Literature in English, British Isles Commons^™

Modernism’S Wild Child: The Interplay Of Modernist And Children’S Literature, Rachel Riffel

All Master's Theses

Within literary criticism, American and British modernism are often characterized by the disillusioned writers and creators who established an elitist literary community during the early 20^th century. This period is also distinguished by the Harlem Renaissance highlighting Black art, culture, and writing. Gertrude Stein, T. S. Eliot, Langston Hughes and Arna Bontemps are well-known for contributing core texts to modernism and the Harlem Renaissance that expressed existential themes and developed experimental techniques. What many readers don’t know, however, is that these authors and many other contemporaries wrote stories and poetry for children. In this thesis, I explore the children’s …

What To Do With An Improper Woman: Gender Roles And Their Repercussions In Great Expectations, Abby Shaver

Laurier Undergraduate Journal of the Arts

No abstract provided.

Mad Or Uncontrollable? Reading Female Madness In Three Gothic Texts, Amy Marie Bueno

Dissertations and Theses

My thesis employs comparative close reading framed by disability studies to analyze representations of female madness in Charlotte Brontë’s Jane Eyre, Jean Rhys’ Wide Sargasso Sea, and Isabel Allende’s “If You Touched My Heart.” Drawing on theories of socially constructed disability, it argues that Bertha, Antoinette, and Hortensia are framed as “mad women” not through inherent pathology, but through patriarchal violence, colonial domination, and institutional power. By integrating the social model of disability with feminist theory, this thesis examines how women are rendered disabled within societies influenced by Social Darwinism and eugenic ideologies.

This thesis further incorporates Gothic theory and …

[Introduction To] Shakespeare And Identity In A Divided World, Kristin M.S. Bezio

Bookshelf

Shakespeare and Identity in a Divided World examines some of the most pressing issues about identity and so-called identity politics in the highly polarized twenty-first century. The book uses Shakespeare’s plays and the history of sixteenth and seventeenth-century England to discuss gender, race, mental health, disability, and fatness as they were perceived in Shakespeare’s age and then considers ways in which audiences, readers, and classrooms might use them to think about those same topics in the twenty-first century.

The book includes discussion of both Shakespeare’s text and contemporary productions, films, and reimaginings of those plays, as well as the historical …

Spear, Perilous Times, And The Bright Sword: Radical Reinventions Of The Arthurian Legend In 2020s Literature, Brigid Flanagan

Honors Theses

The story of King Arthur has been told time and time again, emerging most recently as a major literary fascination for fantasy writers. The huge body of Arthurian literature published in the 20th century has been well-documented. Raymond H. Thompson’s The Return From Avalon surveys nearly two hundred works published from 1882 to 1983, noting trends and common themes that emerge over this collection. Several more scholars have examined modern Arthurian literature within a smaller scope, including Shiloh Carroll who looks into certain trends across both 20th and 21st century texts. Particular works have been the focus of closer analysis, …

As If It Were Food: A Prose Translation Of The Old English Genesis B, Kane R. Malone

Electronic Theses & Dissertations (2024 - present)

The anonymous Old English poem known as “Genesis B” comes down to us as one of the most inherently human retellings of the Fall of Adam and Eve. Despite this, the piece is seldom read by the average twenty-first century middle-school learner. The poem, originally penned in Old English, has been translated into modern English numerous times, yet as I read through a variety of these translations, they all seemed to downplay the human element which I found intriguing. Thus, I created my own translation of “Genesis B” with a more general audience in mind, looking to create something that …

"Sing It Again": Linguistic Medievalisms In Geoffrey Hill And Seamus Heaney, Christian Cotten-Dixon

Honors College Theses

This study examines the use of early medieval structure and language in the poetry of Seamus Heaney and Geoffrey Hill, focusing on their near-contemporary collections, North and Mercian Hymns. Both collections use etymological and poetic structures to fashion an imagined medieval past in order to discuss personal and cultural narratives of history. Leveraging these structures in poetry and digging them out of past strata like a material artifact, Heaney and Hill collapse linear systems of time and language and access past word forms even as they evolve. This archaeological approach to poetry gives them the means to place the …

Masses And The Gothic In The English Novel: 1700-1820, Szu Ying Chen

Electronic Theses & Dissertations (2024 - present)

This dissertation studies the eighteenth-century English novel and expands the understanding of realism by rereading realist novels through Gothic representations of the masses. The conventional understanding of realism is shaped by Ian Watt’s canonical concept of “formal realism” in The Rise of the Novel and Jürgen Habermas’s conception of the bourgeois public sphere. It identifies realism with a vision of civility grounded in the modern individual and bourgeois social reality. However, the masses and the Gothic challenge this conception of the novel’s realism by representing the social as constituted by collective agency, political violence, and struggles over power rather than …

Abject And Uncanny Manifestations Of Sexuality And Sexual Desire In Nineteenth-Century Gothic Literature, Varvara Kuznetsova

Theses and Dissertations

This thesis explores the ways in which psychoanalytic concepts of the abjection and the uncanny were used to depict monsters and monstrous bodies in nineteenth-century Gothic literature as a site of social, cultural, and sexual transgression. Through the intersections of queer theory, monster theory, and psychoanalytic theory, I examine and analyze depictions of women as monstrous figures in Samuel Taylor Coleridge’s Christabel (1816), Mary Shelley’s Frankenstein; or, The Modern Prometheus (1818), and Sheridan Joseph Le Fanu’s Carmilla (1872). In particular, I aim to detail how language and descriptions of women monsters become coded elements that reveal monstrosity and transgression.

Masculine Devotion And Moral Decay: The Paradox Of Chivalry In Malory's Le Morte Darthur, Julia Annunziato

Graduate Studies Theses and Dissertations 2026

This thesis investigates how, within Sir Thomas Malory’s Le Morte Darthur, the concept of chivalry as a literary construct is misunderstood and misrepresented by the knights who attempt to uphold it. Through a close reading of Le Morte, this paper concludes that Malory presents chivalry not as a coherent moral code, but as a paradoxical system that both promotes and undermines the values it claims to uphold. While chivalry is typically meant to emphasize honor, loyalty, and spiritual devotion, Malory’s narrative reveals how these ideals are compromised by structures of masculine competition, performative identity, homosocial desire, and corrupted …

Nonbinary Gender Performance And Self-Identification In Mary Shelley's Frankenstein, Lillian R. Durr

Graduate Theses/Dissertations

Mary Shelley’s 1818 novel Frankenstein, a text informed by a rich Romantic era philosophical tradition, has produced an expansive contemporary body of transgender studies scholarship. Building on transgender literary studies of Frankenstein, my thesis analyzes the difference between the monster’s internalized self-perceived identity and their externally performed and perceived identity. I interpret the difference between the monster’s internal and external identity as an analogy through which to understand contemporary nonbinary experiences. The “performance” of gender that Judith Butler describes is a limited expression of an internal, inescapable, ontological experience of self-identification. The monster’s own social experience illustrates the …

Tolkien’S Glee: A Reading Of The Songs In “The Hobbit” And “The Lord Of The Rings” (2025) By John R. Holmes, Douglas Charles Kane

Journal of Tolkien Research

Book review, by Douglas C. Kane, of Tolkien’s Glee: A Reading of the Songs in “The Hobbit” and “The Lord of the Rings”, by John R. Holmes

A Self-Reflective Destruction Of Humankind: A Christian Eco-Theological Reading Of W. B. Yeats’S “Second Coming”, Kehan Yang

Compass: An Undergraduate Journal of American Political Ideas

This essay proposes an innovative reading of W. B. Yeats’s poem “The Second Coming” through a lens of Christian Eco-theology as explained by Fr. Seán McDonagh in Pluriverse: A Post-Development Dictionary. It demonstrates how literature may efficiently bring topics of environmental protection, anti-war ideology, and theological allusion into integrity.

The High Hallow: Tolkien’S Liturgical Imagination (2025) By Ben Reinhard., Tom Emanuel

Journal of Tolkien Research

Book review, by Tom Emanuel, of The High Hallow: Tolkien’s Liturgical Imagination (2025) by Ben Reinhard.

A Small Red Flame: Negative Theology And Divine Presence In Brideshead Revisited, Camille Floyd

Student Scholar Symposium

In Evelyn Waugh’s novel Brideshead Revisited, Captain Charles Ryder slowly and unassumingly converts from atheism to Catholicism. Waugh subverts the stereotypical conversion narrative, which defines systematic theology strictly defines as a person’s “turn” or “move towards” God. Negative theology, also known as apophatic theology, is an approach that relies on negation to describe divine nature. Looking at Brideshead Revisited through the lens of negative theology notices a subversion of the conversion narrative to see how God works invisibly, overtime, and in ways not translatable to the human vocabulary. Through memory, Charles Ryder’s experience transforms. He glimpses divine presence at work …

Tolkien Among The Theologians (2025) Edited By Austin M. Freeman, Tom Emanuel

Journal of Tolkien Research

Book review, by Tom Emanuel, of Tolkien among the Theologians (2025), edited by Austin M. Freeman

Women Made By Oscar Wilde, Lia Fowler

Departmental Honors & Graduate Capstone Projects

This analysis examines Lady Windermere’s Fan and An Ideal Husband, arguing that Oscar Wilde categorizes women within restrictive moral binaries of “good” and “bad.” Both plays depict women navigating social expectations, private honor, and the idea of a pure marriage; however, despite their central roles, female characters are not portrayed as empowered with appropriate agency. Wilde renders the women as contradictory, dangerous, shifty figures if they try to operate outside of marital bounds. While Wilde’s plays foreground women in prominent positions, they largely reinforce, rather than challenge, the gendered stereotypes of late Victorian society.

Emphasis On The External: Deceptive Beauty In Lady Audley’S Secret And The Picture Of Dorian Gray, Arden Cravy

Honors Theses

The novels Lady Audley’s Secret by Mary Elizabeth Braddon and The Picture of Dorian Gray by Oscar Wilde both present major themes of beauty, authenticity, and morality while maintaining their didacticism. This thesis comes as a surprise due to the beliefs and intentions of the authors, both of whom claim other motivations than the betterment of their readers. The parallels between these narratives ascribe to the fallible Victorian perspectives regarding external appearance and internal motivations. The danger of assumed authenticity becomes apparent in these authors’ works as they grapple with the realities of human nature. Wilde and Braddon each depict …

“Mysterium Tremendum Et Fascinans”: Melian’S And Lúthien’S Numinosity, Alexandra (Oleksandra) Filonenko

Mythopoeic Society Seminar Proceedings

At the heart of all the positive changes in Middle-earth, and at the starting point for undoing the great evil wrought by male characters (divine or otherwise), are two female characters: Melian the Maia and her daughter Lúthien. They form a kind of mythological complex of mother and daughter goddesses, similar to that of Demeter and Persephone. Melian, as a static, maternal figure, forms a sacred centre of Beleriand to which all in need of protection gravitate, while Lúthien, representing a dynamic principle, can be considered the greatest hero of Tolkien’s Legendarium, performing feats unmatched by any male character. Yet …

Everyday Life In The Work Of Virginia Woolf, Diana Saverin

English

This paper argues that Virginia Woolf’s fiction and nonfiction are devoted to representing everyday life — what she termed “moments of non-being” or the “cotton wool” of daily existence. Through close readings of The Years, Mrs. Dalloway, The Waves, and To The Lighthouse, I demonstrate how Woolf’s attention to the mundane captures the kinds of ordinary experiences that often elude representation, frames engagement with daily life as essential to psychological survival and exposes the gendered nature of domesticity. In Mrs. Dalloway and The Waves, characters who sustain interest in everyday routines survive, while those unable to balance moments of being …