Verlorene Heimat, Gefundene Leere - Michael Hanekes Trilogie Der Emotionalen Vergletscherung Und Die Nicht-Orte Des Alltags,
2024
University of New Mexico - Main Campus
Verlorene Heimat, Gefundene Leere - Michael Hanekes Trilogie Der Emotionalen Vergletscherung Und Die Nicht-Orte Des Alltags, Amber Lane
Foreign Languages & Literatures ETDs
This work examines the incorporation of the concept of non-place in Michael Haneke's Trilogy of Emotional Glaciation (1989-1994) and its connection to elements of the Heimatfilm. The trilogy introduces the concept of non-place in urban or domestic settings while exploring the decay of human relationships and societal alienation. Despite individual stories, the films share a dark atmosphere and question human existence in an alienated world. Haneke's unique film style, characterized by long takes and minimalist aesthetics, is used to examine human behavior with emotional distance. This work sheds light on Haneke's contribution to the Austrian film tradition and contributes to …
Revelation Perth International Film Festival Academic Conference 2024,
2024
SAE Institute Australasia
Revelation Perth International Film Festival Academic Conference 2024, James Thompson
Staff Scholarship - Australia & Dubai
Drawing delegates from around the country The Revelation Perth International Film Festival's Academic Conference is a truly interactive two days of intense discussion and debate on all things cinema
Revelation is Australia's only international film festival to host and encourage academic discussion alongside its screening program and we look forward to taking its discoveries to audiences around the country and world. It represents an important platform in film discussion and analysis in this country.
Taking place on Tuesday July 2nd and Weds July 3rd 2024, the Revelation Academic Conference draws local, national and international academics to discuss and analyse issues …
Mula Sa Editor (Hunyo 2024),
2024
De La Salle University
Mula Sa Editor (Hunyo 2024), Rowell Madula, Dolores R. Taylan
Malay Journal
Nilalaman nito ang pambungad na mensahe ng mga editor para sa isyu.
Talaan Ng Mga Editor At Nilalaman,
2024
De La Salle University
Talaan Ng Mga Editor At Nilalaman, Malay Journal
Malay Journal
Nakatala sa dokumento ang listahan ng mga editor at nilalaman ng buong isyu.
The Construction Of Character And Authenticity On Rupaul's Drag Race,
2024
Portland State University
The Construction Of Character And Authenticity On Rupaul's Drag Race, Carli Pickett
University Honors Theses
One of the most common instructions delivered to the drag queens competing on RuPaul's Drag Race is to show their "true self." At first glance, RuPaul's Drag Race foregrounds authenticity and individuality, but it does so through a constructed lens that shapes its contestants into characters. While storylines and characterizations on the show are necessarily informed by the queen's actions, they are heavily shaped by editing.
In this essay, I will be exploring the ways in which authenticity manifests itself throughout several seasons of RuPaul's Drag Race. Each episode of Season Seven, Eight and Nine was watched with special …
Embodied Abstractions: Identity And Representation In The Digital Era,
2024
Rhode Island School of Design
Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari
Masters Theses
The digital image is a copy in motion. As it accelerates, it deteriorates.
It is a ghost of an image, a preview, a thumbnail, squeezed through
digital connections, resized, uploaded, downloaded, reformatted
and re-edited.
- Adapted from “In defense of the Poor Image” by Hito Steryel
With today’s digital technology, the image is no longer a stable
representation of the world, but a programmable database that
is updated in real time. It is not only part of a program, but it
contains its own operating code: the image is a program in itself.
Consequently, the image’s rhetoric has taken on …
Past * An Introduction To The Problem,
2024
CUNY John Jay College
Past * An Introduction To The Problem, Zelimir Zilnik, Boris Buden, New Media Center Kuda.Org, Olivera Jokic
Publications and Research
Who can know what is in the past? Is it what historians can tell us? Should we also trust what we can remember? Past • An Introduction to the Problem proposes that the problem of the past now concerns everyone. Visions of a different, brighter future defeated in the Cold War and its heated afterlives, we are being offered the past as the only horizon of possibility. And what are we supposed to find in that past? Philosopher Boris Buden considers these questions in a series of essays and conversations with filmmaker Želimir Žilnik, one of the most prominent filmmakers …
Catering And Hospitality Trade Press Periodicals: Their Emergence, Their Memories, Their Preservation,
2024
Bishop Grosseteste University
Catering And Hospitality Trade Press Periodicals: Their Emergence, Their Memories, Their Preservation, Carina J. Mansey
Dublin Gastronomy Symposium
In Victorian England, cultural, industrial, technological, and financial flows led to two industries being subject to processes of professionalisation: catering and hospitality, and the independent press. As such, a new form of media emerged, the trade press, which catered for those working in the catering and hospitality industry. This press content documents not only the industry’s operations, but also the aspirations and attitudes of employees, their employers, and other key stakeholders. This allows for us to glimpse into past lifeworlds and extract forgotten memories. We are able to witness how ethnoscapes characterised the trade, but also led to integration conflicts. …
Consciousness And The Reality Of Monsters In Horror Movies: Dehumanization And What Monsters In Horror Films Say About Us,
2024
California Institute of Integral Studies
Consciousness And The Reality Of Monsters In Horror Movies: Dehumanization And What Monsters In Horror Films Say About Us, Leila Kincaid
Journal of Conscious Evolution
This essay responds to Carroll’s The Nature of Horror from the perspective of transdisciplinary phenomenological film theory, largely developed by Edgar Morin in the 1950s. It argues that Carrolls’s reduction of the phenomenological value of horror films to an unreal category minimizes and even dismisses the inherent value of horror films. Morin, Allan Combs, and others offer more integral and transdisciplinary methods for art interpretation and functionality. They help us understand how monsters in horror films can stand as mirrors and reflections of the monstrous in ourselves and society. Thus, the transformational function and value of film is revealed and …
Authenticity In Fashion And Beauty: Influencer Marketing And The Development Of Parasocial Relationships On Social Media,
2024
CUNY Bernard M Baruch College
Authenticity In Fashion And Beauty: Influencer Marketing And The Development Of Parasocial Relationships On Social Media, Catherine Goodheart
Student Theses and Dissertations
Social media influencers are more accessible than celebrities, making their audience form strong connections with them through their niche content. The parasocial relationship formed between influencers and their followers through the followers' media literacy of the influencer’s authenticity enables influencers to market themselves promoting products; without a perceived authenticity, a parasocial relationship will struggle to form. This parasocial relationship is typically to generate profit for the influencer, as many influencers are paid to promote and advertise products specific to their niche(s) on their profiles or on the brand’s profiles. A media analysis was used to study 5 beauty and fashion …
A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility,
2024
Seattle Pacific University
A Romantic Austen: The Discordant Feminist Discourse Of Adapting Sense And Sensibility, Evan Teigland
Honors Projects
This undergraduate thesis explores the intertextual and critical conversations around Jane Austen’s Sense and Sensibility, and the 1995 screen adaptation of the same name, with a focus on how each text understands the interplay between feminine romance and feminine agency. A non-essentialist theory of adaptation is applied to construct an interpretive model that esteems Emma Thompson’s version of the story and considers its consequence to different communities of Austen readership, which is measured by the distinctly feminist themes detectable in the sexuality of Sense and Sensibility fanfiction. This investigation uncovers the importance of expanding the interpretive power and possibilities of …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential,
2024
Whittier College
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava,
2024
CUNY Hunter College
A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom
Theses and Dissertations
This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.
Aguaaaa!!!,
2024
CUNY Hunter College
Aguaaaa!!!, Cory Villegas
Theses and Dissertations
“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.
Luca (Last Universal Common Ancestor),
2024
CUNY Hunter College
Luca (Last Universal Common Ancestor), Tansy Xiao
Theses and Dissertations
LUCA (Last Universal Common Ancestor) is a non-linear virtual environment with a non-anthropocentric approach. Streaming real-time biometric data from performers' movements, brain activities, and bioprocess data from living microbiomes such as slime mold and yeast into the virtual ecosystem, LUCA explores the collective agency and interconnectivity among diverse living entities.
Container Film,
2024
CUNY Hunter College
Container Film, Dena Kopolovich
Theses and Dissertations
Container Film is an experimental nonfiction short film that explores the theme of carrying. Drawing inspiration from a blend of anthropological, religious, and artistic sources, the film is guided by an unknown narrator who contemplates the origins of humanity. Unlike conventional storytelling, the narrator’s uncertainty and inner dialogue punctuate the narrative, challenging a traditional linear structure. Jumping between diverse thoughts, she resists depicting human history with a singular hero or linear trajectory. Visually, the film unfolds through vivid tableaux vivants, dance sequences, and curious object arrangements, illustrating the subtle relationship between human cognition and materiality. Through its nuanced, tactile approach, …
Pricks And Pills,
2024
CUNY Hunter College
Pricks And Pills, Anna A. Charles
Theses and Dissertations
"Pricks and Pills" is a collection of audio pieces designed for an online platform where individuals with diabetes can listen to and find emotional support from others who share their experiences. This audio project provides an intimate look into the lives of people navigating the challenges of diabetes. Through heartfelt interviews with individuals and their families, the podcast highlights their journeys, showcasing both their struggles and triumphs.
Blurring The Boundaries: The Filmmaking Approach Toward Remission,
2024
CUNY Hunter College
Blurring The Boundaries: The Filmmaking Approach Toward Remission, John M. Mastriano
Theses and Dissertations
Remission explores the filmmaker’s personal experience with grief and fatherhood as well as the importance of a shared connection with the natural world that transcends life and death. Though primarily a first-person, reflexive short documentary film, Remission draws from other documentary models and modes, blurring the boundaries of documentary filmmaking.
Rgb Root Matriz Color Dance,
2024
CUNY Hunter College
Rgb Root Matriz Color Dance, Danielle E. Gauthier
Theses and Dissertations
RGB Root Matriz Color Dance (Color Dance) is an immersive, interactive experience that combines poetic phrases and color filters to create a womb-like environment. Designed by Danielle Gauthier, this artistic piece uses a webcam to respond to users’ movements in real time, allowing them to confront and express their emotions through metaphor and dance. Color Dance creates a unique platform for self-discovery and empowerment by fostering a connection between the body and discomforting emotions.
間,
2024
CUNY Hunter College
間, Lele Dai
Theses and Dissertations
LeLe Dai makes contingent participatory public interventions using sensory materials such as sound, flickering light, and water. This paper examines their works through the lens of Chinese character Jian (間), meaning “gap/slit/incision,” to investigate the concept of “in-betweenness.”
