Literature in English, North America Commons^™

Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook

Honors Scholar Theses

"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.

Professors With Criminal Records: Criminology & Criminal Justice Students Views On Former Convicts As Professors, John Frana

All-Inclusive List of Electronic Theses and Dissertations

As America’s incarceration binge begins its fourth decade, one unintended consequence of this social policy has been a growing number of criminologists/sociologists who have personal experience with incarceration as many former convicts have been pursuing education as an avenue for successful re-entry. Some of these ex-convicts have begun to secure PhD’s and have been conducting research as well as teaching various university courses in Sociology and/or Criminology and Criminal Justice. Within this thesis the myths maintained by society surrounding crime and prisoners will be discussed. Using survey research, students majoring in Criminology and Criminal Justice (n = 186) at ISU …

Before It Rains, Veronica O. Parkman

All-Inclusive List of Electronic Theses and Dissertations

"For God so loved the world that he gave his only begotten son that whosoever believeth in him should not parish but have everlasting life." Contemporary Christian literature is becoming first choice in public libraries and bookstores throughout the country. From novels about end-time prophesy to autobiographies of world-renowned pastors, works written for and about Christians have reached an all-time high. Before it Rains is indeed, according to the scriptural definition of salvation found in the King James Version of the bible, a contemporary Christian novel; the characters must go through the biblical process of accepting Jesus Christ as their …

Burning Down The Trailer Park, Timothy Owen Davis

Boise State University Theses and Dissertations

This is a collection of short stories, all of which are set in High Point, NC.

Now Was Then, Then Is Now: The Paradoxical World Of Fahrenheit 451, Michael R. Labrie

Pell Scholars and Senior Theses

In the following essay, through the analysis and interpretation of Ray Bradbury’s novel, Fahrenheit 451, I will create a juxtaposition of the world that we live in today and compare it to the eerily similar version known as Elm City, in which Bradbury creates a dark representation of 21st century America. This essay will carefully analyze and interpret themes, symbols, and futuristic inventions in which Bradbury claims he was, “Trying to prevent futures,” as well as bring everyday uses and patterns of today’s society to light, revealing the prescient and prophetic text in which the novel encompasses

Meaningful Meaninglessness: Albert Camus' Presentation Of Absurdism As A Foundation For Goodness, Maria K. Genovese

Pell Scholars and Senior Theses

In 1957, Albert Camus won the Nobel Prize for Literature. By that time he had written such magnificently important works such as Caligula (1938), The Stranger (1942), The Myth of Sisyphus (1942), The Plague (1947), The Rebel (1951), and The Fall (1956). Camus was a proponent of Absurdism, a philosophy that realizes the workings of the world are inherently meaningless and indifferent to the human struggle to create meaning. Absurdism, however, is not a nihilistic philosophy. In The Myth of Sisyphus, The Rebel, and Caligula, Camus offers a foundation of optimism and morality.

From Main-Travelled Roads To Route 66: Transitions In Prairie Naturalism, Michelle Nicole Munkres

UNLV Theses, Dissertations, Professional Papers, and Capstones

To best represent a people of a specific spatial and historical context, literary texts must necessarily demonstrate a vested interest and familiarity of a region and its inhabitants’ common experiences. In examining one particular aspect of regional naturalism in American literature, this study explores the basic tenets of Prairie Naturalism as defined by three major authors: Hamlin Garland, Willa Cather, and John Steinbeck. The short stories in Hamlin Garland’s Main-Travelled Roads (1891) establish the foundation of Prairie Naturalism with meticulous attention to daily lives on the plains and with political strategies to improve the lives of the oppressed. Willa Cather’s …

An Examination Of The Life And Work Of Gustav Hasford, Matthew Samuel Ross

UNLV Theses, Dissertations, Professional Papers, and Capstones

While Stanley Kubrick's film Full Metal Jacket has remained in the national consciousness twenty years after its release, the author of its source material, Gustav Hasford, has not. Few people know or remember that the Oscar-nominated film was not an original work but was adapted by Hasford, Kubrick, and Dispatches author Michael Herr from Hasford's 1979 novel The Short-Timers. Fewer people remember that following the well-reviewed The Short-Timers Hasford published a sequel, The Phantom Blooper, as well as one final novel A Gypsy Good Time, a frenetic parody of detective fiction. To say that Gustav Hasford is primarily remembered as …

Hues, Tresses, And Dresses: Examining The Relation Of Body Image, Hair, And Clothes To Female Identity In Their Eyes Were Watching God And I Know Why The Caged Bird Sings, Alisha Priolo Castaneda

Masters Theses

Zora Neale Hurston's Their Eyes Were Watching God and Maya Angelou's I Know Why the Caged Bird Sings convey powerful relations between body image, hair, and clothes. Because a proper understanding of the theory of womanism provides a basis for comprehending the African American female's relation to herself and the world around her, a working definition and description of the term and its general significance to African American critical theory is provided in chapter two. The third chapter focuses on the general topic of body image in relation to black female identity and includes a more specific analysis of the …

Anxiety De La Historia: Understanding The Roots Of Spanglish In The Texts Of Junot Díaz, Kelsey A. Shanesy

English Honors Projects

In exploring Junot Díaz’s use of Spanglish, I propose that Díaz is driven by the anxiety of history—a phenomenon similar to the anxiety of influence, as articulated by Harold Bloom, but which focuses on the role of the Latino minority in this postmodern moment. I compare Díaz’s texts to Piri Thomas’s autobiography Down These Mean Streets, one of the original texts to utilize Spanglish, and Mumbo Jumbo by Ishmael Reed, a satirical novel about minority culture. Díaz’s vision of a future, Spanglish-speaking America is revealed to be the ultimate outcome of the anxiety of history’s influence on Díaz.

Staring Down The Barrel Of A Shotgun, Jill Marie Alexander

Morehead State Theses and Dissertations

A thesis presented to the faculty of the Caudill College of Arts, Humanities, and Social Sciences at Morehead State University in partial fulfillment of the requirements for the Degree of Master of Arts by Jill Marie Alexander on April 8, 2010.

Can We Really Make A Difference?, Michael Atten '12

2010 Spring Semester

Over the course of history, which type of person makes a bigger impact, an active manipulator fighting to stay alive or a passive observer floating along in the sea of life?

Slaughterhouse Five, by Kurt Vonnegut, and Maus, by Art Spiegelman, answered this question differently. Billy Pilgrim, the main character of Slaughterhouse Five, was so passive and uncaring about his fate that he effectively came “unstuck” in time. Conversely, Vladek Spiegelman of Maus put up a fight at every opportunity and never willingly traveled along in life. However, neither character made a difference on the events of the Second World …

The Possibility Of Female Autonomy In The Awakening And “The Yellow Wall-Paper”, Liana Nicklaus '10

2010 Spring Semester

Both The Awakening by Kate Chopin and “The Yellow Wall-Paper” by Charlotte Perkins Gilman present female main characters pursuing individual autonomy. At first, it would appear that both of these characters gain their freedom in the course of their respective stories. In The Awakening, Edna is able to escape from her husband into a new house, and pursue romantic interests with other men, and at the end of “The Yellow Wall-Paper,” the protagonist exclaims, “I’ve got out at last!” (Gilman 20). However, there are several elements in each piece which hint that liberation is not truly achievable. In actuality, societal …

Female Liberation In The Awakening And “The Yellow Wall-Paper”, Kevin Chen '10

2010 Spring Semester

Kate Chopin’s The Awakening and Charlotte Perkins Gilman’s “The Yellow Wall-Paper,” both initially published in 1899, present strikingly similar stories of the plight of women in society. Both texts adopt a markedly feminist bias, narrated from the point of view of a female protagonist who wrests with the restrictive conventions of a misogynistic society before finally breaking free through separation from the thinking world, via suicide in The Awakening and insanity in “The Yellow Wall-Paper.” Some would argue that the women themselves are flawed, through either mental instability or rampant libido, and thus the stories are skewed through the eyes …

Crane And Chopin: Ideas Of Transformation, Vijay Jayaram '11

2010 Spring Semester

Though Stephen Crane’s Red Badge of Courage and Kate Chopin’s The Awakening are largely considered unrelated novels, they share one major idea: that of the failure of transformation. This is depicted in the respective evolutions of Crane’s Henry Fleming and Chopin’s Edna Pontellier, each of whom suffers a loss of identity in their respective awakenings. This idea is borne not out of imagination, but rather, the experiences of the authors themselves. Crane created Fleming to satirize his post-war world, while Chopin invented Edna to do the same in her sexually repressive society. Through the unsuccessful evolutions of their protagonists, these …

Puppies, Pearls, And Corpses On The Road: F. Scott Fitzgerald’S Treatment Of Women In The Great Gatsby, Eleanor Cory '12

2010 Spring Semester

“…That’s the best thing a girl can be in this world, a beautiful little fool” (21). These are the words of Daisy Buchanan, a woman around whom the entire novel seems to revolve. Her story is one of a woman who loses her first love and instead marries a man who proved unfaithful and angry. Knowing that the story was written as a critique of society at the time, one might expect Daisy to eventually empower herself to leave this situation and escape the stereotype of the weak woman. The actual story could not be more different. In his attempts …

Going No Place?: Foreground Nostalgia And Psychological Spaces In Wharton's The House Of Mirth, Sean Scanlan

Publications and Research

This essay argues that the power of Edith Wharton's The House of Mirth comes not from Lily Bart's function as a mere symptom of historical and economic pressures, but from the complex narrative and psychological process by which she negotiates a sequence of homes and their repeated collapse. Informing this process is nostalgia, a feeling that frames Lily Bart's step-by-step fall from riches to rags. Reading Lily via cognitive and family systems approaches suggests that Lily's rootlessness is predicated on a subtle transformation from her reliance upon simple “background” (aesthetic and monetary) nostalgia to a more complex and overwhelming “foreground” …

The Hacker And The Hawker: Networked Identity In The Science Fiction And Blogging Of Cory Doctorow, Robert P. Fletcher

English Faculty Publications

No abstract provided.

Memories Cloaked In Magic: Memory And Identity In Tin Man, Anne Collins Smith

Faculty Publications

In Replications: A Robotic History of the Science Fiction Film [Urbana and Chicago: University of Illinois Press, 1995], J. P. Telotte argues that "through its long history, one that dates back to the very origins of film, this genre [science fiction] has focused its attention on the problematic nature of human being and the difficult task of being human." [1-2] The thesis of the book, he states, is "relatively simple—that the image of human artifice ... is the single most important one in the genre. [...] Through this image of artifice, our films have sought to reframe the human image …

" Lu-Li-Lunacy And Sorrow:" The Grotesque In John Irving's The World According To Garp, Nicole J. Homer

Theses

No abstract provided.