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Superior Domesticity: Two George Eliot Cats, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

The Persian cat, Hafiz, appears in two scenes in Daniel Deronda (1876) .1 The first of these appearances occurs in chapter 18, which introduces the compact, creative little Meyrick women - mother and three daughters - just as they are about to become Mirah Lapidoth's hospitable benefactresses, though she is as yet unknown to them. They are gathered harmoniously together in the evening lamp- and candle-lit, miniature double parlour of their narrow riverside house. 'All four, if they had been wax-work, might have been packed easily in a fashionable lady's travelling trunk.'2 Their corporeal diminutiveness is …

The Art Of Conduct, The Conduct Of Art And The 'Mixed Science' Of Eliot's Ethics: ' Sympathetic Impulse' And 'The Scientific Point Of View' In The Mill On The Floss, Simon Calder

The George Eliot Review Online, ISSN: 2831-5375

The Mill on the Floss is full of keys and clues. Most famously, Maggie Tolliver, following her father's bankruptcy, 'wanted some key that would enable her to understand and, in understanding, endure, the heavy weight that had fallen on her young heart.' 1 In chapter three of Book Four of Eliot's novel, Maggie believes herself to have found just such a key in Thomas a Kempis's The Imitation of Christ (MF, 298):

Here, then, was a secret of life that would enable her to renounce all other secrets ... [F]or the first time she saw the possibility of shifting the …

The Representation Of Place In Middlemarch, Adam Wright

The George Eliot Review Online, ISSN: 2831-5375

Critics in the past have tended to refer to the rootedness of characters in George Eliot's novels. This is particularly true of Adam Bede, where the naturalistic roots of characters are often explicitly stated, such as when Dinah affirms 'I'm not free to leave Snowfield, where I was first planted, and have grown deep into it, like the small grass on the hill-top'.1 Catherine Middleton, in her essay 'Roots and Rootlessness', when analysing Middlemarch refers to seven different types of roots in just four pages (,emotional', 'physical', 'moral', 'affective', 'social', 'intellectual' ,and 'local').2 These terms not only complicate our understanding …

George Eliot Birthday Luncheon, 22 November 2009- The Toast To The Immortal Memory, Beryl Gray

The George Eliot Review Online, ISSN: 2831-5375

2009 is the 150th anniversary of the publication of two works of fiction by George Eliot. As no one here could fail to know, throughout the year there have been all kinds of celebrations of her first - and wonderful- novel, Adam Bede (and the word has spread even to London of great Adam Bede happenings in these parts). On the other hand, I've heard of nothing commemorating 'The Lifted Veil', which appeared in the same year as the novel. While this strange, supernatural tale of an acutely sensitive, unproductive poet whose clairvoyance alienates him from his fellow mortals is …

The Thirty-Eighth George Eliot Memorial Lecture, 2009- A Loss For Words, Giles Foster

The George Eliot Review Online, ISSN: 2831-5375

A loss for words ... I am genuinely lost for words in my admiration of the novels but the title of today's talk is intended to dig a bit below the surface of simple enjoyment and highlight some of the differences - strengths and weaknesses - between novels and adaptations. What words alone can and can't do. What a film adaptation can achieve and omit. What a stage version can offer. And we should not forget other experiences of encountering books - a mother reading to children, a radio or audio tape reading.

A few years ago there was a …

'Good Teaching': Adam Bede And Education, Dinah Birch

The George Eliot Review Online, ISSN: 2831-5375

George Eliot's commitment to teaching motivates her writing from the first. Like many of those whose thinking was shaped by early nineteenth-century evangelicalism, she saw education as a vital responsibility. In 1847, when she was twenty-eight years old, she remarked to Sara Hennell that she thought '''Live and Teach" should be a proverb as well as "Live and Learn"'.1 Eliot's persistent interest in teaching and learning was a reason for her turning to fiction as her primary medium as a writer - not the only reason, but an important one. She had no inclination whatsoever to become a professional teacher, …

'Hetty Had Never Read A Novel': Adam Bede And Realism, Rachel Bowlby

The George Eliot Review Online, ISSN: 2831-5375

It is not just the famous Chapter 17, 'In Which the Story Pauses a Little’, which makes George Eliot's Adam Bede one of the first candidates for any discussion of the tenets and aims of nineteenth-century literary realism. The question is opened in the very first paragraph of the novel - so very prominently, perhaps, and in so many dimensions, that we may miss its compacted meanings as we read on or rush on, past the beginning, to enter the narrative. Much of its meaning, of course, is not immediately available without the understandings that subsequent chapters will add, including …

Japanese Branch Report- 2009, Yohko Nagai

The George Eliot Review Online, ISSN: 2831-5375

Overlooking the meandering Edo River and the panoramic view of the Tokyo skyline, the thirteenth annual convention of the George Eliot Fellowship of Japan was held at the scenic campus of Wayo Women's University on Saturday, 28 November 2009.

After an opening remark by Mizue Aida of Nihon University, a welcome address was made by Midori Uematsu, a professor of Wayo Women's University. This year we had the privilege of listening to four papers in the morning session. The first two papers were chaired by Akiko Kimura, of Waseda University and the last two papers by Itsuyo Shimizu of Kinki …

Mrs. Meyrick's Cat, Derek Miller

The George Eliot Review Online, ISSN: 2831-5375

'''Great God!" the words escaped Deronda' as he watched the just-prevented-from-drowning Mirah. 'The old thought had come now with a new impetus of mingled feeling, and urged that exclamation in which both East and West have for ages concentrated their awe in the presence of inexorable calamity.'!

Among those who welcome Mirah to Mrs. Meyrick's household is the cat Hafiz, seen by Deronda as it 'came forward with tail erect and rubbed himself against her ankles', an Eastern moment accompanying Mirah's entrance into the Meyrick family. Hafiz is later to purr as Mirah starts to tell her story to Mrs. …

Notes On Middlemarch And Romola, Rodney Stenning Edgecombe

The George Eliot Review Online, ISSN: 2831-5375

Rereading Middlemarch and Romola recently, 1 was struck by some unrecorded musical and literary parallels, none of them substantial enough (or indeed sufficiently interconnected) to be woven into an integrated article, but having, 1 hope, enough intrinsic interest to warrant my presenting them here as so many Casaubonic 'leavings' that might or might not be incorporated into future work on the author.

A Schubertian Moment in Middlemarch

George Eliot's enthusiasm for the Lieder of Schubert is attested by a letter written in October, 1859 - 'Schubert's songs, 1 especially delight in' (Letters, Ill: 178) - and our knowledge of that …

Adam Bede And Emigration, Josephine Mcdonagh

The George Eliot Review Online, ISSN: 2831-5375

Although emigration to settler colonies was a widespread phenomenon in mid nineteenth century Britain, it is a theme to which George Eliot appears to give very little attention. Of all the works, Adam Bede is the novel which seems especially home-bound. Characters who go abroad do so in penitence: Hetty is transported to Australia, where she dies; and Arthur goes to the East to make up for having committed 'the sort of wrong that can never be made up for' ('Epilogue'). In so far as it is discussed in the novel, migration is the chimera of the mistaken Mr. Gedge, …

Annual Report 2009, John Burton

The George Eliot Review Online, ISSN: 2831-5375

I am pleased to report that last year was a successful one. There are things we might have done better, or differently, but I think we can say that 2009 was marked by events which provided huge pleasure and satisfaction for our members, and for a much wider audience beyond our membership.

The AGM last year heard a request from Liz Mellor for some sabbatical time whilst she dealt with health problems and members agreed to that request. We then held a discussion about the Fellowship and what we hoped to see develop in the future. Members enjoyed the chance …

Editor's Note - 2010

The George Eliot Review Online, ISSN: 2831-5375

1. The articles in this issue by Dinah Birch, Rachel Bowlby, Barbara Hardy, and Josephine McDonagh were originally delivered as papers at the Adam Bede conference held at the Institute of English Studies, University of London, on 7 November 2009.

Expressive Things In Adam Bede, Barabar Hardy

The George Eliot Review Online, ISSN: 2831-5375

A drop of ink is the first thing in the first sentence of George Eliot's first novel: 'With a single drop of ink for a mirror, the Egyptian sorcerer undertakes to reveal to any chance corner farreaching visions of the past.' Like many objects in Adam Bede, this one is more complicated than first appears. In its generalized imaging of magical creation, ritual and prophesy, it is an invocation, introducing and solemnizing the other object with which it is twinned and compared, the real drop of ink at the end of the author's pen which has actually written this sorcerer's …

George Eliot As Historian: The Case Of Mr. Crewe And Hugh Hughes, David Paterson

The George Eliot Review Online, ISSN: 2831-5375

Historians look for as many different sources of evidence as they can to describe and interpret the past. How far is fiction a valid source? Great fiction may reveal great truths but is this only in a general sense? George Eliot herself seems to suggest above that reliance on 'descriptions of novelists' may be a perilous route to an accurate portrait: but what about relying on descriptions of those in her own books? Despite one specific denial, some of her 'portraits of clergymen' contain valuable historical elements.

An examination of one part of Scenes of Clerical Life shows George Eliot's …

Caroline Emelia Stephen, Kathleen A. Heininge

Faculty Publications - Department of English

Excerpt: "Caroline Emelia Stephen, born on December 8, 1834, was notable for a number of reasons. Her connections were impressive: she was the unmarried daughter of Sir James Stephen (the noted Under-Secretary for the Colonies in 1836-1847), the sister of Leslie Stephen (author of the Oxford Dictionary of National Biography), sister-in-law to Minny Thackeray Stephen and Anny Thackeray Ritchie (daughters of William Makepeace Thackeray), and aunt to Virginia Woolf and Vanessa Bell. Her grandfather, also Sir James Stephen, wrote the legislation that ended slavery in England. Known as a Quaker mystic, she is credited with bringing about the revival of …

Introduction: Thoughts And Ideas On The Intersectionality Of Identity, Theodorea Berry, Michelle Jay, Marvin Lynn

Faculty Publications

An introduction to the journal is presented which the editor discusses an article on critical race feminism by Venus E. Evans-Winters and Jennifer Esposito, a report on critical race theory and critical pedagogy and a review of literature on the educational experiences of Latinas and Latinos in the U.S.

Review: Karen Ward Mahar (2008): Women Filmmakers In Early Hollywood, Sara Ross

Communication, Media & The Arts Faculty Publications

Book review

Mahar, Karen Ward. Women Filmmakers in Early Hollywood. Baltimore: Johns Hopkins University Press, 2008.

This book will be a useful reference for feminist and film historians looking to expand their understanding of how film and business history can help to explain the gendering of filmmaking.

Screening The Modern Girl: Intermediality In The Adaptation Of Flaming Youth, Sara Ross

Communication, Media & The Arts Faculty Publications

In November 1923, First National Pictures released a film adaptation of a scandalous bestselling novel, Flaming Youth, in which three upper-class sisters flout the conventions of proper courtship and girlish chastity held dear by the previous generation. The novel presents the sisters as examples of the revolution in sexual behavior of the modern girl happening in the United States and around the world. Record crowds flocked to the theater to see the wild partying, nudity, and sex of the book brought to life on screen.

Of course, texts such as these were under close scrutiny for the effect that …

The “Bad Girl” Turned Feminist: The Femme Fatale And The Performance Of Theory, Michelle Mercure

Undergraduate Review

Picture the murderous femme fatale Jane Palmer in Byron Haskin’s 1949 film noir Too Late for Tears, as embodied by the talented actress Lizabeth Scott: gorgeous blonde locks, beautiful long legs and luscious thick lips, all dolled up in a shimmery evening gown fit for a Hollywood starlet and sporting a gaudy necklace that sparkles the way stars light up the night sky. Now, picture this dazzling figure stumbling over a balcony and plummeting to her untimely death after the police barge into her luxurious hotel suite in Mexico, accusing her of the murder of not one, but two …