"I Am",
2010
Virginia Commonwealth University
"I Am", Sonali Gulati
Center for LGBTQ Studies (CLAGS)
It was the summer of 1999 in Toronto at my very first public screening of my film titled "sum total" that someone asked me what my next film project was. And I had barely formalized my ideas in my head but I spoke from my heart and spoke of this film about parents of gay and lesbian youth living in India. It had only been a year and a half since my mother had passed away and that feeling of regret of not having come out to her before she died was on my mind.
Email From Vendini Marketing To Susan Werner: Prov College's Tdf Season Is Here!,
2010
Providence College
Email From Vendini Marketing To Susan Werner: Prov College's Tdf Season Is Here!, Vendini Marketing
Promotional Materials
Providence College Department of Theatre, Dance & Film
Email from Vendini Marketing to Susan Werner: Prov College's TDF Season is Here!
Monday, September 13, 2010
Design Collaboration As A Tool For Developing Diversity In The Work Place,
2010
CUNY Hostos Community College
Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad
Publications and Research
Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.
Student Film Festival 2010 Poster,
2010
Providence College
Student Film Festival 2010 Poster, Providence College
Playbill and Promotions
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Student Film Festival 2010
Videos by current students
Tuesday, April 27, 2010, 6PM
A Study Of The Effect Of Economic Policies On The Domestic Film Market,
2010
University of Kentucky
A Study Of The Effect Of Economic Policies On The Domestic Film Market, Gyeoreh Lee
MPA/MPP/MPFM Capstone Projects
These days, the U.S. films’ market share in the world is almost 70 percent and many countries have devised various means, including import quota, screen quota, subsidy, and tax concessions to protect the domestic film industry by preserving local film’s market share against U.S. film domination. Retaining these policies has important symbolic reasons because market share of the domestic film is related to preserving each country’s cultural sovereignty. However, the effectiveness of the economic policies is murky. If the policies do not bring any advantageous effect to the domestic film industry, there is no rational justification for sticking with them. …
Cine, Producción Audiovisual Y Participación Politica En Centroamérica,
2010
University of Richmond
Cine, Producción Audiovisual Y Participación Politica En Centroamérica, Claudia Ferman
Latin American, Latino and Iberian Studies Faculty Publications
Si el cine y la fotografía son lenguajes altamente dependientes por su constitución tecnológica y su asociación a procesos industriales y de producción de mercancías, la historia de su desarrollo en Latinoamérica, y en especial en Centroamérica, confirma la enorme flexibilidad intrínseca a estos lenguajes, que les ha permitido ser reapropiados y reinventados de modo multifacético en la región. La presente Sección Especial de Istmo no. 20 presenta a las/los lectoras/es los trabajos de siete investigadores académicas/os expertas/os en estudios de cine, producción audiovisual y participación política en Centroamérica.
Estos trabajos basan su discusión en el reconocimiento de que la …
