scholarly works, the way that masculinity, heroism, and instrumentalization are presented and used is examined. Mythological Herakles is found to be a much more aggressive archetype of a man rather than Hercules, who is based upon strength in moderation and a more social society. Each fit into the ideals of the society they come from, perpetuating …

Life Beyond The Set: A Philosophical Analysis Of Existentialism In The Truman Show, Sharlene Almanzar

CAFE Symposium 2026

This paper aims to examine The Truman Show (1998) through the existentialist ideas of philosopher Jean-Paul Sartre, with particular attention to his concepts of freedom, bad faith, and self-creation, while also exploring the existentialist themes previously articulated by philosophers such as Nietzsche and Kierkegaard. The Truman Show serves as an allegory of existential freedom, demonstrating throughout that individuals are not born with an innate, fixed nature, but rather continually define themselves through their choices, ultimately illustrating Sartre’s principle that “existence precedes essence”. The concluding realization of the main character, Truman Burbank, that his world is an elaborate illusion embodies that …

Music As Memory And Narrative In American Graffiti And Dazed And Confused, Jacob Tone

CAFE Symposium 2026

This poster explores how George Lucas’s American Graffiti (1973) and Richard Linklater’s Dazed and Confused (1993) utilize popular music as a narrative tool to define the evolution of American youth culture. By examining the shift from the unified, diegetic radio culture of 1962 to the fragmented, ironic rock pastiche of 1976, the research highlights how Lucas creates a "communal identity" rooted in sincerity while Linklater captures the "disillusionment" of a generation adrift. Ultimately, the study demonstrates that these soundtracks are not mere background elements but serve as vital cultural archives that mediate between history and cinematic memory, shaping the way …

2026 Sundance Film Festival: Introduction, John C. Lyden

Journal of Religion & Film

2026 Sundance Film Festival: Introduction