Literature in English, North America, Ethnic and Cultural Minority Commons^™

Inappropriate Attire: Fashion, Nationality, And Shame In Quicksand And Pachinko, Minyoung Park

CLCWeb: Comparative Literature and Culture

In her article, Minyoung Park examines how fashion in Quicksand by Nella Larsen and Pachinko by Min Jin Lee functions not simply as a visual strategy for passing but as a site where the wearers’ conflicting feelings—shame, desire, and defiance—emerge and persist. Rather than evaluating the success or failure of passing, the article shifts focus to the process of dressing—selecting, maintaining, and reflecting on clothing—through which identity is negotiated and feelings are embodied. The protagonists, Helga and Sunja, often dismissed as failures, are reconsidered as figures whose attention to their inappropriate or excessive fashion reveals their emotional labor and strenuous …

Why Are Men So Obsessed With Pornography? Andrea Dworkin Was Right, Robert Jensen

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

The Communal Lyric: Poetry In Devotional And Oppressed Communities, Michael N. Yacoub

Theses and Dissertations

This thesis investigates the interaction between lyric and community; it asks what a communal lyric is, how it functions, and to what ends. In Chapter One, I compare Jonathan Culler’s performative model of lyric with the theory of Takhyīl as expounded by Arab philosopher-critics al-Farabi, Ibn Sina, and al-Qartajanni to argue that a communal lyric is a form of audience-oriented public discourse distinguished by formal features that prompt the poem’s (re-)iteration and establish an interpersonal relationship with the audience in order to influence them and make shareable value claims about the world. In Chapters Two and Three I provide close-reading …

How To Walk On Water: Living Through The Absurd, Esther Du

Masters Theses

Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …

Negotiating (Im)Migrant Identity In The (Un)Assimilated Nation: American Literature Of The Late Nineteenth Century, Haley M. Steffens

English Language and Literature ETDs

This dissertation examines representations of immigration, assimilation, and multinational cultural identity in late nineteenth-century American literature, autobiography, and print culture. Through a comparative analysis of diverse authors and immigrant communities, the project explores how literary and popular culture narratives framed the expectations and limitations of assimilation for disparate populations. By contextualizing these works within historical immigration policies, labor economies, government instability, and burgeoning nationalism, this study reveals how fiction and media shaped public attitudes toward assimilation and influenced policy. Ultimately, this dissertation argues that late, long-nineteenth-century literature functioned as both a reflection of and response to national debates about immigration, …

Langston Hughes And The “Afro-American Narrative” Tradition, Paul Haynes

Theses and Dissertations

After introducing Langston Hughes and defining Robert B. Stepto’s “Afro-American narrative” tradition, Chapter One presents a biography of Hughes from his birth in 1902 until he came under the patronage of Charlotte Osgood Mason in 1927. Chapter One also addresses the aesthetic expectations of the Harlem Renaissance and the extent to which Hughes either met or failed to meet those expectations. Chapter Two presents a reading of Not without Laughter as an integrated narrative, addressing how Hughes’s authenticating strategies and Mason’s authenticating devices evenly control the novel. Chapter Three presents a reading of Hughes’s short-story cycle, The Ways of White …

Deflecting Voyeurism: Elizabeth Keckley’S Indictment Of Capitalism And Rejection Of The Exploitative White Gaze, Laura Steel

Theses and Dissertations

This paper analyzes the ex-slave narrative Behind the Scenes, or Thirty Years a Slave and Four Years in the White House by Elizabeth Keckley through a Marxist and Romantic lens as a means to explore the impact of capitalism on Keckley while enslaved, as well as post-slavery. Through the paper, the author argues that Keckley successfully deflects the white voyeuristic gaze by replacing her physical form with clothing that she creates, as a means to both indict capitalism and reclaim ownership over her body. Further, the paper argues that Keckley employs Romanticism to highlight the unnatural capitalist roots and subsequent …

Capturing The Realities Of Space And Culture: An Exploration Of Landscape In The House On Mango Street And Woman Hollering Creek, Leanna C. Mendiola

Theses and Dissertations

ABSTRACT

Capturing the Realities of Space and Culture: An Exploration of Landscape in The House on Mango Street and Woman Hollering Creek (May 2025)

Leanna Carmela Mendiola, B.A., Texas A&M International University; Chair of Committee: Dr. Zachary Hernandez

This thesis explores Sandra Cisneros’s The House on Mango Street and Woman Hollering Creek. Cisneros’s books explore the landscape and culture around her characters as readers piece together the experiences of women. The two novels use architectural elements to examine each book’s protagonists’ community and culture. The thesis argues that Cisneros employs space and place to underscore empowerment and the characters’ journeys …

Examining The Connections Between Gender, Identity, And Land In Leslie Marmon Silko’S Ceremony And Rudolfo Anaya’S Bless Me, Ultima, Denise Perez

Theses and Dissertations

This thesis explores the representation of gender, identity, and land in the novels Ceremony by Leslie Marmon Silko and Bless Me, Ultima by Rudolfo Anaya. To understand the role of gender in the novels, women are analyzed as sources of salvation and refuge for men. The male protagonists seek a “cure” or an understanding of themselves, and they are only able to achieve this through the nurturing of the women in their lives. This thesis also examines how the male protagonists develop their masculinity through the formation of a bond with the Earth, their homeland, and nature. In Ceremony and …

Exploring Black Identity In Chester Himes’ Cotton Comes To Harlem, Jowan Williams, Matthew Carlson

Undergraduate Research (Journal)

Chester Himes’ 1965 novel, Cotton Comes to Harlem, is perhaps his most celebrated and renowned work. The novel is firmly rooted in the detective fiction genre; however, Himes loads the text with so many rich racial concepts that it also functions as a political piece. His characterization of the novel’s protagonists, Detectives Coffin Ed and Grave Digger, whose identities are trapped between being officers of the law and civilians of Harlem, highlights Himes’ personal identity struggles. Likewise, the text’s villains, Rev. Deke O’Malley and Colonel Robert Calhoun, play on the nostalgic question of black identity in America, which has ties …

The Shame Of (Be)Longing In Jamaica Kincaid's Lucy, Grace S. Miholic

All Theses

This thesis examines the role of shame in Kincaid's Lucy. Separated into four separate sections, the thesis moves through Lucy’s relationship with her boss, Mariah, her Antiguan mother, and the shame that is identified at the end of the novel. In the introduction, I identify the passage that frames the novel around shame. I then identify my thesis, which centers around Lucy’s shame and her inability and refusal to situate herself with neither Mariah nor her mother’s expectations. The second section of the thesis revolves around Mariah and the form of feminism that skews her perception and expectations of …

Pecan Grove Review Volume 22, St. Mary's University

Pecan Grove Review

Creative writings by students, faculty, and staff of the St. Mary's University community.

“Time Is Our Only Ally!”: Indigenous Heroism And Native Slipstream In Turok, Son Of Stone, Justin Wigard

Heroism Science

In this article, I draw on Frederick Luis Aldama’s framework of Graphic Indigeneity to revisit the long history of an Indigenous hero figure in comics: Turok, a pre-Columbian Mandan warrior lost in a prehistoric space known as the Lost Valley. First appearing in Dell’s Four Color Comics #596 (1954), Turok has appeared throughout comics history for nearly 70 years, primarily written and drawn by white creative teams, yet a visually, narratively prominent Indigenous hero in the comics page, one who has periodically been a top-selling popular character in the comics industry. To this end, I argue that Turok is a …

Negotiating Home In The Long Poem: Amatoritsero Ede’S Transpatiality, Mathias Iroro Orhero

Faculty Publications

In this paper, I argue that Amatoritsero Ede uses the long poem to negotiate the idea of home in an African diasporic context. As a form that carries the implications of length, time, and space, the long poem has been used by poets to interrogate the way we structure the world and to deconstruct grand narratives. The figure of the Black immigrant is one that destabilizes grand narratives of nationalism. This makes the form important in its capacity to ask important questions about nation and tradition even as it transgresses them. As a writer from the Niger Delta, a marginal …

Review Of: Born Amish: Life Before The Ex-Communication—Ann Stoltzfus Taylor, Amy Schlabach

Journal of Amish and Plain Anabaptist Studies

The account begins on the night of the author’s birth. Ann Stoltzfus Taylor was the first child born to her parents, Gid and Lizzie Stoltzfus, a well-known Amish couple living near Intercourse, Pennsylvania. Stoltzfus Taylor gives us a brief history of the home she grew up in, as well as introducing us to her family. Various aunts, uncles, and grandparents are described, along with memories associated with each person. She writes about her great-grandfather, nicknamed “Wild Gid,” who apparently was not a model Amishman. The chapter ends with a few stories of tragedies and stories of fun and bonding with …

Review Of: A Road Less Travelled; Going Back To My Roots; And Traveling Solo But Never Alone—Christopher Petrovich, Robert Alexander, Danny Kohlar, Darrell Yoder

Journal of Amish and Plain Anabaptist Studies

People that are interested in joining the Amish or Mennonites are often referred to as “seekers.” And such they are, though in a sense we are all seekers, looking for that better country. It is a mistake to think that all seekers are the same, for their personalities, motivations, and “position on the road” are all different. [First paragraph.]

‘Keeping It Real’ Goes Wrong: Deconstruction Of Masculinity In The Work Of Jay-Z And Kendrick Lamar, Leo Mcmahon

Theses and Dissertations

Jay-Z and Kendrick Lamar use their latest albums, 4:44 and Mr. Morale and the Big Steppers, to address the wake of damage their behaviors have caused. On a personal level each artist apologizes to their wife for infidelities, but along the way they deconstruct performances of masculinity that have dominated popular hip-hop music since the late 1980's. Highlighting the pressure the music industry puts on hip-hop artists to perform a hyper-sexual, hyper-violent masculinity, I argue that the artists join the genre of African-American autobiography to reveal the inauthentic performances of 'realness' in hip-hop. Posturing as representatives of African-American men, …

Asian-American Literature And The Family Saga: Cyclical Histories Of Racial Melancholia And Racial Dissociation, Molly Schwarz

Dissertations and Theses

This paper analyzes the novels The Namesake by Jhumpa Lahiri, Pachinko by Min Jin Lee, and Miss Burma by Charmaine Craig and argues how the family saga within Asian American literature draws out elements of the diaspora to best share histories across different ethnic and racial groups. There is a brief overview of the development of Asian-American literature and an explanation of how hyphenated identity is intrinsic to diasporic literatures, and then further discussion of how each of these novels contributes to the legacies of Asian-American writing and storytelling. Then, each novel is analyzed for how the various family saga …

The Devil In The Forest: How Le Guin Subverts A Tired Trope, Andrew Debella

UKL: The Journal of Ursula K. Le Guin Studies

Scholars understand Ursula K. Le Guin's 1972 The Word for World is Forest as a critique of settler-colonial history, but no academic interest has been given to how this novel also comments on the American religious imagination. This article reveals that Le Guin's allegory to Vietnam replicates the 'devil in the forest' trope to expose how a religiously inspired good/evil dichotomy shaped xenophobic attitudes toward the Vietnamese during the 1970s. By tracing the depictions of Native Americans through American fiction and Captivity Narratives, this article further demonstrates how Le Guin’s novel deploys similar tropes to expose and critique their influence …

James Baldwin’S Connecticut Decade, 1954-1963, Andrew Lopez

Information Services Staff Publications and Presentations

No abstract provided.