Literature in English, British Isles Commons^™

The Poetry Of William Forbes Of Disblair (1661-1740), William Donaldson

Studies in Scottish Literature

Arguing that the early 18th century Scottish poet William Forbes has been given too little attention, introduces some of the issues in settling the canon of Forbes's work, and discusses both Forbes's anti-Union political poetry, notably The True Scots Genius, Reviving (1704), and A Pil for Pork-Eaters (1705), and his later dialogue on marriage, Xantippe: or the Scolding Wife (1724), an original development from a Latin dialogue by Erasmus. An appendix gives details of the eleven published poems attributable to Forbes.

‘I Am Just As Typically Scottish’: G.S. Fraser As Scottish Poet, Richie Mccaffery

Studies in Scottish Literature

Discusses the poetry and poetic career of G. S. Fraser (1915-1980), both in the 1940s when he was regularly identified as a Scottish poet, and later in his life, arguing that the hostility of Scottish critics to his poetry in the 1950s (when he also built a substantial reputation as a London-based critic and reviewer) was unjustified, leading to the neglect of his substantial and continuing poetic achievement, and encouraging too narrow a definition of Scottish poetry.

The Roy Manuscript Of Burns’S 'To John Syme', Patrick Scott

Studies in Scottish Literature

Describes the only known authorial manuscript of a short poem by Robert Burns, now in the G. Ross Roy Collection at the University of South Carolina, providing a collation of variants among the early texts, and discussing the reliability of the transcripts of such Burns epigrams or versicles made by Burns's friend John Syme, on which editors must rely for other Burns items.

Contributors To Ssl 45.2

Studies in Scottish Literature

Biographical information on contributors to SSL 45.2

‘Weill Auchtyn Eldris Exemplis Ws To Steir’: Aeneas And The Narrator In The Prologues To Gavin Douglas’S Eneados, P. J. Klemp

Studies in Scottish Literature

Discusses the translation of Virgil's Aeneid into Middle Scots by Gavin Douglas (1474-1522), the first translation of a major classical work into either Scots or English, analyzing the role of the narrator/translator in the prologues Douglas wrote, and arguing that by blurring the boundary between his own prefatory material and the Virgil text he was translating, Douglas brought the two elements into relationship to form a unified epic masterpiece.

Books Noted And Received, Patrick Scott

Studies in Scottish Literature

This list covers a first group of the books received or noted since publication of SSL 43:2; this preliminary proof version will be expanded shortly, and further titles from this period will be noticed in a future issue. Inclusion in this list need not preclude possible subsequent discussion in a more formal review.

Michael Field : Decadent Moderns, Sarah Parker, Ana Parejo Vadillo

Ohio University Press Open Access Books

In the last twenty years, Michael Field has emerged as one of the most fascinating poets of the Victorian era. Through their collaborative partnership as “Michael Field,” Katharine Bradley and Edith Cooper engaged in the aesthetic and decadent movements of the fin de siècle, while their poetry and verse drama articulate ideas associated with the New Woman and boldly express queer and lesbian desire. Michael Field: Decadent Moderns extends the focus on these key literary and cultural contexts by emphasizing their continuing significance within twentieth-century literary modernism. Through a series of interdisciplinary essays, this book addresses Michael Field’s energetic engagements …

The Conclusion In Which Nothingness Is Concluded, Marissa Rimes

Student Scholar Symposium Abstracts and Posters

Samuel Johnson’s The History of Rasselas, Prince of Abyssinia is ironically most often classified as an “oriental philosophic tale,” but is rarely analyzed from the point of view of oriental philosophy. Although Buddhism’s ambiguities, inwardness, and nothingness, provoke anxiety in Western critique, Johnson’s The History of Rasselas, Prince of Abyssinia does something unique from eighteenth-century British thought in that it disavows this Buddaphobia by actively employing a similar line of thought. Through the lens of a Buddhist framework many of the text’s renownedly gloomy implications, in regard to its circular structure and inconclusiveness, are freed from the great sludge of …

A Review Of Annika Mann, Reading Contagion, By Michael Edson, Michael Edson

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Annika Mann, Reading Contagion, by Michael Edson

Review Of Novel Ventures: Fiction And Print Culture In England, 1690-1730 By Leah Orr, Susannah Sanford

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Novel Ventures: Fiction and Print Culture in England, 1690-1730 by Leah Orr by Susannah Sanford

Review Of Margaret Cavendish’S Poems And Fancies, James Fitzmaurice

ABO: Interactive Journal for Women in the Arts, 1640–1830

Liza Blake’s free website is sure to become the first stop for anyone beginning work with Poems and Fancies. Most importantly for those who want to explore Cavendish's poetry in depth is that fact that Blake’s website provides an easy means of comparison of versions of poems printed in the 1653, 1664, and 1668 editions.

The Strength Of Weak Ties: Eliza Haywood’S Social Network In The Dunciad In Four Books (1743), Ileana Baird Dr.

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article uses visualizations of Eliza Haywood’s social networks, as described in The Dunciad in Four Books (1743), to make visible her relations with the other characters in the poem, and the nature of these affiliations. The tools used to generate these visualizations are GraphViz, an open source visualization software that creates topological graphs from sets of dyadic relations, and SHIVA Graph, an application used to visualize large sets of networks and navigate through them as through a map. In Eliza Haywood’s case, this model of social network analysis sheds new light on the nature of Pope’s attack on women …

Societal Polyphony In Burney And Austen: Using Digital Tools To Invite Students Into The Conversation, Bethany Williamson

ABO: Interactive Journal for Women in the Arts, 1640–1830

How can we invite our students to experience the social wit and wisdom of the eighteenth-century novel, on an interactive level? Addressing challenges faced by those who teach eighteenth-century novels in General Education surveys or seminar classes, this essay offers two lesson plans--easily adapted for different texts and courses--that use digital technology to engage students' imaginations and cultivate skills of reading comprehension and interpretation. The first, "Evelina Tweet Fest," invites students to participate in a collaborative conversation on a simulated Twitter platform, translating the literary polyphony of Frances Burney's epistolary novel into the language of our own, status-conscious milieu. …

Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas

ABO: Interactive Journal for Women in the Arts, 1640–1830

The History of Mary Prince, a West-Indian Slave, Related by Herself (1831) is the first published woman’s slave narrative. In her History, Prince describes horrendous physical violence to which she and other enslaved peoples of African descent are subjected as well as the corresponding psychological and sexual abuse they endure. While Prince “speaks” the sexual abuse to some extent, how she knows what she knows goes unspoken. She expresses her knowledge of reading and writing and, at times, of the law, but she does not explain how she obtains this knowledge or knows what she knows. Her optimism to …

“The Tranquility Of A Society Of Females”: Mary Morgan’S A Tour To Milford Haven, Elizabeth Montagu, And The Transformative Politics Of Female Governance, Linda J. Van Netten Blimke

ABO: Interactive Journal for Women in the Arts, 1640–1830

This paper explores the political function of Elizabeth Montagu’s Berkshire estate in travel writer Mary Morgan’s 1795 publication A Tour to Milford Haven, in the Year 1791. The travelogue is politically invested both in problematizing radical ideologies and the British government’s wartime policies and in providing an alternative model of governance based on the relational leadership found within Montagu’s Sandleford community. Of central importance to Morgan’s political argument is the contrast she creates between the socioeconomic philosophies manifest in Montagu’s perfectly ordered estate in Berkshire and in the Duke of Marlborough’s imposing palace in Oxfordshire. Whereas Montagu’s relational approach …

Interdisciplinary Lesson Plans To Study Art And Romantic Poetry (1775-1837), Luz Elena Ramirez

Q2S Enhancing Pedagogy

Enhanced Pedagogy funding has supported the design of three interdisciplinary lesson plans for California State University, San Bernardino students to study the relationship between art and Romantic poetry (1775-1837). Following the scholarship of Stuart Henry, William Condee exposes the problem in academe of “disciplinary hegemony.” Henry argues that “disciplines have come to control content, pedagogy and the organization of higher learning. Disciplines. . . become systems of power that control resources and access to dissemination” (Henry qtd. in Condee 4). Disciplinary hegemony fractures lines of continuity between subjects. My project seeks to facilitate a robust engagement with art and ancient …

Contradictory Shakespeare: An Investigation Of Female Protagonists In Othello, Measure For Measure, And Pericles, Mingyue Xu

Student Theses and Dissertations

Unlike the stereotyped image of women in the Elizabethan era, in which women should submit to men’s control, Desdemona in Othello, Isabella in Measure for Measure, and Marina in Pericles present their powerful and brave characteristics when facing male dominance. More specifically, all three young women — Desdemona, Isabella and Marina — negotiate sexual and marital arrangements with their language intelligently, despite the fact that they sometimes lack self-determining power in the plays. That is to say, Shakespeare gives women rhetorical power while in certain circumstances, men cannot be persuaded. Such contradiction within how Shakespeare depicts his female …

My Palate Hung With Starlight: A Gastrocritical Reading Of Seamus Heaney’S Poetry, Anke Klitzing

Articles

Nobel-prize winning poet Seamus Heaney is celebrated for his rich verses recalling his home in the Northern Irish countryside of County Derry. Yet while the imaginative links to nature in his poetry have already been critically explored, little attention has been paid so far to his rendering of local food and foodways. From ploughing, digging potatoes and butter-churning to picking blackberries, Heaney sketches not only the everyday activities of mid-20th century rural Ireland, but also the social dynamics of community and identity and the socio-cultural symbiosis embedded in those practices. Larger questions of love, life and death also infiltrate the …

British Poetry Of The Long Nineteenth Century, Beverley Rilett

Zea E-Books Collection

A Selection for College Students, including Charlotte Smith, William Blake, William Wordsworth, Samuel Taylor Coleridge, George Gordon Byron, Percy Bysshe Shelley, John Keats, Elizabeth Barrett Browning, Alfred Tennyson, Robert Browning, Emily Brontë, George Eliot, Matthew Arnold, George Meredith, Dante Gabriel Rossetti, Christina Rossetti, Oscar Wilde, and Mary Elizabeth Coleridge.

Includes biographical sketches.

doi 10.32873/unl.dc.zea.1096

A Psychoanalysis Of Rebecca West’S Unfinished Novel The Sentinel, Taylor Vesely

Honors Theses

This thesis applies a psychoanalytic lens to a little-known and unfinished manuscript by Rebecca West. There is little scholarship on The Sentinel but a wealth of knowledge to be gained from it about the complicated psychological dilemmas the suffragists suffered. West was writing at a critical period in feminist history that is still relevant today, and this novel, which would have been her first, lays the groundwork for many of her future works. Her depictions of sexuality, violence, religion, and motherhood provide an excellent framework for both her protagonist’s self-suppression and a compelling psychoanalysis. This thesis argues that the many …