Film Production Commons^™

The Last Two Years Of David Brachman: The Case For Slow Cinema As A Microbudget Production Model, Marcos Casilli

Electronic Theses and Dissertations

The Last Two Years of David Brachman is a feature-length digital film directed, written and produced by Marcos Casilli in pursuit of the Master of Fine Arts in Film & Digital Media from the University of Central Florida. This is a very personal film that presents a sometimes-humorous approach to the following question: what makes life worth living? The film was made on what is categorized as a microbudget, but following the studio production model for the most part. This thesis presents a critique of that combination, advocating for a "slow cinema" model instead.

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

Collected Faculty Scholarship

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles.

One response to these threats is to attempt …

Scripting The Docufiction: Combining The Narrative And Documentary Modes In A Social Issue Film, Joseph V. Brown

Electronic Theses and Dissertations

This thesis combines creative and academic efforts in an examination of the "hybrid" film. The question asked: in what ways can fiction be combined with non-fiction to engage with issues of social importance, is answered in analysis, and through practice. Traditional analysis is focused on films that blur the line between the documentary and the narrative-- the "hybrid film" or "docufiction." Analysis through practice is presented in an original feature length script that moves back and forth between the documentary and fiction film. This feature length script-- entitled Rigged, develops a fictional story while examining the issue of …

"I Am", Sonali Gulati

Center for LGBTQ Studies (CLAGS)

It was the summer of 1999 in Toronto at my very first public screening of my film titled "sum total" that someone asked me what my next film project was. And I had barely formalized my ideas in my head but I spoke from my heart and spoke of this film about parents of gay and lesbian youth living in India. It had only been a year and a half since my mother had passed away and that feeling of regret of not having come out to her before she died was on my mind.

Email From Vendini Marketing To Susan Werner: Prov College's Tdf Season Is Here!, Vendini Marketing

Promotional Materials

Providence College Department of Theatre, Dance & Film

Email from Vendini Marketing to Susan Werner: Prov College's TDF Season is Here!

Monday, September 13, 2010

Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad

Publications and Research

Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.

Student Film Festival 2010 Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Student Film Festival 2010

Videos by current students

Tuesday, April 27, 2010, 6PM

A Study Of The Effect Of Economic Policies On The Domestic Film Market, Gyeoreh Lee

MPA/MPP/MPFM Capstone Projects

These days, the U.S. films’ market share in the world is almost 70 percent and many countries have devised various means, including import quota, screen quota, subsidy, and tax concessions to protect the domestic film industry by preserving local film’s market share against U.S. film domination. Retaining these policies has important symbolic reasons because market share of the domestic film is related to preserving each country’s cultural sovereignty. However, the effectiveness of the economic policies is murky. If the policies do not bring any advantageous effect to the domestic film industry, there is no rational justification for sticking with them. …

Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.

Estos trabajos basan su discusión en el reconocimiento de que la …