Feminist, Gender, and Sexuality Studies Commons^™

Performance Of Illustrations And Images As Language In Sarnath Banerjee’S All Quiet In Vikaspuri, Akanksha Barthwal Ms

SANE journal: Sequential Art Narrative in Education

Sarnath Banerjee’s All Quiet in Vikaspuri, fictionalizes but at the same time addresses water wars and political ideologies in the city of Delhi. By the means of eco-critical approach in the name of Vi-kas (development) Banerjee discuss the acts of slow violence subverted on nature in the name of progress (vikas). Through text/ images the author depicts chaos and challenges for the readers in more direct and obscene ways. The current paper attempts to look at Banerjee’s illustrations and images as new form of language emerged in modern Indian literature with the possibly that illustrations have more effect on …

Mainely Gay 50th Anniversary Tribute, Susan Henderson, Peter Prizer, Stan Fortuna

Mainely Gay (1978-1980)

A special 50th Anniversary Edition of Mainely Gay

Resisting The Neoliberal Postfeminist Sexual Objectification Matrix: A Critical Autoethnography Exploring Sexual Objectification, Mental Health, Relationship To Self, And Reclaiming Subjectivity, Ildiko Archer

ETDs from 2020-2029

Over the past two decades, women’s subjectivity and sexual experience have been dramatically reshaped by the rise of dating apps, the normalization of hookup culture, the popularization of BDSM, and the dominance of neoliberal postfeminist sexual discourses. In the South, this all unfolds in the lingering residues of purity culture, creating a perfect storm of sexual objectification. This autoethnographic dissertation examines a defining period of my life shaped by the mental health consequences of sexual objectification and self-objectification. During this time, I experienced two brief marriages, many sexual relationships, posed on social media, dating apps, sexted, and performed sexual ‘agency’, …

A History Of The Underground Comix Scene: The Seriousness Of An Unserious Genre, Harris Darcie Shugart

Master's Theses

The Underground Comix Scene of the 1960s and 1970s was born out of an age of censorship. The Comics Code Authority, a regulatory body created by the Comics Magazine Association of America in 1954, established guidelines requiring publishing houses to self-regulate following a recommendation from the United States Senate Subcommittee on Juvenile Delinquency in 1953. Comix with an X, for their X-rated nature, represent an emerging counter-culture in the latter half of the 1960s and the 1970s, with an epicenter of San Francisco. These comix and their artists were not interested in obtaining the looming ‘Seal of Approval’ from the …

A Northwest Perspective: A Comprehensive Survey Of Sally Haley's Life And Career, Mary Timbrook

University Honors Theses

Sally Haley is a successful artist who built a long career in the second half of the 20th century as a painter in Portland, Oregon. Her work has been part of several solo and group exhibitions within museums and galleries across the country and she was awarded the Oregon Governor's Award for the Arts in 1989. She is best remembered for her unique still life paintings, frequently painted in egg tempera, which sold immensely well during her lifetime and after. Haley trained at the Yale School of Art in the late 1920s and early 30s, where she learned to paint …

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

Del Miedo A La Ternura: Deconstrucción De Imaginarios Constitutivos De La Iag Para Imaginarla Como Una Tecnología Futura, Elizabeth Rodríguez Rendon

GDI. Revista de investigación de Género, Diseño e Innovación

El artículo propone una reflexión crítica a modo de ensayo sobre los imaginarios sociotécnicos que han configurado históricamente el desarrollo de la tecnología y, particularmente, de la Inteligencia Artificial Generativa (IAG). Se sostiene que la ciencia moderna occidental se estructuró a partir del miedo como afecto dominante, heredado de las tradiciones prometeica y fáustica, las cuales promovieron una relación con la técnica basada en el control, la dominación de la naturaleza y el rechazo de la finitud humana. Desde esta lógica, la tecnología ha sido imaginada como instrumento de poder, defensa y superioridad, reforzando narrativas de fascinación y temor frente …

El Diseño Sin Género Como Tendencia Futura: La Cerámica Como Un Ejemplo Sin Sesgo, Paulina Luna Pérez, Hans Mayr Juárez

GDI. Revista de investigación de Género, Diseño e Innovación

Este artículo analiza el diseño sin género a través del análisis histórico de tradiciones cerámicas influyentes y utensilios específicos del uso cotidiano. El objetivo es examinar si las asociaciones entre los utensilios cerámicos y el género constituyen cualidades inherentes a su diseño o si corresponden a una construcción cultural producida en el proceso de interpretación social. Metodológicamente se realizó un análisis histórico-comparativo de piezas representativas y tradiciones cerámicas específicas de la cultura china y japonesa, particularmente utensilios de uso común y surgidos durante los inicios de la tradición cerámica en ambas culturas. Este estudio consideró cuestiones funcionales, formales, simbólicas y …

Percepciones, Uso Y Confianza En Ia Generativa Según Género En Estudiantes Universitarios, Elena Rodríguez-Rodríguez, María Moreno Guzmán, Irene Ojeda Fernández, Juan Pablo Hervás-Pérez, Inmaculada Mateos-Aparicio, Alejandra García-Alonso, María Luisa Pérez-Rodríguez, Rocío De La Peña Armada, José Raggio, Beatriz Gómez-Gómez, Araceli Gónzalez-Cortés, Emma Gracia-Lor, Gustavo Moreno-Martín, Ángel Juilio Reviejo-García, Esther Sánchez-Tirado, Jon Sanz Landaluce, Arturo Casado, Marta Sánchez-Paniagua

GDI. Revista de investigación de Género, Diseño e Innovación

Introducción: La presencia creciente de la inteligencia artificial (IA) en la universidad está transformando el proceso de enseñanza-aprendizaje y la relación del alumnado con la tecnología. Un equipo docente de la Universidad Complutense de Madrid (UCM), la Universidad Rey Juan Carlos (URJC) y la Universidad Camilo José Cela (UCJC) diseñó diversas estrategias para integrar la IA generativa (IAg) como recurso complementario en asignaturas de estudios universitarios oficiales de Grado y Posgrado. Esta iniciativa surge de la necesidad de evaluar la implementación de la IA para mejorar el proceso de enseñanza-aprendizaje y fomentar un uso crítico entre el alumnado de estas …

Entre La Magia Y La Carga: Género, Trauma Y Otredad En Encanto, Sergio García Cabezas, Ángel Serrano Valverde

GDI. Revista de investigación de Género, Diseño e Innovación

Este artículo analiza la película Encanto (Disney, 2021) desde una perspectiva de género, memoria y representación, con el objetivo de desentrañar cómo los personajes femeninos encarnan presiones sociales y culturales que trascienden la narrativa fantástica. A partir de un enfoque cualitativo basado en el análisis narrativo y semiótico, se examinan cuatro figuras centrales: Luisa, como metáfora de la sobrecarga física y emocional; Isabela, como encarnación de la prisión de la perfección estética; Mirabel, como representación de la invisibilización y la otredad; y Abuela Alma, como símbolo de la transmisión transgeneracional del trauma. Junto a ellas, los principales símbolos de la …

Violencia Cosificadora Contra Las Mujeres En La Era De La Ia Generativa: Sesgos, Poder Y Deshumanización Digital, Norma Mildret Pérez Alvarado

GDI. Revista de investigación de Género, Diseño e Innovación

La expansión de la Inteligencia Artificial generativa ha facilitado la producción y difusión masiva de imágenes no consentidas de mujeres y niñas, incluidas representaciones sexualizadas y formas de cosificación digital que pueden generarse y viralizarse con mínimos costos y barreras técnicas. Estas prácticas amplifican la escala y velocidad de la violencia basada en imágenes, al hacerla más accesible, replicable y difícil de contener.

El presente artículo sostiene que esta problemática no se agota en los deepfakes sexuales o en la denominada “desnudificación” digital de fotografías de mujeres. También comprende la generación de imágenes cosificadoras de mujeres que, aun sin contenido …

Who Is Invited To The National Family? A Brazilian Autoethnography Of Being A Woman Under The U.S. O-3 Visa, Bruna Lauermann

Dissertations, Theses, and Capstone Projects

This thesis lives in the borderlands between Brazil and the United States, during the nine years of my immigration to the United States. Using autoethnography, I analyze the O-3 visa as a tool that controls and alienates foreign women and devalues knowledge produced outside U.S. borders. This visa, for spouse or children of O-1 holders, which are people considered to have extraordinary abilities to work in the U.S. showcases the reasons why one is invited to be part of the national family and under what obligations and circumstances. A decision that is shaped far more by the interests of the …

Trans-Cyber Cinema: Digital Embodiment In Science-Fiction Films, Sophia R. Schrock

Dissertations, Theses, and Capstone Projects

This thesis aims to define the trans-cyber genre within cinema. By looking retroactively at a selection of nine films made across various decades and countries, this genre connects these films through their visualization and thematization of both trans and cyber embodiments, whereby the trans-cyber being emerges. Before the cinematic analysis and explanation of the three generic conventions selected for this thesis – transformation of body/gender; altered reality, memory, and temporality; and, radical death – the two intertwining theoretical frameworks will be established. This includes a brief summary of applicable transgender theory, and an introduction to cyborg theory (using Donna Haraway’s …

Monsters In The Gutter: Queerness And Family In Graphic Novels, Maren Beriss

Dissertations, Theses, and Capstone Projects

In this thesis I read two graphic novels together: My Favorite Thing is Monsters by Emil Ferris and Black Hole by Charles Burns. Although the stories are quite different, they mirror each other quite closely: Burns’ story takes place in a homogenous suburb; Ferris’ is set in a diverse part of Chicago. Both deal with what it means to be a monster, but in different ways. Ferris has a clear framework of the different kinds of monsters – good, bad, and villager – which is at times helpful but often too narrow. Yet reading Burns with this lens in mind …

An Investigation Of The Impact Of Privacy On Sexual And Reproductive Health Using Reports On The 2010 Earthquake In Haiti, Jillian E. Myers

Dissertations, Theses, and Capstone Projects

In 2010, a massive 7.0 magnitude earthquake hit the capital city of Haiti, Port-au-Prince, causing great destruction of infrastructure and the devastating loss of about 316,000 lives and over a million homes. The earthquake destroyed agricultural production and clean water sources, causing severe resource scarcity along with the overcrowding in the relief camps. Following the earthquake, international aid organizations flooded into Haiti in an effort to help provide immediate relief. The relief efforts were unprepared and lacked coordination among each other to efficiently implement the needed aid services. Without strategic planning to ensure all people’s needs are met, women and …

Kanak-Ish Misfits: Queer Imaginaries, Racialized Borders, And The Politics Of Care In Berlin, Germany, Faruk Seref

Dissertations, Theses, and Capstone Projects

This dissertation examines queer Muslim experiences of border politics, racialization, and care in Berlin, Germany. By formulating bordering as a domineering and oppressive practice of boundary-making, I study how global bordering mechanisms shape and disrupt structures of care, caring, and being cared for. With an intersectional focus on race, gender, sexuality, and sex, I argue that borders are simultaneously materialized and challenged in varying localities, including the nightclub, the queer scene, the diasporic neighborhoods, and households. Ultimately, viewing collective care as fundamental to survival, healing, resistance, and building non-punitive lifeworlds, I theorize the counter-hegemonic practices of queers of color through …

Vestigial Choreographies: Climate Consciousness In The Long Nineteenth Century, Alexandra A. Rego

Dissertations, Theses, and Capstone Projects

The aims of this project are twofold: (a) to develop a method of theoretical analysis and (b) to put this method into pointed use. In service of (a), I propose a method of choreographic analysis. This method operates relationally, highlighting the production of movement and stillness among and between bodies, objects, and encounters. Choreographic analysis draws from methods typically sequestered to dance studies. Towards aim (b), this project demonstrates the relevance and breadth of choreographic analysis by connecting it to ecocriticism. Throughout this project, I apply choreographic analysis to a diverse set of case studies. I use choreographic analysis to …

Roe V. Wade With Audre And Nikki: Their Social And Political Impacts Following The Landmark Decision, Sharon L. Eaddy

Dissertations, Theses, and Capstone Projects

This thesis analyzes how the 1973 Supreme Court decision Roe v. Wade shaped public understandings of reproductive rights and how those understandings diverged across race, gender, class, and sexuality. Using a qualitative, interdisciplinary design, the study pairs close textual analysis of Nikki Giovanni’s and Audre Lorde’s poems and essays with socio-legal and historical context on constitutional privacy doctrine, the Ninth and Fourteenth Amendments, and the Reconstruction legacy of the Civil Rights Act of 1866. The central research question is: what kinds of reproductive “freedom” become legible through Roe’s rights-based framing, and what forms of constraint remain visible when Black …

“A Chill Wind Sweeps The High Places”: Audre Lorde’S And June Jordan’S Black Feminist Pedagogies For Remaking Higher Education, Maddie Albanese

Dissertations, Theses, and Capstone Projects

In this paper, I center the University as one site for radical pedagogy towards social justice.  This paper examines texts written on anti-racist, anti-sexist educational movements within the City University of New York, as well as archival materials from CUNY professors on the topic of radical, social justice-oriented learning. Conor Tomás Reed’s 2023 book New York Liberation School is one recent text on how CUNY activists dismantled the distinction between the University and its surrounding community, inextricably linking academic work with social-political activism. I take his extensive history of CUNY in tandem with various pedagogies developed by CUNY feminist educators …

Aphrodite In Movement And Miniature: Knidian Statuettes Of The Ancient And Modern, Jacqueline M. Lewis

Dissertations, Theses, and Capstone Projects

This thesis examines Hellenistic statuettes of the Knidian Aphrodite as independent works of art with distinct ancient contexts and modern collecting histories. Drawing on archaeological evidence from Delos, archival and public records from the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art, New York, and a comparative framework that places Hellenistic and modern collecting cultures in dialogue, this thesis aims to present the Knidia within the dynamic, interactive history of statuettes. Evaluated on its own terms rather than in relation to a lost original, Knidian Aphrodite statuettes illuminate both the richness of Hellenistic domestic religious life and …