Other Film and Media Studies Commons^™

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.

The Imagined Histories And Futures Of The Past: Wwi And The Cultural Imagination, Kelly Aliano

Far West Popular Culture Association Annual Conference

In this paper, I look at various modes of imagining the futures incarnated by the First World War, beginning with artists and writers, like Ernst Ludwig Kirchner and Erich Maria Remarque, who experienced and depicted the war from a firsthand point of view. From here, I expand that framework to include J.R.R. Tolkien, whose masterpiece Lord of the Rings may owe no small debt to his wartime experiences. I consider the Doctor Who episodes, “Human Nature” and “Family of Blood,” as contemporary attempts to reinsert WWI into the cultural consciousness. Finally, I look at the two versions of War Horse …

Peripheral Storytelling: Cinematic Structures And Audience Agency, Carlos Tkacz

Far West Popular Culture Association Annual Conference

A cultural phenomenon we are all unfortunately familiar with is terrible movies. By terrible movies I mean the kind that lack any semblance of structure, movies in which the characters are flatly drawn, the storylines are predictable, and the writing is especially bad. More specifically, I am interested in why these movies seem to be breeding without end and are no longer relegated to (maybe they never were) the low budget genre films some of us love to hate. I am talking here about the relatively new phenomena of the high-budget, popular-yet-terrible film.

Specifically, I am interested in applying Structuralism, …

How To Make A Monster: The Homosexual Experience In Horror And Thriller Cinema, Marcus Lindenburg

The Review: A Journal of Undergraduate Student Research

Horror and thriller’s subtextual stories within cinema have been prominent across many subgenres, creating a wide-spread correlation between the homosexual and the monstruous that grew even noticeable after the start of the AIDS epidemic. Much of horror critique and analysis has been focused on the objectification of the feminine, but the unique role that the male plays in horror and thriller (both as a villain and victim) deserves equal inspection. The research done in this paper demonstrates how horror cinema skews the suggested gender roles and how fear makes us more easily let go of the societal norms held so …

Streaming's Effect On American Media Exports, Aviel Geronimo, Jonathan Swanberg

Undergraduate Research Symposium Lightning Talks

The Media and Entertainment (M&E) industry is largest in the United States with a total value of $660 Billion in 2020. The global M&E industry is valued at approximately $2 Trillion. New technologies have allowed for the advent of streaming services for music, television, film, books, video games, and more. Streaming services allow media exports to be easily accessed by consumers domestically and abroad.

Celebrity Memes, Audioshop, And Participatory Fan Culture: A Case Study On Keanu Reeves Memes, Danielle Nielsen, Diane Sabenacio Nititham

Faculty & Staff Research and Creative Activity

Contemporary meme culture keeps Keanu Reeves’ image at the forefront of our imagination. Numerous Keanu-related memes circulate on the internet, featuring images of him from on and off screen. In this article, we argue that the rise of user-generated content, such as memes and social media, requires us to reconsider how audiences and fans consume, adapt, and circulate Keanu’s stardom. Specifically, we contend that memes and their attending participatory culture make Keanu familiar by placing him in knowable spaces and perpetuating his extraordinary ordinariness. To do so, we examine the 2019 ‘Keanu Reeves Walking in Slow Motion’ video clip from …

La Pirogue De Moussa Touré: Une Réponse Humanitaire À Une Crise Postcoloniale, Whitney A. Drew

Vernacular: New Connections in Language, Literature, & Culture

Le journal examine le film de Moussa Touré La Pirogue et le compare à la conversation actuelle concernant l’immigration du Sénégal vers les îles Canaries. En hommage aux victimes du périple tumultueux, La Pirogue attire l’attention sur l’autre face de l’immigration. Le film analyse les idées à travers le prisme des tropes médiatiques popularisés par le psychologue David Olsen et l’historien Hayden White. Dans le contexte du document, ces tropes explorent le message de Touré sur l’immigration.

Nationless States And Stateless Beings: The Politics Of Identity And Citizenship In Claudio Mir’S Mondongo Scam And Cheech Marin’S Born In East L.A., Rebecca A. Barnes

Vernacular: New Connections in Language, Literature, & Culture

In the colloquial sense of the term, the word citizen refers to an individual who belongs to a nation, either by birthright or by naturalization. Therefore, citizenship denotes a political and a social belonging, an ideological home, and, in most cases, a strong foundation for the development of one’s personal identity. However, since nations are inherently artificial structures, made only tangible in the present day by a few centuries of recorded history, a philosophical approach to the term citizen complicates this definition. Based off critics including Hannah Arendt, Homi Bhabha, Fernando Ortiz, and Jacques Derrida, this essay seeks to explore …

From Stage To Screen: The Art Of The Movie Musical, Vanessa Lopez

Symposium of Student Scholars

In this article I take a deeper look into what it takes to make a successful movie musical. When sound was introduced into the movie industry, it was musicals that stole the show. From 1927’s first talkie, The Jazz Singer, to 2021’s movie rendition of Dear Evan Hansen, movie musicals have been a key component of the movie industry. Throughout this article I will be comparing the success of two different kinds of movie musicals. The first type that I will be analyzing are the movie musicals that were written and produced directly for the screen. This includes movies such …

Ergativity In Na'vi, Jacob Barnett

Liberty University Research Week

Undergraduate

Textual or Investigative

2022: Framing Portraits Through Film : Deceitful Depictions Of Japanese-American Internment, Abraham Mayberry

Senior Capstone Projects

Japanese-American internment propaganda altered the portrayals of internment camps while also exposing the contradictions in the practicing the democratic ideals the government promoted. This study seeks to investigate and analyze government made propaganda films on Japanese-American internment and compare their messages to primary accounts from Japanese-Americans that experienced the camp.

Transforming Leviathan: Job, Hobbes, Zvyagintsev And Philosophical Progression, Graham C. Goff

Journal of Religion & Film

The allegory of Leviathan, the biblical serpent of the seas, has undergone numerous distinct and even antithetical conceptions since its origin in the book of Job. Most prominently, Leviathan was the namesake of Thomas Hobbes’s 1651 political treatise and Andrey Zvyagintsev’s 2014 film of the same name, a damning indictment of Russian corruption. These three iterations underscore the societal transition from the recognition of power as being derived from God to the secularization of power in Hobbes’s philosophy, to the negation of the legitimacy of divine and secular institutional power, in Zvyagintsev’s controversial film. This examination of Leviathan’s three unique …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

It Won’T Be Easy, Allison Arkush

Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design

Interdisciplinary artist Allison Arkush engages a wide range of materials, modalities, and research in her practice. In It Won’t Be Easy, Arkush places and piles her multimedia sculptures throughout the gallery to create installations that overlap ­with her writing and poetry, sometimes layering in (or extending out to) audio and video components. This approach facilitates the probing exploration of prevailing value systems through a flattening of hierarchies among and between humans, the other-than-human, and the inanimate—though no less lively. Her work meditates on and ‘vendiagrams’ things forsaken and sacred, the traumatic and nostalgic. The exhibition title acknowledges that the …

"What If We're On The Wrong Side?": Police Brutality, Protest, And Player Culpability In Heavy Rain And Detroit: Become Human, Karmann E. Ludwig

All NMU Master's Theses

Choice-based video games have often been called “interactive movies” for their unique position as a genre that lets players craft a unique story by making decisions that alter the game’s narrative. Two well-known examples in this genre, Quantic Dream’s Heavy Rain and Detroit: Become Human, offer a variety of possible story lines and outcomes for players to experience. However, because these two narratives are steeped in themes of police brutality, systemic racism, and protest, the way a player shapes a story does not exist in a relatively “moral-free” vacuum. Rather, the legal and social precedents that are often used to …

John Williams: Scoring And Interpreting Emotions In Film Music, Hadlee Lane Hubbard

Senior Honors Theses

This research paper examines how John Williams’s film scores convey an emotional narrative to the audience. First, the literature review will discuss pertinent theories on film music and emotions informing the current research. The paper then establishes Williams’s composing style, and centers on his connection to the classical symphonic composers and to the film music of the Golden Age of Hollywood. The research then analyzes how John Williams’s music influences emotions in prominent scenes from several of his films including Jurassic Park, Raiders of the Lost Ark, and The Empire Strikes Back. Finally, the paper concludes with a …

Live As Fireflies: The Narration Of Traumas In Two Films, Tucker Obrien

Senior Theses and Projects

The films To Live, directed by Zhang Yimou 1994 in China, and Grave of the Fireflies, directed by Isao Takahata in Japan, tell the stories of two families’ daily life as they endure the aftermath of historical tragedies in the 20^th century. Affected by the histories of China and Japan in the twentieth century, the actions and thoughts of the characters embody different forms of their traumas. I argue that these two films depict traumatic expressions of the Chinese and Japanese people to their respective historical tragedies, through the abnormal behaviors and uncanny psychologies of the characters. The visualized …

Pathetic Beauty: Mono No Aware In Hollywood Cinema –To Family And Friends In These Estranged Times–, Aaron Francis Ward

Japanese Society and Culture

Mono no aware is considered to be one of the central-most Japanese aesthetics and distinctive to Japanese identity (Keene 1995; Miller 2011). This aesthetic standpoint finds wistful beauty in the transient, and is most often translated to ‘beauty in pathos’ or ‘the ah-ness of things’ (Hume 1995), as exemplified in the Heian-era classic, The Tale of Genji (Murasaki 1981). To the outside world, mono no aware is most commonly associated with cherry-blossom viewing, where the short-lived existence of the falling cherry blossom is seen as a metonym for contemplation of the beauty in the transience of life itself. Although this …

Timely Representations: The Queer Elder Figure In Canadian And U.S. American Film And Television, Jami L. Mcfarland

Electronic Thesis and Dissertation Repository

Since the release of Mike Mills’s Beginners (2010), a critically acclaimed film about the late life coming out story of a 75-year-old father, representations of lesbian, gay, bisexual, and/or trans (LGBT) characters in their sixties, seventies, eighties, and nineties have multiplied in U.S. American and Canadian film and television. Instances of what I call the ‘queer elder figure', these contemporary representations comment on the intersections of aging and queerness. Evident in popular award-winning series, such as Grace and Frankie (2015-2022) and Transparent (2014-2017; 2019), the queer elder figure has emerged as a rather trendy subject in the second decade of …

Memorias De Mi Familia, Melissa Z. Montero

Theses and Dissertations

Abstract

Memorias de Mi Familia is an hour-long personal documentary through which I explore the meaning of “home.” I was born and raised in New York to a Puerto Rican mother and Ecuadorian father and lived between two worlds—sometimes more. While on a visit to Puerto Rico with my mother, Sylvia, I search for belonging and explore my family’s story of migration between the island and the United States.

Through interviews, family films, home videos and photographs spanning over 60 years, I examine the revolving migration pattern common to many Puerto Ricans on the island and in the diaspora, a …