Literature in English, British Isles Commons^™

History Of The Book: Arthurian Books And The (Counter-) Reformation, Blaire Zeiders

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Syllabus for book history-oriented senior-level course on representations of King Arthur in the Reformation and Counter-Reformation.

Away From Home: William Gifford Palgrave's Letters From India, 1847-1848, David E. Latane

English Publications

William Gifford Palgrave (1826-1888) became one of the great Victorian travelers, immortalized in a poem by Alfred Tennyson, “To Ulysses,” in 1888. The letters transcribed here are the record of his first voyage outward in 1847 as an Ensign in the 8th Bombay regiment of native infantry, just after his graduating with a First from Oxford. The letters are found in volume 5 of the Palgrave papers (British Library Add. MS 45738). The first letter is to his mother, dated 28 January 1847 from “Off Cape Mondego” in Portugal, and it describes life on board an outbound steamer. The last …

George Maclean, Letitia Landon, And The Rumour Of An Edinburgh Fiancée, David E. Latane

English Publications

Brief discussion of an unindexed note found in the microfilmed archives of the publisher Richard Bentley and Son that makes a claim regarding the puzzling marriage of the poet Letitia Elizabeth Landon ("L.E.L.) and the Scottish colonial administrator George Maclean. The note retails gossip about Landon's seduction by William Jerdan, and makes claims that her later marriage to George Maclean was marred by Maclean's having made a prior engagement with a Scottish woman, who later died when her dress caught fire.

The Widow Of Malabar: A Digital Edition, Mariana Starke

OER Student Projects

Mariana Starke’s The Widow of Malabar (1791) is a tragedy set on India’s Malabar Coast. The play depicts a widow reluctantly preparing to commit sati (the practice of a widow immolating herself on her husband’s funeral pyre). She becomes the point of contention in a conflict between a Hindu Brahmin and her former lover, the general leading an invading British force. Throughout the play, the Brahmins are portrayed as vicious barbarians, the British as noble harbingers of a more civilized way of life. The Widow of Malabar thus provides a valuable look into British views of India (and of its …

Towards A Revised Taxonomy Of Markings In 16th-Century English Bibles, Jeremy Specland

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

overview of hand-written annotations in early printed English Bibles

Early Modern Chronicle Readers: Authority And Discourse, Shaun Stiemsma

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Report of research findings on early readers of 16th century English chronicles.

200-Level Assignment Series: Book History Methods In An Introductory-Level English Literature Course, Simone Waller

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

No abstract provided.

Elizabeth Robins Portrays Working Women In Suffragette Literature: A Reflection Through The Lens Of The 2015 Film, Suffragette, Joanne E. Gates

Presentations, Proceedings & Performances

I place the 2015-released film Suffragette within a context of the efforts Elizabeth Robins made to document and, by witnessing, to advocate, the early phases of the British Women’s Suffrage Movement in England. Robins wrote and participated across margins. An expatriate American living in England, she had no personal advantage to gain with a franchise. In her late forties and in ill health, she took perhaps only "safe" opportunities to thrust herself into the fray. But as Jane Marcus points out, with her research on the play that became Votes for Women, she took efforts to experience how working-class …

Novelizing The Feminist Biography, From Nancy Milford's Zelda To The Present: What Are The Ethics Of Sourcing?, Joanne E. Gates

Presentations, Proceedings & Performances

This presentation arose out of two parallel tracks: the desire to novelize my own feminist biography of Elizabeth Robins and the awareness -- especially made acute in the essay on Emma Tennant's two treatments of the Sylvia Plath and Ted Hughes material by Diane Middlebrook, "Misremembering Ted Hughes" -- that for a novelist to base fiction on historical subjects risks not merely critical exposure; it also has its ethical and sometimes legal complications.

Anyone of a certain age remembers or can mark the impact of Milford's study of Zelda Fitzgerald, published 1970, the finalist in several book awards and scores …

"No, Not There": The Literary Precarity And Profundity Of Queer Spatiality, Samuel James Aftel

Theses and Dissertations--English

Love, broadly defined, needs space to grow. For love to materialize and sustain itself (in both literature and society), it must find hospitable geosocial, institutional, and psychic terrain. This is especially true for queer intimacies beyond heteronormative relationality, for the prospect of love’s radical––or reactionary––possibilities is contingent upon the more general sociality in which it develops. Yet love is often a worldmaking and, sometimes, historic mechanism unto itself. Love and its concomitant sexualities must therefore be understood within and without normative structures of hegemony; the workings of (neo)colonialism and capitalism––as well as patriarchy, white supremacy, and heterosexism––dictate to love, and …

Productive Disruptions: Using Commonplace Books To Resist Eurocentrism, Andie Silva

Publications and Research

No abstract provided.

Dispatches From The Home Front: Violet Hunt As War Writer And Reluctant Modernist, Heather M. Robinson, Melissa Dinsman

Publications and Research

The life and work of Violet Hunt showcases the tension between modernism’s challenges to Victorian and Edwardian literary and social traditions, and the conservatism, particularly with regard to gender norms, of many of the modernist canon’s key figures: institutions, writers and critics alike. Although her work was well regarded during her lifetime, and she was a central figure in London’s literary scene in the early-twentieth century, Hunt is now best known for her long, and ultimately disastrous, relationship with Ford Madox Ford. Her copious literary oeuvre, comprising seventeen novels, three collections of short stories, and several works of biography, translation …

Political Bodies In The Ulster Cycle: Space, Conflict, And Comedy In Scéla Muicce Meicc Dathó, Glenn S. Ritchey Iii

Honors Undergraduate Theses

Scéla Muicce Meicc Da Thó (SMMD; The Tale of Mac Da Thó's Pig) is a humorous Old Irish myth that takes its cues from its Ulster Cycle cousins, notably, An Táin Bó Cúailnge (The Cattle Raid of Cooley). The connective tissue is its cast, plot structure, and the author's mastery of cultural and storytelling traditions. SMMD is brief and rapid, which aids its near-absurdist representation of masculinity, kingship, and honor in heroic saga culture. This thesis uses postcolonial and medieval literary scholarship to analyze medieval and modern depictions of the Ulster Cycle. Contemporarily, the Irish …

Entail, Elopement, And Marriage Law In Pride And Prejudice, Lynda A. Hall

English Faculty Articles and Research

"The famous first lines of Pride and Prejudice, 'It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife' (3), alert the reader to a story about marriage. This 'universal' truth is presented ironically, of course, since it is the women without a good fortune who are in want of husbands. Remember that Emma Woodhouse indicates that she does not need to marry since she does not need “‘fortune’” or “‘consequence’” (E 84). But the Bennet sisters have neither, so '[t]he business of [Mrs. Bennet’s] life …

"Why Do You Keep Alone?:" Isolated Women In The Plays Of Shakespeare, Alexus Litchfield

College of Graduate Studies: Theses & Dissertations

The works of William Shakespeare have been well explored, but there is a lack of criticism that examines how the depiction of women is shaped by the genre of the play. Linda Bamber is one of the few critics who have explored this connection between gender and genre. However, while she focuses on the plays’ psychological dynamics, I examine the social dynamics between characters in my study of gender and genre. I suggest that, in both tragedy and comedy, isolation is a strong marker of unhappiness for Shakespeare’s female characters. Examining three tragedies, I find that Lady Macbeth, Goneril, Regan, …

Art, Propaganda, And Truth, Melissa Dinsman

Publications and Research

This essay explores how British and American writers and theorists in the first half of the twentieth century thought about art, propaganda, and truth. Focusing largely on literature written during the First and the Second World Wars, this essay shows that very few authors defined their art as propaganda or truth and instead used words like “political,” “resistance,” “information,” and “anti-fascist” to describe their wartime writing. However, while authors might have eschewed the term propaganda, that does not mean that they avoided producing it. As this essay illustrates, what many authors wrote would now be considered “propaganda.” Moreover, even if …

A Close Analysis Into The Portrayal Of Female Protagonists Through The Lens Of Gendered Authorship: Specifically Looking Into The Works Of Jane Austen, Frances Burney, John Cleland, And Samuel Richardson, Isabella G. Beyloune

Honors Theses

I explore the difference in gendered authorship in 18th century English literature. Choosing to focus on authors such as Jane Austen, Frances Burney, John Cleland, and Samuel Richardson, I aim to see if gender of the author matters in giving a realistic portrayal of eighteenth century British female protagonists, and if there actually is a difference depending on that gender (male or female, specifically). To do this, I perform case study comparisons. All chapters include a close textual analysis of the authors’ use of dialogue and narrative style for depicting their characters. Chapter 1 focuses on the comparison between Austen’s …

“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges

Comparative Woman

Attachment theory, or the theory that one’s personality and social development is informed greatly by the infant-parent bond, largely arises in the 1950s with the work of John Bowlby. Although the phenomenon was only then beginning to be scientifically evaluated, it has long been observed that the relationship one has with one’s parents is a determinant factor in one’s development. This work investigates the impact of the failure to heal the insecure attachment Amelie Opie’s Adeline Mowbray (1808). Adeline, having grown up in her distant mother’s intellectual shadow, develops a neurotic attachment to her mother which causes romantic maladjustment in …

Retelling Tales: Patience Agbabi's Queering Of Chaucer's "The Man Of Law's Tale", Caylin Wigger

Undergraduate Research Awards

Geoffrey Chaucer’s The Canterbury Tales is recognized as a formative text within the canon of English literature. Because of his widely known status, Chaucer and his writings have become the central focus of many medievalists; this does not simply mean the increased presence of critical writings, but also creative works that are inspired by The Canterbury Tales. Patience Agbabi’s Telling Tales is a contemporary poetic retelling of The Canterbury Tales in which she explores the origins of ideas such as diaspora, colonization, racialized thinking, social hierarchy, and binary thinking, only to question these ideas in her own writing. Author …

Don't Say Gay: Love Language In Coriolanus, Patrick Lynch

Dissertations and Theses

Coriolanus is one of Shakespeare's Roman plays, a sub-genre which also includes Titus Andronicus, Julius Caesar, and Antony and Cleopatra. The one element these plays have in common is the ideal Roman hero, the civis romanus, who meets a tragic end. These heroes are not generally considered queer as no free Roman male could allow himself, per social indoctrination instilled since youth, to take on a submissive role. However, Caius Martius and the relationship he maintains with Tullus Aufidius could arguably be seen as homoerotic or even, possibly, homosexual. This paper takes a closer look at …