Estrangement,
2026
University of Warwick
Estrangement, Harry Warwick
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Dissociation,
2026
Washington University in St. Louis
Dissociation, Aylin Bademsoy
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Content Ii,
2026
McGill University
Content Ii, Kyle Kubler, Sarah Brouillette
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Content I,
2026
American University of Beirut
Content I, Marie Claire Middlemiss Sanazaro
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Compulsion,
2026
City University of New York
Compulsion, Caleb Fridell
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Compression,
2026
University of Massachusetts Amherst
Compression, Ruth Jennison
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Category,
2026
University of California, Berkeley
Category, Christopher Geary
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Ascription,
2026
Purdue University
Ascription, Rafael Lubner
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Appearance,
2026
University of Toronto
Appearance, Joshua Wiebe
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Antagonism,
2026
University of Warwick
Antagonism, Will Berrington, E.J. Graham
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Age,
2026
University of Pennsylvania
Age, Sam H. Samore
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Abstraction,
2026
King's College London
Abstraction, Samuel Fisher
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Abolition,
2026
Carleton University
Abolition, Seb B. Grossmann
CLCWeb: Comparative Literature and Culture
Entry for special issue, 'Keywords for Value and Culture'
Introduction: Reading Marx,
2026
University College Dublin
Introduction: Reading Marx, Thomas Waller, Sean O'Brien
CLCWeb: Comparative Literature and Culture
Introduction for special issue, 'Keywords for Value and Culture'
The Relationship Between Selfie Engagement On Social Media And Cosmetic Surgery Consideration Among Youth In China,
2026
Universiti Malaya
The Relationship Between Selfie Engagement On Social Media And Cosmetic Surgery Consideration Among Youth In China, Wang Haoyue
Student Works (2020-2029)
The surge in cosmetic surgery consideration among Chinese youth is a complex phenomenon increasingly linked to social media and selfie culture. While prior research has established a general link between media exposure and cosmetic surgery interest, the specific psychological mechanisms and the role of user demographics remain poorly understood. Grounded in social comparison theory and media literacy theory, this study proposes a conceptual model to investigate how media literacy, namely perceived realism, perceived similarity, and identification, influences cosmetic surgery consideration, both directly and indirectly through the mechanism of social comparison. Furthermore, the model examines the moderating effects of key demographic …
The Influence Of Gustav Holst's The Planets On The Music Of John Williams,
2026
Liberty University
The Influence Of Gustav Holst's The Planets On The Music Of John Williams, Kara Lewis
Senior Honors Theses
Throughout his six-decade career in film music, John Williams has achieved incredible success. Yet, one of the most prominent criticisms of Williams’ work is that it borrows heavily from classical repertoire. It is common to read that Williams stole from composers such as Gustav Holst. This paper examines in what aspects and to what extent the music of Williams takes inspiration specifically from Holst’s The Planets. Overall style and specific excerpts will be compared to demonstrate that, while the two share some characteristics, there is not an overall sameness of style. It shall also be demonstrated that certain excerpts …
"Everyone Leaves Me Behind”: How Harmful Tropes In Fiction Impact Autistic Women,
2026
Grand Valley State University
"Everyone Leaves Me Behind”: How Harmful Tropes In Fiction Impact Autistic Women, Sara E. Allard
Ought: The Journal of Autistic Culture
Until now, females with ASD have been ignored by healthcare professionals, policymakers, and the general public. The unique presentation of autistic women and girls is now in the cultural spotlight within not just the advocacy and scientific community, but also the arts. Female autistic characters are getting increased representation across literature and television, yet their narratives are still often stuck in the past. Most authors and screenwriters have yet to understand the specific struggles that female autistics face compared to their male counterparts, relying on the outdated, reductive perceptions that have plagued them for decades.
This article outlines three harmful …
Entering The Villa: Love Island Usa Season 7 As A Site For Neoliberal Prosumption,
2026
Dartmouth College
Entering The Villa: Love Island Usa Season 7 As A Site For Neoliberal Prosumption, Laura Cunningham
CLAMANTIS: The MALS Journal
No abstract provided.
The Record, Issue 3,
2026
Bank Street College of Education
The Record, Issue 3, Bank Street College Of Education. Archives
The Record
The third quarterly newsletter from the Bank Street Archives
Trans-Cyber Cinema: Digital Embodiment In Science-Fiction Films,
2026
CUNY Graduate Center
Trans-Cyber Cinema: Digital Embodiment In Science-Fiction Films, Sophia R. Schrock
Dissertations, Theses, and Capstone Projects
This thesis aims to define the trans-cyber genre within cinema. By looking retroactively at a selection of nine films made across various decades and countries, this genre connects these films through their visualization and thematization of both trans and cyber embodiments, whereby the trans-cyber being emerges. Before the cinematic analysis and explanation of the three generic conventions selected for this thesis – transformation of body/gender; altered reality, memory, and temporality; and, radical death – the two intertwining theoretical frameworks will be established. This includes a brief summary of applicable transgender theory, and an introduction to cyborg theory (using Donna Haraway’s …
