Vision And “Sur-Vision”: Intermediality And Alterity In The Frames Of Abbas Kiarostami,
2026
Bilkent University
Vision And “Sur-Vision”: Intermediality And Alterity In The Frames Of Abbas Kiarostami, Marjan Mohammadi
CLCWeb: Comparative Literature and Culture
Abbas Kiarostami’s cinema, often compared to Italian neorealism, oscillates between documentation and fiction. Kiarostami’s worlds, replete with a complex network of incomplete and self-reflexive frames, create a new site for perception, reflection, and intervention. This paper studies the intermedial aspect of Kiarostami’s cinema in “The Koker Trilogy” (1987; 1992; 1994), Close-Up (1990), and “Taste of Cherry” (1997). It explores how these moving images are shaped by the specific context of Iranian cinema and how they turn to reshape it. First, it examines Kiarostami’s framing techniques, which expand Iranian cinema and its engagement with Western visual conventions. …
Memory And Identity: A Comparative Analysis Of “Iranian Cultural Identity” In Asghar Farhadi’S Adaptation Of Arthur Miller’S Death Of A Salesman,
2026
Shahid Beheshti University
Memory And Identity: A Comparative Analysis Of “Iranian Cultural Identity” In Asghar Farhadi’S Adaptation Of Arthur Miller’S Death Of A Salesman, Raed Faridzadeh
CLCWeb: Comparative Literature and Culture
Recent cultural studies examine the intersection of cultural identity and memory, often viewing culture as a symbolic sign system or "culture as text." Jan Assmann defines "cultural memory" as essential to shaping societal identity. Literature and film contribute to this process by transmitting and evolving cultural meanings, not only reflecting but also constructing knowledge and reality. Iranian cinema has become a powerful medium of cultural expression, particularly post-revolution. Filmmakers like Abbas Kiarostami, Sohrab Shahid Sales, Dariush Mehrjui, and Asghar Farhadi explore the dynamic relationship between literature and film in shaping cultural memory. This article analyzes Asghar Farhadi’s adaptation of Death …
Willy Loman’S Desperate Affair Challenges The Iranian Censorship: Asghar Farhadi’S The Salesman,
2026
The University of New South Wales
Willy Loman’S Desperate Affair Challenges The Iranian Censorship: Asghar Farhadi’S The Salesman, Adineh Khojastehpour
CLCWeb: Comparative Literature and Culture
This study examines resistance in cross-cultural adaptations, focusing on Asghar Farhadi's The Salesman (2016), an adaptation of Arthur Miller's Death of a Salesman (1949). This research investigates how Farhadi's rewriting of Miller's play within post-revolutionary Iran engages in a dialogue with the Islamic Republic and its dominant discourses. It explores how this adaptation addresses Iran's social, cultural, and ideological complexities by reframing Miller's narrative of 1950s societal change and the failure of the American Dream within the context of post-revolutionary Iran. This analysis uses Bakhtin's concept of the chronotope to reveal how The Salesman uses Miller's unique concept of a …
Cineture: The Trans(Inter)Mediality And Socio-Cultural Mobility Between Iran And The Us,
2026
Purdue University
Cineture: The Trans(Inter)Mediality And Socio-Cultural Mobility Between Iran And The Us, Naghmeh Esmaeilpour
CLCWeb: Comparative Literature and Culture
Literature and film have proven to be influential socio-cultural mediums, facilitating interactions and counteractions between nations where politics often fail to do so. Introducing cineture as a transmedial genre, this article is situated at the intersections of glocalized culture, and Iranian-American studies by considering literature and film as the contact zone between Iranians and Americans. Cineture, the combination of cinema and literature, refers to the circulation of cultures through its specification of film-text transmediation. The application of cineture demonstrates the combination and blending of literary and cinematic works leading to cross the “center and periphery dichotomy.” To study cineture …
Cineture: Shared Narratives And Cultural Exchanges Between Iran And The Us (Introduction),
2026
Purdue University
Cineture: Shared Narratives And Cultural Exchanges Between Iran And The Us (Introduction), Naghmeh Esmaeilpour
CLCWeb: Comparative Literature and Culture
No abstract provided.
What Is This Thing Called Film?,
2026
SAE University College
What Is This Thing Called Film?, Strutts Psyridis
Staff Scholarship - Australia & Dubai
This article looks back at my experience of the transition from traditional motion picture film to modern digital filmmaking. It explains the physical and chemical processes behind film, and how we worked with as creatives, and contrasts them with digital recording methods, I reflect on how technological changes transformed production practices, costs, and industry infrastructure. I also highlight the discipline and technical skills required when shooting on film, arguing that the limitations of older methods encouraged careful planning, collaboration, and strong visual storytelling techniques.
Developing Text-To-Video Ai Workflows Through Creative Practice,
2026
SAE University College
Developing Text-To-Video Ai Workflows Through Creative Practice, Nathan S. Jensen
Staff Scholarship - Australia & Dubai
This creative practice project investigates the extent to which Gen-AI text-to-video tools can maintain coherence across a short multi-shot sequence rather than a single generated clip. This includes continuity in recurring characters, visual style, and simple narrative flow. Using a Creative Practice Scholarship framework and practice-based methodology, I developed Bush Friends, a proof-of-concept children’s television intro, as the artefact of experimentation. This project combined concept development, storyboard planning, iterative prompting, AI video generation, and editorial assembly using ChatGPT (OpenAI, n.d.) for ideation and prompt development, Kling 3.0 Omni (KlingAI, n.d.) for video generation, and DaVinci Resolve 20 (Blackmagic Design, n.d.) …
Framing The Heart: A Director Of Photography’S Role In Crafting Cinematic Emotion,
2026
Stephen F Austin State University
Framing The Heart: A Director Of Photography’S Role In Crafting Cinematic Emotion, Mitchell D. Partlow
Electronic Theses and Dissertations
This thesis will explain the process of being the Director of Photography on the film Echoes from the Dock by Bella-Jace Moreno. I will discuss my process during Pre-Production, Principal Photography (Production,) and Post-Production, and walk you through the process of being the Director of Photography on a feature length production. Echoes from the Dock was one of the hardest tasks I have taken on, but through trials and tribulations, it is not about the journey, but the product. Pushing me to my creative limit, here is my journey through the Director of Photography’s Making of Echoes from the Dock …
Beyond The Mic: A Documentary Of Kaor’S Voices & History,
2026
University of South Dakota
Beyond The Mic: A Documentary Of Kaor’S Voices & History, Sydney M. Kolln
Honors Thesis
The University of South Dakota’s Media & Journalism Department celebrated the 40th anniversary of KAOR, the university’s student-run radio station, on Oct. 2, 2025. The celebration recognized generations of students whose creativity, leadership, and dedication contributed to the station’s growth and continued legacy on campus. This thesis explores the history and growth of KAOR through research, historical documents, and personal accounts from former and current KAOR students. By examining the station across multiple decades, the project highlights how student radio has adapted to changing technology and campus culture. This written thesis accompanies a 30-minute documentary focused on key eras in …
2nd Place Contest Entry: "Destablizing U.S.-Japan Relations: Nikkatsu Film Noir As Postwar Social Critique",
2026
Chapman University
2nd Place Contest Entry: "Destablizing U.S.-Japan Relations: Nikkatsu Film Noir As Postwar Social Critique", Thomas Graham Buchanan
Eric M. Scandrett Graduate Library Research Prize
This is Thomas Buchanan's submission for the 2026 Eric M. Scandrett Graduate Research Prize, which won second place. It contains their essay on using library resources, a summary of their research project on how a generation of Japanese filmmakers in the 1950s and 1960s borrowed the formal strategies of Hollywood film noir to mount a critique of U.S. Cold War policy, and their bibliography.
Thomas is a student in the Master of Arts in Film & Media Studies program at Chapman University. Their faculty mentor is Dr. Emily Carman.
Thomas' thesis is the scholarship that emerged from the research discussed …
Dark Wave - Comics And Transgender Studies In Practice,
2026
Dartmouth College
Dark Wave - Comics And Transgender Studies In Practice, Mieke Vanderveen
Dartmouth College Master’s Theses
This is a thesis in two parts. Its goal is to provoke the intersection of superhero comics and transgender studies in order to interrogate the parallels between those two identities and explore ways in which pairing them together can strengthen each other narratively and academically. Rather than seeking an answer to a question, the project as a whole serves as a way of communicating trans internalities from a transfeminine perspective in a format that brings the issues to the forefront of the narrative in an in-depth and entertaining way. The result is hopefully a coherent artistic work that achieves those …
Shadowrunning The Human: Harebrained Schemes' Shadowrun Series And Transhumanism,
2026
Old Dominion University
Shadowrunning The Human: Harebrained Schemes' Shadowrun Series And Transhumanism, Alexander P. Orelup
English Theses & Dissertations
I argue that Harebrained Schemes’ video game series Shadowrun critiques transhumanism in three distinct yet related ways: in terms of religion, political control, and identity capitalism. In doing so, Shadowrun attempts to counter claims that video games are an inherently transhumanist medium and provides an opportunity for players to resist a potential transhuman future. This further elucidates the trends and perceptions of transhumanism within American culture around the time period. I utilize a variety of methodologies in my argument, ranging from cultural studies, narratology, ludology, and close reading in order to grasp all of the audio-visual and gameplay elements that …
The Migrant As A Pilgrim: Decolonising Identity And Belonging,
2026
University of Auckland, New Zealand
The Migrant As A Pilgrim: Decolonising Identity And Belonging, Susan Nemec
International Journal of Religious Tourism and Pilgrimage
This paper responds to pilgrimage scholar George Greenia’s assertion that meaningful intersections exist between pilgrimage and various forms of displacement, such as migration or involuntary exile due to famine, war, or political unrest. Greenia proposes that vulnerable, displaced individuals might find shelter, both conceptually and emotionally, within the framing of pilgrimage. By extending concepts of pilgrimage, it can be understood as a deliberate and intentional journey, simultaneously emphasising the transformative potential inherent in migratory movement. By adopting a working definition of pilgrimage as ‘any form of travel that is intentional, purposeful, or transformative,’ the paper considers how migrancy, particularly within …
Generative Ai/Machine Learning In The Screen Production Classroom And The Implications For Tertiary Educators.,
2026
SAE University College
Generative Ai/Machine Learning In The Screen Production Classroom And The Implications For Tertiary Educators., James Thompson, Kereen Ely-Harper, Tom Young, Rachel Wilson, Nico Meissner
Staff Scholarship - Australia & Dubai
This report explores how screen production educators in the ASPERA community are responding to the rapid integration of generative Artificial Intelligence (genAI) in teaching and learning. Framed by Sean Cubitt’s (2020) notion of Common Intelligence, we investigate two guiding questions: How are students engaging with genAI tools in their productions, and what are the implications for educators? Methodologically, we engaged in qualitative professional dialogue with screen practice educators through three mechanisms during the 2024 ASPERA Conference: lightning provocations, an anonymous Mentimeter survey, and a facilitated roundtable discussion. These activities provided a collaborative forum for educators to share practice-based insights, reflect …
Knights Of Guinevere, Knights Of Terrace,
2026
Lindenwood University
Knights Of Guinevere, Knights Of Terrace, Abigail Hyacinthe Woelk
Gateway Reader- Individual Papers
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The Problem: The researcher addresses a gap in media criticism regarding Dana Terrace's animated series Knights of Guinevere, arguing that critics like Rosa Perez over-emphasize the show's jabs at Disney while neglecting its broader allegorical critiques of corporate pollution and capitalist labor practices.
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The Method: The study analyzes the pilot episode of Knights of Guinevere by evaluating its framing, character design, and setting alongside a comparative critique of Rosa Perez's 2025 article "This Animated Sci-Fi Series Fires a Shot at Disney".
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Quantitative Finding: The core text references specific timestamps from the 2025 pilot episode, including the introduction of narrative …
The Profitability Of Racial Diversity And Gender Balance In Modern Hollywood,
2026
Gannon University
The Profitability Of Racial Diversity And Gender Balance In Modern Hollywood, M. Garrett Roth, William Mcandrew
The Journal of Economics and Politics
This paper investigates the effects of racial and gender diversity in modern Hollywood. The primary objective is to determine if an objectively measurable increase in diverse casting over the last two decades has had a positive or negative impact on profits, and a secondary objective to measure diversity’s impact on critic scores. The study utilizes data focusing on the fifty most expensive films from 2003, 2008, 2013, 2018, and 2023. The findings indicate that profit is neither positively nor negatively affected by diversity, whether in ethnicity or gender. However, movie critic ratings are negatively affected by ethnic diversity when using …
A Review Of Alberto Toscano’S Late Fascism,
2026
Simon Fraser University
A Review Of Alberto Toscano’S Late Fascism, Clint Burnham
CLCWeb: Comparative Literature and Culture
No abstract provided.
A Review Of Zahi Zalloua's The Politics Of The Wretched: Race, Reason, And Ressentiment,
2026
Texas A&M University
A Review Of Zahi Zalloua's The Politics Of The Wretched: Race, Reason, And Ressentiment, Benjamin Davis
CLCWeb: Comparative Literature and Culture
No abstract provided.
Exploring Chinese Elements In J.D. Salinger’S Works: A Response To Mccarthyism In The Early Cold War Era,
2026
Shanghai University
Exploring Chinese Elements In J.D. Salinger’S Works: A Response To Mccarthyism In The Early Cold War Era, Yixin Lu
CLCWeb: Comparative Literature and Culture
Since the publication of “The Laughing Man” in 1949, various ideas about “China” have emerged in J. D. Salinger’s famously obscure works. This article aims to argue that Salinger’s incorporation of elements related to China and ancient Chinese philosophy in his works illustrates an artistic response to American anxieties during the McCarthy Era. The article uses “The Laughing Man” and “De Daumier-Smith’s Blue Period” as case studies to demonstrate how Salinger’s engagement with “China,” including the concept of indiscrimination from Zen Buddhist ideas, as well as notions of naturalness and non-action from Taoist ideas, develops not only a mystical writing …
Ginsberg’S China Experience And Its Influence On His Series Of Poems On China,
2026
Southwest Jiaotong University
Ginsberg’S China Experience And Its Influence On His Series Of Poems On China, Xiankai Ren
CLCWeb: Comparative Literature and Culture
As a renowned poet and representative of the Beat Generation, Allen Ginsberg was invited to be a member of the US Writers’ Delegation to visit China in 1984. His China trip as well as his reading of traditional Chinese literature constitute his China experience, which is represented in Ginsberg’s poetry. This essay examines Ginsberg’s series of poems on China. It first shows that Ginsberg’s introduction to the Beat Generation poets and their poetics provided the inspiration for his poetry writing. Then it discusses Ginsberg’s observation of Chinese society during his visit and his reading of the Chinese poet Bai Juyi. …
