Student Film Festival 2012 Playbill,
2012
Providence College
Student Film Festival 2012 Playbill, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Student Film Festival 2012
Films by current PC students
Wednesday, May 2nd @ 6pm
INTRODUCTORY REMARKS, Rev. Kenneth Gumbert, O.P.
COMPETING FILMS:
John Smith ‘13, The Tale of Two Spuds
Nick Widmer ‘12, The Parts of Himself
Kelly Vail ‘14, How to Get a Date
Katherine Gonzalez ‘12, Youth Voices
Dan Laberge ‘12, Impossible Soul
Patrick McGrath ‘12, Brendan Frail: Forever a Friar
Jorge Lucas ‘12, Homonculove
Billy Nawrocki ‘12, One Minute
Rachel Ball ‘12 & Meg Conway ‘12, Tuesday
Alex Cacheco ‘12, Bioterrorism: The Post 9/11 Era
Emily …
That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews,
2012
University of Central Florida
That's A Wrap! The Organizational Culture And Characteristics Of Successful Film Crews, Lisa C. Cook
Electronic Theses and Dissertations
This study seeks to determine through survey research what characteristics film production crews possess that makes them so successful as an organization. The factors of age, gender, years of professional experience and education level were tested for their significance on how the respondents view their culture. Hofstede's six dimensions of organizational culture survey questions were rewritten to be applicable to the freelance film crew sample. The presentation of findings focuses on the resultant organizational profile of a film production crew, the workplace values of this group and the influence that the education level of the participants had on responses. The …
“El Resto, Los Insectos" (What Remains: The Insects),
2011
University of Massachusetts Boston
“El Resto, Los Insectos" (What Remains: The Insects), Andrés Henao Castro, Juan Henao Castro
Andrés Fabián Henao-Castro
No abstract provided.
Putting A Face On The Facts,
2011
Dordt College
Putting A Face On The Facts, Mark Volkers
Faculty Work Comprehensive List
Dordt College film professor and students work on a documentary on people living in poverty. It's called "The Fourth World".
Vendini Ad For The Providence College Department Of Theatre, Dance & Film 2011-2012 Season,
2011
Providence College
Vendini Ad For The Providence College Department Of Theatre, Dance & Film 2011-2012 Season, Vendini Marketing
Promotional Materials
Providence College Department of Theatre, Dance & Film
2011-2012 Season advertisement
Peak Oil And Transition: The Making Of A Documentary Video,
2011
Department of Communication and Media Studies, Dominican University of California
Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall
Collected Faculty and Staff Scholarship
Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles.
One response to these threats is to attempt …
The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model,
2011
University of Central Florida
The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model, Marcos Casilli
Electronic Theses and Dissertations
The Last Two Years of David Brachman is a feature-length digital film directed, written and produced by Marcos Casilli in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This is a very personal film that presents a sometimes-humorous approach to the following question: what makes life worth living? The film was made on what is categorized as a microbudget, but following the studio production model for the most part. This thesis presents a critique of that combination, advocating for a "slow cinema" model instead.
Regarding India, Conversations With Artists. Video Interview Website,
2010
University of Connecticut - Storrs
Regarding India, Conversations With Artists. Video Interview Website, Kathryn Myers
Kathryn Myers
Regarding India is series of video interviews with contemporary artists living and working in India. Reflective of a dynamic and diverse contemporary art scene the interviews engage aspects of Indian history, society, culture and current events through the creative work, experiences, and insights of artists. The series is ongoing and will eventually include over sixty interviews.
Peak Oil And Transition [Producer/Writer/Director],
2010
Department of Communication and Media Studies, Dominican University of California
Peak Oil And Transition [Producer/Writer/Director], John A. Duvall
John Duvall
Scripting The Docufiction: Combining The Narrative And Documentary Modes In A Social Issue Film,
2010
University of Denver
Scripting The Docufiction: Combining The Narrative And Documentary Modes In A Social Issue Film, Joseph V. Brown
Electronic Theses and Dissertations
This thesis combines creative and academic efforts in an examination of the "hybrid" film. The question asked: in what ways can fiction be combined with non-fiction to engage with issues of social importance, is answered in analysis, and through practice. Traditional analysis is focused on films that blur the line between the documentary and the narrative-- the "hybrid film" or "docufiction." Analysis through practice is presented in an original feature length script that moves back and forth between the documentary and fiction film. This feature length script-- entitled Rigged, develops a fictional story while examining the issue of …
"I Am",
2010
Virginia Commonwealth University
"I Am", Sonali Gulati
Center for LGBTQ Studies (CLAGS)
It was the summer of 1999 in Toronto at my very first public screening of my film titled "sum total" that someone asked me what my next film project was. And I had barely formalized my ideas in my head but I spoke from my heart and spoke of this film about parents of gay and lesbian youth living in India. It had only been a year and a half since my mother had passed away and that feeling of regret of not having come out to her before she died was on my mind.
Email From Vendini Marketing To Susan Werner: Prov College's Tdf Season Is Here!,
2010
Providence College
Email From Vendini Marketing To Susan Werner: Prov College's Tdf Season Is Here!, Vendini Marketing
Promotional Materials
Providence College Department of Theatre, Dance & Film
Email from Vendini Marketing to Susan Werner: Prov College's TDF Season is Here!
Monday, September 13, 2010
Design Collaboration As A Tool For Developing Diversity In The Work Place,
2010
CUNY Hostos Community College
Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad
Publications and Research
Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.
Student Film Festival 2010 Poster,
2010
Providence College
Student Film Festival 2010 Poster, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Student Film Festival 2010
Videos by current students
Tuesday, April 27, 2010, 6PM
A Study Of The Effect Of Economic Policies On The Domestic Film Market,
2010
University of Kentucky
A Study Of The Effect Of Economic Policies On The Domestic Film Market, Gyeoreh Lee
MPA/MPP/MPFM Capstone Projects
These days, the U.S. films’ market share in the world is almost 70 percent and many countries have devised various means, including import quota, screen quota, subsidy, and tax concessions to protect the domestic film industry by preserving local film’s market share against U.S. film domination. Retaining these policies has important symbolic reasons because market share of the domestic film is related to preserving each country’s cultural sovereignty. However, the effectiveness of the economic policies is murky. If the policies do not bring any advantageous effect to the domestic film industry, there is no rational justification for sticking with them. …
Cine, Producción Audiovisual Y Participación Politica En Centroamérica,
2010
University of Richmond
Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman
Latin American, Latino and Iberian Studies Faculty Publications
Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.
Estos trabajos basan su discusión en el reconocimiento de que la …
